Marie-Henri Beyle (Stendhal)Biblio.com
1 297 résultats
1992M0347<p>The Easton Press The Collector's Library of Famous Editions 1992 1955. First Thus; Collector's Edition. Illustrated by Refaello Busoni. Translated by Lady Mary Lloyd. Hardcover. Issued without dust jacket. Fine "as new" condition. Appears unopened / unread. Binding and text block are tight bright and clean with no ownership markings or bookplates. Bound in full genuine leather with hubbed spine. All edges gilt. Embossed in 22kt gold on the spine and front and back covers. Heavy duty binding boards. Printed on acid-neutral archival paper. Smyth sewn with concealed muslin joints silk moire fabric end leaves and permanent satin ribbon marker. Notes From The Archives sheet laid in. Photo is of the copy we have at Barbed Wire Books.</p> Easton Press hardcover
19543<p>Two volumes. No date. In French. Books are in Near Fine condition text packets have most minor bumping to corners inner slipcovers have light sun fading on spines with minimal edgewear. Outer slipcases are in Good- condition with paper peeling chipping edgewear</p> Club du Livre hardcover
100010Calman-Levy n.d. Hardcover. Very good/No jacket. Association copy Inexpensive copy rebound in embossed leather covers. Gift inscription to Florence Lamont-- a figure known for her long correspondence with novelist John Masefield--signed by novelist Frank Swinnerton. Covers edgeworn. Calman-Levy hardcover
1995Q-0140446117Penguin Classics 1995-10-01. Paperback. New. New. In shrink wrap. Looks like an interesting title! Penguin Classics paperback
1405074582.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1434452905.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1995Q-0679601627Modern Library 1995-07-04. Hardcover. New. In shrink wrap. Looks like an interesting title! Modern Library hardcover
2026100105781Le divan 2026. couvertures défraîchies rousseurs et ternissures sur tranches intérieur propre. in8. 2026. Broché. Le divan unknown
Q-0811203883New Directions 1950-01-17. Hardcover. New. New. In shrink wrap. Looks like an interesting title! New Directions hardcover
1949041776Paris: Le Divan 1949. New Limited Edition. Hardcover. Near Fine/No Dust Jacket. Octavo. pp XX 522. 1st printing impression No. 1697 of an edition limited to 3300 copies. Half bound black Morocco with raised bands to spine blue cloth boards. The upper board marked. TEG. Slight foxing to title page. Le Divan hardcover
1992Q-0679417435Everyman's Library 1992-11-03. Hardcover. New. New. In shrink wrap. Looks like an interesting title! Everyman's Library hardcover
1981Q-1125536756The Franklin Library 1981-01-01. Hardcover. New. In shrink wrap. Looks like an interesting title! The Franklin Library hardcover
0270589740.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
198321172AB1983. Frankfurt am Main/Bern/New York Lang 1983. 8°. 258 Seiten. Softcover / Kartoniert. Sehr guter Zustand mit nur ganz minimalen Gebrauchsspuren. Papier produktionsbedingt etwas fleckig. KEINE Anstreichungen. Signiert / Mit handschriftlicher Widmung des Verfassers an die Romanistin Maria Moog-Grünewald. Bonner romanistische Arbeiten ; Bd. 17 Stendhals musikalische Kompetenz / Manuel de musique / Die "Vies de Haydn de Mozart et de Metastase" / Die Plagiate / Die Plagiatpolemik Carpani-Bombet / Die Bewertung der Plagiate und die Frage nach der Originalitaet Stendhals / etc. Stendhals intensives und erstaunlich vielschichtiges Verhältnis zur Musik findet in fast allen Schriften des Autors seinen Ausdruck. Seine Persönlichkeit sowie Theorie und Praxis seines literarischen Oeuvres sind wesentlich von ihm geprägt. Im «Forschungsbericht» werden grundsätzliche Problemstellungen des Themas erörtert und verschiedene Positionen der Forschung vorgestellt. In der «Kritischen Bibliographie» werden für den Zeitraum von 1900 bis 1980 diejenigen Untersuchungen in denen im weitesten Sinne Stendhals Verhältnis zur Musik thematisiert wird vollständig erfasst in den Hauptinhalten referiert auf Stichhaltigkeit und sachliche Richtigkeit ihres Inhalts kritisch überprüft und durch Querverweise miteinander verbunden. Ein nach Namen und Sachen gegliedertes Register ermöglicht dem Benutzer Teilaspekte des Themenbereichs aufzufinden und zugehörige Detailprobleme zumindest bibliographisch zu lösen. paperback
196960074AB1969. New York W. W. Norton & Company inc 1969. 8°. XII 572 pages including Bibliography. Original Soft Cover. Excellent condition with only minor signs of external wear. Norton Critical Edition. Includes Content such as: The Text of Red and Black // Robert M. Adams - Stendhal's Use of Names // G. Tomasi di Lampedusa - Notes on Stendhal: Red and Black // Robert M. Adams - Liking Julien Sorel // Alain - Love in Stendhal: Love in Voltaire // Angles of vision: Paul Valéry Jean-paul Sartre André Gide Marcel Proust Paul Bourget Friedrich Nietzsche José Ortega y Gasset Hippolyte Taine // etc. paperback
196243938AB1962. Evanston Northwester University Press 1962. 16 cm x 23.5 cm. XIII 305 pages. With many illustrations. Original hardcover with protective Mylar. Excellent condition with only very minor signs of wear. Considerable underlining by preowner. Otherwise clean inside with solid binding. "Allan Seager 19061968 was a novelist and short-story writer. Seager published more than 80 short stories in publications including Esquire The New Yorker The Atlantic and Sports Illustrated. E.J. O'Brien editor of the yearly Best American Short Stories series once stated that the "apostolic succession of the American short story" ran from Sherwood Anderson to Ernest Hemingway to Seager. Poet and novelist James Dickey credited Seager's novel Amos Berry as a principal reason that he chose to pursue poetry. As an undergraduate at the University of Michigan Seager was a member of two national championship swimming teams. He subsequently earned a Rhodes Scholarship to Oxford University but his studies were interrupted by a bout of tuberculosis. He spent a year "curing" at the Adirondack Cottage Sanitarium in Saranac Lake New York; his experiences there and in Ann Arbor and Oxford led to the semi-autobiographical short stories published in the collection A Frieze of Girls. Subsequent to his Rhodes Scholarship Seager worked for Vanity Fair magazine as an assistant editor. He returned to Ann Arbor in 1935 where he taught creative writing at the University of Michigan until 1968." Wikipedia "This is the first English translation of Stendhal's fictional account of a tour through France in the reign of Louis-Philippe. This is not only a guide book but more importantly it is a theater of opinion for one of the most brilliant and original minds of the nineteenth century. Since Stendhal always had to pretend to be someone else this book purports to be the memoirs of an ironworks salesman who having made his fortune is about to leave France forever and settle in the colonies. The disguise is thin however and on every page the freshness and vigor of Stendhal's mind bursts through. Stendhal makes observations on the people the local customs the social life the charm of women; he makes what would now be called psychological and sociological observations remarks on the cuisine and regional wines the state of the drama good fishing sites; in fact as nearly as you can visit a place verbally you do so with the author of The Red and the Black and The Charterhouse of Parma" for Stendhal is the ideal traveling companion: urbane witty and stimulating." Publisher hardcover
26687Paris 1933 Belle lettres. Broschiert unaufgeschnittene Seiten die Bücher sind gut erhalten--- Softcover unopened cuted pages the books are in a good condition Paris 1933 Belle lettres paperback
2234051835.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
20019788471662736-2025Editorial Edaf S.L. 2001. Hardcover. New/New. <p><strong>Author:</strong> Stendhal Stedhal</p><p><strong>Publisher:</strong> Editorial Edaf S.L.</p><p><strong>Binding:</strong> Hardcover</p><p><strong>ISBN:</strong> 9788471662736</p><p><strong>Release Date:</strong> 2001</p><p><strong>Number Of Pages:</strong> 672</p><p><strong>Details:</strong> Enrique Beyle el autor de Rojo y Negro nació en 1783 y falleció en 1842. Le tocó pues vivir una etapa turbulenta en una Europa agitada por vendavales revolucionarios y guerras como las napoleónicas que dejaron profunda huella en sus escritos. Stendhal seudónimo que adoptó para firmar sus obras se ha impuesto en el mundo de las letras como uno de los más grandes novelistas del siglo XIX. Rojo y Negro es su obra maestra por su valor histórico y dramatismo. Supo describir lo que veía con la precisión de una cámara fotográfica poniendo al descubierto los sentimientos de sus personajes. Por ello sus novelas más que leídas son vividas por el lector.</p> Editorial Edaf, S.L. hardcover
441261J.M. Dent London & Ed Mignot Paris. Hardcover. Good. THERE ARE NO TARIFFS OR CUSTOMS DUTIES ON BOOKS. In French. Republication of original 1822 volume possibly 1950's. Hardback in beige cloth with blue piping and brown titles. Some staining and fading to cover. No dust jacket. Minor foxing on first few pages. Inscription inside J.M. Dent (London) & Ed, Mignot (Paris) hardcover
2004Q-0871401487Liveright 2004-02-16. Paperback. New. In shrink wrap. Looks like an interesting title! Liveright paperback
0274491656.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1946300022294EDITIONS DU MOUSTIE 1946. 1946. EDITIONS DU MOUSTIE unknown
25827MADRID: Imprenta Helénica. 8º.- Rústica cubiertas originales.- 2 tomos.- I: 204 páginas.- 2 hojas.- II: 253 páginas.- 1 hoja. Manchas de óxido. Imprenta Helénica unknown
35254Sur les presses des trois Audin à Lyon 1948 grand in/8 en feuilles sous étui 67 pages. Cuivres au burin d'Albert Decaris Albert Decaris en a conçu et réalisé l'illustration au burin Didier Baron en a établi la maquette et la présentation typographique. Marcel Boureau a tiré les cuivres au repérage sur ses presses à bras à Lyon. Cent cinquante exemplaires numérotés de 41 à 190 sur vélin pur fil de Johannot notre exemplaire N° 168 unknown
