IONESCO (Eugène)Livre Rare Book
625 résultats
198531511Envoi signé à Sylvie Genevoix Paris, Gallimard, (17 janvier) 1985. 1 vol. (140 x 205 mm) de 72 p., 1 et [3] f. Broché. Nouvelle édition par Gallimard de ces textes et dessins de l'auteur publiés d'abord en 1981 sous la forme d'un l'album de 15 lithographies dans un tirage à 200 exemplaires chez l'éditeur suisse Erker. Envoi signé : «Pour Sylvie Genevoix, hommages, Eugène Ionesco».
19827009Paris, Editions Jannink, 1982, Relié, Jaquette jaunie, sinon très bon état.
1985259270Paris France: R. Ionesco 1985. First Edition. Hardcover. Very Good/Very good. Signed by Other. Limited to 2500 copies. Catalog for traveling exhibit. Very good in very good dust jacket unclipped and in mylar. LONG PRESENTATION in Romanian from whom and to whom is not clear mentions the Künstlerhaus Edenkoben. Born in Romania Dobocan spent some early years in prison and was closely watched by the communist secret police. He was arrested on other occasions experiencing many of the horrors of the Ceaucescu regime until he managed to defect to Germany in 1978. Dobocan was one of those who perceived and reinterpreted the message of French artistic culture. His guideline was the collective image of the Surrea list form or the version best represented by Rene Magritte and Paul Delvaux based on non-objectification the dialectics of the rational and irrational and introvert contemplation what André Breton called "l´abandon pur et simple au merveilleux". Dorél Dobocan cannot be accused of borrowing or appropriation. His own optics imparted a special significance and inner dynamism to the image linked to the processes of the identificationof the magical and the irreal in the real. Dobocan s pastels of the late 1970s and early 1980s are quasiobjective. Dobocan also employs traditional Surrealist objective realities and processes directly linked to what André Breton called "intersection of the main magistral of the dream". R. Ionesco hardcover
1976R200109111Foucher. 1976. In-8. Relié toilé. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. Livret de 39 pages. 12 diapositives et 2 cassettes audios. Tampons ex libris sur la page de titre, deuxième contre plat, et à l'intérieur du coffret.. . . . Classification Dewey : 840.091-XX ème siècle
1979R240135147GALLIMARD. 1979. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 218 pages.. . . . Classification Dewey : 844-Essais
1969RO30117124BYBLOS. 1969. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur acceptable. 252 pages. Un envoi de l'auteur sur la page de titre.. . . . Classification Dewey : 800-LITTERATURE (BELLES-LETTRES)
196087201New York: Grove Press 1960. First Edition Thus. Softcover. Very Good in wraps. First Grove Press Edition stated. Small owner name. Grove Press unknown
19812939356Gallimard 1981. Volume 7. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item250grams ISBN:2070186636 Gallimard paperback
197520746Paris, Bernard Letu et Secle, 1975. In-folio non paginé, cartonnage d'éditeur en soie violette moirée, orné de trois vignettes contrecollées, portraits des trois femmes, rhodoïd.
1969AUB-8673Ed. Skira (les Sentiers de la création) 1969. Bel exemplaire relié inséré dans un emboîtage, gd in-8 numéroté, 126 pages.
197730619NY: Abrams 1977. First Edition. Hardcover. Near Fine/Near Fine. Hardcover with complete DJ. . 16 pages of color illustrations and 206 in b/w. Index. Rare in hardcover. 4to. Abrams hardcover
19743556221Madrid.: Aguilar. 1974. Hardcover. Good. 19 cm. 927 p. Encuadernación en tapa dura de editorial. Colección 'Colección Biblioteca de Autores Modernos'. Ionesco Eugène 1909-1994. Traducido del francés por Luis Echávarri y María Martínez Sierra. Prólogo de Jacques Lemarchand. Tomo . Literatura en lengua francesa 840-2"19" Aguilar. hardcover
1994SONG0613181395Turtleback Books 1994-01-11. school. Used: Good. 0.75x5.50x8.50. Buy with confidence. Excellent Customer Service & Return policy. Turtleback Books unknown
1971109457Harlin Quist 1971-01-01. First Edition. Hardcover. Fine/Fine. Clean tight and bright unmarked. Dust jacket is preserved in an archival grade Mylar sleeve. GIFT QUALITY COPY! Trust an experienced independent bookseller since 1988. Orders are shipped daily via USPS with delivery confirmation. Harlin Quist hardcover
197532709Union des Editions Modernes / Revue Photo n° 164 de mai 1976. In-4 agrafé de 216 pages au format 27,5 x 21,5 cm. Couverture avec photo de Jane Birkin. Plats avec petits frottis. Intérieur frais. Photograhies en couleurs de Jane Birkin par Serge Gainsbourgn accompagnées de légendes et d'un texte inédit de Serge Gainsbourg. Nombreuses contributions et photographies, dont Irina Ionesco, Donald McCullin, Martine Franck, Neal Slavin, Zille, etc. Bel état général. Edition originale. Rare
19592542Programme du Théâtre Récamier 1959. In-8 agrafé de 8 pages au format 18,5 x 25,cm. Couverture avec petite vignette contrecollé reprenant l'affiche originale de la pièce. Texte inédit en fac-similé autographe de l'auteur. Photo de Ionesco a du metteur en scène José Quaglio, en frontispice. Photo des acteurs en double page centrale, avec petite annotation à l'encre bleue. Propos de Ionesco sur 2 pages, intitulés " Un rêve policier devenu cauchemar..." recueillis par Claude Sarraute pour " Le Monde ". Reproduction d'un des décors de Jacques Noêl pour la pièce " Tueur sans gages ". Etat proche du neuf.Rare édition originale.
198127236Paris: Gallimard 1981. Relié. Etat moyen. in-8. Marika Hodjis. Autographe de Ionesco "Leur ami Eugène Ionesco" nom du dédicataire découpé. 123 pp. Avec les dessins de Marika Hodjis réalisés au cours des répétitions du spectacle mis en scène par Jorge Lavelli créé au théâtre Montparnasse-Gaston Baty. Petits manques dans la marge de la 1ère page. Cartonnage sali avec des accrocs sur le 4ème plat. Gallimard unknown
196835184Torino: Einaudi 1968-67. Einaudi unknown
1964129748Gallimard 1964 In-4 cartonnage illustré en noir et blanc 27,5 cm sur 21,5. Non paginé. Illustrations en noir. Cartonnage frotté, griffé, corps du livre en très bon état. Bon état d’occasion.
1977128650New York: Harry N. Abrams Inc 1977. Hardcover. VG. Black cloth over boards; Color illus. dj.; 258 pp.; 34 color 206 bw figures. Introduction by Eugene Ionesco; Foreword by Leon A. Arkus; Includes extensive text by Alechinsky himself available here in English for the first time; Wonderfully illustrated; This copy appears to have never been read. Harry N. Abrams, Inc hardcover
195785007Grove Press 1957. Good condition. Foxing externally. Grove Press unknown
199036881BBParis, Gallimard 1990. Petit in-8°. CXIX, 1951 p., Reliure plein cuir, rhodoïd et étui.
1977184438New York: Harry N. Abrams Inc 1977. Hardcover. VG-/VG- ex-library with labels and stamps on spine block inside front and rear covers and title page verso. Light shelfwear overall small tear to end papers inside front cover. Pages are otherwise clean and clear. Black cloth over boards with gilt spine lettering; Color illustrated dj.; 258 pp.; 34 color 206 bw figures. Introduction by Eugene Ionesco; Foreword by Leon A. Arkus; Includes extensive text by Alechinsky himself available here in English for the first time; Wonderfully illustrated; Contents include: Three approaches / Eugène Ionesco -- Writings / Pierre Alechnisky -- Paintings -- Souvenotes -- Landmarks -- Works held in public collections. Harry N. Abrams, Inc hardcover books
1971396811East Hampton New York 1971. Unbound. Very Good. Broadside. Illustrated by Isadore Seltzer. Measuring 13" x 19.75". A bit rubbing and smudged along the top edge very good. Poster for a performance at the Old Post Office Theatre in on Newtown Lane in East Hampton New York co-owned by photographer Ken Robbins who used the upstairs as his first dark room. The theatre specialized in avant-garde plays by the likes of Harold Pinter Terrance McNally Sam Shepard Eugene Ionesco Joe Orton Rochelle Owens Boris Vian Leonard Melfi and others. Drama apparently did not pay the bills so the theatre put the kibosh on live performance after just two seasons in favor of art house films. It was likely that few of these posters were made for each performance and even less that have survived. unknown
1981159539Paris: Gallimard 1981. Hardcover. Slightly soiled cover else very good plus condition with text clean & binding tight. 8.5" x 11". 123pp. Text in French. Gallimard hardcover
