SHAKESPEARE William, HINMAN CharltonBiblio.com
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179957W.W. Norton 1996. 0393039854. 2nd edn. Folio 14 x 9½ ins. Original gilt lettered quarter faux morocco on pictorial cloth boards Fine slipcase lightly scuffed and marked - otherwise VG. Pp. xxxvii 928 illus with b&w facsimile plates no inscriptions. W.W. Norton, 1996. 0393039854 unknown
cbs 9780521615945USA Edition . New. Brand New! Fast Delivery US Edition and ship within 24-48 hours. Deliver by FedEx and Dhl & Aramex UPS & USPS and we do accept APO and PO BOX Addresses. Order can be delivered worldwide within 6-10 days and we do have flat rate for up to 2LB. Extra shipping charges will be requested if the Book weight is more than 5 LB. This Item May be shipped from India United states & United Kingdom. Depending on your location and availability. unknown
PJH50419Norton 1996. Fine copy in Modern Burgundy Leather backed boards in slightly dusty matching Slipcase. Second Edition of Monumental Facsimile. Norton 1996 hardcover
173533901London: J. Tonson 1735. A pleasing and early octavo printing. Engraved frontispiece engraved head-piece and a six-line engraved initial at the beginning of the text Small 8vo bound in later blue wrappers hand calligraphed on the cover in brown ink. 96pp. A fine and well preserved copy the blue wrappers as pristine. VERY SCARCE. From the important Theobold oeuvre. Although Theobold ultimately gave way to Johnson in popularity he remains one of the pre-eminent Shakespearean editors. Churton Collins writing in the DNB claimed it “would not be too much to say that the text of Shakespeare owes more to Theobold than to any other editor.â€<br> The collection also draws on two rival editions J. Tonson’s and R. Walker’s. Although the two are nearly identical Tonson issued an advertisement warning the public against “such Useless Pirated and Maim’d Editions as are publish’d by the said R. Walker.†<br> Henry VI contains many famous quotations among which are:<br><br><br>My thoughts are whirled like a potter's wheel:<br>I know not where I am nor what I do.<br>Talbot Act 1 Scene 5<br><br>Here I prophesy: this brawl today <br>Grown to this faction in the Temple garden <br>Shall send between the red rose and the white <br>A thousand souls to death and deadly night.<br>Warwick Act 2 Scene 4<br><br>Defer no time delays have dangerous ends.<br>Reignier Act 3 Scene 2<br><br>Here on my knee I beg mortality <br>Rather than life preserved with infamy.<br>John Act 4 Scene 5<br><br>She’s beautiful and therefore to be wooed;<br>She is a woman therefore to be won.<br>Suffolk Act 5 Scene 3<br><br>To be a queen in bondage is more vile<br>Than is a slave in base servility.<br>Margaret Act 5 Scene 3 J. Tonson unknown
1996120325<p>London: W. W. Norton / Folio Society. Fine with no dust jacket. 1996. 1st Thus; Second Printing. Hardcover. Near AS NEW. Bound in quarter bonded leather with 5 raised bands and gilt decoration and titling to the compartments with pictorial cloth boards. Housed in the Original Gilt Titled paper-covered strong card SLIPCASE. VERY slight storage marks to the slipcase and one bumped/ marked corner. This edition was designed and produced by the Folio Society in 2001 and 2006 using the sheets from W. W. Norton as a 'brought in' volume but it does not have the Folio Society imprint. This is the second edition of the Norton facsimile of Shakespeare's First Folio of 1623 printed by Blount and Jaggard. With two introductions explaining the origins printing methods and modern scholarship of the First Folio. NO Inscriptions or marks. Near AS NEW. An Excellent copy. This book is Large Folio Sized and overweight and will almost certainly require extra postage depending on your location. See Images. ; Large Folio 14" - 15" tall .</p> W. W. Norton / Folio Society, hardcover
2005CBS-9780521615945Sp Cambridge University Press 2005. New. Sp Cambridge University Press unknown
2005CBS-9780521615945Sp Cambridge University Press 2005. New. Sp Cambridge University Press unknown
196830913Paul Hamlyn 1968. Folio First Edition thus with full-page facsimiles throughout; green cloth gilt back a near fine copy in publisher's board slip-case the latter mildly age-soiled and worn and frayed at extremities. Paul Hamlyn, hardcover
1871SKU-045821Bradbury Evans & Co 1871. Leather Bound. Very Good. 1871 Bradbury Evans and Company London 13 leather bound minatures with gilt edges and raised band spines in red box with gilt decoration. Hasp on box is damaged. Each volume is approximately 340 pages Please email for photos. Bradbury Evans & Co hardcover
188268New York: George Routledge and Sons c. 1880. 13 vols. 12mo 5 x 3¼ ins. Original uniform blind-ruled gilt decorated maroon cloth all edges yellow bright VG housed in battered box lacking lid. Pp. various no inscriptions. New York: George Routledge and Sons, c. 1880 unknown
CBS 9780521425049USA Edition . New. Brand New! Fast Delivery US Edition and ship within 24-48 hours. Deliver by FedEx and Dhl & Aramex UPS & USPS and we do accept APO and PO BOX Addresses. Order can be delivered worldwide within 6-10 days and we do have flat rate for up to 2LB. Extra shipping charges will be requested if the Book weight is more than 5 LB. This Item May be shipped from India United states & United Kingdom. Depending on your location and availability. unknown
C--13479Brand New. Brand New! Fast Delivery US Edition and ship within 24-48 hours. Deliver by FedEx UPS & USPS and we do not accept APO and PO BOX Addresses. Order can be delivered worldwide within 7-12 days and we do have flat rate for up to 2LB. Extra shipping charges will be requested if the Book weight is more than 5 LB. This Item May be shipped from India. unknown
19104812<p>William Heinemann. London. 1910. FIRST THOMSON EDITION. 4to. Illustrated throughout with forty fine full colour plates each mounted onto thicker art paper and with a printed tissue guard cover. A very good copy in a fine leather binding of half dark blue morocco spine with raised bands ruled lettered & decorated in gilt. Blue cloth on the boards. To edge gilt.</p> William Heinemann. London. 1910 hardcover
196834798New York: W. W. Norton 1968. The First Issuance of the famous Norton Facsimile this copy with the original prospectus. photographically rendered facsimile of the First Folio of Shakespeare 1623. Folio publisher's full red morocco over red cloth covered boards in protective slipcase the spine with raised bands gilt ruled the compartments lettered and decorated in gilt ribbon marker red decorated endpapers. xxxvii 928 pp. A pristine copy as mint. AN IMPORTANT PRINTING AND PUBLISHING EVENT. Because of the peculiarities regarding the printing of the First Folio of the eighty or so copies at the Folger Library no two copies are identical. Professor Hinman was able to collate the Folger copies and discover all the variant readings and corrections made during the print run and for this facsimile he provides the finally corrected state of every page. As the advertisement states this is "a facsimile not of 'a' Folio but 'the' Folio." Each page is photographically reproduced without retouching or opaquing in the original size.<br> Professor Hinman has provided a valuable introduction as well as a new standardized line-numbering which replaces the standard but quite faulty act-scene-line numbers of the old Globe edition of 1864. This edition also reproduces two original proof sheets with proofreader's marks. W. W. Norton hardcover
ria9783337845926_inpPaperback. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; The Plays and Poems of William Shakspeare - In Sixteen Volumes - Collated Verbatim with the Most Authentick Copies and Revised with the Corrections and Illustrations of Various Commentators. Vol. 10 is an unchanged high-quality reprin paperback
182132498London: F.C. and J. Rivington; et al 1821. 21 volumes. The First Edition of ‘Boswell’s Malone’ Edition a highly important printing of the bard's works. This copy with very interesting and established provenance. The set was owned by Edward Weeks member of an old Boston and New England family and long-time editor of The Atlantic where he wrote a column for many years entitled "The Perpatetic Reviewer." Previous to Mr. Weeks the set was owned by the aviator Louis Bleriot the first person to fly across the English Channel. His signature is in one of the volumes. With engraved frontispiece portraits of Shakespeare in Volume I II and III engraved illustration of the Globe and folding leaves in Vol. III with steel-engraved plate in Vol. VIII a large folding engraved plate in Vol. XVI and printed music in Vol. XVII. 8vo handsomely bound in contemporary full smooth tan polished calf the covers gilt decorated at the borders with a roll-tooled chain pattern gilt decorated board edges the spines attractively gilt decorated in elaborate panels within the compartments raised bands gilt ruled contrasting lettering labels in red and green in three compartments. A very handsome and stately set in proper bindings internally very fresh bindings with some minor age evidence some restoration to some hinges on some volumes. A handsome and pleasing set. AN IMPORTANT AND EARLY PRINTING OF THE WORKS. This variorum edition not only forms a fine summery of the cumulative scholarship on Shakespeare during the 18th century but has time and again been called the foundation of modern Shakespearean scholarship. James Boswell the son of Johnson’s biographer had a hard task in ordering Malone’s papers - “I may add†he states in his 50 page introduction “that it is not everyone who could have deciphered his notes.†Along with all of Malone’s material this set contains three full volumes of scholarly works including the prefaces of all of the major editions of the previous century more then one life of Shakespeare Boswell’s life of Malone histories of the stage Shakespeare’s will Coat of Arms and other relative documents to the Bards life and extensive notes on and from the modern editions. In addition to all of this material is the extensive and very useful ‘Glossarial Index’ and an Addenda.<br> No less then 35 publishers joined forces to produce these volumes and it is alone among the variorum editions to include a volume of Poems. Its influence was such that many years later the Sette of Odd Volumes a renowned bibliophile dining club limited its membership to 21 stating this in its list of rules; “The Sette of Odd Volumes to consist of twenty one this being the number of volumes of the variorum Shakespeare of 1821â€. F.C. and J. Rivington; et al hardcover
191130764London: J.M. Dent and Sons Limited 1911. 3 volumes. First of the edition and first with the illustrations by Sullivan. Beautifully illustrated with 39 gravures after original illustrations by E.J. Sullivan. Thick 8vo very handsomely bound in full red morocco and signed by Bayntun Riviere & Son with edges gilt the covers bordered with gilt fillet lines spines with raised bands with gilt rules at the borders separating the compartments which are decorated with center tools in gilt picturing symbols of the stage two compartments with gilt lettering feathered marbled endpapers all edges gilt. 14 848; 8 887; 8 982 pp. A marvelous set all gilt still handsome and bright the bindings as pristine and without wear. A VERY FINE AND HANDSOME SET. This is a well-glossed and intelligently edited set of Shakespeare’s plays complete with a biographical section about Shakespeare. This edition also contains a plethora of intricate and delightful illustrations by E.J. Sullivan. A truly beautiful set. J.M. Dent and Sons, Limited hardcover
179461264Dublin: Printed By John Exshaw. 1794. Hardcover. Very Good. 363pp sl water staining of prelims sm piece torn from margin of last page. Bound in full leather rubbed chipped and scraped; Octavo . Printed By John Exshaw hardcover
185815651London: George Routledge & Co. Farringdon Street 1858. 3 volumes. First edition edited by Howard Staunton and illustrated by John Gilbert. Engraved frontispiece of the Bard and a great profusion of engraved illustrations throughout both within the text and as full page plates. 8vo original midnight-blue three-quarter morocco edged in gold over pebbled cloth boards spines richly gilt separated into compartments with gilt lettering gilt ruled raised bands and elaborately decorated gilt panel designs within the compartments marbled endpapers a.e.g. lxviii 746; 768; 816 pp. A fine set all gilt and all bindings still very handsome and bright with only expected minor foxing to the prelims. A HANDSOME SET INDEED. Staunton has painstakingly researched Shakespeare’s original language and manuscripts when possible in an attempt to wrap himself around the Bard’s mind “to explain his obscurities to disentangle his intricacies and to illustrate his allusions†preface. The result is a well-glossed and intelligently edited set of Shakespeare’s plays complete with an extensive biographical section about Shakespeare miscellaneous documents relating to his estate and a reprint of his famous will in which he bequeaths to his wife his “second best bed with the furniture.†This edition also contains a plethora of intricate and delightful illustrations by John Gilbert. A truly beautiful set. George Routledge & Co. Farringdon Street hardcover
182127348London: F.C. and J. Rivington; et al 1821. 21 volumes. The ‘Boswell’s Malone’ Edition first thus. With engraved frontispiece portraits of Shakespeare in Volume I and II and III engraved illustration of the Globe and folding leaves in Vol. III with steel-engraved plate in Vol. VIII a large folding engraved plate in Vol. XVI and printed music in Vol. XVII. 8vo handsomely bound in contemporary full smooth tan calf boards gilt ruled gilt decorated board edges spines attractively gilt tooled in panels between raised gilt tooled bands lettering labels in two panels of dark green and buff morocco smaller morocco volume labels at the tails all labels lettered in gilt a.e.g. A very handsome and stately set in proper bindings internally very fresh bindings with some minor age evidence some cracking to hinges on some volumes one cover detached and easily repairedstill a pleasing and handsome set. AN IMPORTANT AND EARLY PRINTING OF THE WORKS. This variorum edition not only forms a fine summery of the cumulative scholarship on Shakespeare during the 18th century but has time and again been called the foundation of modern Shakespearean scholarship. James Boswell the son of Johnson’s biographer had a hard task in ordering Malone’s papers - “I may add†he states in his 50 page introduction “that it is not everyone who could have deciphered his notes.†Along with all of Malone’s material this set contains three full volumes of scholarly works including the prefaces of all of the major editions of the previous century more then one life of Shakespeare Boswell’s life of Malone histories of the stage Shakespeare’s will Coat of Arms and other relative documents to the Bards life and extensive notes on and from the modern editions. In addition to all of this material is the extensive and very useful ‘Glossarial Index’ and an Addenda.<br> No less then 35 publishers joined forces to produce these volumes and it is alone among the variorum editions to include a volume of Poems. Its influence was such that many years later the Sette of Odd Volumes a renowned bibliophile dining club limited its membership to 21 stating this in its list of rules; “The Sette of Odd Volumes to consist of twenty one this being the number of volumes of the variorum Shakespeare of 1821â€. F.C. and J. Rivington; et al hardcover
18703588<p>Ireland and co. London and Manchester.ND circa 1870's. Large 8vo. iv920pp. Text printed in double column. A very good copy in publishers red cloth with highly decorative gilt stamped spine. Author and title lettered within elaborate design. The whole housed with a double ruled border. Boards with blind stamped corner decorations with a triple ruled border. Brown endpapers. Top of spine has a small stain accross about a quarter inch of the cloth. Overall a near fine copy in a highly decorative victorian cloth binding.</p><p>A scarce edition unrecorded in the British Library or the Copac library catalogues.</p> Ireland and co. London and Manchester.,ND (circa 1870's) hardcover
177110263Dublin: Thomas Ewing 1771. Hardcover. Good. Six volumes in twelve. Small 8vo. Full worn leather with red title pieces. Edges stained green. Four volumes are marked with what appears to be an ink spillage. Bookplate in each volume and gift inscription in volume 1. In addition to being based on Johnson's text this edition includes his preface together with the prefaces and notes of earlier Shakespeare editors namely Rowe Pope Theobald Hanmer and Warburton. Also included are Capell's Introduction a table of the quarto editions of Shakespeare's plays Rowe's account of the life of Shakespeare Shakespeare's Will and "Poems Upon the Author". "Select notes from many other critics" are given on each play. Variations between the texts of Dr. Johnson and Mr. Capell are also given. Volume 1 has a frontispiece of Shakespeare and there is a miniature engraving of Shakespeare by Picot at page 3. An interesting and worthwhile 18th century edition. Photographs available on request. <br/> <br/> Thomas Ewing hardcover
173433902London: J. Tonson 1734. A pleasing and early octavo printing. Engraved frontispiece engraved head-piece and a six-line engraved initial at the beginning of the text Small 8vo bound in later blue wrappers hand calligraphed on the cover in brown ink. 96pp. A fine and well preserved copy the blue wrappers as pristine. VERY SCARCE. From the important Theobold oeuvre. Although Theobold ultimately gave way to Johnson in popularity he remains one of the pre-eminent Shakespearean editors. Churton Collins writing in the DNB claimed it “would not be too much to say that the text of Shakespeare owes more to Theobold than to any other editor.â€<br> The collection also draws on two rival editions J. Tonson’s and R. Walker’s. Although the two are nearly identical Tonson issued an advertisement warning the public against “such Useless Pirated and Maim’d Editions as are publish’d by the said R. Walker.†<br> Henry VI Part II contains famous quotations among which are:<br><br>Could I come near your beauty with my nails<br>I'd set my ten commandments in your face.<br>Eleanor Act 1 Scene 3<br><br>The fox barks not when he would steal the lamb.<br>Suffolk Act 3 Scene 1<br><br>For where thou art there is the world itself<br>With every several pleasure in the world:<br>And where thou art not desolation.<br>Suffolk Act 3 Scene 2<br><br>Small things make base men proud.<br>Suffolk Act 4 Scene 1<br><br>True nobility is exempt from fear.<br>Suffolk Act 4 Scene 1<br><br>The first thing we do let's kill all the lawyers.<br>Dick the butcher Act 4 Scene 2<br> J. Tonson unknown
189510452<p>G Napier & Co Birmingham and Tylston & Edwards Marsden London. Printed at the press of the Birmingham Guild of Handicraft. 1895. Printed by the Birmingham Guild of Handicraft. Large 8vo. 8.8 x 7.2 inches. iv154ppi Colophon. Decorative wood-cut Initial letters and borders on the text pages. Neat two line inscription on the title page. Early leather binding of half dark blue morocco. Spine which has been re-laid ruled lettered and decorated in gilt. Double gilt ruled lines on the morocco edges bordering blue cloth panels on the boards. Marbled endpapers with a strip of plain paper to both inner hinges where the book has been professionally re-cased. Top edge gilt. Some rubbing to the edges of the binding. A beautifully produced edition in the arts and crafts style of the period in a skilfully repaired but very good quality and still attractive early leather binding.</p> G Napier & Co, Birmingham, and Tylston & Edwards Marsden, London. Printed at the press of the Birmingham Guild of Handi hardcover
26291THE SWALLOW PRESS 1975. FOLIO LIMITED TO 300 NUMBERED COPIES THIS BEING NUMBER 115. FULLY BOUND IN NIGER LEATHER BY SANGORSKI AND SUTCLIFFE PUBLISHED BY THE SWALLOW PRESS DESIGNED BY EDWARD BURRETT WITH DRAWINGS BY CLARKE HUTTON WITH A PREFACE BY ROBERT GRAVES. SIGNED BY ROBERT GRAVES EDWARD BURRETT AND CLARKE HUTTON. A FINE EXAMPLE OF A SCARCE BOOK. COMPLETE WITH ORIGINAL SLIPCASE WORN. THE SWALLOW PRESS, 1975 hardcover
