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175244635Stockholm, Lars Salvius, 1752-53 Folio. (33x22 cm) Stor helt ubeskåret eksemplar i orig. blødt, blankt papbind. rester af titelskrift på ryg. Kobberstukket frontispiece (= planche I). (12),100,(8),101-260. Med ialt 30 kobberstukne plancher (Nummererede II-XXIX, komplet og med det lille stik indsat ved p. 6)), de fleste store dobbeltsidede. 2 kort, hvor det sidste er kobberstukket gengivelse af 2 Ptolemaeus-kort fra 1513-udgaven, (planche XXIX. 33 x 43 cm.). Indvendig aldeles frisk eksemplar, uden pletter, trykt på skrivepapir.
175244635Stockholm Lars Salvius 1752-53 Folio. 33x22 cm Stor helt ubeskåret eksemplar i orig. blødt blankt papbind. rester af titelskrift på ryg. Kobberstukket frontispiece = planche I. 121008101-260. Med ialt 30 kobberstukne plancher Nummererede II-XXIX komplet og med det lille stik indsat ved p. 6 de fleste store dobbeltsidede. 2 kort hvor det sidste er kobberstukket gengivelse af 2 Ptolemaeus-kort fra 1513-udgaven planche XXIX. 33 x 43 cm. Indvendig aldeles frisk eksemplar uden pletter trykt på skrivepapir. <br/><br/><em>Blandt planchernme kan nævnes Kungsbacka Varberg Falkenberg Halmstad Laholm Vinbergs Holms og Getinge Kirker Skottorp etc.Warmholtz 610: ""Lycka var at Döden ryckte pennan ur handen på Författaren eljest hade Kronan blifvit belastad med ännu mera Maculatur" ! </em> unknown
177946520London: Printed for the Author 1779. First edition. Hardcover. Very good/No jacket issued. London: Printed for the Author 1779. 2 bound as one vols. First edition. Illustrated with 424 emblematic figures on 109 engraved copper-plates. Hardcover. Folio. Recently re-backed and re-cornered in brown 3/4 calf over original marbled boards the spine stamped in blind in compartments with contrasting leather title label stamped in gilt. Title-page of volume one is uniformly soiled and stained with several old marginal repairs; the top fore-corner of the last plate has an old repair. Plates XXI & XXIII bear old Russian ownership stamps. Otherwise this is a clean tight copy of a fairly scarce emblem book. Very good/No jacket issued. Multiple volumes - extra shipping charges apply Insurance required to ship this item. Printed for the Author hardcover books
17971002815Cambridge: J. Burges Printer to the University 1797. First editions of these historical Shakespeare studies by James Plumptre 1771-1832 a young playwright and fellow at Clare Hall Cambridge later a clergyman. Plumptre argues through an elaborate series of parallels that the character of Gertrude in Hamlet is intended as a critique of Mary Queen of Scots who like Gertrude remarried hastily under a cloud. Plumptre characterizes Hamlet as an effort by Shakespeare to secure the approval of Elizabeth I "to flatter his mistress by adding his drop to the flood of calumny poured out against her rival." The final page of the Appendix advertises Plumptre's first two plays The Coventry Act: A Comedy 1793 and Osway: A Tragedy 1795 as well as a forthcoming two-part drama entitled Mary Queen of Scots which was apparently never published. Bound in a single volume these presentation copies of Observations of Hamlet and its Appendix are both inscribed to literary scholar William Richardson 1743-1814 at the University of Glasgow. Richardson's Philosophical Analysis and Illustration of Some of Shakespeare's Remarkable Characters appeared in 1774 and featured a chapter on Hamlet. These Plumptre essays are uncommon. I have been unable to locate an extant presentation copy of either work and neither title has appeared at auction since 1973. A near-fine pair of presentation copies handsomely bound in period style by Philip Dusel. Two octavo volumes bound in one measuring 8 x 5 inches: 6 44; 2 85 1. Recent full polished calf boards tooled in blind with a floral border spine decoratively tooled in gilt red morocco spine label lettered in gilt. Bound without half-title for Appendix. Inscribed by Plumptre to William Richardson on half-title of Observations and title of Appendix. Publisher's advertisement on final page of Appendix. J. Burges, Printer to the University unknown books
1774ME1081London:: Printed and Sold at No. 76 Fleet-Street 1774. 1774. 4to. iv xv 1 68 pp. Original full calf gilt spine; neatly rebacked to style preserving original endsheets. Inscribed by an early owner "This Book belonging to Monsieur Pierre Monneron." Extremely rare. This is the first edition in English of the ghazals of Hafez translated by one of the leading Persian orientalists of his day John Richardson FAS of Wadham College Oxford and famous for his seminal work written in conjunction with Sir William Jones the work being A Dictionary Persian Arabic and English 1777. / Hafez was previously unknown to the western world until Count Karl Emerich Reviczky von Revisnye 1737-1793 the Hungarian Orientalist and bibliophile 'discovered' him and brought his poetic classic to Europe with this Vienna printing. The work features an extensive text on Hafez and a translation of selected ghazals . Reviczky von Revisnye also issued in 1784 1794 a catalogue of his Greek and Latin library using the pseudonym of "Periergus Deltophilus". In the prefatory essay for that volume he shows an interest in the printing of Nicolas Jenson Aldus Manutius and the Estiennes. / Hafez was born in Shiraz Persia and lived approximately from 1325/26–1389/1390. He is considered a mystic and poet. His life and poems are the subject of much analysis commentary and interpretation influencing post-fourteenth century Persian writing more than any other author. FULL TITLE: A Specimen of Persian Poetry; or Odes of Hafez With an English Translation and Paraphrase. Chiefly from the Specimen Poeseos Persicae of Baron Revizky Envoy from the Emperor of Germany to the Court of Poland. With Historical and Grammatical Illustrations and a complete Analysis for the assistance of those who wish to study the Persian language. Printed and Sold at No. 76, Fleet-Street, 1774. unknown books
1760962Z5London: J. Rivington et al 1760. Leather. Fine. 7" by 4". None stated. A beautifully bound eighteenth century engraved collection of Aesop's renowned fables bound in half calf and housed in a cloth chemise and uniform slipcase. The Samuel Richardson edited edition. Bound by Eric Sweet a keen collector of private press and fables. He studied at the Brighton College of Art before moving to London to work as a lettering artist and typographer for advertising agencies later becoming the head of Birmingham School of Printing. Sweet's bindings are unique and striking reflecting the topics of the volumes in distinctive style.Illustrated with a monochrome copper engraved frontispiece and twenty-four monochrome cooper engraved plates each depicting ten engravings. Collated complete. Frontispiece incorrectly bound facing pp. xv. A charming collection of fables credited to Aesop a Greek storyteller and fabulist whose tales were characterised by the anthropomorphic animal characters. This collection includes two hundred and forty fables with an account of the life of Aesop by Samuel Richardson. Bound in modern quarter calf with marbled paper to the boards and a cloth chemise and slipcase. Endpapers and blanks renewed. Undated dated by copies held institutionally. Bound in modern quarter calf with marbled paper to the boards and with a cloth chemise and matching slipcase. Endpapers and blanks renewed. Externally lovely. Frontispiece bound before pp.xv. Bookplate of 'Eric Sweet' to the front pastedown. Internally firmly bound with washed bright pages and generally clean with only the odd spot. The slipcase has spotting. Fine J. Rivington et al hardcover
176073880London:: Printed for J. Rivington R. Baldwin and 12 others 1760. Early edition. 19th c. dark blue straight-grain morocco. Lacking one engraved plate as noted. Tiny old ink name partially effaced from title; old signature practiced on the verso of one plate not visible on recto and ink calculations at the bottom margin of one page of text; neat repair to one torn leaf; some light spots and inoffensive soiling. Joints partially cracked; edges and corners quite rubbed; still sound. . 12mo. Engraved illustrated title page. Containing Two Hundred and Forty i.e. 230 Fables with a Cut Engrav'd on Copper to each Fable. The engravings were printed ten to a page and this copy is unfortunately lacking one of the 24 plates Plate XIII. . And the Life of Aesop prefixed by Mr. Richardson. Printed for J. Rivington, R. Baldwin [and 12 others], unknown
1742866K20London: C. Rivington; S. Richardson 1742. Leather. Very Good. 6.5" by 4". None. A scarce early set of this influential eighteenth century novel in contemporary calf. Volumes one is the second edition volume two the fourth edition volume three is the first edition and volume four the second edition. Volume three catchword misprinted A for As as called for. Scarce in any early edition. Endpapers and blanks renewed to volumes one and three. As stated on the title pages of volumes one and two they had intended to be a complete story within themselves. However due to the instant success of the works going through five editions in its first year and prompting the release of many counterfeit sequels imitators and parodies Richardson chose to write two more volumes. 'Pamela' or 'Virtue Rewarded' tells of a beautiful 15 year old Pamela working as a maidservant under inappropriate master Mr B. Though it was a bestseller when published it's received criticism over time for it's seeming glorification of abuse. It's been referenced widely in literature including in 'Jane Eyre' and 'The Haunting of Hill House'. First published in 1740 this is considered to be one of the first true English novels. It was immensely popular and widely read however Richardson did receive criticism for its contents for its perceived licentiousness and disregard for class barriers. 'Pamela' is notable for its early commentary on domestic violence and the social issues of the Georgian era told through the eyes of the naive Pamela in her letters to her parents. Rebacked with contemporary calf boards preserved. Externally smart with marks to the boards and bumping to the extremities. Endpapers and blanks renewed to volumes one and three. Contemporary ink inscriptions to paste downs and preliminaries of all volumes. Internally firmly bound. Loss to extremity of leaf B slightly affecting the text. Chipping to the occasional other leaf not affecting the text. Very Good C. Rivington; S. Richardson hardcover