158 résultats
1754695181754. 1754 Richardson Samuel THE HISTORY OF SIR CHARLES GRANDISON IN A SERIES OF LETTERS In Six Volumes London 1754 Volume 6 states Second Edition on tpage 8vo Bookplate of Sir George Shiffner Bar on front pastedown on all volumes Contemporary half-leather/marbled paper-covered boards/leather spine labels/gilt Leather on spines has cracked due to dryness with minor chips volume 56 Hinges are tender volumes 1 6 epages offset in all volumes minor shelf-rubbing on edges Overall this is a Very Nice set. unknown
1782298728London: J. Stockdale; R. Faulder 1782. First Edition. Half Leather. Very Good binding. 8vo.; in an attractive later binding of red half-goat over marbled boards with raised bands with morocco label lettered vertically; with marbled endpapers; 2 49 1 pages.~~A note on this rather interesting binding: we assume that the binder was charged with binding a group of different books to a uniform size -- the title page is trimmed and mounted and all the other leaves are folded neatly to fit the bottom edge and then the leading edge over it. Rather astonishing actually.~~This is Ritson’s first book in which he attacks Thomas Warton’s History of English Poetry in such vitriolic tones -- Warton is a pretender a cheater and a liar -- as to cause quite a contretemps in late 18th century English literary circles. One assumes this actually pleased Ritson as he went on the next year to attack Samuel Johnson and George Steevens. Eventually Ritson went complete mad barricading himself in his rooms at Gray’s Inn and setting fire to a pile of manuscripts. Very Good binding. J. Stockdale; R. Faulder unknown
1782263934London: J. Stockale; R. Faulder 1782. First Edition. Half Leather. Very Good binding. Ritson's first book in which he attacks Thomas Warton's History of English Poetry in such vitriolic tones -- Warton is a preternder a cheater and a liar -- as to cause quite a contretemps in late 18th century English literary circles. One assumes this actually pleased Ritson as he went on the next year to attack Samuel Johnson and George Steevens. Eventually Ritson went complete mad barricading himself in his rooms at Gray's Inn and setting fire to a pile of manuscripts. In an attractive later binding in red half-goat over marbled board with raised bands. We assume the binder was charged with binding a group of different books to a uniform size -- the title page is trimmed and mounted and all the other leaves are folded neatly to fit the bottom edge and then the leading edge over it. Rather astonishing actually. Very Good binding. J. Stockale; R. Faulder unknown books
1749669041749. London 1749. First edition. London 1749. First edition. Drafting Wills in Eighteenth-Century England Richardson Robert. The Law of Testaments and Last Wills. Containing All That is Necessary to be Known and Practised by Testators and Their Executors Administrators &c. As Also What Relates to the Distribution of the Estates of Intestates. In the Following Particulars. The Different Kinds of Testaments and Last Wills: By whom to be Made: How to be Executed: And By What Means Revocable. What Persons are Or are Not Capable of Making a Testament. How Lands Pass by a Will; And for What Estates: With the Nature of Devises of all Kinds. The Nature of a Legacy: How it Differs from a Donatio Mortis Causa Or Gift by Reason of Death: When And to Whom To be paid: When to be Abated or Refunded. What Relates to Interest and Maintenance: Devises to Charitable Uses &c. The Customs of London &c. The Revocation of a Testament Republication &c. Who may be an Executor: His Power: How Limited: His Duty: Refusal of the Executorship: Probat &c. What Things the Executor Shall Have And What the Heir. The Bona Paraphernalia; Or Wife's Cloaths Jewels Ornaments &c. What Shall be Assets &c. What Debts be First Paid &c. Who Shall be an Executor de Son Tort Or of His Own Wrong. How Far Liable to Creditors and Legatees &c. To Whom And by Whom Administration Shall be Committed. The Power of an Administrator Durante Minori Aetate Or During the Infancy of another Person. The Repeal of an Administration: Its Effects &c. In What Manner an Intestate's Estate Shall be Distributed &c. &c. Compiled by a Gentleman of the Law For His Own Private Instruction And Now First Published by his Permission. London: Printed by Henry Lintot 1744. vii 25 488 16 pp. Octavo 7-3/4" x 4-3/4". Contemporary calf rebacked in period style blind rules to boards blind fillets along joints raised bands and lettering piece to spine gilt tooling to board edges hinges mended. Negligible light rubbing and a few minor scuffs to boards moderate rubbing to extremities corners bumped and somewhat worn. Light toning to text somewhat heavier in places light foxing to some leaves early owner signature to front free endpaper. A handsome copy of a scarce title. $950. First edition. A clearly written well-indexed treatise intended for the general practitioner. It cites individual cases with marginal. unknown books
1792240340London: B. Law and Son T. Cadell and more 1792. First Edition. Hardcover. Bound in near contemporary full tree calf with gilt-blocked leather lable to the spine. Some wear to the spine and panel edges as with age. Remains well-preserved overall; bright clean and sharp-cornered. Physical description; 8 volumes. Summary; Pressured by her unscrupulous family to marry a wealthy man she detests the young Clarissa Harlowe is tricked into fleeing with the witty and debonair Robert Lovelace. He however proves himself to be an untrustworthy rake whose vague promises of marriage are accompanied by unwelcome advances. Pressured by her unscrupulous family to marry a wealthy man she detests the young Clarissa Harlowe is tricked into fleeing with the witty and debonair Robert Lovelace and places herself under his protection. Lovelace however proves himself to be an untrustworthy rake whose vague promises of marriage are accompanied by unwelcome and increasingly brutal sexual advances. And yet Clarissa finds his charm alluring her scrupulous sense of virtue tinged with unconfessed desire. Told through a complex series of interweaving letters ""Clarissa"" is a richly ambiguous study of a fatally attracted couple and a work of astonishing power and immediacy. A huge success when it first appeared in 1747 and translated into French and German it remains one of the greatest of all European novels. Subjects; England — Social life and customs — Fiction. General & literary fiction ; Novels other prose & writers ; Literary studies: 16th to 18th centuries. Fiction / Classics. England - Fiction. Kidnapping - Fiction. Young women - Crimes against - Fiction. Genres; Bibliography. Epistolary fiction. Novel. London: B. Law and Son, T. Cadell, and more hardcover
1754310843London 1754. hardcover. very good. 6 of 7 volumes -- LACKING volume V. 12mo full contemporary brown calf ornately gilt spines with burgundy and black spine labels. Light age toning and some foxing London: Printed for S. Richardson 1754. A very good charming set although missing the one volume.<br/> <br/> unknown
17761360300London: John Donaldson 1776. Seventh Edition. Hardcover. Octavos 2 vii-ix 3 345 2 Vol. 1; 315 1 Vol. 2; 223-2991 Vol. 3; 3-308 1 Vol. 4; 3-324 1 Vol. 5; 3-320 Vol. 6; 3-322 Vol. 7; 3-346 1 Vol. 8. Good; bound in contemporary leather with burgundy and gilt spine titles some areas of discoloration to covers wear and slight tears to spine edges and corners all volumes are in protective plastic covers; some boards slightly shaken bindings else tight; text blocks age toned but clean; pages clean; half-title in Vol. 1 only; previous owner names in ink on ffeps "Jannett McCurdy's;" "AH Has ; J.C. Jennings;" long transcription of an extract from Chateaubriand in ink to front matter of Vol. 1 and dedication see Notes. Shelved above WWI. Samuel Richardson 1689 - 1761 was an English writer and printer known for his epistolary novels. He printed almost 500 works including journals and magazines working periodically with the London bookseller Andrew Millar. Richardson had been apprenticed to a printer whose daughter he eventually married. He lost her along with five sons but remarried and had four daughters who reached adulthood but had no male heirs to continue the print shop. As it ran down he wrote his first novel at the age of 51 and joined the admired authors of his day. via Wikipedia<br> <br /> <br> <br /> Much like the Bertrams in Mansfield Park Jane Austen and her siblings were fond of putting on "theatricals" at home for their friends and neighbors. In 1793 at the age of eighteen Jane Austen began writing and shortly afterwards abandoned a dramatic adaptation of this work entitled "Sir Charles Grandison or the happy Man a comedy in 6 acts." She completed it in 1800.<br> <br /> <br> <br /> Extract copied into Volume 1:<br> <br /> "Of all representations of madness says dr. Joseph Warton that of Clementina's is most deeply interesting. I know not whether even the madness of Lear is wrought up and expressed by so many little strokes of nature & passion - it is absolute pedantry to prefer and compare the madness of Orestes in Euripides to this of Clementina"<br> <br /> <br> <br /> Richardson has founded the excellence of his good characters entirely upon a Christian basis. He has exemplified the beautiful ideal of human nature -- the character of Clementina Sir Charles Grandison and Clarissa Harlowe are the most virtuous amiable accomplish'd and noble that can well be imagined -- they are supported with strict propriety & elevated by uncommon dignity -- and charm the reader while they command his admiration -- they show that mankind are truly happy only in proportion as they listen to the dictates of conscience and follow the path of duty --- where could Richardson a bookseller and a printer immersed in the occupation of his shop and his press acquire such a correct acquaintance with high life and refined society such exalted sentiments of religion honor love freindship and philanthropy as he has displayed in his works -- Where did he acquire such a command over our feelings such a power "to open the sacred source of sympathetic tears"<br> <br /> <br> <br /> The best answer to these questions is -- that he deriv'd those treasures from the rich resources of his own mind from the study of the bible and a quick insight into human nature & character. He has been justly styled "the great master of the human heart" -- "the Shakespeare of romance." -- Clarissa Harlowe -- & Sir Charles Grandison are long works because they are designed to develop the springs of human action and give a distinct view of the progressive various and complex movement of the human mind -<br> <br /> <br> <br /> Prolixity is made the pretext of the frivolous novel readers of the present age to neglect these invaluable works - alltho if they be weighed in the balance of literary justice they will be found to comprise as much if not more sterling excellence than half the novels that have been written since their publication."<br /> <br> <br /> Transcribed from The Beauties of Christianity pp. 103-104 by Chateaubriand tr. 1813 Frederic Shoberl<br> <br /> <br> <br /> There is a dedication in the same hand as the extract _______ "from her dear mother" on the recto of the title facing page. The dedicatee's name has been scratched out. 1360300. Shelved Dupont Bookstore. John Donaldson hardcover
175116344Londres [Paris], Nourse, 1751. Album in-8, maroquin rouge janséniste, doublure de maroquin bleu, gardes de moire rouge indien, tranches dorées. De la bibliothèque Henri Beraldi (I, 1934, n°223) avec l’ex-libris au bas du premier contreplat; ex-libris R. Zierer, et Jean-François Chaponnière. Reliure signée Noulhac, 1918.
1784D9LCK6ZOP9W8Amsterdam: J. Yntema 1784. Contemporary blind-stamped vellum. 8vo. 2 parts in 1 volume. Amusing work in Dutch on the Russian Empire in the form of a series of 49 letters written by William Richardson 1743-1814 Scottish classicist and literary scholar. Richardson discusses a wide array of subjects: the politics the character of Empress Catherine the Great climate religion customs law the progress of the first Russo-Turkish War the library of the Academy of Peter the Great and other events and ceremonies during the years 1769-1772. Hinges loosening. Good copy of a lively work on the daily life in Russia in the last quarter of the 18th-century.l Cat. Russica R1126; V. Gestel - Van het Schip Maps in books of Russia and Poland 224; Poggendorff II 576; not in Muller Bibl. Neerlando-Russe; Tiele Bibl. J. Yntema, hardcover
1791370724London: James Ridgway 1791. Hardcover. Near Fine. Four works in one volume: 1. Criticisms on the Rolliad. Part the First Ninth edition 1791; 2. Criticisms on the Rolliad. Part the Second Fourth edition 1790; 3. Probationary Odes for the Laureatship: with a Preliminary Discourse by Sir John Hawkins Knt. Ninth edition 1791; 4. Political Miscellanies by the authors of the Rolliad and Probationary Odes First edition 1790. Octavo. Engraved frontispiece plate and title vignette. Contemporary full tree calf with morocco spine label: "Rolliad Compleat." Rubbing to the spine and joints else near fine. A scarce complete set of this pioneering collection of satires on the administration of William Pitt the Younger written in the form of mock reviews of a mock epic. Originally published in the Morning Herald in 1784-85 it became an instant sensation. Its anonymous authors also contributed ancillary satires which were published together with it. When collected in book-form they ran through twenty-two editions. Armorial bookplate of Henry Merrick Hoare and bookseller's ticket on the front pastedown. A handsome copy. ESTC T133733 T133732 N11967 and T173343. James Ridgway hardcover
172242146London: J. Knapton 1722. <p>Richardson Jonathan the elder 1667-1745 and Jonathan Richardson the younger 1694-1771. An account of some of the statues bas-reliefs drawings and pictures in Italy &c. with remarks. 50 357 5pp. London: J. Knapton 1722. 196 x 120 mm. Paneled calf ca. 1722 rebacked one corner repaired. Occasional foxing but a very good crisp copy.</p> <p> First Edition. Richardson the elder was among the foremost British painters of the eighteenth century; his son Richardson the younger was one of the greatest collectors of drawings of all time. The two collaborated on the present work on Italian art compiled by the elder Richardson from material gathered by his son during a tour of Italy. "This was a very popular book and was used by young men as a basis for their Grand Tour. It was said that the book became the basis for future purchases of art by wealthy collectors and therefore shaped English interest in foreign old masters. It also provided an important model for Johann Joachim Winckelmann's History of Art 1764" Wikipedia. </p> . J. Knapton unknown
1748247227London: S. Richardson. 1748. Hardcover. 7 volumes first edition complete. 2nd state of vol. 3; 1st state of vol. 4; foldout plate present in vol. 2. Early bookplate in most volumes of Mrs. Genl. Stewart" and her signature on each title-page. Full contemporary leather poor. Vol. I lacks front cover and front endpaper cover loose on vols. 3 &7; other hinges weak nd cracked. Text complete with only light foxing. Working copy only. . S. Richardson hardcover books
1770854F44London: J. F. Rivington R. Baldwin S. Crowder et al. 1770 . Leather. Very Good Indeed. 7" by 5". Not Stated. A lovely copy of the complete seven volume sixth edition of Samuel Richardson's major epistolary novel. First published in 1753 in 'The History of Sir Charles Grandison' Samuel Richardson tells the story of the exemplary Sir Charles Grandison a wealthy and virtuous man who navigates the challenges of love and marriage with integrity and honour.The book was viewed as a response to Henry Fielding's 'The History of Tom Jones'.ESTC Citation No. T58982With a half title and frontispiece to volume I.A lovely copy of one of English writer and printer Samuel Richardson's major works. He was also known for the works 'Clarissa' and 'Pamela'. Rebacked in full calf bindings with original boards restored. Retaining original endpapers. Externally excellent. Internally firmly bound. Pages lightly age toned but generally clean and bright with some heavier spotting to the first and last few leaves of volumes I and II. Very Good Indeed J. F. Rivington, R. Baldwin, S. Crowder et al. hardcover
176846400963Amsterdam, Schreuder, Paris, Prault, 1768 ; 4 volumes in-12, maroquin rouge, encadrements filets dorés, tranches dorées, dos lisses ornés (reliure de l'époque). - 2 ff., XXIV pp., 276 pp. - 2 ff., 333 pp. - 2 ff. 304 pp. - 2 ff., 308 pp. Un des plus célèbres romans de Samuel Richardson. Cette œuvre est considérée comme le premier roman de mœurs bourgeoises, et sa forme épistolaire sera imitée par Rousseau, Laclos, Goethe et d'autres. L'édition originale anglaise a paru anonymement en 1741 ? Les bibliographes, dont Tchemerzine, attribuent généralement la traduction française à l'Abbé Prévost. En réalité elle est de Aubert de La Chesnaye des Bois. Voir à ce sujet : F.H. Wilcox. "" Prevost's translations of Richardson's Novels "" University of California Public, in Modern Philology XII, 1925-1925 ; pp. 341 - 411. - Mylne, Martin 68 R. 76. TRES BEL EXEMPLAIRE RELIE EN MAROQUIN A L'EPOQUE"
1796778A6London: Printed for T. Longman J. Johnson G. G. and J. Robinson R. Baldwin J. Nichols et al. 1796. Leather. Very Good. 7" by 4.5". Not Stated . One of Samuel Richardson's immense epistolary novels complete in seven volumes. The eighth edition of 1796. A set complete in seven volumes of one of Samuel Richardson's colossal epistolary novels following the well known Clarissa and Pamela. The eighth edition of 1796. The History of Sir Charles Grandison was written by Richardson after many of his female friends demanded a morally good gentleman to oppose the characters of Mr Lovelace and Mr B. It was also a response to Henry Fielding's The History of Tom Jones a Foundling which parodied the morals presented in Richardson's previous novels. Following the heroic acts and life of the fictional character of Charles Grandison. Illustrated with a frontispiece to each volume. ESTC Reference T58986 In a full marbled calf binding. Externally very smart with only minor shelf wear and a minor rubbing to the spine and extremities. A minor cracking to the front joint of volume I VI and VII. The rear board of volume III is slightly loose may detach with further handling. With a small bookseller sticker to the front pastedown of volume I and a minor inscription by a previous owner to the front blank page of volume II dated 1802. Internally firmly bound. With a minor faint scattered spotting to the occasional leaf particularly to the endpapers otherwise the pages are generally very clean throughout with only a faint tone ageing as usual. Illustrated with a frontispiece to each volume. Very Good Printed for T. Longman, J. Johnson, G. G. and J. Robinson, R. Baldwin, J. Nichols, et al. hardcover
176638631Printed for J. Rivington in St. Paul's Church-Yard and others 1766. 7 vols. sm. 8vo. Fifth Edition on laid paper with engraved portrait frontispiece some light and generally neglible age-staining to text neat contemporary uniform signature on front free endpapers; attractively bound in contemporary full speckled calf backs with five bands ruled in gilt second compartments with red leather labels framed and lettered in gilt third compartments numbered in gilt red sprinkled edges boards minimally worn and bruised a remarkably well-preserved bright crisp copy. The following point applies: small worm-hole in bottom blank margin of last half-dozen leaves of Vol. III. Complete with Editor's Concluding Note; Index Historical and Characteristical; Register of Similes and Allusions. NCBEL II 918. Printed for J. Rivington, in St. Paul's Church-Yard [and others], hardcover
1762ANT70251762. Law William Leather bound first edition of the complete works; each work is separately paginated there are 19 works in all. The volumes are bound in rubbed and crudely but soundly respined full tree calf. The endpapers and title leaves have General Theological Seminary Library New York bookplates. There is some light foxing in places and the last 60 leaves of the volume eight have marginal creases and tears without loss. hardcover
178567202Chez Paul Barde | à Genève 1785 | 13.30 x 20.80 cm | 10 tomes en 10 volumes reliés
178566986London: printed for J. F. and C. Rivington. T. Davies B. Law T. Cadell G. Robinson J. Johnson W. Goldsmith W. Lowndes. J. Knox W. Fox C. and T. Wilkie P. Maqueen and E. Newberry 1785. 8 volumes 12mo original pink pastepaper wrappers; engraved frontispieces in each volume folding plate of engraved music in volume II; overall wear wrappers rubbed especially on volume VIII and worn but the binding is sound. Volumes II and V partially unopened the remainder unopened save volume I. Leaf of ads at the back of volume III and a 9-page catalogue at the back of volume VIII. First published in 1748 this remains one of the greatest English novels. printed for J. F. and C. Rivington. T. Davies, B. Law, T. Cadell, G. Robinson, J. Johnson, W. Goldsmith, W. Lowndes. J. Knox, W. unknown
1796373757New York: Printed by Mott & Lyon for Evert Duycinck 1796. 144pp. 1 vols. 12mo. Contemporary calf backed patterned paper boards. Small tear at lower outer corner of title just touching a few letters. Cloth clamshell box. 144pp. 1 vols. 12mo. First published in London 1740 the first American abridged edition of Richardson's important epistolary novel was published in Philadelphia 1792 Evans 24744. A lovely example. ESTC W12615; Evans 31101; Welch 1103.5 Printed by Mott & Lyon, for Evert Duycinck unknown
178567202à Genève Geneva: Chez Paul Barde 1785. Fine. Chez Paul Barde à Genève Geneva 1785 13.30 x 20.80 cm 10 tomes en 10 volumes reliés First octavo edition in Letourneur's new translation illustrated with 21 fine figures by Chodowiecki and a frontispiece portrait by Pujos on strong paper. The figures printed before letters. The English original was published in 1748. Contemporary full porphyry sheep bindings. Smooth spines very richly decorated with ornamental compartments Greek fillets at head and tail fillets between compartments. Red morocco title label volume label with urn and garland in black morocco. Leather of upper joint of volume I narrowly split at head; slight lack at tail. Small leather lack at head of volume II revealing the board; lacks to joint at tail; lack to lower joint at head. Volume III: lower joint split at tail. Volume IV: lower joint split at tail. Volume V: upper joint narrowly split. Volume VI: Lower and upper joints with lacks at tail and narrow splits along the lower joint. Volume VII: Top of headcap rubbed and slightly worn. Volume IX: Upper joint split at head and top of headcap rubbed. Volume X: Lower joint open at head same at tail upper joint split at head. Some corners slightly bumped. No half-titles were bound in this copy. Fresh copy overall full-margined some engravings are shorter in right margin. Despite the mentioned defects superb set in rich decorative binding. Clarissa Harlowe is the second major novel published by the author after the immense success of Pamela; it is again a sentimental novel whose virtuous heroine finds herself forced by her family to marry a noble ugly and obese man against her will. She will flee with one Lovelace the very type of elegant villainous and deceitful libertine who desires to constrain her body and soul leading her into social and moral decline but this will be without counting on Clarissa's virtuous qualities. If the novel from a modern viewpoint suffers from sentimentalism and length it nonetheless remains true that the construction of the plot the dramatic twists and the psychology would durably mark European literature. Diderot would proclaim it in his Eloge de Richardson and numerous authors would claim it as influence or undergo its influence: Rousseau Jane Austen Choderlos de Laclos. Chez Paul Barde hardcover
1772002420Amsterdam Changuion 1772
1775962P1London: J. F. and C. Rivington; et al 1775. Leather. Very Good. 7" by 4"; 8" by 5". Not Stated. Aesop's enduring fables an illustrated edition with ten scenes to each plate including a life of Aesop. In a custom cloth clamshell bound by Eric Sweet in 1998 clamshell is in a near fine condition.The important fables of Aesop.Illustrated with an engraved title and twenty-five plates each of which portrays ten scenes. Collated complete.Aesop's Fables is a selection of fables generally attributed to the Ancient Greek storyteller Aesop who lived around 620 BCE-564 BCE. The fables are moral tales that guide in religious and secular aspects of life following adventures of many different creatures.Including a life of Aesop by Mr. Richardson.Undated dated from Jisc from a copy held at the British Library.Bound by Eric Sweet a keen collector of private press and fables. He studied at the Brighton College of Art before moving to London to work as a lettering artist and typographer for advertising agencies later becoming the head of Birmingham School of Printing. Sweet's bindings are unique and striking reflecting the topics of the volumes in distinctive style. In a full calf binding rebacked in a custom cloth clamshell. Externally smart. Light discolouration and marks to the boards. Minor bumping to the extremities. Internally firmly bound. Pages are age-toned and generally clean. Small chip to the margin of the plate facing page 142 no loss to image. Publisher's label over the imprint to the title page. Ink to the title page. Clamshell is in a near fine condition with only a few light marks. Very Good J. F. and C. Rivington; et al hardcover
175158092Chez Nourse | à Londres 1751 - 1762 | 10 x 17.20 cm | 7 volumes reliés
175158092à Londres London: Chez Nourse 1751. Fine. Chez Nourse à Londres London 1751 - 1762 10 x 17.20 cm 7 volumes reliés First edition of the French translation by Abbé Prévost together with the rare supplement published in 1762 which contains Diderot's Éloge de Richardson in first edition. The illustration comprises 21 fine figures the first 13 by Eisen and the last 8 by Pasquier. Each volume contains two parts with separate title pages except for the supplement volume which contains in addition to Diderot's essay the parts of the work that had been cut by Prévost. The first complete English edition dates from 1748. Contemporary full marbled brown calf bindings. Smooth spines elegantly decorated. Red morocco title labels and tan morocco volume labels only volume VII of the supplement published in 1761 in uniform binding has a black morocco volume label. Triple gilt fillet frame on boards. A tear worming to head of volume I. A stripped lower edge to volume 1. A small lack to head of volume II. Tailcap of volume V partly missing with upper joint cracked at foot and slight lack of leather. Lower joint of volume VI split at head same for volume VII. Most corners bumped. Despite defects a handsome copy in a quality binding. Clarisse Harlove is the second great novel published by the author after the immense success of Pamela; it is again a sentimental novel whose virtuous heroine finds herself constrained by her family to marry a noble ugly and obese man against her will. She will flee with one Lovelace the very type of elegant villainous and deceitful libertine who desires to constrain her body and soul leading her into social and moral decline but this will be without counting on Clarisse's virtuous qualities. If the novel from a modern perspective suffers from sentimentalism and length it nonetheless remains true that the construction of the plot the dramatic twists and the psychology will durably mark European literature. Diderot will proclaim this in his Éloge de Richardson and numerous authors will claim it or undergo its influence: Rousseau Jane Austen Choderlos de Laclos. The work will enjoy immense success and even if due to its length the novel is little read today it remains one of the most emblematic books of 18th century literature. It should be noted that Diderot's essay in addition to the praise given to Richardson is a true plea for a new realistic literature his thesis joining that which he wrote for the theater. Chez Nourse hardcover