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199846695<p>London : Folio Society 1998. First Folio Society edition. A handsome production with a preface by Stephen James Joyce an introduction by Jacques Aubert and some striking illustrations by Mimmo Paladino. Royal 8vo 25cm. xx2736iipp. Eighteen plates in black and gold by Paladino. Original blue cloth lettered in gilt and blocked with a Paladino illustration; a fine copy housed in its original card slip-case.</p> London : Folio Society, 1998. hardcover
1922151271Paris: Shakespeare and Company 1922. First edition first printing of Joyce's masterpiece one of 750 numbered copies printed on handmade paper from a total edition of 1000 copies this is number 909. Thick quarto bound in full morocco by Baker Bindery with gilt titles and tooling to the spine in six compartments within raised gilt bands triple gilt ruling to the front and rear panels gilt turn-ins and wide gilt scrolled inner dentelles marbled endpapers top edge gilt. In near fine condition. An exceptional example. Ulysses was published in Paris by Shakespeare & Company 1922. It was a struggle for the author to find a publisher a comic irony considering that Ulysses is "universally hailed as the most influential work of modern times" Grolier Joyce 69. Ulysses was an immediate success. The first printing sold out and "within a year Joyce had become a well-known literary figure. Ulysses was explosive in its impact on the literary world of 1922" de Grazia 27. Even so the book faced difficulties in global reception. It was banned in the U.K. and was prosecuted for the obscenity in the Nausicaa episode Ellmann 1982. Joyce's inspiration for the novel began as a young boy reading Charles Lamb's Adventures of Ulysses and writing an essay entitled "My Favorite Hero" after being impressed by the wholeness of the character Goreman 1939. The idea for the novel grew from a story in Dubliners in 1906 which Joyce expanded into a short book in 1907 before reconceptualizing it as the heady novel in 1914 Ellmann 1982. The book can initially seem unstructured and chaotic and Joyce admitted that he "put in so many enigmas and puzzles that it will keep the professors busy for centuries arguing over what I meant" The Observer 2000. The French translator Stuart Gilbert published a defense of Ulysses shortly after its publication in which he supported the novel's use of obscenity and explained its internal structure and links to the Odyssey against accusations of ambiguity. Every episode Gilbert explained is connected to the Odyssey by theme technique and correspondence between characters. Another instance of Ulysses' literary contribution is his use of stream-of-consciousness a technique employing carefully structured prose both humorous and charactering and involving puns and parodies. Joyce was a precursor to the use of stream of consciousness in the later decades. Similar narrative techniques were used by his contemporaries Virginia Wolfe William Faulkner and Italo Svevo. Their style can be better characterized as an "interior monologue rather than stream of consciousness is the appropriate term for the style in which subjective experience is recorded both in The Waves and in Woolf's writing generally" Stevenson 1992. Shakespeare and Company unknown
193648720London.: John Lane / The Bodley Head. 1936. Original publisher's full vellum designed by Eric Gill with gilt bow vignette to front and rear boards cream endpapers title gilt to spine a.e.g. original patterned paper-covered board slipcase with white paper label with printed titles and matching copy number in ink. Large 8vo. 264 x 204 mm. Half-title printed title in blue and black leaf with justification and production credits verso leaf with list of 'Previous Editions of 'Ulysses'' leaf with details of the appendices and Joyce's text concluding 'Trieste-Zürich-Paris 1914-1921' and appendices. The deluxe issue of the first edition of Joyce's magnum opus to be printed in Great Britain.From the edition limited to 1000 copies with this one of 100 on mould-made paper in the deluxe vellum binding designed by Eric Gill and signed and numbered by Joyce; the original slipcase features matching numbering to the book.This authoritative edition of 'Ulysses' the first to be published in Great Britain features Joyce's corrected text see below details of the seven previous editions and their fates where applicable for example for the Egoist Press edition '499 copies were seized by the Customs Authorities Folkestone' and detailed appendices concerning the protests injunctions and trials relating to the publication of the book and a bibliography of works by Joyce.Written over a seven year period during Joyce's peripatetic tour of Trieste Zurich and Paris where it was eventually first published 'Ulysses' chronicles a day in the life of Leopold Bloom: June 16th 1904. The book was banned in Britain Ireland and America until the 1930s due to its apparent obscenity hence the need originally for French publication. Considered by many to be the greatest work of literature in the English language 'Ulysses' is certainly a supreme monument of literary Modernism and conceivably the greatest work of literature of the 20th century; Nabokov considered it one of the 'greatest masterpieces of twentieth century prose'. However the greatness of Ulysses has often been overshadowed by the novel's difficulty its ambiguities and its intense literary nature all factors that led the publisher Sylvia Beach to announce the first edition of the work with the apology: 'the publisher asks the reader's indulgence for typographical errors unavoidable in the exceptional circumstances'; the errors are corrected in the present edition.Although the slipcase for the present copy is rubbed and worn it remains intact and the vellum of the binding of the book is fresh with only slight toning to the spine and some small marks to the boards; overall a good copy of this important text.Slocum & Cahoon A23. John Lane / The Bodley Head. hardcover
193681820London:: John Lane The Bodley Head 1936. First edition printed in England; trade issue; No.571 of 900 copies on Japon vellum. . publisher's green buckram stamped with Homeric bow in gold; t.e.g. iin dust jacket. A fine copy in a dust jacket with slight creasing and use; uncommon in this condition. Small 4to. John Lane, The Bodley Head, hardcover
193621246351936. London: John Lane the Bodley Head. 1936. Tall 8vo. Original green linen buckram lettered in gilt to spine Eric Gill's Homeric bow illustration in gilt to upper board top edge gilt other edges untrimmed; pp. xiii 3 765 3; cloth discoloured especially at extremities and stained spine sunned extremities and text block rubbed; light foxing internally but generally clean; a good copy.First UK edition no. 341 of 900 copies on japon vellum paper bound in linen buckram from a total edition of 1000.The Bodley Head edition of Ulysses the first published in the United Kingdom includes the first Joyce bibliography as well as appendices concerning the obscenity case that had kept the work from British printers. Unsurprisingly for a book with such a chequered publication history there are a number of typographical differences from earlier editions. Despite Joyce correcting the proofs while on holiday in Copenhagen in early 1936 several mistakes were later spotted. The bibliography by Peter Pertzoff had been submitted without further corrections or acknowledgment from Joyce. Pertzoff was apparently surprised to see it appear inaccuracies and all in this edition.The typography and design was overseen by Allen Lane and Joyce's representative Paul Leon. Eric Gill was commissioned to design the binding of this edition with its iconic Homeric bow on the upper board.Slocum & Cahoon A23. hardcover
1935151736New York: The Limited Editions Club 1935. The Limited Editions Club signed limited edition of Joyce’s landmark Ulysses widely recognized as the first illustrated edition. Large quarto original gilt-stamped pictorial brown cloth with 26 illustrations. One of 1500 numbered copies this is number 1476. Boldly signed by Henri Matisse in pencil on the colophon page at the rear. In near fine condition. Introduction by Stuart Gilbert. Housed in the rare original board slipcase which is in good condition. One of the 20th-century’s most desirable illustrated books combining the work of two great modern artists. A nice example with the rare slipcase. One of the most arresting collaborations in 20th-century literature. "It was a great idea to bring them together; celebrities of the same generation of similar virtuosity" Wheeler 15. The 26 beautiful full-page illustrations by Matisse accompany the text of Joyce's Ulysses including six soft-ground etchings with reproductions of the sketches on blue and yellow paper. "One of the very few American livres de peintres issued before World War II. According to George Macy this work's designer who undertook this only American publication of Matisse's illustrations he asked the artist how many etchings the latter could provide for $5000. The artist chose to take six subjects from Homer's Odyssey. The preparatory drawings reproduced with the soft-ground etchings Matisse's only use of this medium record the evolution of the figures from vigorous sketches to closely knit compositions" Artist and the Book 197. The Limited Editions Club hardcover
1981BN51123Frankfurt am Main: Suhrkamp 1981. Erstauflage EA. <br/><br/>Belletristik Frankfurt am Main: Suhrkamp unknown
192521246401925. Paris: Shakespeare and Company. 1925. 4to. Twentieth-century morocco-backed boards with marbled sides spine lettered directly in gilt marbled endpapers green place-marker; pp. vi 1 blank 736; joints subtly re-stored slight wear to corners; lightly toned sporadic light foxing small loss to upper corner of pp. 715-16 affecting pagination & a single letter of text.First edition sixth printing of Joyce's modernist masterpiece.This was the penultimate printing from the original setting of type before the 1926 reset. Ulysses 'has no consistent tragic grandeur and bogs down in several stylistic exercises which have nothing to do with the novel proper; yet the early Dedalus sections the middle parts of Bloom and the Nightown orgy and Molly's final reverie stand out like Gaudi's unfinished cathedral . somehow it does achieve greatness like a ruined temple soaring from a jungle - and should be judged perhaps as a poem a festival of the imagination' Connolly.Slocum & Cahoon A17 see p. 25 for sixth printing; see Connolly 42. hardcover
1936192844London: John Lane The Bodley Head 1936. A man of genius makes no mistakes. His errors are volitional and are the portals of discovery First UK edition limited issue number 870 of 900 copies on japon vellum and bound in buckram from a total edition of 1000 copies. The Bodley Head Ulysses established the text for the succeeding 25 years. The famous legal judgement by John M. Woolsey lifting the ban in America on the publishing of the book is printed as an appendix together with the International Letter of Protest 1927 against Samuel Roth's piracy of Ulysses to which over 167 literary and intellectual figures put their names including Wyndham Lewis E. M. Forster Albert Einstein Ernest Hemingway W. B. Yeats D. H. Lawrence Virginia Woolf and T. S. Eliot. Ulysses was first published in Paris in 1922 by Shakespeare and Company. Large octavo. Original green buckram spine lettered in gilt Homeric bow device designed by Eric Gill on front cover in gilt top edge gilt others untrimmed. Ownership inscription on first blank. Spine sunned bumps to extremities. A very good copy. Slocum & Cahoon A23. hardcover
193570085New York:: The Limited Editions Club 1935. No. 1142 of 1500 copies; signed by Henri Matisse in pencil and by James Joyce in ink. publisher's embossed gilt cloth in publisher's slipcase. Very slight tanning of inner hinges; but just about a fine copy. The fragile hinges are fine which is unusual for this book. The publisher's box has a little bit of wear to the fore-edges and extremities but is clean tight and strong. . Folio. Illustrations by Henri Matisse. With an Introduction by Stuart Gilbert. Laid in is the publisher's four-page prospectus and postcard announcement for this book plus an additional postcard announcement of shipment addressed to its first owner in which the purchaser is informed that she was one of the fortunate Limited Editions Club members who are being shipped a copy signed by both Matisse and Joyce. The postcard goes on to describe how the Club tried to handle the imbalance between the number of members who wanted the Joyce signatures and the number of copies Joyce agreed to sign. We have never seen another copy of this postcard. The Limited Editions Club, hardcover
1922126933Paris: Shakespeare and Company 1922. First edition of Joyce's masterpiece one of 750 numbered copies printed on handmade paper from a total edition of 1000 copies this is number 276. Thick quarto original blue and white wrappers. In near fine condition square and tight with a touch of rubbing to the crown and foot of the spine. Housed in a custom slipcase. An exceptional example. Ulysses was published in Paris by Shakespeare & Company 1922. It was a struggle for the author to find a publisher a comic irony considering that Ulysses is "universally hailed as the most influential work of modern times" Grolier Joyce 69. Ulysses was an immediate success. The first printing sold out and "within a year Joyce had become a well-known literary figure. Ulysses was explosive in its impact on the literary world of 1922" de Grazia 27. Even so the book faced difficulties in global reception. It was banned in the U.K. and was prosecuted for the obscenity in the Nausicaa episode Ellmann 1982. Joyce's inspiration for the novel began as a young boy reading Charles Lamb's Adventures of Ulysses and writing an essay entitled "My Favorite Hero" after being impressed by the wholeness of the character Goreman 1939. The idea for the novel grew from a story in Dubliners in 1906 which Joyce expanded into a short book in 1907 before reconceptualizing it as the heady novel in 1914 Ellmann 1982. The book can initially seem unstructured and chaotic and Joyce admitted that he "put in so many enigmas and puzzles that it will keep the professors busy for centuries arguing over what I meant" The Observer 2000. The French translator Stuart Gilbert published a defense of Ulysses shortly after its publication in which he supported the novel's use of obscenity and explained its internal structure and links to the Odyssey against accusations of ambiguity. Every episode Gilbert explained is connected to the Odyssey by theme technique and correspondence between characters. Another instance of Ulysses' literary contribution is his use of stream-of-consciousness a technique employing carefully structured prose both humorous and charactering and involving puns and parodies. Joyce was a precursor to the use of stream of consciousness in the later decades. Similar narrative techniques were used by his contemporaries Virginia Wolfe William Faulkner and Italo Svevo. Their style can be better characterized as an "interior monologue rather than stream of consciousness is the appropriate term for the style in which subjective experience is recorded both in The Waves and in Woolf's writing generally" Stevenson 1992. Shakespeare and Company unknown
1924139635Paris: Shakespeare and Company 1924. Fourth printing of Joyce's masterpiece signed by him. Quarto original wrappers. Signed by the author in the month of publication on the front free endpaper "James Joyce Paris 7 January 1924." In very good condition the joints lightly repaired. Housed in a custom clamshell box. Uncommon signed. Ulysses was published in Paris by Shakespeare & Company 1922. It was a struggle for the author to find a publisher a comic irony considering that Ulysses is "universally hailed as the most influential work of modern times" Grolier Joyce 69. Ulysses was an immediate success. The first printing sold out and "within a year Joyce had become a well-known literary figure. Ulysses was explosive in its impact on the literary world of 1922" de Grazia 27. Even so the book faced difficulties in global reception. It was banned in the U.K. and was prosecuted for the obscenity in the Nausicaa episode Ellmann 1982. Joyce's inspiration for the novel began as a young boy reading Charles Lamb's Adventures of Ulysses and writing an essay entitled "My Favorite Hero" after being impressed by the wholeness of the character Goreman 1939. The idea for the novel grew from a story in Dubliners in 1906 which Joyce expanded into a short book in 1907 before reconceptualizing it as the heady novel in 1914 Ellmann 1982. The book can initially seem unstructured and chaotic and Joyce admitted that he "put in so many enigmas and puzzles that it will keep the professors busy for centuries arguing over what I meant" The Observer 2000. The French translator Stuart Gilbert published a defense of Ulysses shortly after its publication in which he supported the novel's use of obscenity and explained its internal structure and links to the Odyssey against accusations of ambiguity. Every episode Gilbert explained is connected to the Odyssey by theme technique and correspondence between characters. Another instance of Ulysses' literary contribution is his use of stream-of-consciousness a technique employing carefully structured prose both humorous and charactering and involving puns and parodies. Joyce was a precursor to the use of stream of consciousness in the later decades. Similar narrative techniques were used by his contemporaries Virginia Wolfe William Faulkner and Italo Svevo. Their style can be better characterized as an "interior monologue rather than stream of consciousness is the appropriate term for the style in which subjective experience is recorded both in The Waves and in Woolf's writing generally" Stevenson 1992. Shakespeare and Company unknown
1935140072New York: Limited Editions Club 1935. First illustrated edition of Joyce’s landmark Ulysses one of only 250 examples signed by James Joyce in pen and Henri Matisse in pencil with 26 illustrations by him one of the 20th-century’s most desirable illustrated books combining the work of two great modern artists. Large quarto original gilt-stamped pictorial brown cloth original slipcase. In fine condition with the rare original slipcase which is in good condition and original glassine jacket. With an introduction by Stuart Gilbert. An exceptional example most rare in this condition and in the seldom seen glassine jacket. One of the most arresting collaborations in 20th-century literature. "It was a great idea to bring them together; celebrities of the same generation of similar virtuosity" Wheeler 15. The 26 beautiful full-page illustrations by Matisse accompany the text of Joyce's Ulysses including six soft-ground etchings with reproductions of the sketches on blue and yellow paper. "One of the very few American livres de peintres issued before World War II. According to George Macy this work's designer who undertook this only American publication of Matisse's illustrations he asked the artist how many etchings the latter could provide for $5000. The artist chose to take six subjects from Homer's Odyssey. The preparatory drawings reproduced with the soft-ground etchings Matisse's only use of this medium record the evolution of the figures from vigorous sketches to closely knit compositions" Artist and the Book 197. Limited Editions Club hardcover
193014561AB1930. Zweite deutsche Ausgabe. Zürich Rhein-Verlag 1930. 8°. 632 611 Seiten. Originale schwarze Halblederbände auf 3 falschen Bünden mit vergoldetem Rückentitel und Stehkantenvergoldung. Außergewöhnlich guter Zustand mit nur ganz geringen Gebrauchsspuren. Perfektes Geschenkexemplar. unknown
197890880Franklin Center:: Franklin Library. Near Fine. 1978. Hardcover. Limited edition. Thick octavo fully bound in green leather with gilt lettering and design raised bands along spine all edges gilt silk moire endpapers sewn-in ribbon book mark. Near fine.; 763 pages . Franklin Library, hardcover
197690881Franklin Center:: Franklin Library. Near Fine. 1976. Hardcover. Limited edition "The 100 Greatest Books of All Time". Thick octavo fully bound in burgundy leather with gilt lettering and design raised bands along the spine all edges gilt silk moire endpapers sewn-in ribbon book mark. Bumped corners else near fine.; 799 pages . Franklin Library, hardcover
1936JOYCEJAM001730John Lane The Bodley Head London. 1936. First edition printed in the U.K. Royal octavo. pp xvi 766. Green buckram covers with gilt bow device designed by Eric Gill on front. Top edge gilt.Out of a total edition of 1000 copies this is one of the 900 unsigned.Small stylish bookplate on front pastedown. Spine faded as usual. Very good indeed. No dustwrapper. John Lane The Bodley Head, London. hardcover
193646625London:: John Lane The Bodley Head 1936. First edition printed in England; No. 847 of 900 copies on Japon vellum. . publisher's green buckram stamped with Homeric bow in gold; in dust jacket. Very slight browning to extremities of spine; else a fresh bright copy in a price-clipped jacket with some light wear to its extremities and some hand-soiling particularly to the spine. Uncommon in dust jacket. Small 4to. John Lane, The Bodley Head, hardcover
195624938BBZürich, Rhein-Verl., 1956. Sonderausg. 48. Tausen. 21 cm. 836 S. Or.-Leinen. Ecken bestoßen, Buchrücken leicht ausgebl., Gelenk wenig gelockert, ans. guter, altersgem. Zustand. 48
198211305CBFrankfurt, Suhrkamp, 1982. 8°. Üs. Claus Melchior und Harald Beck. 257 S. OKt., 1 Deutsche Erstausg. (= Edition Suhrkamp. 1104 = N.F. Bd. 104).
1983331263Dortmund, Harenberg 1983. 119 S. + 1 Originalradierung als Beilage. Kl.-8°. Original-kartoniert, Einband etwas berieben und bestoßen, Rücken mit Knickspur, sonst gut erhalten.
198339027ABDortmund, Harenberg, 1983. 18 cm + Ill.-Beil. (1 Bl.). 119 S. : zahlr. Ill. (z.T. farb.), 1 sign. O.-Radierg. v. Janschka. kart. Rü. minim. berieb., sonst sehr guter Zust. Die bibliophilen Taschenbücher ; 373
198347843ABDortmund, Harenberg, 1983. 18 cm + Ill.-Beil. (1 Bl.). 119 S. : zahlr. Ill. (z.T. farb.), 1 sign. O.-Radierg. v. Janschka. kart. Neuwertig. Die bibliophilen Taschenbücher ; 373
1986RO60149200Penguin books/The Bodley Head. 1986. In-8. Broché. Etat d'usage, Coins frottés, Dos abîmé, Papier jauni. 649 pages. Texte en anglais. Nombreuses rousseurs. Ex-libris à l'encre en page de faux titre. Quelques accrocs au dos.. . . . Classification Dewey : 420-Langue anglaise. Anglo-saxon
1933RO60074078The Odyssey Press. 1933. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 399 pages. Tranche très légèrement passée.. . . . Classification Dewey : 420-Langue anglaise. Anglo-saxon