833 résultats
1916RO20272103LIBRAIRIE DE LA BIBLIOTHEQUE NATIONALE. 1908-1912-1916. In-18. Relié. Etat d'usage, Couv. convenable, Dos satisfaisant, Quelques rousseurs. 188 + 159 + 192 PAGES - couverture muette, etiquette vierge au dos. . . . Classification Dewey : 820-Littératures anglaise et anglo-saxonne
RO20238820Librairie Larousse. Non daté. In-12. Broché. Bon état, Couv. convenable, Agrafes rouillées, Intérieur frais. 28 pages agrafées. Nombreuses illustrations en bichromie dans et hors texte.. . . . Classification Dewey : 843.0692-Livres d'enfants
R200115653R. Simon. Non daté. In-12. Relié. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 256 pages. Tranche de tête rouge.. . . . Classification Dewey : 820-Littératures anglaise et anglo-saxonne
1927I25230Antwerpen, De Sikkel 1927 x + 55pp., beperkte en genummerde oplage op Handpapier van Auvergne: nr.12/250, gecart.band (klein vlekje), enkele roestplekjes, goede staat
1955R150141217HATIER.. 1955. In-12. Broché. Bon état, Couv. légèrement passée, Dos satisfaisant, Intérieur acceptable. 64 pages.. . . . Classification Dewey : 820-Littératures anglaise et anglo-saxonne
34496AEdition de 1979, aspect jauni, intérieur propre.
p10130aPHOTOS SUR DEMANDE
A1996Attention, Poche, Aubier bilingue imprimé en 1968.Couverture jaunie, tache sur la quatrième de couverture.
1985RO80233221nathan. 1985. In-12. Broché. Etat d'usage, Couv. convenable, Dos satisfaisant, Mouillures. 165 pages.Exemplaire de bibliothèque recouvert d'un film transparent. Etiquette sur le premier plat et au dos. Tampon sur certaines pages. Range fichette sur la dernière page.. . . . Classification Dewey : 820-Littératures anglaise et anglo-saxonne
1880RO40031952Lemerre. 1880. In-12. Broché. Etat d'usage, Tâchée, Dos abîmé, Rousseurs. 373 pages, traduit par Victor Hugo.. . . . Classification Dewey : 820-Littératures anglaise et anglo-saxonne
R150156415TALLANDIER. BIBLIOTHEQUE NATIONALE.. Non daté. In-18. Broché. Etat d'usage, Couv. convenable, Dos fané, Intérieur acceptable. 192 pages. Accro sur le premier plat de couverture.. . . . Classification Dewey : 840-Littératures des langues romanes. Littérature française
1951R150141218HATIER.. 1951. In-12. Broché. Bon état, Couv. légèrement passée, Dos satisfaisant, Intérieur acceptable. 60 pages.. . . . Classification Dewey : 820-Littératures anglaise et anglo-saxonne
1948RO30012088BORDAS. 1948. In-8. Relié. Bon état, Couv. convenable, Dos frotté, Intérieur frais. 328 pages.Titre doré. Illustrations noires hors texte.. . . . Classification Dewey : 820-Littératures anglaise et anglo-saxonne
1948222833Les grands maîtres 1948 330 pages in8. 1948. Broché. 330 pages.
1983LIT2037GAR1983 Editions Le Club Français du Livre. Bilingue : Anglais / Français.
9976LA PLEIADE . 1980 . COMEDIES II -TRAGEDIES .RELIURE EDITEUR , RHODOÏD ET JAQUETTE .
1964LIT1737C1101964 / 373 pages. Poche. Editions Flammarion.
1920kb758C.013GB: Robert Riviere 1920. Not dated but about 1920. Half dark green leather with five raised bands on spines heavily decorated in gold and green cloth. Top edges gold. A superb completely umarked set. . Hardback. nrFine/No DW. Robert Riviere Hardcover
178511026<p>John Bell. London. 1785. Two works in one volume. Early and first edition. 8vo. 5.8 x 3.6 inches. First work; 90pp. second work: 99pp. Some brown offsetting from the glue used in the binding to the first and last couple of leaves otherwise generally very good copies in an attractive late 18th century leather binding of half dark brown calf. Spine with decorative gilt bands. A new red leather title label lettered in gilt has been added to replace the missing original. Marbled paper on the boards. Some rubbing to the edges and the top hinge cracked but holding firm. Overall a pretty little volume. -- Early printing of Johnson & Steeven's Midsummer Nights Dream and First edition of their Annotations.</p> John Bell. London. 1785 hardcover
42503LONDON FOLIO SOCIETY 2001. FIRST PRINTING. A FINE COPY IN A VERY GOOD SLIPCASE SOME FADING. ILLUSTRATED BY W. HEATH ROBINSON. SCARCE. LONDON, FOLIO SOCIETY, 2001 unknown
172070Longmans Green and Co. 1868. 1st edn. Folio 12¾ x 9½ ins. Original bevelled-edged decorative cream cloth top edge gilt worn at head and tail of spine and boards lightly stained. Pp. 87 illus 24 with b&w plates gutters perished and pages loose; prelims rather toned; no inscriptions. Longmans Green and Co., 1868 unknown
1920007425LONDON/NY: WILLIAM HEINEMAN / DOUBLEDAY PAGE 1920. SEVENTH PRINTING . Hardcover. Very Good/NoNE. RACKHAM ARTHUR. 40 BEAUTIFUL COLOR TIPPED IN PLATES BY ARTHUR RACKHAM ALL WITH PLATE COVERS OTHER RACKHAM DRAWINGS IN BLACK AND WHITE BOUND IN BLUE/ GREEN WITH VERY NICE COMPLETE GILT LETTERING AND GILT DESIGN ON FRONT COVER SOLID BINDING A LOVELY EDITION OF THIS SHAKESPEARE WORK SMALL NEAT PERIOD PREVIOUS OWNERS INSCRIPTION WEAR AND BUMPING TO ALL CORNERS PRIVATELY OWNED ILLUSTRATED PLATES HAVE SOME AGE TONING TO THE MARGINS WITH SOME BLEED OVER TO TEXT TEXT IS OTHERWISE VERY BRIGHT LIGHT WEAR TO TOP AND BOTTOM OF SPINE A REALLY GRAND BOOK IPHONE PICTURES AVAILABLE <br/> <br/> WILLIAM HEINEMAN / DOUBLEDAY PAGE hardcover
18889014<p>Ernest Nister. London. Printed in Nuremberg. ND. 1888. FIRST AND ONLY PRINTING OF THIS EDITION. Folio. 15 x 11.7 inches. Illustrated with six stunning full colour chromolithographic plates and twenty-seven sepia vignettes throughout the text. The artist is Julius Höppner a master of fairy and fantasy illustration. Original white cloth with elaborate full gilt decoration to spine and front board which also has a sunken panel with a bevelled gilt tooled edge where a full colour illustration is placed. Silk patterned paper endpapers. All edges gilt. Binding a bit loose. The board edges are rubbed and marked & there is some minor foxing to most pages but overall this is a near to very good copy of a truly beautiful book.</p> Ernest Nister. London. Printed in Nuremberg. ND. 1888 hardcover
163229673London: by Thomas Cotes for Robert Allot 1632. From the Second Folio of Shakespeare. A sheet rescued from a single folio still bearing a copy of its original title page naming Robert Allot who was owner of the rights to sixteen plays. Bi-Folium a complete bifolium 4 pp. 29 30 31 32. A large and very well preserved copy of this very rare and unusual survival original sewing holes and any other tiny imperfections expertly perfected according to the exacting standards established by the American Institute of Conservation. A RARE OFFERING FROM THE SECOND FOLIO. Made at Thomas Cotes' print shop located at the Signe of the Blacke Beare in Pads Church-yard. this is an example that few have ever seen but for the original 17th century purchasers and binders of Cotes' loose sheets and in later centuries folio conservators or binders working on the rare individual sheet that only remained in sheet form until being rebound back into its folio for use as numbered pages. It also originates from one of the first two folio editions of 1623 and 1632 of which only 1500 or so total combined copies were printed. With the hindsight of 400 years sheets were something that no one thought to preserve in 1632 These folio sheets were printed specifically for binding into complete copies of the Second Folio. Ironically extra sheets would probably have been considered "printer's waste" and discarded or perhaps given away as "mementos". [by Thomas Cotes for Robert Allot] unknown
163229674London: by Thomas Cotes for Robert Allot 1632. From the Second Folio of Shakespeare. A sheet rescued from a single folio still bearing a copy of its original title page naming Robert Allot who was owner of the rights to sixteen plays. Bi-Folium a complete bifolium with two folio leaves still attached and unseparated. 4 pp. 75 76 81 82. A large and very well preserved copy of this very rare and unusual survival original sewing holes and any other tiny imperfections expertly perfected according to the exacting standards established by the American Institute of Conservation. A RARE OFFERING FROM THE SECOND FOLIO. Made at Thomas Cotes' print shop located at the Signe of the Blacke Beare in Pads Church-yard. this is an example that few have ever seen but for the original 17th century purchasers and binders of Cotes' loose sheets and in later centuries folio conservators or binders working on the rare individual sheet that only remained in sheet form until being rebound back into its folio for use as numbered pages. It also originates from one of the first two folio editions of 1623 and 1632 of which only 1500 or so total combined copies were printed. With the hindsight of 400 years sheets were something that no one thought to preserve in 1632 These folio sheets were printed specifically for binding into complete copies of the Second Folio. Ironically extra sheets would probably have been considered "printer's waste" and discarded or perhaps given away as "mementos". [by Thomas Cotes for Robert Allot] unknown