175 résultats
1781232496Genève: n.p. 1781. 10 pp folding music; 13 folding plates. 524; 367 pp. 2 vols. 8vo. Contemporary half calf pink marbled boards red and black spine labels. Spines a bit rubbed one label of Vol. II chipped; interally clean. A nice set. 10 pp folding music; 13 folding plates. 524; 367 pp. 2 vols. 8vo. n.p. unknown books
1762WRCLIT60744Amsterdam: Chez Marc-Michel Rey 1762. Six volumes bound in three. xliii12451; iv184; iii11431; 4iii1blank284; iii1186; 4207pp. 12mo. Contemporary mottled calf spines gilt extra gilt labels. Illustrated with twelve engravings. Two joints separated a couple of others cracking slightly shallow loss at spine ends occasional scattered foxing and smudging but a good crisp set. Later edition dated the year following the first edition and declared a "contrefaçon" by Dufour. The plates are the engravings after Gravelot first published in Duschesne's RECUEIL D'ESTAMPES. of 1761. DUFOUR 96. Chez Marc-Michel Rey unknown books
192020112401Potsdam: Gustav Keipenheuer 1920. Limited Edition. Vellum. Near fine. No. 164 of 200 copies bound in full vellum quarto size 383 pp. entirely in German. John-Jacques Rousseau 1712-1778 remains a cornerstone today of modern philosophical thought; his work greatly influenced the Enlightenment and "the development of modern political economic and educational thought." <br/><br/>This work structured as a novel using the vehicle of letters between the protagonist ostensibly explores the themes of temptation sin betrayal and redemption. However "a philosophical theory about authenticity permeates through it as he Rousseau explores autonomy and authenticity as moral values." Immediately popular upon publication in 1761 the publisher was unable to keep up with demand resulting in copies being rented by the day "and even by the hour." <br/><br/>This publication in German is one of the 200 copies bound in full vellum with extensive gilt trim and lettering by Otto Dorfner and his Fachschule für Kunstgewerbliche Buchbinderei in Weimar and contains ten heliogravures from Moreau le jeune made in the shop of Franz Hanfstaegl in Munich. <br/><br/>___DESCRIPTION: Bound in full vellum with a decorative gilt border on both boards and a gilt decoration in the middle of the front board gilt decorations and lettering on the spine top edge gilt fore- and bottom edges rough-cut marbled endpapers the ten heliogravures bound in throughout limitation statement at the colophon this one of 200 copies bound in full vellum from a total edition of 1200 copies; printed in Didot-Antiqua on Zander laid paper by Mänicke und Jahn of Rudolstadt quarto size 9 7/8" by 7 7/8" pagination: 1-6 7-382 colophon. <br/><br/>___CONDITION: Near fine overall the vellum boards clean with some natural variation the bottom front corner gently bumped and the other corners all straight without rubbing a strong square text block with solid hinges the interior is clean and bright with several signatures unopened and entirely free of prior owner markings; one small mark on the back board a bit of soiling to the spine the front board slightly bowed as is common with vellum bindings and some old bookseller pencil notes on the flyleaf. <br/><br/>___POSTAGE: International customers please note that additional postage may apply as the standard does not always cover costs; please inquire for details. <br/><br/>___Swan's Fine Books is pleased to be a member of the ABAA ILAB and IOBA and we stand behind every book we sell. Please contact us with any questions you may have we are here to help. Gustav Keipenheuer unknown books
1804008040Metz: Collignon 1804. RARE. An XII XCVI 336; 392 383 pages. Three volumes bound in contemporary mottled calf the backs intricately gilt red morocco labels marbled end papers and edges. ribbon markers. Very Good small chips to calf head of spine Vol. I light edge wear a few small stains to calf. Internally clean bright and lovely. . First Edition. Mottled Calf. Very Good/No Jacket As Issued. 8vo - over 7¾" - 9¾" tall. Collignon Hardcover books
125093hardcover. 4 volumes. Frontis. other engraved plates. Thin 12mo finely bound in 19th Century full dark blue calf; elaborate gilt-decorated spines with raised bands gilt borders and inner dentelles a.e.g. Londres: Rousseau no date circa 1815. Near Fine.<br/><br/> unknown books
1815125095London: Rousseau 1815. hardcover. very good. 4 volumes. Illustrated with engraved plates. Thin 12mo finely bound in 19th Century full dark blue calf; elaborate gilt- decorated spines with raised bands gilt borders and inner dentelles a.e.g. Some scattered light foxing else near fine. Londres: J.J. Rousseau no date circa 1815.<br/><br/> Rousseau unknown books
175517646Dresde 1755. Contemporary ediiton the first edition was issued in Paris the same year. 8vo pp. 206. Bound in contemporary calf a very good clean copy. Tchemerzine Vol X pg 32d. unknown books
1768232486Paris: Chez la Veuve Duchesne libraire rue Saint Jacques au Temple du Goût 1768. Pirated edition issued in the same year as the first. 13 folding engraved plates of musique at rear. xii 547 1 pp. Lacking A1 half-title. 1 vols. 8vo. Half brown morocco red spine label marbled boards. Near Fine. Pirated edition issued in the same year as the first. 13 folding engraved plates of musique at rear. xii 547 1 pp. Lacking A1 half-title. 1 vols. 8vo. Dufour 251; Brunet VI 10105; Gagnebin V 1828 Chez la Veuve Duchesne libraire, rue Saint Jacques, au Temple du Goût unknown books
1779225996Dublin: Potts 1779. hardcover. very good. Translated from the French by Eloisa. 4 volumes. Frontispieces in volumes 1 & 4. Pages are age toned water stain on one frontispiece 12mo contemporary calf with red & black leather labels and gilt stamped spines rubbed. Dublin: J. Potts 1779.<br/><br/> Small ownership stamp at the bottom of each title page and inside front cover.<br/><br/> Potts unknown books
021580London 1787 and 1788: For E. White. Octavo. 2nd edition. Translated into English from the French of J.J. Rousseau with notes and twenty-four additional letters fully explaining the system of Linnaeus. Two books in one. First part: Half-title 500pp. 28pp index page 16 is mis-numbered 6. An additional title page dated 1788 titled "Thirty-Eight Plates with Explanations. This set of plates was intended to illustrate Linnaeus's System of Vegetables and Particularly Adapted to the Letters on the Elements of Botany in the University of Cambridge". All hand-colored plates present and one folding table. These plates by F.P. Nodder were not included with the first or second editions. They were later published to be added to the those editions and subsequent editions making them the first edition of plates with text. Bound together in a handsome 20th century 1/4 leather over marbled paper covered boards with vellum corners raised bands spine lettered in gilt. An exceptionally nice copy with glue ghost to front pastedown from bookplate. p. xxv numbered. See ESTC T69543; T137987. For E. White unknown books
S2558Gebbie and Company. Collectible - Very Good. Limited edition: # 51 of 56 copies. Philadelphia: Gebbie and Company 1902. 12 books in 6 volumes. 9.5x12.25" Brown leather with red/green/yellow highlights half leather hardcovers with light green cloth boards and gold lettering and design on spines. V1: 30 140pp; v2: 148pp; v3: 165pp; v4: 207pp; v5: 223pp; v6: 186pp. Includes B&W illustrations and light green cloth endpapers. Covers are clean corners & spine edges lightly rubbed/scuffed. Text blocks are tight. Pages lightly soiled. Gebbie and Company hardcover books
17639001992London: J. Nourse and P. Vaillant 1763. 1st. Hardcover. Very good. Translated from the French by Mr. Nugent. Bound in contemporary full-calf with the title stamped in gilt on the spine. First English language edition. Six engraved plates. Both half-titles present. Hinges attached by cords but little else. Rubbing and chipping to the head and heel of the spine and at the corners. Internally modestly foxed otherwise very good. <br/><br/> J. Nourse and P. Vaillant hardcover books
1793D1394Paris: Chez Belin Caille Gregoire Volland 1793. Hardcover. Very Good. Set: 35/37 volumes missing numbers 3 & 30. Full calf gilt border on boards gilt-stamped leather spine labels. Additional shipping charges may apply. <br/><br/> Chez Belin, Caille, Gregoire, Volland hardcover books
179040332Paris: Chez P. Didot fils aine de F. A. Dudot l'aine 1790. Large 4to 32 cm 12.75". xii 560 pp. <br><br>First Didot printing of Rousseau's poetry; he was to reprint the work in two volumes 12mo format in 1799. Cette edition a été imprimée au nombre de 250 exemplaires avec de nouveaux caractères gravés exprès par Firmin Didot sur du papier vélin de la fabrique de MM. Dervaud et freres Henry dAngoulême p. vi.<br>Â Â Â Â This was part of the continuation of the series originally printed for the education of the Dauphin.<br>Â Â Â Â Provenance: Bookplate of Louis Boutemy later owned by Tisseyre Boutemy.<br>Â Â Â Â WorldCat locates five U.S. libraries reporting ownership Pierpont Morgan NYPL State Library of Indiana St. Johns St. Catherine University. <br>Â Â Â Â <br>Â Â Â Â Brunet V 1491. 19th-century half red morocco and marbled boards rubbed at extremities; top edge gilt silk place marker. Foxing of a the lightest sort and that not "throughout." => A lovely copy. Chez P. Didot, fils aine de F. A. Dudot l'aine hardcover books
176136972London: Printed for R. Griffiths at the Dunciad and T. Becket and P. A. De Hondt at Tully's Head in the Strand 1761. 1st Edition in English Black. EPISTOLARY FICTION p. 155. Not listed in Grimm's TRANSLATIONS Of FOREIGN NOVELS. Period full calf with gilt decorated spines. Maroon leather title label in second compartment; black leather volume label in third compartment. Bindings as to be expected show some wear with a leather chip from the spine crown of Vol I and heel of Vol III. Faint vertical stress lines to spines. One protruding bifolium from Vol I. Withal a pleasing all-original VG set. 4 xiv xli 1 blank 291 1 blank; 4 285 3; 2 295 1 blank; 2 252 pp. Dialogue with separate dated title leaf. Printer's device to t.p. 12mo. 17 cm x 10 cm. <br/><br/>Rousseau a "Genevan philosopher writer and composer of 18th-century Romanticism of French expression. His political philosophy influenced the French Revolution as well as the overall development of modern political sociological and educational thought." Rousseau's epistolary novel Julie ou la nouvelle Héloïse was first published 1761 … and this the first translation into English was published in the very same year. "The novel's subtitle points to the history of 'Héloïse d’Argenteuil and Peter Abelard' a medieval story of passion and Christian renunciation. The novel was put on the Index Librorum Prohibitorum. Although Rousseau wrote it as a novel a philosophical theory about authenticity permeates through it as he explores autonomy and authenticity as moral values. A common interpretation is that Rousseau valued the ethics of authenticity over rational moral principles as he illlustrates the principle that one should do what is imposed upon him by society only insofar as it would seem congruent with one's 'secret principles' and feelings being constituent of one's core identity. Thus unauthentic behavior would pave the way to self-destruction." Wiki. The novel was extremely popular in its day touted by some as the top 'best seller' of the century. According to Black the novel saw 14 English editions by 1800. Today the first edition somewhat uncommon on the market. Printed for R. Griffiths at the Dunciad, and T. Becket and P. A. De Hondt, at Tully's Head, in the Strand hardcover books
00046London: 1781. In a Contemporary Morocco Binding Attributed To Derôme Le Jeune<br/><br/>DEROME Nicholas Denis aka Le Jeune binder; attributed to. ROUSSEAU Jean Baptiste. Œuvres de Rousseau. Nouvelle édition. London: 1781.<br/><br/>Two twelvemo volumes 4 5/8 x 2 13/16 inches; 118 x 72 mm. 4 252; 4 276 pp. Engraved frontispiece portrait by Delvaux in Volume I. <br/><br/>Contents: Volume I "Odes sacrées" "Odes Liv. II-IV" and "Cantates allégoriques." Volume II "Epitres Liv. I-II" "Allégories Liv. I-II" "Epigrammes Liv. I-IV" and "Poésies diverses."<br/><br/>Contemporary full red morocco attributed to Derôme Le Jeune unsigned but with dentelles à l'oiseau characteristic of Derôme to volume two. Covers with gilt triple fillet border smooth spines decoratively tooled in gilt in panels with two olive green morocco gilt lettering labels board edges with single gilt fillet gilt dentelles à l'oiseau all edges gilt bright blue endpapers. The absolute bare minimum of rubbing to extremities. A wonderful copy.<br/><br/>"Derôme was born on October 1 1731 became a master binder on March 31 1761 and was elected one of the Gardes en Charge of the Community of the Master Binders and Guilders of the City and University of Paris on May 10 1773 at the same time as François Gaudreau binder to the dauphine. He died around the year 1788 i.e. 1790. the designs used by Derôme on his bindings are extremely graceful and rival those of Padeloup to which they have a strong resemblance. It is be true that he purchased the material and stamps of this binder at the sale of his effects after his death it explains to some extent the great similarity of the ornamentation employed by the two artists. Derôme executed many mosaic bindings but his great renown has been gained by his dentelles especially those in which he introduced a little bird with outstretched wings and which are in consequence termed dentelles à l'oiseau" Fletcher W.I. Bookbinding in France.<br/><br/>Marius Michel in La Reliure Française says that Derôme sought and found in the industries of his time the elements for new decoration and crowned his efforts with the dentelles to which he has given his name and which are distinguished from preceding ones by not being made up of the same tools in repetition but in combination thus affording more variety.<br/><br/>"Jean-Baptiste Rousseau April 6 1671- March 17 1741 was a French poet. He was born in Paris the son of a shoemaker and was well educated. As a young man he gained favour with Boileau who encouraged him to write. Rousseau began with the theatre for which he had no aptitude. A one-act comedy Le Café failed in 1694 and he was not much happier with a more ambitious play Le Flatteur 1696 or with the opera Venus et Adonis 1697. In 1700 he tried another comedy Le Capricieux which had the same fate. He then went with Tallard as an attaché to London and in days when literature still led to high position seemed likely to achieve success.<br/><br/>"His misfortunes began with a club squabble at the Café Laurent which was much frequented by literary men and where he indulged in lampoons on his companions. A shower of libellous and sometimes obscene verses was written by or attributed to him and at last he was turned out of the café. At the same time his poems as yet printed only singly or in manuscript acquired him a great reputation due to the dearth of genuine lyrical poetry between Jean Racine and André de Chénier. In 1701 he was made a member of the Académie des inscriptions; he was offered though he had not accepted profitable places in the revenue department; he had become a favourite of the libertine but influential côterie of the Temple; and in 1710 he presented himself as a candidate for the Académie française.<br/><br/>"Verses more offensive than ever were handed round and gossip maintained that Rousseau was their author. Legal proceedings of various kinds followed and Rousseau ascribed the lampoon to Joseph Saunin. In 1712 Rousseau was prosecuted for defamation of character and on his non-appearance in court was condemned to perpetual exile. He spent the rest of his life in foreign countries except for a clandestine visit to Paris in 1738; he refused to accept the permission to return which was offered him in 1716 because it was not accompanied by complete rehabilitation.<br/><br/>"Prince Eugène and then other persons of distinction took him under their protection during his exile and at Soleure he printed the first edition of his poetical works. He met Voltaire in Brussels in 1722. Voltaire's Le Pour et le contre is said to have shocked Rousseau who expressed his sentiments freely. At any rate the latter had thenceforward no fiercer enemy than Voltaire. His death elicited from Jean-Jacques Lefranc marquis de Pompignan an ode that was perhaps better than anything of Rousseau's own work. That work may be roughly divided into two sections. One consists of formal and partly sacred odes and cantatas of the stiffest character of which perhaps the Ode a la fortune is the most famous; the other of brief epigrams sometimes licentious and always or almost always ill-natured"http://en.wikipedia.org/wiki/Jean-Baptiste_Rousseau. London: , 1781 unknown books
1790264557Paris: Pierre Didot Fils Aîné de F.A. Didot l'Aîné 1790. One of 250 copies on papier vélin. xii 560 pp. 4to. Contemporary red morocco covers ruled in gilt to a simple panel design spine with 5 raised bands lettered in gilt in one the rest with circular sunburst tool a.e.g. gilt turn-ins light blue silk moiré endpapers by Bradel l'Aîné his ticket on ffep. Extremities lightly rubbed lower corner of front cover worn. One of 250 copies on papier vélin. xii 560 pp. 4to. One in a series of works of French and Latin literature printed by Didot and originally published by the order of Louis XIV "pour l'education de Monseigneur le Dauphin." This copy finely bound by Bradel l'Aîné with his ticket ". Bradel l'Aîné Succeseur du Sr. Derome le Jeune son Oncle Rue St Jacques .". Ramsden French Bookbinders 1789-1848 p. 42 P[ierre] Didot, Fils Aîné de F.A. Didot l'Aîné unknown books
1761D4270Amsterdam: Marc-Michel Rey 1761. First Edition. Hardcover. Near Fine. 6 volumes in bound in 2 12mo 157 x 97mm. Vols. I: 407pp. II: 319pp. III: 255pp. IV: 331pp. V: 311pp. VI: 312pp. includes advertisements at end of Vol. I-III and IV without errata leaves. Half-title: Julie ou La nouvelle Héloise. Title pages printed in red and black with engraved ornaments. 12 full-page engraved plates illustrating the letters. Contemporary calf red edges; clean; calf slightly scuffed. First Edition. Rousseaus epistolary novel later known as Julie or the New Héloïse was first published in 1761 by Marc-Michel Rey in Amsterdam. The novels title translated Letters from two lovers living in a small town at the foot of the Alps is a nod to the history of Héloïse dArgenteuil and Pierre Abélard a medieval story of passion and Christian renunciation. The novel was initially put on the Index Librorum Prohibitorum. <br/><br/>Although Rousseau wrote it as a novel a philosophical theory about authenticity namely secret principles and feelings and being constituent of ones core identity permeated through it. Rousseau explored autonomy and authenticity as moral values and in turn created in Julie a story of temptation sin and redemption that was easily relatable. According to Historian Robert Darnton there were at least 70 editions in print before 1800. So immensely popular publishers could not print copies fast enough so they rented the book out by the day and even by the hour. The work stirred a strong emotional response from readers and had raised Rousseau to prominence as an author. Worldcat locates 6 copies of this edition in North America. Marc-Michel Rey hardcover books
1797140939070Albany NY: Printed and Sold by Barber & Southwick 1797. First American Edition. Contemporary Full Calf. Very Good. 72 214 2 pp. First American edition. Bound in contemporary full calf leather with morocco spine label. Very Good. Bunding worn joints rubbed and with shallow loss at crown. Bookplate removal to front paste down and previous owner details to front free endpaper. Contents toned and sporadically foxed or soiled. Edge tear to page 3 affecting text. Pages 3-10 nearly out of binding with fore-edges worn. Frontispiece is present. Printed and Sold by Barber & Southwick unknown books
175567840First Edition of Rousseau's Early Work on Equality ROUSSEAU Jean-Jacques. Discours sur l'origine et les fondemens de l'inegalitÈ parmi les hommes. Amsterdam: Chez Marc Michel Rey 1755. First original edition distinguishable from the counterfeit editions by the signatures on frontispiece and the spelling "Jaques" on p. lii. Small octavo 8 x 5 inches; 202 x 127 mm. lxx 2 262 2 errata pp. Title-page printed in red and black. Copper-engraved frontispiece signed by Dominique Sornique after Charles Dominique Joseph Eisen engraved vignette on title and head-piece on dedication page by Fokke. Nineteenth-century mottled calf covers double-ruled in blind. Board edges ruled in gilt. Spine ruled and decoratively tooled in gilt in compartments. Red morocco spine label lettered in gilt. Marbled endpapers. All edges red. Previous owner's bookplate on front pastedown. Binding a bit tight. Internally very clean. Overall a very good copy. One of Rousseau's earlier works the Discourse is a critique of conventional and social relations and a strong defense of the individual. With its emphasis on the equality of all it foreshadows his later work the Contrat Social which became the bible of the French Revolution. The frontispiece depicts a group of "civilized" men contemplating a man in Rousseau's state of nature the state of complete equality which was lost with the introduction of the trappings of civilization such as industry agriculture and property. Tchemerzine X 32. Kress 5470. BM 22:25 219. Norman 1850. Goldsmith 9064. HBS 67840. $2850 Chez Marc Michel Rey unknown books
182311419Paris: P. Dupont Libraire-Editeur 1823. Hardcover. Very Good. The original 1823-1824 printing of this beautiful collection of the entire works of Jean-Jacques Rousseau 1712-1778 in his native French and complete in 22 uniform octavo volumes. Bound in a 1/4 leather over marbled boards 4 raised bands decorative gilt-tooled compartments and bright gilt-lettering along the spine of each volume. Except for a tiny bit of chipping to the spine crown of Vol. 4 all volumes clean and bright and VG or better with very light inoffensive foxing to the preliminaries and along the text of several of the volumes. The first serious attempt to gather all the known writings of this major 18th century French philosopher the Parisian publisher P. Dupont presents the work as follows: Vols. 1 & 2: "Philosophie--Discours"; Vols 3 & 4: "Philosophie--Emile"; Vols. 5: "Philsophie--Politique"; Vols. 6: "Philosophie--Lettres de la Montagne"; Vol. 7: "Philosophie--Lettres Sur La Botanique"; Vol. 8-9: "Litterature--La Nouvelle Heloise"; Vol. 10: "Melanges ou Litterature Variee"; Vol. 11: "Beaux-Arts--Ecrits Sur La Musique"; Vol. 12-13: "Beaux-Arts: Dictionnaire De Musique"; Vol. 14-16: "Memoires et Correspondance--Les Confessions"; Vol. 17: "Memoires et Correspondance--Dialogues"; Vols. 18-22: "Correspondance" <br/><br/> P. Dupont, Libraire-Editeur hardcover books
180242815London: J. Sewell . Murray and Highley . J. Debrett and the Editor 1802. First edition 8vo pp. 2 x 9-484 columns 2; text in Farsi and Roman character throughout; nice copy in mid-20th century quarter tan calf over marbled boards red morocco labelon gilt-paneled spine. "Printed by the author S. Rousseau at the Arabic and Persian Press Wood Street Spa Fields." The author is identified on the title page as a "teacher in the Persian tongue." His was the first Oriental press in England. Not in Zaunmuller ot Vancil. <br/><br/> J. Sewell ... Murray and Highley ... J. Debrett, and the Editor hardcover books
1774295698Londres 1774. First. hardcover. very good. 37 copperplate engravings 13 folding plates of musical scores & tables. 12 vols small folio full contemporary mottled calf gilt decorated spine with five raised bands marbled end-leaves and edges. All title pages in red & black with vignettes. Londres 1774 -1783. First Edition. A very good attractive set.<br/><br/> Contains: Julie Emile Oevres Melees Dictionairre de Musique & Oeuvres Posthumes. a handsome set with occasional browning to pages.<br/><br/> unknown books
176172018Amsterdam: Marc-Michel Rey 1761. First edition of the first best-selling novel in history which made Jean-Jacques Rousseau the world's first celebrity author. Octavo six volumes bound in contemporary full calf gilt titles to the spine marbled edges marbled endpapers. An exceptional piece of literary history. A retelling of the legendary love affair between French nun Heloise d'Argenteuil and theologian Peter Abelard Rousseau's groundbreaking novel Julie or the New Heloise became an instant best-seller. Publishers could barely keep up with the high demand for copies of the story which evoked an unprecedentedly passionate response from readers particularly high-society women from whom Rousseau is known to have received thousands of love letters. Publishers capitalized on the unequivocally high demand for the novel by renting it to readers at a rate per day and even per hour. Due to its content the book was placed on the Index Librorum Prohibitorum List of Prohibited Books deemed lascivious and anti-clerical by the Roman Catholic Church. Although it was presented as a novel the book exists as a philosophical treaty on autonomy and authenticity as moral values which Rousseau perhaps argued to be ethically superior to rational and commonly-held moral principles. Arthur Schopenhauer cited Julie or the New Heloise as one of the four greatest novels ever written along with Laurence Sterne's Tristram Shandy Wilhelm Meister's Apprenticeship and Cervantes' Don Quixote. Historian Robert Darnton has argued that Julie 'was perhaps the biggest best-seller of the century.' Marc-Michel Rey unknown books
1805401779Paris: L. E. Herhan for Delachaussie et Garnery 1805. From the Collection of Arthur & Charlotte Vershbow. Folio 506 x 332 mm. Half-title. Title with stipple-engraved vignette 65 stipple-engraved plates by Bouquet Jacques Chailly Mlle. Delelo and others after Redouté printed in colors by Langlois. Contemporary marbled calf gilt spine with red and tan morocco lettering-pieces gilt. Some light wear at extremities; some mostly marginal and pale spotting. Provenance: Starrenstein bookplate; purchased from Biblion 1969. FIRST ILLUSTRATED EDITION FIRST STATE before the plates were titled and with plate 54 misnumbered 62. The plates are of flowers fruits bulbs leaves etc. of flowering plants and trees some showing whole plants and others showing details sometimes cut to reveal anatomical details. The book was issued in 1805 in both folio and quarto format. It is not surprising that this folio edition best reflects Redouté's superb botanical art. John Ruskin was one of many admirers of the work and in 1878 wrote to his bookseller F. S. Ellis: "Please at once set your Paris agents to look out for all copies that come up at any sale of Rousseau's Botanique with coloured plates 1805 - and buy all they can get." Rousseau's letters on botany were written from 1771 to 1773 but were not published in his lifetime. They first appeared in his Oeuvres in 1782. Exiled amongst the natural beauties of Switzerland in 1763 or 1764 Rousseau developed his interest in botany and made various collections of plant specimens or herbaria. See Lawrence Redouteana 15. Cleveland Collections 698; Dunthorne 252; Great Flower Books p. 134; Nissen BBI 1688; Pritzel 7824; Stafleu & Cowan TL2 9688. <br/><br/> L. E. Herhan for Delachaussie et Garnery unknown books