KENNER, HughAntiquariat.de
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198281543Ffm.: Suhrkamp (c 1982). 257 Ss., 3 Bll. Kl.8°. Kt. mit Rücken- u. Deckeltitel.
1975373115New York and Philadelphia: Octagon Books in association with The Rosenbach Foundation 1975. 3 vols. 4to. Original blue cloth. Fine in near fine slipcase. 3 vols. 4to. Octagon Books in association with The Rosenbach Foundation unknown
19562137103Zürich: Rhein-Verlag 1956. 836 Seiten. 8° (17,5-22,5 cm) Orig.-Leinenband mit goldgeprägtem Titel auf Deckel und Rücken. [Hardcover / fest gebunden].
1992150104London: Minerva 1992. 776 Seiten. 8° (17,5-22,5 cm). Orig.-Broschur. [Softcover / Paperback].
1932017717Hamburg: Odyssey Press 1932. 1st Edition 1st Printing. Paper Covers. Very Good/No Jacket. 12mo - over 6¾ - 7¾" tall. 1932 First impression of the first Odyssey Press Edition Hamburg 1932. Size 12mo 7" tall 792 pages continuously paginated across both volumes. This edition advertises itself as the "definitive standard edition" The text was revised at Joyce's request by his friend Stuart Gilbert. The base of the rear cover of each volume states "Not to be introduced into the British Empire or the U.S.A." Grey paper covers with red titles to the front covers and spines. Condition good plus covers are quite clean with a little marking at edges head and tail of spines slightly worn hinges a little rubbed pages edges a bit dust darkened hinges a little loose pages slightly toned otherwise clean throughout no marks or inscriptions. Quite a nice clean set. <br/> <br/> Odyssey Press unknown
1933Ireland 9396<p><strong>Ireland 9396 </strong>Joyce James. <strong>Ulysses</strong>. Second impression. Two volumes. Hamburg: Odyssey Press 1933 400p; 401-792p paperback. Foxing in text signature of previous owner on front free endpapers shelf wear darkening to spines with some blotching good overall. Scarce set first impression was in 1932. <strong>The set: $65.00</strong></p> Odyssey Press, paperback
1952Embry 197018Bodley Head 1952. Near fine to fine in near fine lightly toned price-clipped dust jacket in mylar cover. Bodley Head, 1952. unknown books
195593897London:: Bodley Head. Very Good. 1955. Hardcover. Seventh impression of the "First Unlimited Edition." Bumped corners else very good in green cloth. No dust jacket. ; 766 pages . Bodley Head, hardcover books
198270656NY: Book-of-the-Month Club 1982. First printing of this edition. xv 680 pp. Fine in two-part cloth binding and fine publisher’s slipcase. Foreword by Anthony Burgess. Illustrations by Susan Stillman. NY: Book-of-the-Month Club hardcover books
1934Embry 187087Random House 1934. 5th printing. Spine with slight lean very slight soiling near fine in toned and lightly soiled dust jacket with shallow chipping to edges in mylar cover. Random House, 1934. 5th printing. unknown books
199289773NY:: Modern Library. Near Fine in Near Fine dust jacket. 1992. Hardcover. 0679600116 . The 1904 text as corrected and reset in 1961. Eighteenth printing thus. Scuff marks at the top of the fore edge else near fine in a near fine dust jacket. ; 783 pages . Modern Library, hardcover books
198246370NY:: Book-of-the-Month Club. Very Good. 1982. Hardcover. Foreword by Anthony Burgess. Book club edition. Very good in a very good slipcase. . Book-of-the-Month Club, hardcover books
1928RO40028940Shakespeare and company. 1928. In-4. Broché. Etat d'usage, Plats abîmés, Dos abîmé, Non coupé. 735 pages. Couverture désolidarisée.Texte en anglais.. . . . Classification Dewey : 800-LITTERATURE (BELLES-LETTRES)
1922142260Paris: Shakespeare and Company 1922. First edition of Joyce's masterpiece one of 750 numbered copies printed on handmade paper from a total edition of 1000 copies this is number number 817. Thick quarto original blue and white wrappers. In very good condition with some expert restoration to the spine and a crease to the front wrapper which has been coloured. Housed in a custom half morocco chemise and clamshell box. Ulysses was published in Paris by Shakespeare & Company 1922. It was a struggle for the author to find a publisher a comic irony considering that Ulysses is "universally hailed as the most influential work of modern times" Grolier Joyce 69. Ulysses was an immediate success. The first printing sold out and "within a year Joyce had become a well-known literary figure. Ulysses was explosive in its impact on the literary world of 1922" de Grazia 27. Even so the book faced difficulties in global reception. It was banned in the U.K. and was prosecuted for the obscenity in the Nausicaa episode Ellmann 1982. Joyce's inspiration for the novel began as a young boy reading Charles Lamb's Adventures of Ulysses and writing an essay entitled "My Favorite Hero" after being impressed by the wholeness of the character Goreman 1939. The idea for the novel grew from a story in Dubliners in 1906 which Joyce expanded into a short book in 1907 before reconceptualizing it as the heady novel in 1914 Ellmann 1982. The book can initially seem unstructured and chaotic and Joyce admitted that he "put in so many enigmas and puzzles that it will keep the professors busy for centuries arguing over what I meant" The Observer 2000. The French translator Stuart Gilbert published a defense of Ulysses shortly after its publication in which he supported the novel's use of obscenity and explained its internal structure and links to the Odyssey against accusations of ambiguity. Every episode Gilbert explained is connected to the Odyssey by theme technique and correspondence between characters. Another instance of Ulysses' literary contribution is his use of stream-of-consciousness a technique employing carefully structured prose both humorous and charactering and involving puns and parodies. Joyce was a precursor to the use of stream of consciousness in the later decades. Similar narrative techniques were used by his contemporaries Virginia Wolfe William Faulkner and Italo Svevo. Their style can be better characterized as an "interior monologue rather than stream of consciousness is the appropriate term for the style in which subjective experience is recorded both in The Waves and in Woolf's writing generally" Stevenson 1992. Shakespeare and Company unknown
1922167273Paris: Shakespeare and Company 1922. It soared a bird it held its flight. soaring high high resplendent First edition number 418 of 750 copies on handmade paper numbered 251 to 1000. This attractive copy is finely bound retaining the distinctive original blue wrappers at the front and rear. The edition was published on 2 February 1922 in imitation of the traditional three-tiered French format which was aimed at both connoisseurs and general readers. It consisted of 100 signed copies on Dutch handmade paper 150 large-paper copies printed on heavier vergé d'Arches and 750 copies on vergé à barbes which formed the trade issue. One of the key texts of 20th-century modernist literature Ulysses also proved a major test case for laws of freedom of expression. "Forced underground by censors. this was a cryptoclassic already before it was read a subversive colossus" Sherry p. 1. Its creator is considered one of the great geniuses of modern literature: "Joyce not to mince words is Ireland's Shakespeare its Goethe its Racine its Tolstoy" Sutherland. Small quarto 234 x 184 mm. Finely bound by the Chelsea Bindery in greenish blue morocco spine lettered in gilt quintuple gilt ruled border to spines and covers turn-ins ruled in gilt cream endpapers top edge gilt others untrimmed original wrappers bound in. Housed in a matching leather entry slipcase by the Chelsea Bindery. A fine copy. Horowitz Census p. 121; Slocum & Cahoon A17. Brian Patrick Duggan Saluki: The Desert Hound and the English Travelers Who Brought It to the West 2014; Vincent Sherry Joyce: Ulysses 2004; John Sutherland "Ireland's Shakespeare" The Guardian 10 Feb. 2004. hardcover
1960JOYCEJAM016268The Bodley Head London. 1960. New edition redesigned and reset. Small octavo. 939 pages.Edges very slightly spotted. Near fine in fine dustwrapper. The Bodley Head, London. unknown
1922153854Paris: Shakespeare and Company 1922. One of the copies distributed by Harriet Shaw Weaver First edition number 825 of 750 copies on handmade paper numbered 251 to 1000. Sylvia Beach's notebook records that this copy was one of two dozen sold to "Miss Weaver on sale". Harriet Shaw Weaver was Joyce's indispensable patron without whose munificent backing Portrait of the Artist as a Young Man Ulysses and Finnegans Wake might never have been published. As a measure of Weaver's paramount importance to Joyce he inscribed copy number 1 of Ulysses to her. Ulysses was published in imitation of the traditional three-tiered French format aimed at both connoisseurs and readers: 100 signed copies on Dutch handmade paper; 150 large-paper copies printed on heavier vergé d'Arches and 750 copies on vergé à barbes forming the trade issue. The novel was published on 2 February 1922. Widely recognized as the key book of 20th-century English literature Ulysses is among the major works in the modernist canon and its creator one of the great geniuses of all literature: "Joyce not to mince words is Ireland's Shakespeare its Goethe its Racine its Tolstoy" John Sutherland. The book also proved to be a major test case for laws of freedom of expression. "Forced underground by censors. this was a cryptoclassic already before it was read a subversive colossus" Norman Sherry James Joyce Ulysses 2nd edition. Small quarto. Original blue wrappers titles to cover in white. Housed in a dark blue leather backed book-form box. Pencil ownership inscription of veterinarian and Joyce collector Alfred T. Cowie 1916-2003 dated 1954 to first blank. Mild rubbing to extremities with some loss to spine ends wrappers lightly soiled but entirely unrestored very few trivial spots within a very good copy. Slocum & Cahoon A17. Horowitz Census p. 131. hardcover
193577957Paris:: The Odyssey Press August 1935. Third impression of this edition. original printed wrappers in publisher's plain board slipcase. Vertical diagonal tidemark and a bump to the spine of Vol. I; Vol. II spine tanned; contents very nice. The slipcase has a coin-sized chip wear along joints and dampstaining. . 12mo. The present edition may be regarded as the definitive standard edition as it has been specially revised at the author's request by Stuart Gilbert. The Odyssey Press, unknown
1932JOYCEJAM000580The Odyssey Press Hamburg Paris Bologna. 1932. First clothbound edition. 12mo. 792 pages. Printed on india paper. Cream cloth printed in red. Much scarcer than the two-volume issue in wrappers. An important version of the text as it was edited by Stuart Gilbert at the behest of Joyce himself.Lettering faded at the spine. Slight scuff to tail of spine. Very good indeed. The Odyssey Press, Hamburg, Paris, Bologna. hardcover
1967JOYCEJAM000581The Bodley Head London. 1967. Seventh impression with corrections of the new reset edition of 1960. Small octavo. pp viii 939.Covers a bit bumped at tail of spine and corners. Very good indeed in both versions of the dustwrapper: one with photographs from the film which is slightly rubbed at the edges the other which is fine with the Eric Gill bow design. The Bodley Head, London. unknown
19358741<p>Number 58 of 1500 copies signed in pencil by Henri Matisse a further 250 copies of the edition were additionally signed by Joyce. This is the first illustrated edition of Ulysses though Matisse chose to supply illustrations of the Calypso episodes of Homer's Odyssey corresponding to the six episodes of the novel as his artist's response to Joyce's text which it is often said he never finished reading. He thus confounded both the publisher George Macy and most of the public on its first publication. The Limited Edition Club edition owes its existence to the lifting of the American ban on the novel in December 1933.</p><p>Large 4to 295 × 225 mm pp. 363 1 6 soft ground etchings on thick paper with a total of 20 reproductions of Matisse's preliminary drawings on yellow and blue paper of different sizes 26 illustrations in all. Original brown buckram gilt with gold orb design to the upper cover original slipcase. The slipcase slightly chipped towards the head. A fine copy with the cloth binding exceptionally sharp and free of rubbing.</p> Limited Editions Club.
192221212431922. Paris: Shakespeare and Company. 1922. 4to. Original blue wrappers titles to cover in white; pp. 732 uncut; spine hinges and extremities expertly repaired; a very good copy housed in a custom quarter brown calf over blue cloth book form box lettered in gilt to the spine; early bookplate 'Ex Libris Yester House' to front free endpaper see below.First edition number 442 of 750 copies on handmade paper numbered 251 to 1000; the copy sold to the poet E. E. Cummings according to Sylvia Beach's records.'Ulysses is not a great novel in the sense of A la recherche du temps perdu. The characters do not develop. It has no consistent tragic grandeur and bogs down in several stylistic exercises which have nothing to do with the novel proper; yet the early Dedalus section the middle parts of Bloom and the Nightown orgy and Molly's final reverie stand out like Gaudi's unfinished cathedral. The whole plan fails through Joyce's intellectual preference for language rather than people - yet somehow it does achieve greatness like a ruined temple soaring from a jungle - and should be judged perhaps as a poem a festival of the imagination' Connolly 100 Key Books of the Modern Movement.Cyril Connolly's judgement stands as a fair summation of this astonishing novel - discursive baffling funny moving a unique mingling of highbrow allusion and quotidian detail. It is as dazzling a display of stylistic virtuosity as has ever been attempted in prose to the extent that it might not even be prose any more and it is all in the service of a narrative that does nothing more than illuminate one day in the life of an ordinary man. It is a celebration of the individual that expresses the deep richness of human existence by drawing the parallels between the feats of classical heroes and the deeds of everyday life.It was also famously judged to be so obscene after excerpts of the work in progress were published in the American journal The Little Review between 1918 and 1920 that no mainstream publisher would touch it. Indeed British printers were forbidden from printing it. It would take Sylvia Beach the visionary owner of Shakespeare and Company in Paris to publish this the first edition in book form in a strictly limited run on Joyee's fortieth birthday on 2 February 1922. The first UK edition published by The Egoist Press in the October of the same year had to use Beach's printer in Dijon Darantiere and her plates to obviate the legal restrictions. The very existence of this work in print then is due to the perseverance and commitment of Sylvia Beach. Beach met Joyce at a tea party in 1920 and got to know him and his work after he joined her lending library; from such low-key beginnings quickly grew a creative partnership that would shape literary history. Shakespeare and Company gained considerable fame from the publication of Ulysses but actually lost financially after Joyce signed with another publisher and left Beach in debt caused by bankrolling the printing and distribution of his masterpiece the first book she had ever published. Nevertheless she seems never to have seriously regretted her part in the production of this cultural behemoth a book for which T. S. Eliot wrote in awestruck tones: 'I hold Ulysses to be the most important expression which the present age has found; it is a book to which we are all indebted and from which none of us can escape'.Provenance: According to Sylvia Beach's records copy number 442 was sold to the poet E. E. Cummings in February 1922. The copy has an alternative provenance: Mary Mowbray-Clarke proprietor of The Sunwise Turn bookshop in New York City records copy no. 442 arriving at her shop in January 1923. The Yester House of the elegant bookplate is located in Mobile Alabama and is now called Carolina Hall. It is listed on the National Register of Historic Places. We are not sure who was living there in 1922 but in 1955 a William Clay Perdue and his wife Martha took over the property.Slocum & Cahoon A17. hardcover
1934149451New York: Random House 1934. First American edition of Joyce’s masterpiece. Octavo bound in full morocco by the Harcourt Bindery with gilt titles and tooling to the spine in four compartments within raised bands double gilt ruling to the front and rear panels gilt signature of Joyce to the front panel gilt ruled inner dentelles stamp-signed by the Harcourt Bindery marbled endpapers all edges gilt. In fine condition. An exceptional presentation. "Within a month of the publication the first printing of Ulysses Shakespeare and Company Paris 1922 was practically sold out and within a year Joyce had become a well-known literary figure. Ulysses was explosive in its impact on the literary world… Then began the great game of smuggling the edition into countries where it was forbidden especially England and the United States. The contraband article was transported across the seas and national borders in all sorts of cunning ways" de Grazia 27. In this edition the text of Joyce's great work is preceded by a foreword synopsis of the District Court decision and letter from Joyce to his publisher Bennett Cerf all discussing the extraordinary controversy surrounding the book's publication. In 1929 an unauthorized American edition of the novel appeared a piracy of the legitimate ninth printing of Shakespeare and Company. "This Random House edition was set up from the text of a copy of that pirated edition incorporating most of its typographical errors and adding a few new ones" Slocum A21. The United States' ban on Ulysses was not lifted until December 6th 1933; one month later the first authorized American edition was delivered to the public. Joyce's "novel is universally hailed as the most influential work of modern times" Grolier Joyce 69. Named by Modern Library as one of the 100 greatest novels of the 20th century. Random House hardcover
1946149142New York: Random House 1946. Early printing of Joyce’s masterpiece. Octavo original publisher's cloth. Near fine in a very good dust jacket. Jacket design by E. McKnight Kauffer. "Within a month of the publication the first printing of Ulysses Shakespeare and Company Paris 1922 was practically sold out and within a year Joyce had become a well-known literary figure. Ulysses was explosive in its impact on the literary world… Then began the great game of smuggling the edition into countries where it was forbidden especially England and the United States. The contraband article was transported across the seas and national borders in all sorts of cunning ways" de Grazia 27. In this edition the text of Joyce's great work is preceded by a foreword synopsis of the District Court decision and letter from Joyce to his publisher Bennett Cerf all discussing the extraordinary controversy surrounding the book's publication. In 1929 an unauthorized American edition of the novel appeared a piracy of the legitimate ninth printing of Shakespeare and Company. "This Random House edition was set up from the text of a copy of that pirated edition incorporating most of its typographical errors and adding a few new ones" Slocum A21. The United States' ban on Ulysses was not lifted until December 6th 1933; one month later the first authorized American edition was delivered to the public. Joyce's "novel is universally hailed as the most influential work of modern times" Grolier Joyce 69. Named by Modern Library as one of the 100 greatest novels of the 20th century. Random House hardcover
19304447029<p>20.5cm by 16cm 735pp edges of the boards and sides of spine worn leather tips and spine 5 raised bands gilt tile ex-libris bookplate of Donald Gordon Munroe inside front cover paper darkened with age mostly around the edges light creases first few pages unmarked.</p> Shakespeare and Company hardcover
