356 résultats
1973320190New York: Grove 1973. First. hardcover. near fine/near fine. 105 pages. 8vo black cloth pages uniformly browned. d.w. New York: Grove Press 1973. First Edition.<br/> <br/> Grove unknown
9786587243283TEMPORAL. new. Macbeth cǸlebre pe��a de William Shakespeare do in�cio do sǸculo 17 narra a hist��ria de um regic�dio cometido pelo personagem que lhe dǭ nome ao ser persuadido por tr�s feiticeiras de que seu destino seria tornar-se rei. � esse tambǸm o enredo que forma a linha principal de ""Macbett"" releitura que Eug��ne Ionesco faz da obra shakespeariana. Escrita mais de tr�s sǸculos depois esta n�o poderia deixar de trazer ind�cios dos novos tempos. O tema do assassinato por exemplo ganha nova escala dando lugar aos homic�dios em massa - o que era familiar ��queles que presenciaram o horror da Segunda Guerra Mundial ou viveram sob regimes totalitǭrios. O soberano Duncan bem como os demais personagens de ""Macbett"" Ǹ movido pelo fetiche do poder alcan��ado atravǸs dos consequentes massacres em massa que perpetuam. Na pe��a de Ionesco a viol�ncia n�o se encerra em si mesma TEMPORAL unknown
Z1-U-013-01777Nick Hern Books. Used - Good. Ships from UK in 48 hours or less usually same day. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library so some stamps and wear but in good overall condition. 100% money back guarantee. We are a world class secondhand bookstore based in Hertfordshire United Kingdom and specialize in high quality textbooks across an enormous variety of subjects. We aim to provide a vast range of textbooks rare and collectible books at a great price. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions. We provide a 100% money back guarantee and are dedicated to providing our customers with the highest standards of service in the bookselling industry. Nick Hern Books unknown
2851944657.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1974222660Parigi: Chene 1974. Fogli sciolti in cartelletta loose as issued in original portfolio. Molto buono Very Good. 25 photographies de Irina Ionesco et texte d'introduction d'André";" Pieyres de Mandiargues. Folio cm 42x32. pp. 8 tavole. Molto buono Very Good. Prima edizione First Edition. Chene, unknown
197474507Paris: Editions du Chene 1974. First edition. Inscribed and with original signed print. Folio. Printed title and plate list and 25 loose vivid duotone Ionesco images. All housed in the original brown moire silk portfolio with flaps and ties and another Ioneco image laid down to the front. Excellent copy.This copy was inscribed by Irina Ionesco to a friend "Tonny" on the top margin of the title page. He/she must have been a good friend as there is an additional plate laid in and it is an actual silver gelatin Ionesco photograph same dimensions as the plates in the book. This original photograph is inscribed to the same person in colloquial French and bears a pencil number of 107. Editions du Chene unknown
199117754<p>First edition first print Very Fine as new in DJ</p> Contrejour hardcover
07-0126St. Gallen Switzerland: Erker Galerie 1972. Original lithograph by Asger Jorn 1914-1973 with facing text by Eugène Ionesco in his own lithographically reproduced handwriting. 39 x 57 cm. One of 200 copies signed and numbered by Jorn in pencil on BFK Rives. From Erker-Treffen 1. St. Gallen, Switzerland: Erker Galerie, 1972. unknown
1994Q-2070388654Editions Gallimard 1994-03-01. Mass Market Paperback. New. New. In shrink wrap. Looks like an interesting title! Editions Gallimard paperback
1973142682Paris: Le cercle du nouveau livre Librairie Jules Tallandier 1973. Relié. Etat satisfaisant. In-8. 128 pp dossier. Reliure pleine toile bordeaux muette. Étiquette sur rhodoïd. Annotation sur garde. ATTENTION : Anomalie de brochage le livret photo ne correspond pas Michel Déon et le texte cesse p.128. Le cercle du nouveau livre, Librairie Jules Tallandier unknown
196389591Paris: Gallimard 1963. Fine. Gallimard Paris 1963 11.5 x 18.3 cm Relié First edition one of 60 numbered copies on pure wove paper the only deluxe copies after 17 on Hollande.Bradel binding in full beige cloth smooth spine red morocco title-piece upper wrapper preserved sprinkled edges modest binding. Gallimard hardcover
G207018532XI3N00GALLIMARD 1963. Paperback. Good. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More Spend Less.Dust jacket quality is not guaranteed. GALLIMARD paperback
9782038700695-2025Editions Larousse. Paperback. New. <p><strong>Author:</strong> Eugène Ionesco</p><p><strong>Publisher:</strong> Editions Larousse</p><p><strong>Binding:</strong> Paperback</p><p><strong>ISBN:</strong> 9782038700695</p> Editions Larousse paperback
196381421Paris: Gallimard 1963. Fine. Gallimard Paris 1963 12 x 19 cm broché First edition one of 60 numbered copies on pure thread paper the only deluxe copies after 17 Holland. Handsome copy. Gallimard unknown
1963017874Paris France: Gallimard 1963. First Edition First Thus . Soft Cover/Stiched. Near Fine/None as Issued. BRAND NEW COPY w/un-cut pages; showing surface discoloration to softcover. French language text. Full-length play translated into English as "Exit the King" by Romanian-French playwright Eugène Ionesco 1909 - 1994. Drama was first performed 1962 the Theatre de l'Alliance Paris. An absurdist drama in the other plays of the "Berenger Cycle" in which Berenger appears as a depressed insecure everyman prone to sentimentality. In this play he is King Berenger the First who all powerful is now more than 400 years in age. Story begins as he is informed that he is dying and likewise his kingdom is crumbling around him as his physical capabilities deteriorate. First in denial The King faces reality lapses into the Berenger mode of sentimentality and accepts looming death --- characters disappear one by one leaving the King now unable to speak alone his first queen who prepares him for the end. Of the play Ionesco said he wrote it while ill and frightened his own death. Le Roi se Meurt is an attempt to help in the preparation for death ---- we are all dying men who refuse to die. A tale of everyman's essential solitude and insignificanceof human existence. <br/> <br/> Gallimard paperback
195988000Paris: Gallimard 1959. Fine. Gallimard Paris 1959 12 x 19 cm broché First edition on ordinary paper bearing the correct imprint dated 6 May 1959 with the false statement of second edition. Spine very slightly sunned. Signed and inscribed by Eugène Ionesco to the stage director playwright and writer Simone Benmussa on the half-title. Simone Benmussa was literary advisor to the ""Jean-Louis Barrault- Madeleine Renaud Theater Company"" then in 1957 editor-in-chief of the Cahiers Renaud-Barrault. She also directed from the Odéon theatre the cultural department and the Cahiers of the Renaud-Barrault Company. She adapted for the stage the plays written by her friends Nathalie Sarraute Pierre Klossowski Jean Cocteau Gertrude Stein. She was the companion of the actress Erika Kralik. Our copy is housed under a burgundy half-morocco folder smooth spine with date at foot wood-patterned paper boards slipcase edged with burgundy morocco wood-patterned paper panels probably made by Thomas Boichot. Gallimard hardcover
30416Paris Gallimard coll. « Le Manteau d'arlequin » 6 mai 1959. 1 vol. 115 x 180 mm de 198 p. et 5 f. Veau box et cuir fantaisie en camaïeu de brun décor mosaïqué passant sur le dos titre à l'oeser au dos date en pied contreplats assortis gardes de veau bleu tranches dorées sur témoins couvertures et dos conservés chemise et étui reliure signée de C. Léonard. . Édition originale. Un des 13 premiers exemplaires sur vélin de Hollande n° 2. . Tirée d'une nouvelle publiée en 1957 dans la revue Les Lettres nouvelles Le Rhinocéros sera montée à Düsseldorf en allemand le 31 octobre 1959 avant d'être jouée à Paris le 20 janvier 1960 sous le titre Rhinocéros sans l'article titre retenu pour les éditions postérieures au théâtre de l'Odéon mise en scène par Jean-Louis Barrault. À cette occasion Ionesco rappelle que la pièce n'avait jusqu'alors été jouée que dans de petites salles et que c'est là une première : « Barrault ne manque pas de courage en montant ma pièce dans un théâtre d'État » ! Du courage et de l'intuition. Le succès est immense. Rhinocéros est la première grande pièce de Ionesco celle qui lui ouvrira les portes de tous les théâtres d'Europe et du monde. Bel exemplaire en reliure signé de Christine Léonard élève de Tchékéroul et de Micheline de Bellefroid à La Cambre longtemps établie à Bruxelles. Une exposition lui a été consacrée en 1992 à la Bibliotheca Wittockiana. On trouve nombre de ses reliures dans les grandes collections belges Hayoit de Sadeleer Moureau. De la bibliothèque Robert Moureau ex-libris. Paris, Gallimard, coll. « Le Manteau d'arlequin », (6 mai) 1959. 1 vol. (115 x 180 mm) de 198 p. et [5] f. Veau, box et cuir unknown
195961619Paris Galliard 1959. 8vo. Uncut in the original wrappers. Minor wear with edges exhibiting slight signs of use. The cover is clean overall but has four small brown spots. Fine and tight. Internally exceptionally well-preserved clean and bright. <br/><br/><em>First edition presentation-copy of one of Ionesco's most celebrated plays significant work in the Theatre of the Absurd. The copy is inscribed by Ionesco to front endpaper: "Pour Kjeld Abell - / Eugène Ionesco / avec sa reconnaissance / et son amitié. / E.I. / 9-25". With works like the present Eugène Ionesco helped found the important movement known as Theatre of the Absurd. The play explores themes of societal pressures conformity and the loss of individuality set in a town where the inhabitants gradually turn into rhinoceroses. Through the protagonist Berenger who resists the transformation Ionesco critiques totalitarianism the allure of mass movements and the fragile nature of human identity. Ionesco a Romanian-Frrench playwright bacame known for his rejection of traditional theatrical conventions and his focus on the absurdity of human existence. Alongside writers like Samuel Beckett he shaped post-war drama exploring existential themes through humor illogical dialogue and surreal situations. Le Rhinocéros is often interpreted as a commentary on the rise of fascism and the danger of unhecked ideologies though Ionesco insisted it was a more universal reflection on human nature. Its relevance endures as it invites readers and viewers to reflect on the role of the individual within the collective and the pressures to confirm even when that means losing one's humanity. The work is one of Ionesco's most celebrated plays alongside La Cantatrice chauve The Bald Soprano and La Leçon The Lesson and it soldified his reputation as a key figure in modernist literature. Kjeld Abell was a major Danish playwright and a key voice in mid-century European theatre. His bold innovative works anticipated many of the themes later explored by the Theatre of the Absurd. Abell often employed dream logic satire and non-linear structure to critique authoritarianism and explore existential dilemmas making him a highly relevant and meaningful dedicatee for this presentation copy. </em> unknown
1959JJ18821Paris: Gallimard 1959. First Edition. Paperback. Fair. Rare inscribed and signed copy of Ionesco's most famous work. Original wrappers worn; spine stained and repaired. Images upon request. <br/><br/> Gallimard paperback
196750141La Nouvelle Revue Française 1967. Fine. La Nouvelle Revue Française 1er Octobre 1967 14.50 x 24.50 cm broché First edition one of the few numbered copies on pure thread paper the only deluxe copies. Other contributions by Maurice Blanchot Philippe Jaccottet Jacques Reda Georges Poulet. A small crease mark at the head of the first cover handsome copy. La Nouvelle Revue Française unknown
1981023571Editions Borderie: Paris 1981. Book. About Fine. No Binding. 1st Edition. Sixteen loose plates in a folder and box. A Very attractive production!. Editions Borderie: Paris unknown
31511Paris Gallimard 17 janvier 1985. 1 vol. 140 x 205 mm de 72 p. 1 et 3 f. Broché. . Nouvelle édition par Gallimard de ces textes et dessins de l'auteur publiés d'abord en 1981 sous la forme d'un l'album de 15 lithographies dans un tirage à 200 exemplaires chez l'éditeur suisse Erker. Envoi signé : « Pour Sylvie Genevoix hommages Eugène Ionesco ». . De la bibliothèque de Maurice Genevoix aux « Vernelles » ex-libris. Paris, Gallimard, (17 janvier) 1985. 1 vol. (140 x 205 mm) de 72 p., 1 et [3] f. Broché. unknown
07-0152St. Gallen Switzerland: Erker Galerie 1987. Original lithograph measuring 39 x 57 cm. with facing text in the author's own lithographically reproduced handwriting. One of 200 copies signed and numbered in pencil under the image on BFK Rives. From Erker-Treffen 4. St. Gallen, Switzerland: Erker Galerie, 1987. unknown
198762118Paris: Gallimard 1987. Fine. Gallimard Paris 1987 14.50 x 21.50 cm broché First edition one of 30 numbered copies on pure rag vellum the only deluxe copies. Handsome copy. Gallimard hardcover
198721217151987. Paris: Editions Gallimard.1987. 8vo. White card wrappers with red lettering and wraparound red banner entitled 'Un Clin D'Oeil Aux Hommes Un Regard Vers Dieu'; pp. x 169 9; minimal discolouration to top and bottom edge and minor stain to front cover and to spine; otherwise near fine. First French edition. Presentation copy from the author with an inscription to the title-page addressed to a Swedish novelist snd critic: ""Pour Ingmar Bjorksten- Eugene Ionesco. 3 Mai 1988- StockholmEugene Ionesco wrote his first play The Bald Soprano or La Cantatrice Chauve in 1950 and subsequently ushered in theatrical revolution through bold use of surrealistic techniques on an unsuspecting audience. It is considered a crucial milestone in the movement The Theatre of the Absurd. In 1970 Ionesco was inaugurated in the Academie Francaise securing a position amoungst some of the most revered dramatists of the 20th century.The blurb of La quete intermittente reveals that the story of the novel concerns an artist's existentialism; ""These new diary pages follow the Journal en miettes published twenty years ago. Today the author feels old often ill. The approach of death terrifies him. He is torn by doubt: why this rage for writing Why this universal glory Why this world"". unknown