SOZZI Lionello.MareMagnum
246 résultats
Geneve, Institut et Musée Voltaire, Les Delices, 1968, in-8, br. editoriale, pp. numerate da 187 a 223, [1]. Estratto, con invio autografo dell'autore a Carlo Cordié.
Der Werkkatalog d. Zeichnungen, jedes Arbeit ist abgebildet. Mit Monogramm- u. Signaturtafeln, Ausstellungsverzeichnis u. Bibliographie.
Two volumes, complete. The monumental catalogue raisonne of the paintings, drawings, and prints of this extremely important artist of the Barbizon School. Profusely illustrated in black and white and color. Folio. Publisher's cloth. Dustjackets. FINE AND BRIGHT. Like new.
8°, pp.335, br.ed. Rare sottolin. Slegato.
16°,pp.250 ill.n.t., br.ed. Sottolin. a lapis.
xiv + 313 [xi] pp., reliure pleine cuir peu abimée, tranches marbrées, 17cm., cachet, bon exemplaire, peu commun, R59577
This is a near fine softcover copy with almost no wear. Completely clean inside and out. The spine is not creased, binding firm. This catalog was prepared to accompany the exhibition at the Museum of American Folk Art in New York from January 21 to May 27, 2018. Curator Valerie Rousseau. Contributions by a dozen scholars. Illustrated in color throughout. 9" high X 12" wide, 153 pages. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.
pp. xv, 440. 16mo. Foxed. Virtually disbound. Interesting bookplate of The Reverend Charles James Wood, Rector of St. John's Parish, York, PA in the late 19th and early 20th century. This stereotyped University edition is extremely scarce. **PRICE JUST REDUCED! FR3
A clean, unmarked book with a tight binding. 683 pages. Green cloth boards. Attractive small format: 4 7/8"w x 7 1/4"h. Rockwell Kent torchbearer design on endpapers and embossed on cover.
A clean, unmarked book with a tight binding. 683 pages. Green cloth boards. Attractive small format: 4 7/8"w x 7 1/4"h. Rockwell Kent torchbearer design on endpapers and embossed on cover. Tears on dust jacket.
Paris, Librairie Garnier, Classiques Garnier, 1940. 2 volumes in-12, brochés, 416 et 412 pp. Exemplaires en bon état.
Paris, Librairie Garnier, Classiques Garnier, 1944. In-12, broché, non coupé, 325 pp. Papier uniformément jauni.
lxiii + 205pp., illustré de vignettes gravées sur bois par Alfred Latour, tirage limité à 520 exemplaires: ceci porte le no.162 (un des 450 exemplaires sur Vélin a la forme des papéteries d'Arches), 23cm., brochure originale, très bon état, Y98551
2 vols., 8vo., on laid paper, with titles in red and black, free endpapers browned; original dove-grey boards, oatmeal holland backs, backstrips with printed paper labels (lightly browned), boards lightly faded, upper hinge of second volume a little slack else a very good, bright, clean, crisp copy. With personal bookplate on front paste-down of first volume.
8vo., First Edition thus, page-edges toning slightly; original series binding of printed wrappers, covers very lightly age-soiled else a very good, bright, clean copy. Penguin Classics L33. The cover roundel (a stylised periwinkle) is by Elizabeth Friedlander. 'The periwinkle was for Rousseau, I believe, the flower of memory, and memory is the keynote of his book'.
In-16, pp. (4), 274,leg. in pelle coeva con tit. oro al dorso. Trattato di storia politica pubblicato per la prima volta autonomamente.Buona copia.
In-8°, pp. XXI, 188, bross. edit.
Tre tomi in due volumi in 12° legati in mezza pelle, titolo ai dorsi ornati, tagli colorati, sguardie, frontespizi, 290, 256, 277 pp.. Il celeberrimo dizionario della Musica dello Scrittore e pensatore francese in una corretta, graziosa e poco comune edizione. In più che bello stato, notevole
2 vols., 8vo., First Edition thus, on laid paper, with fine etched portrait frontispieces (original tissue guards present), titles in red and black, and 13 fine etched plates (all original tissue guards present); attractively bound in publisher's original terracotta buckram, backs with paper labels printed in red and black, all edges uncut, backstrips very lightly sunned, one label with small loss (not affecting lettering) at corner, a remarkably well-preserved bright, clean, set. FIRST COMPLETE EDITION OF THE 'CONFESSIONS' IN ENGLISH, WITH TWO FINE ETCHED PORTRAITS, AND FINE ETCHED PLATES BY HEDOUIN. 'This edition has been translated from the original, and every effort has been made to give even more faithfully both the letter and the spirit of that original. In the present edition not the slightest abridgement has been permitted, and the attempt is everywhere made to render the thought and the expression of the author as closely as the genius of our language will allow' (Prefatory Notice). It is unfortunate that the translator of this notable edition apparently remains anonymous, for the translation was still in use several decades later.
Paris, Les Editions G. Crès et Cie, 1927. 3 volumes in-8, demi-percaline bleue à coins, Bradel, dos droit, tête dorée, 298 - 427 et 300 pp. Chaque volume est illustré de 9 burins originaux, en couleurs de Pierre Gandon. Bel exemplaire.
In 8o, pp. 622, mz. tela con angoli e titolo oro, 1 ritratto dell'autore in antiporta. Tracce d'uso. Firma di proprieta'. Fioriture (5873/ ROUSSEAU - LE CONFESSIONI - ILLUMINISMO)
In-24° cm. 14,6 X 8,6 pp. 4 nn. 208-CLIX-299-317-422-XXXI-298-380-369-271-207-199-267 con coplessive 20 tav. f.t. Legature in rutta pelle coeva con tracce del tempo e picc. mancanza ad 1 dorso, tutti sono con dorature ma parzialemne scoloriti. Un paio di antiche riparazioni a due fogli del testo.
In-8, plein veau porphyre de l'époque, dos à 5 nerfs fleuronnés et cloisonnés, pièce de titre de maroquin bordeaux, triple encadrement de filets dorés fleuronnés aux coins sur les plats, coupes filetées, tranches marbrées, roulette intérieure, (6), 224 p. Edition originale (une contrefaçon parut simultanément). "Auteur et comédien, Dancourt excellait dans les rôles d'Arlequin. Le meilleur de ses ouvrages (…), apologie de la comédie et des comédiens, en réponse au discours de Rousseau contre les spectacles. Le titre 'd'Arlequin de Berlin' est pris pour parodier celui de 'citoyen de Genève'. Ce livre est le plus estimé sans contredit de ceux qui parurent en réplique à la lettre de Rousseau" (Michaud, 'Biographie universelle', X, 89). "Réplique mordante à Rousseau ('Lettre à D'Alembert') depuis le point de vue d'un comédien, d'un homme qui a une connaissance approfondie du répertoire, l'expérience de la scène et celle des réactions du public. Il prend le temps de citer point par point Rousseau mais aussi de nombreux textes de théâtre à l'appui de sa démonstration" (Nathalie Ferrand, "Le dernier état de la 'Lettre à D'Alembert sur les spectacles'", Genesis, 34, 2012, p. 135 sq.). (Conlon, 'Ouvrages français relatifs à Rousseau', n°120). Bel exemplaire, très bien relié à l'époque.
In-8 (213 x 135 mm), broché, couverture de papier marbré, 78 p., (1) f. bl. L'auteur, l'avocat François Chas, répond au pamphlet d'un autre célèbre avocat Joseph Michel Antoine Servan, qui avait accusé Rousseau d'avoir dévoilé, avec ses propres erreurs, celles de Madame de Warens dans ses "Confessions". Chas livre un ardent plaidoyer, véritable hagiographie de Rousseau, sa personnalité et son oeuvre, martyr de son siècle, "proscrit, fugitif, errant, poursuivi par l'autorité et la cohorte philosophique", persécuté par les thuriféraires de l'athéisme, Diderot et Voltaire, luttant contre la décadence des esprits des lettres et des moeurs. (Conlon, 'Ouvrages français relatifs à Jean-Jacques Rousseau', n°702). Piqûres éparses. Bon exemplaire, entièrement non rogné.
Paris, Hachette, 1953. Collection "Bibliothèque des Merveilles". Un volume broché de format petit in 8° de 220 pp.; nombreux croquis dans le texte; reproduction photographiques hors texte. Bon état.
