�mile ZolaBiblio.com
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1898mon0000991631Chatto & Windus Ltd 1898. Hardcover. Very Good. in x in x in. Pages clean no markings light wear to edges. Hinges weak. Chatto & Windus Ltd hardcover
1892ZOLA�MIL008456Heinemann London. 1892. First U.K. edition. Octavo. pp viii 177. 8 pages publisher's catalogue dated June 1892 at rear. Pictorial cloth. Includes an essay on Zola by Edmund Gosse.Edges and endpapers a bit spotted. Tail of spine slightly bumped. Covers slightly rubbed at the edges. Very good. Heinemann, London. hardcover
1892mon0003328080London: Chatto & Windus 1892T. hardcover. Good. . Light foxing on pages but it doesnt affect reading quality. Covers inner hinge is slightly torn. London: Chatto & Windus hardcover
189586512London: Hutchinson and Co. 1895. Illustrated with ninety-four wood engravings from drawings by E. Thevenot. Text and illustrations bright cracked gutter at page 272 partially cracked gutter at rear endpaper previous owner inscription dated 1895 on front endpaper foxing on endpapers and pastedowns frontispiece tissue guard detached but extant binding firm rubbing to boards. Authorized English Version. Hard. Good. Illus. by Thevenot E. 8vo. Hutchinson and Co. Hardcover
189533868<p>Philadelphia: J. B. Lippincott Company 1895 First Printing Thus of the Vizetelly translation with the Thévenot illustrations in gilt-stamped and decorated full blue ribbed cloth t.e.g. 94 wood engravings from drawings no text markings NOT ex-lib binding tight pages bright & unfoxed very slight rubbed wear to bright blue boards at spine ends & corner tips neat name to front endpaper contemporaneous bookseller label to front pastedown else Fine bright exemplary copy; 8vo; xi 386pp illus. First Edition. Hard Cover. Near Fine.</p> J. B. Lippincott Company hardcover
1895005427Livingston MT: Hutchinson & Co. 1895. The eighth in Zola's Rougon-Macquart series which first appeared as a novel in 1878. This is a Very Good Minus copy of the First English Edition noted by the publisher as the "sole authorized version." Translated and with a Preface by Ernest Alfred Vizetelly. Maroon cloth binding with titling and decorations in gilt on the spine and front cover. Clean text; xi 386 pages with a two-page advert in the rear. Containing 94 wood engravings by E. Thevenot. There is no publication date but bibliographers agree on 1895. Bumped rubbing to the margins endpapers tanned. The spine has faded but the gilt remains presentable. The signatures have cracked at page 144-145 hence the "minus" condition but the book remains sound otherwise. First UK Edition. Hard Cover. Very Good Minus/No Jacket. Illus. by E. Thevenot. 8vo - over 7¾" - 9¾" tall. Hutchinson & Co. Hardcover
1897mon0002879963George Barrie & Sons 1897-01-01. Hardcover. Very Good. . 2-volume set. Deluxe binding in full red morocco with extensive gilt decorations rasied bands on the spines. Covers show minor rubbing to the extremities joints starting and slight loss at the crown of the spines. To edges gilt tooled doublure pastedowns silk moire free endpapers. Pages are tanned and clean. George Barrie & Sons hardcover
1897143835Philadelphia: George Barrie & Son 1897. Hardcover. Near fine. Edition Magnifique of Chefs-d'Oeuvre du Roman Contemporian Realists. Limited to five copies. viii 319; viii 361 pp. unpaginated plates. 2 Volumes. Octavo hardcover. Bound in full teal levant morocco leather boards designed with impressed gilt decorations double ruled in gilt. Spines with 5 raised bands each divided in six compartments decorated and lettered in gilt slightly darkened. All edges trimmed and gilt. Each volume with a vertical fore-edge painting. Inner side of the boards covered with terra cotta levant morocco doublures elaborately decorated impressed in gilt designed in green blue and white. Joints starting as usual to the fore-edge painting books. Pale blue moiré silked free endpapers; the majority of the blue silk has become detached and is laid-in in incomplete pieces. Free endpapers toned with light pencil notations. Small gallery labels to rear free endpapers recto. Illustrated with monochrome copper etchings each with a hand-coloured douplicate some guarded with tissue paper. Leaves bright and charming tight binding. Near fine condition. 2 volumes each with a fore-edge painting. vol. 1 depicting a couple standing together vol. 2 depicting a nude woman holding a child.</p><p>Limited edition of five copies of which this is number one. Printed only for subscribers. </p><p>Hammer Galleries typed letter signed on their stationary laid in dated March 1941 </p><p>From the Estate of Randall J. Moskovitz MD Memphis Tennessee. 1897 George Barrie & Son hardcover
188758804Vizetelly & Co. Good. 1887. Hardback. Boards are marked corners worn and bumped notable scratch on rear; spine has slight forwards lean darkened with rubbed gilt titling; stitch binding mostly tight except rear joint partially exposed frontispiece loose and attached only by tissue guard joint exposed between pp256-7; pages are unmarked some off-setting on decorated endpapers all eight engravings present two pages of advertisements at rear. ; 5.5 x 1.25 x 7.75 inches; 350 pages . Vizetelly & Co hardcover
18903521Chicago: Laird & Lee Publishers 1890. Translated from the 52nd French Edition. Hardcover. pp. 283 6. 12mo. measuring 7.25" x 5". Plain black pebbled cloth over boards. Black-and-white illustrated frontispiece depicting a scene from the novel. Remarkably well-preserved in consideration of its age the extremities show only a very light touch of edgewear to the tips pages lightly age-toned but remain entirely without blemish. Overall very good. Scarce in commerce our offering being the only extant copy at time of cataloguing of this iteration. <br/><br/>Originally published in French as "La Faute de l'Abbé Mouret" in 1875 our offering is a particularly early American printing of this the fifth volume in Zola's twenty-volume series commonly known as "Les Rougon-Macquart" or "Histoire naturelle et sociale d'une famille sous le Second Empire". This English translation was most likely based upon Vizetelly & Co.'s 1886 printing the translator remains unknown See OCLC Ciration #1536033. Laird & Lee Publishers hardcover
1888215987Median 1888. unbound. 2 full pages 8.5 x 5.25 inches Median France October 16 1888. In this letter Zola invites a colleague for a visit and conversation in part: ".Je suis tres heureux qu'un homme de votre grand talent et de votre grande experience veuille bein se charger d'un travail qu ne sera pas commode je le crains. " Slight creasing and natural folds; still very good condition.<br/> <br/> unknown
1883009806Paris: Charpentier et Cie. 1883. Book. Near Fine. Hardcover. First Edition. 32mo - over 4" - 5" tall. 4 3/8" x 3 3/8". "Petit Bibliotheque Charpentier avec deux dessins de Jeanniot grave´s en fac-simile´ par Dujardin". Finely bound in contemporary full polished calf five raised bands with gilt lettering marbled end papers all edges gilt. Near Fine spine and front cover sunned light toning prior owner name at title page Uncommon OCLC lists 4 holdings. Charpentier et Cie. Hardcover
1864374820Paris: J. Hetzel et A. Lacroix 1864. First edition of the author's first book. 4 320 pp. 1 vols. 8vo. Full blue morocco gilt marbled endpapers t.e.g. by Taffin with the original yellow printed wrappers bound in. Very good head rubbed slight toning to a few leaves. With loosely inserted calling card of the author. First edition of the author's first book. 4 320 pp. 1 vols. 8vo. Zola's first book INSCRIBED on the half-title to the distinguished literary critic and author Jules Levallois 1829 - 1903: "à M. Jules Levallois "temoignage du devouement et de la sympathie de l'auteur a testimony of the author's devotion and sympathy Emile Zola." Zola was 24 years old when Contes à Ninon was published.<br /> <br /> The calling card ca. 1890 is engraved "Emile Zola / rue de Bruxelles 21 bis" and inscribed in pen by Zola "Avec mes remerciements et l'expression de ma sympathie with my thanks and the expression of my sympathy." Carteret II p. 488 J. Hetzel et A. Lacroix unknown
1893154344Paris Médan Monte Carlo and England: 1893-1902. A unique collection of letters by one of the landmark French writers of the 19th century An important group of letters from Émile Zola to his translator and friend Ernest Vizetelly son of Henry Vizetelly who was the first translator of his works. Over almost ten years and across a hundred handwritten pages Zola discusses the publications and translations of his works the reception and specificities of the English public his visit to London for the congress of specialists in 1893 his London exile at the publication of J'Accuse and the trial that followed. Zola sends his manuscripts to Vizetelly who takes on the role of agent seeing to contracts both with newspapers for the publication of serials and for the publication of translations. Though Zola repeatedly says that he is not concerned with money he nonetheless has his contract requirements. He trusts his friend entirely for his business in England but when American publishers are interested in the translations of his works negotiations seem tense at times: "As for the American affair I will tell you that the house Macmillan hurt me by his attitude at the time to Fécondité and I don't see why I will continue to interact with people of such a mind." He finally chose Doubleday noting that he received "1990 fr. 60 cent. for my part of copyright on your translation of Fécondité that the Doubleday house has just published in New York". He is also concerned about the reception of his works in England. On Docteur Pascal: "I'm going to get into Docteur Pascal which has nothing to do with Lourdes. It's an intimate passionate novel. It is to be the last volume of the Rougon-Macquart series. You can try to place the English translation in London. It will not offend the modesty of your compatriots." A little later he even authorizes his translator to modify "the passages which would seem worrying to you." He reiterates this authorization regarding the translation of Travail: "Travail will not frighten English modesty. It is at most if in a single scene a little lively you will have to extinguish the colors of the painting." He also assures his friend that Lourdes which Vizetelly cannot sell to a newspaper is not a "work of Catholic discussion" and that "the book can be put in the hands of young girls." England despite a little mockery is also important to Zola. He discovered it at the journalists' conference to which he was invited in 1893. He seemed rather anxious about the reception that the English press could give him: "I would like to know the importance of this congress and whether it will offer a great interest. You know my situation in London: I am still very much discussed almost denied and it seems to me that. the words I could say there would erase a lot of the misunderstanding." Zola's doubts would finally be unfounded and he returned from London delighted with the reception he received there and with the charm and immensity of the city. At the end of the collection are 39 original photographs taken by Zola at the time of his visit to London in 1893 or during his exile. Most of them bear indications of the places photographed on the back. Following the publication of J'Accuse and the trial which forced him into exile Zola chooses London. He discreetly mentions the piece which appeared in l'Aurore explaining to Vizetelly the delay in the publication of Paris on January 25 1898: "Tell Mr. Chatto that we will not put" Paris "on sale on February 10. It would be a great fault in the midst of the current hustle and bustle." He finally left France in July of the same year. The support of his now "dear colleague and friend" is essential in this difficult period: "My dear colleague and friend thank you for your good wishes on the anniversary of my birth. I am very touched in the sad emotion where I am. You write me good and just things that go straight to my heart. And I thank you on this day for the dedication and the discreet attentions that you have not ceased to have for me since the day I set foot in this land of exile." The correspondence continues until Zola's death in early autumn 1902. Folio 328 x 242 mm. 103 pages with letters photographs and documents mounted in the vol.; in French. Together 61 pieces including 51 signed letters one of them signed as Beauchamp 5 initialled letters 3 business cards autographed and siged one unsigned letter and a response to a questionnaire. All the letters relate to the publication of L'Argent Lourdes Rome Dr. Pascal La Débâcle and his trip to England to the Congress of Journalists in 1893. Also 39 photographs of views of England taken by Zola during his exile there in 1899. Some letters bear on the back of the annotations of Vizetelly. Red morocco by Riviere & Son spine richly gilt between raised bands dark blue endpapers gilt inner dentelles and edges. Housed in a dark blue quarter morocco solander box by the Chelsea Bindery. Published in Émile Zola Correspondance VII X Presses de l'Université de Montreal 1978-1995. Vizetelly's letters to Zola were also published in: Mon cher Maître Lettres d'Ernest Vizetelly à Emile Zola Les Presses de University of Montreal 2002. Transcript and translation of correspondence available upon request. hardcover
189312881BB1893. 10. Auflage Stuttgart Deutsche Verlags-Anstalt 1893 8° 332 S. roter original Halbleder-Einband mit Marmorbezugspapier und goldener Rückenbeschriftung Rücken mit vier Bünden florale Musterpapiervorsätze Rundumfarbschnitt eindrucksvolles Exlibris auf Vorsatzseite das Leder an den Kanten stellenweise beschabt sonst sehr schönes sauberes Exemplar. Originaltitel: "La Débâcle'' 1892 ist der zu Lebzeiten des Autors meistgelesene Band des Rougon-Macquart-Zyklus. In dem Antikriegsroman geht es um den Zusammenbruch des Zweiten Kaiserreichs der vorliegende dritte Teil beschreibt den Sturz der Pariser Commune. Abholung im Ladengeschäft in Frankfurt am Main Nordend ggü. Musterschule möglich. Das spart die Portokosten. Pickup at the store in Frankfurt am Main Nordend close to Musterschule is possible. It saves the shipping costs. unknown
189312882BB1893. 10. Auflage Stuttgart Deutsche Verlags-Anstalt 1893 8° 287 S. roter original Halbleder-Einband mit Marmorbezugspapier und goldener Rückenbeschriftung Rücken mit vier Bünden florale Musterpapiervorsätze Rundumfarbschnitt eindrucksvolles Exlibris auf Vorsatzseite das Leder an den Kanten stellenweise beschabt sonst sehr schönes sauberes Exemplar. Originaltitel: "La Débâcle'' 1892 ist der zu Lebzeiten des Autors meistgelesene Band des Rougon-Macquart-Zyklus. In dem Antikriegsroman geht es um den Zusammenbruch des Zweiten Kaiserreichs der vorliegende zweite Teil beschreibt die Schlacht bei Sedan. Abholung im Ladengeschäft in Frankfurt am Main Nordend ggü. Musterschule möglich. Das spart die Portokosten. Pickup at the store in Frankfurt am Main Nordend close to Musterschule is possible. It saves the shipping costs. unknown
1893293077New York : Cassell 1893. First Edition. Hardcover. Very good copy in the original gilt-blocked decorative cloth. Spine bands and panel edges slightly dust-toned and rubbed as with age. Remains particularly well-preserved overall. Physical description: xviii 471 pages ; 8º. Subjects: French literature ; Fiction. New York : Cassell hardcover
1893291843London : Chatto & Windus 1893. First Edition. Hardcover. Very good copy in the original gilt-blocked decorative cloth. Slight suggestion only of dust-dulling and rubbing to the spine bands and panel edges. Remains particularly well-preserved overall; tight bright clean and strong. Physical description: xviii 354 pages ; 8º. Subjects: French literature ; Fiction. London : Chatto & Windus hardcover
1893004088London: Chatto & Windus. 1st British edition. Portrait frontis of Zola with tissue guard. Publishers 32 page catalogue at rear dated April 1893. Publishers brown floral cloth titled gilt on spine. Touch of wear to corners. No dustwrapper as issued . Very Good. Hardcover. 1st Edition. 1893. Chatto & Windus hardcover
18811383900Paris: G. Charpentier 1881. Softcover. Octavo 419 pages. In Very Good minus condition with Good plus glassine dust jacket. Dust jacket has chipping to spine edges and slight tearing to corners. Covers have mild edge and shelf wear. Textblock has light age toning and some pages uncut. 1383900. Special Collections - Downstairs. G. Charpentier unknown
18933618900Madrid.: La España Moderna. 1893. Hardcover. Cubierta deslucida. Firma del anterior propietario. Good. 17 cm. 2 v. 329 310 p. Encuadernación en tapa dura artesanal en plena piel con tejuelo. Colección 'Colección de libros escogidos' numero coleccion86-87. Zola Émile 1840-1902. Con la biografía del autor por Guido de Maupassant. Maupassant Guy de. 1850-1893 . Cubierta deslucida. Firma del anterior propietario. Biografías 929 Zola Émile Literatura francesa 821.133.1-31"18" La España Moderna. hardcover
18933662240Madrid.: La España Moderna. 1893. Paperback. Cubierta deslucida. Contiene pegatina en lomo. Good. 17 cm. 2 v. 329 310 p. Encuadernación en tapa blanda de editorial ilustrada. Colección 'Colección de libros escogidos' numero coleccion86-87. Zola Émile 1840-1902. Con la biografía del autor por Guido de Maupassant. Maupassant Guy de. 1850-1893 . Cubierta deslucida. Contiene pegatina en lomo. Biografías 929 Zola Émile Literatura francesa 821.133.1-31"18" La España Moderna. paperback
190079245La España Moderna 1900. hardcover. Bueno. Madrid s/f. 1900. La España Moderna. Cartoné lomo piel. Dos tomos en un volumen. 297303 pp. 17x11. La España Moderna hardcover
18991189615Valencia.: Imprenta de "El Pueblo". 1899. Hardcover. Cubierta deslucida. Good. 19 cm. 417 p. il. Encuadernación en tapa dura artesanal. Zola Émile 1840-1902. La faute de l'Abbé Mouret. Algunas páginas se encuentran cortadas a distintas medidas sin llegar a afectar a la lectura . Cubierta deslucida. Literatura francesa. Novelas representativas de costumbres y caracteres. Siglo XIX. 840-311.2"18" 821.133.1-3 Imprenta de "El Pueblo". hardcover
1892008454Paris 1892 Letter. Very fine. No Binding. Signed by Authors. ZOLA Emile 1840-1902. Autographed letter signed. One page. 8x5 inches. In French. 10 lines. With original addressed and postmarked envelope. Two minor creases to letter where folded. Both items beautifully and professionally matted and framed along with a color lithographed portrait of the author the whole measuring 23x25½ inches. English translation taped to verso. Very fine. Paris: January 16 1892. . unknown
