1 297 résultats
196238911W. W. Norton. As New. 1962. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - -- with a bonus offer-- . W. W. Norton paperback
1929285979Paris: Éditions Orion 1929. Hardcover. Very Good. Limited edition. Quarto: 4 front. title v vi 248 249 4 pp. 21 x 25 cm. French. Very good in three quarter green morocco on green cloth gold tooling with moderate wear to the edges and joints light fading to the spine and very light scattered foxing to some text pages else near fine. With seven fine etchings by Jean Emile Laboureur. Éditions Orion hardcover
1898017869New York New York U.S.A.: Brentano's 1898. Book. Very Good . Hardcover. 1st Edition. Previous owner's ink name some minor soiling and spotting front and rear hinges starting else a very nice copy bright gilt lettering and black and red striped covers. The first American edition published the same year as the limited edition from G.H. Richmond & Son and published 2 years before the first English edition. A scarce copy of this classic novel. . Brentano's Hardcover
61624Lausanne André et Philippe Gonin 1973. 4° 88 S. 2 Bl. 26. farb. Abb. Lose Bogen in Umschlag in HPerg.-Mappe in Schmuckschuber. Schuber etwas gebräunt min. fleckig sonst tadell. Nr. 28 von 38 Exemplaren Insgesamt 50 Ex. sur vélin de Rives. Vom Verleger und dem Künstler im Impressum signiert. Les 26 compositions de l’ouvrage ont été dessinées et peinets à la main dans chaque exemplaire par Jean-Pierre Remon à Paris. - Die EA des Textes erschien 1838.- Jean-Pierre Rémon est né le 9 novembre 1928 à Paris dans le XIVe arrondissement troisième d’une famille de 7. C’est en écoutant sa Mère jouer au piano Bach et Mozart que l’envie de peindre est née chez le petit Jean-Pierre alors âgé de treize ans. Son entourage familial le sensibilise d’autre part à la littérature et au théâtre. Les origines d’une vocation artistique sont mystérieuses. Elles sont à rechercher dans les joies les chagrins les plus anciens et les plus enfouis. Chez Jean-Pierre Rémon la conscience aiguë d’être différent du fait d’une sensibilité hors du commun l’ont dès la sortie de l’enfance poussé à dessiner. A quinze ans il entre à l’École des Beaux Arts de Paris pour y dessiner des plâtres. Il travaille ensuite avec Gilbert Dupuis directeur de l’Académie Jullian qui lui transmet les bases du métier de peintre. Cette Académie qui fut fermée pendant la guerre ; davantage libre et créative que l’Ecole des Beaux Arts elle accueillait les peintres étrangers et les femmes ainsi que les amateurs talentueux ; l’avaient fréquentée : Edouard Vuillard Henri Matisse ou encore Jacques Henri Lartigue. 010 Lausanne, André et Philippe Gonin, 1973 unknown
9174316Short description: In Russian. Stendhal. Novels Chronicles and Episodes. Moscow; Petrograd: L. D. Frenkel 1923. The image is provided for reference only. It may reflect condition of one of the available copies or only help in identifying the edition. Please feel free to contact us for a detailed description of the copies available. SKU9174316 unknown
1884977Q20Paris : Librairie L. Conquet 1884 . Leather. Very Good Indeed. 10" by 7". H. Dubochet . A beautiful Ramage-bound limited edition copy of Stendhal's popular psychological novel Le Rouge et le Noir with illustrations from H. Dubouchet. Limited edition of 500 copies. One of the first 150 copies to be printed on Japanese paper. This is No. 73. Elegantly bound by Ramage in full turquoise morocco with gilt tooling and dentelles. With the original wraps bound in. Complete in three volumes. First published in 1830 'Le Rouge et le Noir' or 'The Red and the Black' tells the story of a provincial young man attempting to rise socially escaping his modest upbringing through hard work talent and deception. Written in the original French by Marie-Henri Beyle a French author best known under his pseudonym Stendhal. Beyle received wide acclaim for this novel alongside 'La Chartreuse de Parme' and is particularly praised for his pioneering use of realism in his writings. With a preface by Leon Chapron.Illustrated with eighty engravings by H. Dubouchet containing a portrait 76 vignettes and 3 page adornments. Vignettes are duplicated with each in-text illustration having a corresponding full-page plate with a tissue guard. Bound in full morocco by Ramage. Externally lovely with light rubbing to the extremities slight fading to the spines and the odd light mark. Internally firmly bound. Pages are bright and clean. Bookseller label to front paste down. Very Good Indeed Librairie L. Conquet hardcover
181767090London: John Murry Albemarle-Street 1817. First edition in English 8vo pp. xv 1 496; engraved leaf of music several pages with musical notation; original drab paper-covered boards brown paper shelfback printed paper label; corners bumped spine toned and rubbed Q3-Q4 with clean tear at the top margin no loss light foxing very good. Small manuscript gift inscription on pastedown "Mrs. W. Blunt with WB's best wishes." The first English edition of Stendhal's first book written under a pseudonym and also translated by him. John Murry, Albemarle-Street unknown
61586André et Pierre Rémon 1973. 2° 98 S. 26 Orig-Zeichnungen. HPrgt-Mappe darin Broschur mit losen Bogen in HPrgt-Schmuckschuber. Vom Künstler und vom Verleger im Impressum signiert. Nummeriertes Exemplar Nr. 28/38. Text frz. «La texte composé à la main en caractère Garamond a été tiré par le maître imprimeur André Kundig à Genève. Les papiers ont été fournis par la maison Jean Rochat l’emboîtage du livre par la reliure Veihl. Sur vélin 010 André et Pierre Rémon, 1973 unknown
18181242E001London: Henry Colburn 1818. 1st Edition . Hardback. Printed pages: 8vo. xi 1 339. Very Good. 5.25 x 8.5 inches 14 x 21.5 cm. Later half calf leather binding with marbled boards. Spine with five raise bands and leather title label. Marbled page edges. Excellent solid binding. Offsetting to corners of endpapers title page and final page of text. Scattered foxing to text staining to a few pages. Two bookplates to front pastedown endpaper: Sir John Hollams and Panof Grafsos Skinos. The rare first English language edition. This was the first of Beyle's works to use the pen name Stendhal. Includes the preface that was omitted in all later French editions. Overall condition is Very Good. Size: 5.25 x 8.5 inches 14 x 21.5 cm. Henry Colburn hardcover
1901180719003New York: D. Appleton and Company 1901. First American trade Edition. Hardcover. First American trade edition. Follows deluxe limited US & UK editions. First printing with "1" on last page of text. France p. 281. ix ii 535 pp. Original red cloth lettered in gilt green endpapers. Very Good with frayed cloth at extremities. In Good original gold foil dust jacket unclipped with triangular chip along spine edge of front panel with closed tear along fold tear along fold of front flap as well with crease to flap small splash stain to front panel chipped at edges. <p>The acclaimed 1839 French novel La Chartreuse de Parme or The Charterhouse of Parma debuted in America over 60 years later with this edition with a slightly different title. Scarce in jacket. D. Appleton and Company hardcover
193078049Paris: Albin Michel 1930. Fine. Albin Michel Paris 1930 12 x 19 cm relié First edition of which no copies on deluxe paper were issued one of the press service copies. Bradel binding in full green cloth smooth spine gilt date at foot red shagreen title-piece wrappers and spine faded and with small losses preserved two corners slightly rubbed a modest binding. Inscribed by Léon Blum to the politician pacifist activist and Radical Socialist Jean Piot. Albin Michel hardcover
1911332373London: Humphreys 1911. hardcover. fine. From Stendhal. Rubricated title 12mo handsomely rebound in full burgundy morocco black leather spine labels ornately gilt spine top edge gilt. London: Arthur Humphreys 1911. Fine.<br/> <br/> Humphreys unknown
1911862F61Paris: A. Ferroud - F. Ferroud 1911 . Leather. Very Good Indeed/Very Good. 8" by 5". Not Stated. A beautifully bound four volume limited edition of Stendhal's seminal novel about a Napoleonic era Italian nobleman. In the original French.Limited to 1000 copies on vellum of which this set is number 966.With the publisher's original wraps bound in. With a colour vignette title page to each front wrap a frontispiece to each volume five plates to volume I five to volume II five to volume III and five to volume IV. Collated complete.The novel is cited as an early example of realism a stark contrast to the Romantic style popular while Stendhal was writing. It is considered by many authors to be a truly seminal work; Honor de Balzac considered it the most significant novel of his time while Tolstoy was heavily influenced by Stendhal's treatment of the Battle of Waterloo. In half morocco bindings with marbled paper covered boards and housed in a corresponding marbled paper covered slip case with cloth lining. Fading to back strips with boards exceptionally bright. Rubbing to joints of slip case with some joints a little tender. Internally firmly bound. Publisher's original paper wraps and back strips bound in to each volume. Pages clean and bright. Very Good Indeed A. Ferroud - F. Ferroud hardcover
196729585Milano: Sergio Tosi Paolo Bellasich Stampatori 1967. First edition. Bury Pol. 260 x 350 mm. 36 leaves original wrappers in publisher's printed wood slipcase. Fine old glassine wrapper worn. One of 130 copies printed on Magnani paper signed by Bury. 8 color and 2 black lithographs by Bury illustrating Stendhal's text with images of buildings and monuments. OCLC locates only one copy National Gallery of Art Library. Sergio Tosi Paolo Bellasich Stampatori unknown
189064861Paris: Les sociétaires de l'Académie des beaux livres 1890. Fine. Les sociétaires de l'Académie des beaux livres Paris 1890 17.50 x 26 cm relié Edition not put into commerce and printed in 160 nominative copies ours for L.J. Baptiste Bourdery. This publication is illustrated with 13 etchings engraved by Manesse after drawings by Eugène Courboin including 7 headpieces and 6 tailpieces as well as 9 Art Nouveau style decorative border frames in one tone repeated on each page by Eugène Courboin. Bradel binding in half pink cloth with corners smooth spine faded and lightened decorated with a gilt floral motif gilt date and double fillet at foot navy blue shagreen title label marbled paper boards illustrated covers and spine preserved contemporary binding. Some light foxing affecting mainly the plain endpapers of the binding. Les sociétaires de l'Académie des beaux livres hardcover
194380781Paris : Editions Albert 1943. 255x200mm. 25 compositions originales en couleurs par Maurice Leroy: bandeaux lettrines culs-de-lampes et planches in et hors texte. En feuilles. Sous couverture rempliÂŽe. Avec ÂŽtuit rigide et emboitage de lՎditeur. Exemplaire sur papier Japon Mikado numÂŽrotÂŽ n.¡ 25 / 25 auxquel il a ÂŽtÂŽ ajoutÂŽ une suite en noir et une suite en couleurs des illustrations ainsi quÕune aquarelle originale signÂŽe par Leroy. Tirage de tÂte avant 14 exemplaires sur papier Lana ˆ la forme avec une suite en couleurs des illustrations ainsi que deux croquis originaux et avant 1000 exemplaires aussi sur papier Lana ˆ la forme puis 50 exemplaires hors-commerce numÂŽrotÂŽs en chiffres romains de I ˆ L. Bien complet des deux suites ˆ la fin 25 planches en n/b et 25 planches en couleurs et de lÕaquaralle au dÂŽbut. TrÂs bel exemplaire comme neuf. 1220 Editions Albert unknown
1970161221970. Paris Marcel Lubineau 1970. 3 vol. au format pt in-4 277 x 197 mm de 281 279 et 275 pp. en feuilles sous couvertures titrÂŽes ˆ rabats rempliÂŽs et ÂŽtuis-chemises cartonnÂŽs de l'ÂŽditeur dos lisses titre dorÂŽ tomaison dorÂŽe. Ensemble complet des 3 volumes le constituant. Un des 1.050 exemplaires numÂŽrotÂŽs du tirage sur vÂŽlin de Rives. L'ensemble recÂle de nombreuses compositions in et hors-texte en couleurs d'Henry LemariÂŽ. ''Henry LemariÂŽ est sans conteste le miniaturiste franÂais le plus cÂŽlÂbre et le plus apprÂŽciÂŽ de notre ÂŽpoque. Son oeuvre est la plus recherchÂŽe des bibliophiles: en effet ˆ ses qualitÂŽs picturales il a su adjoindre une parfaite ma”trise de l'illustration.'' La Chartreuse de Parme roman improvisÂŽ en 52 jours est toujours considÂŽrÂŽ aujourd'hui comme l'un des plus grands romans de la littÂŽrature franÂaise. Ë Parme l'ombre de la chartreuse s'ÂŽtend sur la cour et sur les intrigues aristocratiques des quelques happy few qui l'animentÊ: Gina la belle duchesse le comte Mosca mais surtout le jeune Fabrice delÊDongo qui suscite l'amour de tous ceux qui le croisent. Comment ne pas l'aimer ce jeune rÂveur plein de gr‰ce qui transfigure la rÂŽalitŽÊ Mais lui que tout le monde aime qui saura-t-il aimerÊ C'est la question qui hante Fabrice et Stendhal nous entra”ne dans sa quÂte qui le conduira de Milan ˆ Parme de Waterloo au lac de C™me jusqu'ˆ la prison de la tour FarnÂse o son destin va basculer. Roman d'apprentissage ou rÂverie italienneÊ Tout l'art de Stendhal tient justement ˆ cette ambigu•tÂŽ entre un amer constat d'impuissance et une invitation ˆ la magie poÂŽtique entre dÂŽsenchantement et rÂŽ-enchantement. Sans conteste La Chartreuse de Parme est avec Le Rouge et le Noir le chef-d'oeuvre de Stendhal. Infime jaunissement affectant les dos des chemises. Nonobstant trÂs belle condition. b42961 unknown
1829879M12Paris; Lugano: Alphonse Levavasseur; Presso G. Ruggia e Comp 1829-1831. Leather. Very Good. 8.5" by 5.5". Not Stated. A vellum-bound work concerning the lives of the important composers Haydn and Mozart and the librettist Pietro Metastasio with a history of the economy of Italy. The second edition of this work in a half vellum binding with marbled boards. Loosely inserted is a catalogue of the Mozart Museum in Salzburg published in 1937. Two volumes bound in one consisting of 'Vies de Haydn de Mozard et de Metastase' by M. de Stendhal Alphonse Levavasseur Paris 1831 and 'Storia della Economia Pubblica in Italia ossia Epilogo Critico Degli Economisti Italiani' by Giuseppe Pecchio Presso G. Ruggia e Comp Lugano 1829. The first is a history of the lives of the important composers Joseph Haydn and Wolfgang Amadeus Mozart and the poet and librettist Pietro Metastasio written in French. This work includes letters about Haydn and the life of Mozart translated from German by M. Schlichtegroll. The second work is a first edition copy of Pecchio's study of the Italian economy including a critical study of Italian economists. It was written in Italian by Giuseppe Pecchio who distinguished himself as a modern and original economist in both Italy and England. This work was influential for developments in political economy. In a half vellum binding. Externally smart though a little rubbed to the joints and extremities. Internally firmly bound. Pages are bright with the odd spot. Very Good Alphonse Levavasseur; Presso G. Ruggia e Comp hardcover
194483287New York: Liveright Publishing Corporation 1944. Hardcover. Very Good. Reprint stated "Black and Gold Label Edition". Translated by C.K. Scott Moncrieff. Two volumes in one. Spine lettering rubbed endpapers a little dusty about very good lacking the dustwrapper. Nicely Inscribed by John Berryman entirely in his hand as a gift from him and his wife Eileen Simpson: "Betty happy birthday with love. John & Eileen. 22 June 1949. Liveright Publishing Corporation hardcover
1948mon0000196219J. M. Dent & Sons Ltd 1948-01-01. Hardcover. Good. in x in x in. Ex-library book usual markings. Clean copy in good condition 1962 Edition. J. M. Dent & Sons Ltd hardcover
185489589Paris: Michel Lévy frères 1854. Fine. Michel Lévy frères Paris 1854 11.7 x 18.8 cm Relié Edition largely original.Half black shagreen binding spine with five raised bands decorated with gilt garlands gilt date at foot marbled paper boards comb-marbled endpapers and pastedowns gilt edges.Some foxing chiefly at the beginning and end of the volume. Michel Lévy frères hardcover
30966Paris André Coq septembre 1921. 1 vol. 185 x 195 mm de 130 p. 1 et 1 f. 2 vol. de suite 125 x 190 mm. Broché non coupé à toutes grandes marges. . Édition originale. Un frontispice et trois vignettes de Daragnès gravés sur bois par Hoffmann. Un des 30 exemplaires sur japon avec la suite des bois signés par l'artiste justifié et enrichi d'un envoi de l'éditeur à Édouard Champion. Il est exceptionnellement enrichi d'une suite supplémentaire sur chine. . Cette nouvelle est inspirée de l'histoire d'une mystique et religieuse italienne Benedetta Carlini qui vécu au XVIIe siècle. Cette « chronique italienne » inachevée est accidentellement testamentaire : c'est la dernière oeuvre à laquelle Stendhal ait travaillé quand la mort est venue le faucher par surprise sur un trottoir parisien le 22 mars 1842. Exhumé par le grand stendhalien Henry Debraye en 1920 le texte fut établi d'après les différentes notes de travail et des deux manuscrits qui se trouvent à la Bibliothèque municipale de Grenoble car Stendhal en avait tenté une première rédaction en avril 1839 au sortir immédiat de L'Abbesse de Castro et de La Chartreuse de Parme. Une autre version fut dictée à un copiste et corrigée en mars 1842 pour d'ultimes corrections. Bourdenet « Topo-esthétique de Suora Scolastica » Revue Stendhal En ligne 2024 ; Berthier Stendhal O.C. III p. 1107-1171. Paris, André Coq, (septembre) 1921. 1 vol. (185 x 195 mm) de 130 p., 1 et [1] f. + 2 vol. de suite (125 x 190 mm). Broché, non unknown
1174-07Bruxelles Société Belge de Librairie 1840. kl.-8°. 262 pp. HLn. d. Zt. Mit hs. Rückensch. Die erste Buchausgabe erschien im Jahr zuvor 1839 in Paris. Bruxelles, Société Belge de Librairie 1840. unknown
1846435822ª. Ed.- Paris: Publie par J. Hetzel Imp. Centrale de Napoleon Chaix et Cie. 1846.- 2 h. 468 p.; 8º 18 x 113 cm; Media Piel época.- Oeuvres de Stendhal. La encuadernación algo rozada pero restaurada quedando en bastante buen estado. LITERATURA Y ESTUDIOS LITERARIOS EXTRANJEROS DE LOS SIGLOS XVI-XXI Livre en français Publie par J. Hetzel (Imp. Centrale de Napoleon Chaix et Cie.) hardcover
191157729Paris: Librairie des Amateurs. A. Ferroud - F. Ferroud Successeur 1911. 8vo.Illustrated. In 4 volumes. This is copy no. 109 of an edition limited to 65 copies on Japon imperial with two states of each etching there are also another 65 copies with the plates in three states. They jointly make up the first 130 of the limted edition. 220; 191; 217; 243 pp. Contemporary half morocco over marbled boards. Gilt decoration & lettering to spines. Top edges gilt. Marbled endpapers. Original paper spines bound in at rear. Bound by P. Affolter. Numerous full-page engravings. Compositions by Frederic Bourdin and engraved by Omer Bouchery. Boards clean and unmarked. Internally fine and fresh. No ownership names. A handsome set in Fine condition. . Near Fine. Half Morocco. Limited Numbered Edition. 1911. Librairie des Amateurs. A. Ferroud - F. Ferroud, Successeur 1911 unknown
