Eugene IONESCOBiblio.com
356 résultats
196870024Paris: Mercure de France 1968. Fine. Mercure de France Paris 1968 14.50 x 21.50 cm broché First edition one of 60 numbered copies on ""pur-fil"" paper only large papers. Very nice copy. Mercure de France unknown
196854181Paris: Mercure de France 1968. Fine. Mercure de France Paris 1968 14.50 x 22.50 cm broché First edition one of 60 numbered copies on pur fil paper the only large paper copies. Cover illustrated with a photograph a good copy. Mercure de France unknown
07-0142St. Gallen Switzerland: Erker Galerie 1979. Original lithograph by Otto Piene b. 1928 with facing text by Eugène Ionesco in his own lithographically reproduced handwriting. 39 x 57 cm. One of 200 copies signed and numbered by Piene on BFK Rives. From Erker-Treffen 3. St. Gallen, Switzerland: Erker Galerie, 1979. unknown
103637Lugano Edizioni d' Arte Dabbeni 1982. Quer-Gr.8° 51 S. zahlr. Photographien OLwd. m. OU. Tadellos. Im Impressum num. und von Ionesoc signiert. Nr.134/140. Vorzugausgabe von 140 Ex. leider ohne die Lithographie. 010 Lugano, Edizioni d' Arte Dabbeni, 1982 unknown
197788043Paris: Gallimard 1977. Fine. Gallimard Paris 1977 14 x 21 cm broché First edition a Service de Presse advance copy. Handsome copy complete with its illustrated dust jacket. Autograph inscription signed by Eugène Ionesco to his friend the director playwright and writer Simone Benmussa whom he erroneously called Suzanne and her companion the actress Erika Kralik: ""Pour Suzanne Ben-Mussa et Erika avec toute ma tendresse. Eugène Ionesco."" Literary adviser to the Jean-Louis Barrault - Madeleine Renaud Company then in 1957 editor-in-chief of the Cahiers Renaud-Barrault Simone Benmussa also directed from the Odéon theatre the cultural service and the Cahiers of the Renaud-Barrault company. She adapted for the theatre works by her friend Nathalie Sarraute Pierre Klossowski Jean Cocteau Gertrude Stein. She was the companion of the actress Erika Kralik. Gallimard unknown
197388042Paris: Gallimard 1973. Fine. Gallimard Paris 1973 11 x 16.50 cm broché First edition of which there were no deluxe copies a Service de Presse advance copy. Some occasional light worming to the edges. Autograph inscription signed by Eugène Ionesco to his friend the director playwright and writer Simone Benmussa: ""Pour Simone Benmussa avec ma vieille amitié et pourtant toujours jeune fidèlement affectueusement Eugène Ionesco Janvier 1974."" Literary adviser to the Jean-Louis Barrault - Madeleine Renaud Company then in 1957 editor-in-chief of the Cahiers Renaud-Barrault Simone Benmussa also directed from the Odéon theatre the cultural service and the Cahiers of the Renaud-Barrault company. She adapted for the theatre works by her friend Nathalie Sarraute Pierre Klossowski Jean Cocteau Gertrude Stein. She was the companion of the actress Erika Kralik. Gallimard unknown
Q-0394171977University Microfilms International. paperback. New. New. In shrink wrap. Looks like an interesting title! University Microfilms International paperback
197724847Pittsburgh PA: Museum of Art--Carnegie Institute 1977. Pictorial wrappers. Near Fine. The catalogue based on the October 1977-January 1978 exhibition at Pittsburgh's Museum of Art at the Carnegie Institute. Clean and Near Fine in its pictorial wrappers. #94 OF 100 COPIES WHICH ALSO INCLUDE A SIGNED LAID-IN PIERRE ALECHINSKY COLOR LITHOGRAPH. Tall quarto essay by Eugene Ionesco "Three Approaches" introducing the text. Both this essay and Pierre Alechinsky's text translated from their original French by Michael Fineberg. Museum of Art--Carnegie Institute unknown
368441Helsinki: Eurographica 1962. Softcover. Fine. First edition. Self wrappers. Fine. Copy 9 of 350 copies Signed by the author. Eurographica unknown
19762956Bruxelles: Cosmos 1976. Good condition illustrated 462 pp Cosmos unknown
2590-03St. Gallen Erker-Galerie o. J. ca. 1990. Doppelbl. 21 x 31 cm. Auf Bütten gefalt. Eugène Ionesco 1912-1994 St. Gallen. Erschien als Neujahrsgruß d. Erker-Galerie St. Gallen. St. Gallen, Erker-Galerie o. J. (ca. 1990). unknown
1960380044New York: Grove Press 1960. Hardcover. Near Fine/Very Good. First American edition hardcover trade issue. Translated from the French by Donald Watson. Corners a little bumped else near fine in lightly chipped very good dustwrapper. Handwritten note on front fly: "Grove Press File Copy". Scarce. Grove Press hardcover
19881163Tokyo 1988. Very Good/very good. Dust jacket with obi. Oblong 4to. All illus. mostly in color. Controversial - known for photos of his daughter at age 13. <br/><br/>One of his better books. unknown
199117754<p>First edition first print Very Fine as new in DJ</p> Contrejour hardcover
196675800Paris: Gallimard 1966. Fine. Gallimard Paris 1966 12.50 x 19.50 cm broché Edition with most parts in first edition one of 50 numbered copies on pure laid paper the only deluxe copies. Handsome copy. Gallimard unknown
196666937Paris: Gallimard 1966. Fine. Gallimard Paris 1966 12.50 x 19.50 cm broché Edition with most parts in first edition Le roi se meurt had appeared three years earlier one of 50 numbered copies on pur fil paper the only deluxe copies. Fine copy. Gallimard unknown
196669497Paris: Gallimard 1966. Fine. Gallimard Paris 1966 12.50 x 19.50 cm broché Edition with most parts in first edition one of 50 numbered copies on pur fil the only deluxe copies. A fine copy. Gallimard unknown
196654180Paris: Gallimard 1966. Fine. Gallimard Paris 1966 12.50 x 19.50 cm broché New edition but first for many parts Le roi se meurt was published 3 years earlier one of 50 numbered copies on pur fil paper the only large paper copies. A very good copy. Gallimard unknown
1987000800New York: The Limited Editions Club 1987. First Thus 1st Printing. Soft cover. As New/Publishers Slipcase. Folio - over 12 - 15" tall. This edition consists of one thousand copied of which this is #539. The four wonderful surreal lithographs were drawn by the author Ionesco and were printed on Fabriano 'Unbria' by Erker Presse Franz larese and Jurg Janett in St. Gallen Switzerland. The paper was made at Cartiere Enrico Magnani in Pescia Italy. The book is unread and unmarked and except to photograph it's contents unopened. The Book is bound in fine creme parchment as is the printed jacket. The velvet lined slip case is bound in the same parchment except for the top and bottom edge which is fine red Morocco leather. The book starts with a conversation between Eugene Ionesco and Verena Heyden-Rumsch in paris in 1987 which has been translated by Barbara Wright. Ionesco has been quoted as saying about this and other plays and writings " My sole concern is the constant attempt to split apart the veil of appearances." In this play which is a journey to the extremities of death has the veil of appearances not been completely split have we not arrived on the other side- the side of truth asks Heyden-Rumsch." No we are caught up in that split." states Ionesco. A wonderful and fascinating look at a modern almost abstract master of modern literature. A Rare and collectible copy signed by Ionesco. <br/> <br/> The Limited Editions Club paperback
198713725New York: Limited Editions Club 1987. Fine. Signed Limited Editions Club production of this play by the French avant-garde writer and artist. 12.75'' x 8.75''. Original cream wrappers lettered in black. In original red morocco-lined cream slipcase. Illustrated by Ionesco with four color lithographs. 127 3 pages. Signed by Ionesco on limitation page one of 1000 copies. Only light soil to slipcase. Limited Editions Club unknown
1987020013New York: Limited Editions Club 1987. Wraps. Fine in a close to Fine slipcase. Eugene Ionesco. Quarto 9" x 13" bound in cream printed wraps housed in a matching paper-covered felt-lined slipcase with red morocco leather top and bottom edges. Copy #887 of 1000 copies illustrated with 4 ORIGINAL COLOR LITHOGRAPHS by Ionesco and SIGNED by him on the colophon page. <br/><br/> Limited Editions Club paperback
1987259022New York: Limited Editions Club 1987. Number 168 of 1000 copies signed by Ionesco. Four color lithographs by Ionesco. xiv 127 3 pp. 1 vols. 4to. White paper wrappers. Fine in fine slipcase of white paper and red leather. Ionesco Eugene. Number 168 of 1000 copies signed by Ionesco. Four color lithographs by Ionesco. xiv 127 3 pp. 1 vols. 4to. Introduced by a conversation with Verena Heyden-Rynsch in which Ionesco describes this work as an autobiographical dream. Limited Editions Club unknown
37162Ionesco Eugene. IONESCO Eugene. Journeys Among the Dead. A Play with Lithographs by Eugene Ionesco. Translated by Barbara Wright. Large 4to. Original stiff wrappers. Publisher's leather and paper slipcase. N.Y.: The Limited Editions Club 1987. Limited to 1000 copies signed by the author/artist. A fine copy. unknown
07-0152St. Gallen Switzerland: Erker Galerie 1987. Original lithograph measuring 39 x 57 cm. with facing text in the author's own lithographically reproduced handwriting. One of 200 copies signed and numbered in pencil under the image on BFK Rives. From Erker-Treffen 4. St. Gallen, Switzerland: Erker Galerie, 1987. unknown
1983515131London: John Calder 1983. Softcover. Near Fine. Reprint. Translated from the French by Richard Seaver. Small octavo. Glossy pictorial wrappers. Slightly sunned spine else near fine. Signed twice by the author once on the half-title and again on the title page. The playwright's only novel about an unnamed clerk who receives a large inheritance which allows him to quit his job and meditate on the human condition. John Calder unknown
