1 297 résultats
1954GW-675Heritage Press 1954 New York: Heritage Press 1947. Translated by C.K. Scott-Moncrieff; introduction by Hamilton Basso; illustrated by Rafaello Busoni Hardcover in fine condition. Some spine fading. An otherwise clean tight copy. Comes with slipcover in very good condition. Shipped in well-padded box. Smoke-free shop. 4700Q. Special Edition. Hardcover. Fine/No Jacket. Heritage Press hardcover
FORT915254The Easton Press. Used - Acceptable. The Easton Press unknown
1980009075Norwalk CT: Easton Press 1980. Collector's Edition. Full-Leather. Very Fine/No Jacket As Issued. 4to. 450pp. Beautiful Unread First Printing of this "Collector's Edition" from Easton's "100 Greatest Books Ever Written" series. Bound in full leather with titles and decorations in gilt. All edges gilt. Silk bookmark. Introduction by Hamilton Basso. Illustrated by Rafaello Busoni. Square tight and clean throughout with no discernible wear. Still original Shrink-wrap. A simply gorgeous collectable copy. Easton Press unknown
1947017047New York: Limited Editions Club 1947. Hardcover. Tasteful bookplate on front pastedown. Scratch on spine with slight loss of leather. Very Good in a Near Fine slipcase with some soiling. Rafaello Busoni. Large octavo 7" x 10-1/4" bound in red morocco leather stamped in gold with black linen boards with a gold-stamped decoration. Designed by Richard Ellis and illustrated with lithographs by Rafaello Busoni printed from the stones by George Miller on white rag paper. Copy #39 of 1500 SIGNED by the illustrator on the colophon page. <br/><br/> Limited Editions Club hardcover
1302JC090<p>Colecção Centauro "Inquérito". Tradução de José Marinho. Edição integral. Lisboa. 1943.</p>_x000d_<p>De 24x19 cm. Com 367 págs. Encadernação da época com lombada em pele com finos ferros a ouro executada pelo mestre encadernador Frederico de Almeida. Exemplar com dedicatória na folha de anterrosto. </p> I-18-G-31 unknown
122047Paris Gallimard 1973. XXXIX. 1873 pages. 1 feuillet. 1 feuillet blanc. 175x11 Cm. Pleine basane verte dos lisse orné de filets dorés sous jaquette illustrée. Le tout en très bon état. Cette édition de "Voyages en Italie" établie et annotée par Victor Del Litto rassemble les grands textes italiens de Stendhal dans une version de référence publiée en 1973 chez Gallimard au sein de la Bibliothèque de la Pléiade. Né à Grenoble en 1783 et mort à Paris en 1842 Stendhal a fait de lItalie un lieu central de son imaginaire de ses observations et de sa réflexion sur lart la politique et les murs. Ces pages prennent place dans luvre dun écrivain issu du tournant romantique attentif aux formes du regard personnel et à la précision du témoignage. Exemplaire en très bon état. Paris, Gallimard, 1973. unknown
1989BN100499Frankfurt am Main : Insel-Verl. 1989. 1989. Rot und Schwarz : Zeitbild von 1830. Leder-Ausgabe - Insel-Bibliothek Stendhal. Aus d. Franz. von Arthur Schurig. Bearb. von Hugo Beyer. Mit e. Nachw. von Uwe Japp / <br/><br/>Rot und Schwarz : Zeitbild von 1830. Leder-Ausgabe - Insel-Bibliothek Stendhal. Aus d. Franz. von Arthur Schurig. Bearb. von Hugo Beyer. Mit e. Nachw. von Uwe Japp / Frankfurt am Main : Insel-Verl. unknown
185589588Paris: Michel Lévy frères 1855. Fine. Michel Lévy frères Paris 1855 11.8 x 18.8 cm 2 volumes reliés First edition. Bound in black half shagreen spines with five raised bands decorated with gilt garlands gilt dates at foot marbled paper boards comb-marbled endpapers and pastedowns gilt edges. Some foxing mainly at the beginning and end of the volumes. Preface by Prosper Mérimée. Michel Lévy frères hardcover
93704Paris Charles Bosse 1908. Gr.8° je 1 Fronti XVIII 448 S; VIII 560 S; VIII 378 S. Privat-HLdr. Rücken min. beschienen min. gebrauchspurig tadell. Préface de Maurice Barrès. Text. franz. 010 Paris, Charles Bosse, 1908 unknown
192632721Paris: Nrf 1926. Fine. Nrf Paris 1er septembre 1926 14 x 23 cm broché First edition. Numerous contributions including those by G.Duhamel journal de Salavin I F.Ponge la famille du Sage A.Gide journal des faux-monnayeurs fin J.Green le voyageur sur la terre fin Stendhal Edgar ou le Parisien de vingt ans. Some foxing to covers otherwise a handsome copy. Nrf unknown
62105P.U.F. Cnrs Paris 1955 In-8 22 cm 434pp. illustr. fac-sim. hors-texte Nb-0369 unknown
53540Eds Calmann Lévy 1911 edition originale In-12 xxi-388pp. reliure demi-maroquin de l'epoque dos a nerfs et titre orne la carte de visite de Paul Arbelet est jointe a cet exemplaire avec un hommage autographe a l'auteur Hector Fleischmann mention d'exemplaire offert Nb-0239 unknown
51776Eds Milieu du Monde In-16 678pp. reliure cart. de l'éditeur Nb-0158 unknown
50416Eds du Trianon - Collection : L'Oeuvre Romanesque In-8 410pp. illustr. Bois originaux de A.-F. Cosyns exemplaire numéroté sur vélin de fil du Marais Nb-0217 unknown
61489Edouard Champion Paris 1923 In-8 23 cm lxxxi- 441pp. illustr. 3 fac-simile hors-texte un des 100 exemplaires sur Arches contenant une double suite des planches tirees sur Japon Imperial Nb-0359 unknown
61586André et Pierre Rémon 1973. 2° 98 S. 26 Orig-Zeichnungen. HPrgt-Mappe darin Broschur mit losen Bogen in HPrgt-Schmuckschuber. Vom Künstler und vom Verleger im Impressum signiert. Nummeriertes Exemplar Nr. 28/38. Text frz. «La texte composé à la main en caractère Garamond a été tiré par le maître imprimeur André Kundig à Genève. Les papiers ont été fournis par la maison Jean Rochat l’emboîtage du livre par la reliure Veihl. Sur vélin 010 André et Pierre Rémon, 1973 unknown
61624Lausanne André et Philippe Gonin 1973. 4° 88 S. 2 Bl. 26. farb. Abb. Lose Bogen in Umschlag in HPerg.-Mappe in Schmuckschuber. Schuber etwas gebräunt min. fleckig sonst tadell. Nr. 28 von 38 Exemplaren Insgesamt 50 Ex. sur vélin de Rives. Vom Verleger und dem Künstler im Impressum signiert. Les 26 compositions de l’ouvrage ont été dessinées et peinets à la main dans chaque exemplaire par Jean-Pierre Remon à Paris. - Die EA des Textes erschien 1838.- Jean-Pierre Rémon est né le 9 novembre 1928 à Paris dans le XIVe arrondissement troisième d’une famille de 7. C’est en écoutant sa Mère jouer au piano Bach et Mozart que l’envie de peindre est née chez le petit Jean-Pierre alors âgé de treize ans. Son entourage familial le sensibilise d’autre part à la littérature et au théâtre. Les origines d’une vocation artistique sont mystérieuses. Elles sont à rechercher dans les joies les chagrins les plus anciens et les plus enfouis. Chez Jean-Pierre Rémon la conscience aiguë d’être différent du fait d’une sensibilité hors du commun l’ont dès la sortie de l’enfance poussé à dessiner. A quinze ans il entre à l’École des Beaux Arts de Paris pour y dessiner des plâtres. Il travaille ensuite avec Gilbert Dupuis directeur de l’Académie Jullian qui lui transmet les bases du métier de peintre. Cette Académie qui fut fermée pendant la guerre ; davantage libre et créative que l’Ecole des Beaux Arts elle accueillait les peintres étrangers et les femmes ainsi que les amateurs talentueux ; l’avaient fréquentée : Edouard Vuillard Henri Matisse ou encore Jacques Henri Lartigue. 010 Lausanne, André et Philippe Gonin, 1973 unknown
3-56963Firenze Parenti 1957 tre volumi in-8vo bel cartonato editoriale con stemmi papali ai piatti anteriori sovraccopertine in acetato cofanetto originale rigido illustrato a colori pp. XLVI-320 252 con 122 tavole in nero e a colori fuori testo di cui le ultime nove di grandi dimensioni e ripiegate sono contenuto nel vol. III. Traduzione di M. Cesarini Sforza; prefazione di Alberto Moravia; introduzione critica di Glauco Natoli. Bella edizione di lusso nella seconda edizione tiratura ordinaria di 2000 copie non numerate. Molto buono. unknown
3-44448Firenze Parenti 1956 tre volumi in-8vo bel cartonato editoriale con stemmi papali ai piatti anteriori sovraccoperta in acetato cofanetto originale rigido illustrato a colori pp. XLVI-320 252 con 122 tavole in nero e a colori fuori testo di cui le ultime nove di grandi dimensioni e ripiegate sono contenuto nel vol. III. Traduzione di M. Cesarini Sforza; prefazione di Alberto Moravia; introduzione critica di Glauco Natoli. Bella edizione di lusso nella prima tiratura ordinaria di 3000 copie non numerate. Uno strappo e piccole mancanze alle sovraccoperte in acetato; lievi segni del tempo al cofanetto. Molto buono. unknown
19602205180132Firenze Parenti 1960-01-01. Hardcover. Very Good. 3 volume set. Hardcovers in slip case. Shelf wear to slip case. Good bindings and covers. Clean unmarked pages. Gift inscription in volume 1 but otherwise pages clean and unmarked. 26 cm.<br><br>This is an oversized or heavy book which requires additional postage for international delivery outside the US. Firenze, Parenti hardcover
196243938AB1962. Evanston Northwester University Press 1962. 16 cm x 23.5 cm. XIII 305 pages. With many illustrations. Original hardcover with protective Mylar. Excellent condition with only very minor signs of wear. Considerable underlining by preowner. Otherwise clean inside with solid binding. "Allan Seager 19061968 was a novelist and short-story writer. Seager published more than 80 short stories in publications including Esquire The New Yorker The Atlantic and Sports Illustrated. E.J. O'Brien editor of the yearly Best American Short Stories series once stated that the "apostolic succession of the American short story" ran from Sherwood Anderson to Ernest Hemingway to Seager. Poet and novelist James Dickey credited Seager's novel Amos Berry as a principal reason that he chose to pursue poetry. As an undergraduate at the University of Michigan Seager was a member of two national championship swimming teams. He subsequently earned a Rhodes Scholarship to Oxford University but his studies were interrupted by a bout of tuberculosis. He spent a year "curing" at the Adirondack Cottage Sanitarium in Saranac Lake New York; his experiences there and in Ann Arbor and Oxford led to the semi-autobiographical short stories published in the collection A Frieze of Girls. Subsequent to his Rhodes Scholarship Seager worked for Vanity Fair magazine as an assistant editor. He returned to Ann Arbor in 1935 where he taught creative writing at the University of Michigan until 1968." Wikipedia "This is the first English translation of Stendhal's fictional account of a tour through France in the reign of Louis-Philippe. This is not only a guide book but more importantly it is a theater of opinion for one of the most brilliant and original minds of the nineteenth century. Since Stendhal always had to pretend to be someone else this book purports to be the memoirs of an ironworks salesman who having made his fortune is about to leave France forever and settle in the colonies. The disguise is thin however and on every page the freshness and vigor of Stendhal's mind bursts through. Stendhal makes observations on the people the local customs the social life the charm of women; he makes what would now be called psychological and sociological observations remarks on the cuisine and regional wines the state of the drama good fishing sites; in fact as nearly as you can visit a place verbally you do so with the author of The Red and the Black and The Charterhouse of Parma" for Stendhal is the ideal traveling companion: urbane witty and stimulating." Publisher hardcover
B9781345705690Hardback. New. hardcover
A9781345705690Hardback. New. hardcover
26687Paris 1933 Belle lettres. Broschiert unaufgeschnittene Seiten die Bücher sind gut erhalten--- Softcover unopened cuted pages the books are in a good condition Paris 1933 Belle lettres paperback
1933103427Paris: Le Divan 1933. Pocketbook. Paperback. Good. Correspondance 1800-1842 Volumes 1-10 Journal 1801-1823 Volumes 1-5 Roman et Nouvelles Volumes 1 & 2 Pensees Volumes 1 & 2 Melanges Intimes et Marginalia Volumes 1 & 2 Lettres A Stendhal Volumes 1 & 2. text in French<br /> <br /> wraps covers soiled and worn<br /> <br /> Standard shipping no tracking or insurance / Priority with tracking / Custom quote for large or heavy orders. Le Divan paperback