SHAKESPEARE WILLIAM ; NISTERBiblio.com
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18889014<p>Ernest Nister. London. Printed in Nuremberg. ND. 1888. FIRST AND ONLY PRINTING OF THIS EDITION. Folio. 15 x 11.7 inches. Illustrated with six stunning full colour chromolithographic plates and twenty-seven sepia vignettes throughout the text. The artist is Julius Höppner a master of fairy and fantasy illustration. Original white cloth with elaborate full gilt decoration to spine and front board which also has a sunken panel with a bevelled gilt tooled edge where a full colour illustration is placed. Silk patterned paper endpapers. All edges gilt. Binding a bit loose. The board edges are rubbed and marked & there is some minor foxing to most pages but overall this is a near to very good copy of a truly beautiful book.</p> Ernest Nister. London. Printed in Nuremberg. ND. 1888 hardcover
1982RO60008475Argo. 1982. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. Deux cassettes audio.. . . . Classification Dewey : 420-Langue anglaise. Anglo-saxon
1942RO60146693J.M. Dent & sons/ E.P. Dutton & co. 1942. In-16. Relié toilé. Etat passable, Couv. convenable, Dos satisfaisant, Papier jauni. 104 pages. Titre et auteur en doré au dos. Quelques rousseurs. Texte en anglais.. . . . Classification Dewey : 420-Langue anglaise. Anglo-saxon
1994ROD0103073PENGUIN BOOKS. 1994. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 106 pages. Annotation sur le premier contre-plat et dans le texte sans conséquence réelle sur la lecture.. . . . Classification Dewey : 420-Langue anglaise. Anglo-saxon
RO60000775Blackie & son Ltd. sans date. In-12. Broché. Bon état, Tâchée, Dos satisfaisant, Intérieur frais. 98 pages. Annotations à l'encre.. . . . Classification Dewey : 420-Langue anglaise. Anglo-saxon
ORD-20147London. William Heinemann. New York. Doubleday, Page & Co. 1908. In-4 (190 x 258 mm) percaline de l'éditeur, titre et vignette dorés, nombreuses illustrations en noir et blanc dans le texte et 40 en couleur hors texte protégées par des serpentes légendées. Edition originale du tirage courant. Assez nombreuses rousseurs notamment sur la couverture, très bon état des planches en couleurs d'Arthur Rackham.
RO60077934Blackie & Son Ltd. Non daté. In-16. Broché. Etat d'usage, Plats abîmés, Manque en coiffe de tête, Intérieur acceptable. 114 pages. Dessin en couleur en frontispice. Annotations dans le texte (ouvrage de travail).. . . . Classification Dewey : 420-Langue anglaise. Anglo-saxon
RO60003324Collins' Clear-Type Press. sans date. In-16. Relié. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 94 pages, one illustration in black & white. Frontispiece in black & white: Miss Julia Neilson as Oberon. 1910s.. . . . Classification Dewey : 420-Langue anglaise. Anglo-saxon
1967RO60144128Penguin books. 1967. In-12. Broché. Etat passable, Coins frottés, Dos satisfaisant, Papier jauni. 170 pages. Rares rousseurs.Texte en anglais.. . . . Classification Dewey : 420-Langue anglaise. Anglo-saxon
RO60078710Collins. Non daté. In-16. Broché. Etat d'usage, Couv. convenable, Dos satisfaisant, Fortes mouillures. 160 pages. Gravure en noir et blanc en frontispice (portrait). Tranche de tête verte.. . . . Classification Dewey : 420-Langue anglaise. Anglo-saxon
1946RO60146708J.M. Dent & sons/ E.P. Dutton & co. 1946. In-16. Relié toilé. Etat passable, Couv. convenable, Dos satisfaisant, Papier jauni. 129 pages. Quelques rousseurs. Titre en doré au dos. Texte en anglais.. . . . Classification Dewey : 420-Langue anglaise. Anglo-saxon
1983RO60077023Methuen & Co. 1983. In-8. Broché. Etat d'usage, Couv. légèrement pliée, Dos satisfaisant, Déchirures. 152 pages.. . . . Classification Dewey : 420-Langue anglaise. Anglo-saxon
1944RO60146696J.M. Dent & sons/ E.P. Dutton & co. 1944. In-16. Relié toilé. Etat passable, Couv. convenable, Dos satisfaisant, Papier jauni. 138 pages. Quelques rousseurs. Titre en doré au dos. Texte en anglais.. . . . Classification Dewey : 420-Langue anglaise. Anglo-saxon
1868RO60067670Bernhard Tauchnitz. 1868. In-16. Broché. Etat d'usage, Couv. légèrement passée, Dos abîmé, Intérieur acceptable. 84 pages. Nombreuses annotations au crayon dans le texte.. . . . Classification Dewey : 420-Langue anglaise. Anglo-saxon
163229673London: by Thomas Cotes for Robert Allot 1632. From the Second Folio of Shakespeare. A sheet rescued from a single folio still bearing a copy of its original title page naming Robert Allot who was owner of the rights to sixteen plays. Bi-Folium a complete bifolium 4 pp. 29 30 31 32. A large and very well preserved copy of this very rare and unusual survival original sewing holes and any other tiny imperfections expertly perfected according to the exacting standards established by the American Institute of Conservation. A RARE OFFERING FROM THE SECOND FOLIO. Made at Thomas Cotes' print shop located at the Signe of the Blacke Beare in Pads Church-yard. this is an example that few have ever seen but for the original 17th century purchasers and binders of Cotes' loose sheets and in later centuries folio conservators or binders working on the rare individual sheet that only remained in sheet form until being rebound back into its folio for use as numbered pages. It also originates from one of the first two folio editions of 1623 and 1632 of which only 1500 or so total combined copies were printed. With the hindsight of 400 years sheets were something that no one thought to preserve in 1632 These folio sheets were printed specifically for binding into complete copies of the Second Folio. Ironically extra sheets would probably have been considered "printer's waste" and discarded or perhaps given away as "mementos". [by Thomas Cotes for Robert Allot] unknown
163229674London: by Thomas Cotes for Robert Allot 1632. From the Second Folio of Shakespeare. A sheet rescued from a single folio still bearing a copy of its original title page naming Robert Allot who was owner of the rights to sixteen plays. Bi-Folium a complete bifolium with two folio leaves still attached and unseparated. 4 pp. 75 76 81 82. A large and very well preserved copy of this very rare and unusual survival original sewing holes and any other tiny imperfections expertly perfected according to the exacting standards established by the American Institute of Conservation. A RARE OFFERING FROM THE SECOND FOLIO. Made at Thomas Cotes' print shop located at the Signe of the Blacke Beare in Pads Church-yard. this is an example that few have ever seen but for the original 17th century purchasers and binders of Cotes' loose sheets and in later centuries folio conservators or binders working on the rare individual sheet that only remained in sheet form until being rebound back into its folio for use as numbered pages. It also originates from one of the first two folio editions of 1623 and 1632 of which only 1500 or so total combined copies were printed. With the hindsight of 400 years sheets were something that no one thought to preserve in 1632 These folio sheets were printed specifically for binding into complete copies of the Second Folio. Ironically extra sheets would probably have been considered "printer's waste" and discarded or perhaps given away as "mementos". [by Thomas Cotes for Robert Allot] unknown
163229671London: by Thomas Cotes for Robert Allot 1632. From the Second Folio of Shakespeare. A sheet rescued from a single folio still bearing a copy of its original title page naming Robert Allot who was owner of the rights to sixteen plays. The text on this bifolium includes one of the great lines of Shakespeare one which we all love to quote see the provided close-up image to find it. Bi-Folium a complete bifolium with two folio leaves still attached and unseparated. 4 pp. 273 274 275 276. A large and very well preserved copy of this very rare and unusual survival original sewing holes and any other tiny imperfections expertly perfected according to the exacting standards established by the American Institute of Conservation. A RARE OFFERING FROM THE SECOND FOLIO. A RARE OFFERING FROM THE SECOND FOLIO. Made at Thomas Cotes' print shop located at the Signe of the Blacke Beare in Pads Church-yard. this is an example that few have ever seen but for the original 17th century purchasers and binders of Cotes' loose sheets and in later centuries folio conservators or binders working on the rare individual sheet that only remained in sheet form until being rebound back into its folio for use as numbered pages. It also originates from one of the first two folio editions of 1623 and 1632 of which only 1500 or so total combined copies were printed. With the hindsight of 400 years sheets were something that no one thought to preserve in 1632 These folio sheets were printed specifically for binding into complete copies of the Second Folio. Ironically extra sheets would probably have been considered "printer's waste" and discarded or perhaps given away as "mementos". [by Thomas Cotes for Robert Allot] unknown
RO40250545Librairie Ch. Delagrave, Paris. Non daté. In-12. Relié plein cuir. Etat d'usage, Couv. convenable, Dos frotté, Intérieur acceptable. 480 pages. Texte en français. Titre dorés sur le dos. Tranche rouge. Etiquette de code sur la couverture. Quelques tampons de bibliothèque. Epidermures sur le dos.. . . . Classification Dewey : 820-Littératures anglaise et anglo-saxonne
1926RO40165807Les Belles Lettres. 1926. In-16. Broché. Etat d'usage, Couv. légèrement passée, Dos satisfaisant, Intérieur acceptable. 284 pages. Texte en anglais et en français en regard. Etiquette de code sur le dos. Tampons et annotations de bibliothèque sur le 1er plat et en pages de garde et de titre.. . . . Classification Dewey : 820-Littératures anglaise et anglo-saxonne
1946RO80016427GRUND. 1946. In-18. Broché. Bon état, Couv. légèrement passée, Dos satisfaisant, Intérieur frais. 151 pages. Exemplaire N°732 / 3000 tiré sur Vélin Pur Chiffon. Frontispice en couleurs hors-texte. Quelques planches d'illustrations en couleurs, hors-texte. Couverture contre-pliée. Quelques pages non coupées.. . . . Classification Dewey : 820-Littératures anglaise et anglo-saxonne
86200Lucien Vogel, 1921, 110 p., cartonnage éditeur, exemplaire numéroté 482 (l'un des 500 ex. sur vergé), traduction d'André Gide, illustrations de Drésa, couverture un peu salie, bon état.
26883usure d'usage, aspect jauni, ouvrage protégé par une couverture papier transparent, intérieur propre.
40745Paris Aux publications Lucien Vogel 1921 in 4 (25x21) 1 volume reliure plein velin ivoire souple à lacets de l'éditeur, dos lisse muet, plat supérieur titré en lettres argentées (paladium), 110 pages [1], avec 2 hors-textes en couleurs, 6 en-têtes et 5 culs-de-lampe de Drésa, et de 60 lettrines dessinées et gravées sur bois par Llano Florez. Traduit par André Gide. Edition originale de la traduction française. Tirage limité à 525 exemplaires numérotés, celui-ci un des 500 exemplaires numérotés sur vergé d'Arches. Très bel exemplaire ( Photographies sur demande / We can send pictures of this book on simple request )
1926100059784Les belles lettres 1926 in12. 1926. Broché.
19446199<p><strong>First edition of '<em>Antony and Cleopatra</em>' translated by Pasternak</strong>. This is the only separate edition of his translation. Printed during wartime approved for printing on June 3 1944.</p><p>This is the third Shakespeare play translated by <strong>Boris Pasternak</strong> 1890-1960 commissioned by the Moscow Art Theatre. He began work on it immediately after completing the translation of '<em>Romeo and Juliet</em>'. By the end of June 1943 the translation was ready for printing. Soviet literary critic Mikhail Morozov described this translation as '<em>the most successful</em>' emphasizing that it transcended mere translation to become a poetic dialogue between two poets. Pasternak himself likened Cleopatra to '<em>the Nastasya Filippovna of antiquity</em>' drawing parallels with heroines such as Anna Karenina and Madame Bovary. <br />Illustrations were created by <strong>Mikhail Pikov</strong> 1903-1973 a student of VKhUTEMAS under Vladimir Favorsky known for his mastery of woodcut techniques.</p><p>Zakharenko 1995. # 114.</p> OGIZ, Goslitizdat paperback
