Wilde, OscarBiblio.com
302 résultats
1894102670New York: R.F. Fenno. c.1894. 1st ed. Original colour illustrated stiff wraps Japanese temple birds colour decorated endpapers pp 23. The yapp edges are bumped lightly at bottom corner with some light creasing two tiny holes backstrip and at rear cover not affecting rear endpaper. In the same format as Renno's printing of Wilde's "The Sphinx" 1894. The title page is "Rosa Mystica" but the poems included are: Requiescat Sonnet on Approaching Italy San Miniato Ava Maria Plena Gratia Italia Sonnet Written in Holy Week at Genoa Rme Unvisited Una Sacra Aeterna Sonnet on Hearing the Dies Irae Sung in the Sistine Chapel Easter Day E Tenebris Vita Nuova Madonna Mia The New Helen. Clean. Very good condition. N.d. c. 1894. Rare Scarce early printing of a collection of Wilde's poetry in Japanese-inspired binding by a small publishing firm. Pictorial Wraps. R.F. Fenno paperback
189421246961894. London: Elkin Mathews & John Lane. 1894. Small 4to. Original blue-green woven cloth gilt designs after Beardsley blocked to boards spine lettered in gilt fore- and tail-edges uncut; pp. x 67 1 14 advertisements 2 10 plates including frontispiece illustrated title-page contents page and tailpiece by Aubrey Beardsley printed on glazed paper from line blocks engraved by Carl Hentschel; a few chips to joints and corners small loss to head of spine affecting 2 letters of gilt text spine sunned; internally very clean; a very good copy; bookplate of William Forbes Morgan 1841-1916 to front pastedown.First English edition of Wilde's one-act tragedy the first with Beardsley's illustrations four of which contain caricatures of Oscar Wilde one of only 500 copies translated by and dedicated to Wilde's lover Lord Alfred Douglas.Salome was written in French in late 1891 while Wilde was staying in Paris and accepted for production by Sarah Bernhardt at the London Opera House in 1892. However the Lord Chamberlain prohibited performances because of a ban on Biblical figures being presented on stage an outcome that understandably incensed Wilde. It was finally published in French in 1893 and then in this translation in 1894. Translating the nuances of Wilde's original text written in an idiosyncratic French has been acknowledged as a Herculean task by all those who have attempted it including Beardsley. Even though Wilde himself assisted Douglas the author and the translator nearly came to blows: 'Wilde immediately complained of Douglas's sloppy schoolboy French and an infuriated Douglas blamed any faults upon the original. He and Wilde nearly split over the disagreements and Robbie Ross - doubtless to his later regret - made peace between them that Fall' Daniel. Though Wilde tried to fix some of the errors Douglas raged when he did and wrote to the publishers that September 'as I cannot consent to have my work altered and edited and thus to become a mere machine for doing the rough work of translation I have decided to relinquish the affair altogether.' Daniel. Nevertheless their relationship recovered and the translation has since become the text most familiar to Anglophone audiences. Steven Berkoff used the Douglas translation for his critically acclaimed Salome at the National Theatre in 1988 with all its archaisms and errors unabridged.Sadly Wilde never saw the play produced. Its only performance during his lifetime was a one-off presentation at the Theatre de la Comedie-Parisienne on 11 February 1896 by which time he was already in prison. It was not performed publicly in Britain until 1931.Mason 350; Ross 'Later Work' 86; Samuels Lasner 59. See Daniel 'Lost In Translation: Oscar Bosie and Salome' Princeton University Library Chronicle 2007. hardcover
189422666ELondon: Elkin Mathews & John Lane 1894. First English Edition. Limited to 500 copies. Illustrated by Aubrey Beardsley. Original gilt-stamped blue cloth. Near fine only slightly handled copy with the gilt-stamping to the boards bright. From the library of Harpo Marx the great clown of the Marx Brothers comedy team and his wife actress Susan Fleming Marx former member of the Ziegfeld Follies and star of early talking films like Million Dollar Legs with W.C. Fields. With a charming bookplate illustrated by Susan Marx with a drawing of Harpo in his comic character which reads: “FROM THE LIBRARY OF HARPO & SUSAN MARXâ€. Elkin Mathews & John Lane hardcover
1894140949078London: Elkin Mathews & John Lane 1894. First Edition. Near Fine. First edition in English of Wilde's seminal one-act tragedy and the first to feature Aubrey Beardsley's lavishly unrestrained illustrations. One of 500 copies. xii 67 1 16 ads illustrated with frontispiece 9 full page plates and singular tailpiece. Bound in publisher's blue canvas cloth decoratively stamped in gilt after design by Beardsley. Near Fine with light sunning to spine and edges light foxing to cloth. Offsetting to front endsheets and armorial bookplate to pastedown there contents lightly tanned. <p>A beautiful copy of a definitive work of the Decadent movement. Composed initially in French Wilde allegedly intended for Sarah Bernhardt to play Salome in hopes of bypassing strict British censors although it was inevitably banned by Lord Chamberlain due to the depiction of biblical characters. The play premiered on February 11 1896 at the Theatre de l’Oeuvre in Paris starring Lina Munte and directed by Lugne-Poe. Rave reviews ensued and later adaptions followed most notably Richard Strauss' Dresden production which premiered in 1905. The radical work served as a direct affront to Victorian moral standards and cemented the femme fatale archetype for future avant-garde luminaries. Mason 350. Elkin Mathews & John Lane unknown
1894wld44London: Elkin Mathews & John Lane. G : in good condition. Rebacked. Cover rubbed. Page edges browning. Hinge at title cracked. 1894. Limited Edition 500. Blue hardback cloth cover. 220mm x 160mm 9" x 6". 67pp 15pp plates. 10 plates by Aubrey Beardsley. . Elkin Mathews & John Lane hardcover
1894185053London: Elkin Mathews & John Lane 1894. A sublime production by the enfants terribles of Victorian Britain First edition in English the first to feature Beardsley's elegant art nouveau illustrations. "If Le Morte Darthur made Beardsley known his designs for the first edition in English of Wilde's Salomé made him notorious and it remains the book of which most people think when his name is mentioned" Ray. Salomé was published in French in 1893. This English translation by Lord Alfred Bruce Douglas was published the following year in a run of 500 trade copies as here and 100 on large paper. The premiere took place on 11 February 1896 at the Comédie-Parisienne; the Lord Chamberlain cited Protestant Reformation laws banning religious plays to restrict the public staging in Britain. An opera version was sanctioned for performance in 1910 though the play itself had to be staged privately until the first public performance at the Savoy Theatre in 1931. Small quarto. Frontispiece illustrated title list of illustrations pages 9 plates and tailpiece all by Beardsley; publisher's unopened 16-page advertisements at end. Original blue canvas boards spine lettered in gilt decorations designed by Beardsley to covers in gilt edges untrimmed. Cloth slightly rubbed gutter cracked between a couple of gatherings a couple of plates discreetly reinserted. A very good copy. Mason 350; Ray 315A. hardcover
1894188707London: Elkin Mathews & John Lane 1894. Deluxe issue of this sublime collaboration of enfants terribles First edition in English and first Beardsley edition deluxe issue one of 100 copies printed on Japanese vellum and bound in green silk boards. "If Le Morte Darthur made Beardsley known his designs for the first edition in English of Wilde's Salomé made him notorious and it remains the book of which most people think when his name is mentioned" Ray. Translated by Lord Alfred Bruce Douglas this edition appeared the year after the play's publication in French. The premiere took place on 11 February 1896 at the Comédie-Parisienne. To restrict its public staging in Britain the Lord Chamberlain cited Protestant Reformation laws banning religious plays. An opera version was sanctioned for performance in 1910 though the play itself had to be staged privately until the first public performance at the Savoy Theatre in 1931. A further 500 copies were printed on smaller paper and bound in blue canvas boards. Small quarto. Frontispiece and illustrated title page with tissue guard illustrated border on list of illustrations page 9 plates final tailpiece all by Beardsley. Publisher's 16-page advertisements at end. Original green silk boards spine lettered in gilt decorations designed by Beardsley to covers in gilt edges untrimmed. Binding unevenly discoloured and a little soiled minor wear to edges inner hinge partially split following title page splash mark to a couple lower margins. A very good copy. Mason 351; Ray 315A. hardcover
1894189865London: Elkin Mathews & John Lane 1894. A sublime production by the enfants terribles of Victorian Britain First edition in English the first to feature Beardsley's elegant art nouveau illustrations. "If Le Morte Darthur made Beardsley known his designs for the first edition in English of Wilde's Salomé made him notorious and it remains the book of which most people think when his name is mentioned" Ray. Salomé was published in French in 1893. This English translation by Lord Alfred Douglas was published the following year in a run of 500 trade copies as here and 100 on large paper. The premiere took place on 11 February 1896 at the Comédie-Parisienne; the Lord Chamberlain cited Protestant Reformation laws banning religious plays to restrict the public staging in Britain. An opera version was sanctioned for performance in 1910 though the play itself had to be staged privately until the first public performance at the Savoy Theatre in 1931. Small quarto. Frontispiece illustrated title list of illustrations pages 9 plates and 1 tailpiece all by Beardsley; publisher's unopened 16-page advertisements at end. Original blue canvas boards spine lettered in gilt decorations designed by Beardsley to covers in gilt edges untrimmed. Spine ends and joint repaired with loss to a couple of letters marks to endpapers contents toned but clean short closed tear to rear blank. A very good copy. Mason 350; Ray 315A. hardcover
1893ST20128Paris and London: Librairie de l'Art Indépendant; Elkin Mathews et John Lane 1893. FIRST EDITION. ONE OF 600 COPIES 500 of which were for sale. 243 x 150 mm. 8 x 5 5/8". 84 pp. 1 leaf. <br/> Pleasing red very coarse-grained morocco by Sangorski & Sutcliffe stamp-signed in gilt on rear turn-in covers with gilt coat of arms surrounded by a gilt oval raised bands gilt lettering gilt-ruled turn-ins top edge gilt others untrimmed. With the original purple wrappers bound in. Housed in a deluxe suede-lined modern red morocco case by Antonio Perez-Noriega covers with elaborate twining wood onlays. A PRESENTATION COPY FROM WILDE TO ADOLPHE RETTÉ WITH WILDE'S INSCRIPTION AND SIGNATURE ON THE FRONT FLYLEAF. Mason 348. See also: Mikhail "Oscar Wilde: Interviews and Recollections" pp. 190-91. Spine faintly sunned covers with a few small bumps and dents perhaps original with the skin or intentionally made by the binder one or two negligible finger smudges but a fine clean copy with just insignificant imperfections.<br/> <br/> This is a very special presentation copy of Wilde's most controversial play inscribed to one of three writers the author invited to edit the original French script. In the Gospel of Luke Herodias the haughty wife of Antipas tetrarch of Galilee is so incensed by the preaching of John the Baptist against her sins that she determines to be revenged. She persuades her daughter Salomé to ask Antipas the girl's stepfather for John's head as the reward for her seductive dancing. Wilde's fertile imagination converts this story into a tale of juvenile infatuation scorned and turned into demented hate. Written and first published in French "Salomé" was to have been staged in London with Sarah Bernhardt in the title role but this was prevented by the Lord Chamberlain the theater censor. Thus the play was first performed in 1896 in Paris with Bernhardt in the title role but without Wilde in attendance since he was confined at the time in Reading Gaol. It was not performed in London until 1905 in a private performance and the censor's ban was not lifted until 1932. Adolphe Retté 1863-1930 was a French poet essayist and literary figure who initially was celebrated for his decadent and symbolist poetry but later experienced a profound spiritual awakening that led him to renounce his earlier works and embrace Catholicism. He was one of three French-speaking poets along with Stuart Merrill and Pierre Louÿs Wilde solicited to look over the original script and correct any overt anglicisms. Retté who had met Wilde in Paris wrote about his involvement with "Salomé" in his memoir where he describes his admiration for the work: "Not only were Wilde's ideas subtle and delightful but he knew how to enhance them seeming to caress each word with his irresistible way of speaking." Retté marveled at Wilde's "talent as a conversationalist or rather as a monopolizer of the conversation and the wonderful way he would set forth the philosophy of 'hedonism.'" Wilde presentation copies are not exceptionally rare in general but we could find few such copies of this important first edition and none any more important as this one. Librairie de l'Art Indépendant; Elkin Mathews et John Lane unknown
189469042London: Elkin Matthews and John Lane at the sign of the Bodley Head 1894. RICKETTS Charles. . The Sphinx. With decorations by Charles Ricketts. London: Elkin Matthews and John Lane at the sign of the Bodley Head 1894.<br> <br> Full Description:<br> <br> WILDE Oscar. The Sphinx. With decorations by Charles Ricketts. London: Elkin Matthews and John Lane at the sign of the Bodley Head 1894.<br> <br> First edition. One of 200 copies for Great Britain printed on handmade paper. Small quarto 8 5/8 x 6 3/4 inches; 218 x 172 mm. 4 blank 6 27 1 blank 1 imprint 5 blank pp. Title-page printed in black red and green. Ten illustrations by Ricketts in the text including title-page of which eight are full-page all printed in red. Initial letters one large and twelve medium and guide words printed in green.<br> <br> Original vellum decoratively paneled and pictorially stamped in gilt after designs by Ricketts whose monogram appears in the lower left-hand corners. Gilt is bright and vellum generally clean. Vellum very slightly bowed as usual. Some foxing throughout as usual. Overall about fine.<br> <br> "The Sphinx is his Rickett's best book. The result is a perfect whole as harmonious as it is dazzling." Ray.<br> <br> Mason 361. Ray Illustrator and the Book 262.<br> <br> HBS 69042.<br> <br> $8500. Elkin Matthews and John Lane, at the sign of the Bodley Head unknown
1899WILDEOSC015579Leonard Smithers London. 1899. Seventh and last authorised edition; also the first to have the author's name on the title-page. Octavo. 31 leaves printed on rectos only. Two-tone buckram covers.Some light foxing to prelims. Small bump to top edge of rear cover. Covers a little marked. Very good. Leonard Smithers, London. hardcover
1898180349London: Leonard Smithers 1898. Unusual in a fine contemporary binding First edition one of 800 copies printed on handmade paper. This copy is beautifully presented and includes the well-preserved wrappers at the rear. At the insistence of his publishers Wilde employed a pseudonym for fear of the negative effect his name would have on the poem's sales. "C.3.3." derives from Wilde's cell in Reading Gaol - the third cell on the third landing of Gallery C. The first edition of which another 30 copies on japon were also issued sold out rapidly. A second edition was printed within weeks. Octavo 220 x 135 mm. Contemporary brown crushed morocco by Rivière spine lettered in gilt with raised bands compartments tooled with floral design French fillet to boards gilt inner dentelles dark green coated endpapers top edge gilt fore and bottom edges uncut original wrappers bound in. Label sometime removed from front pastedown rear blanks lightly toned from wrappers. A fine copy. Mason 371. hardcover
189917881The Ballad of Reading Gaol Leonard Smithers 1899 the 7th edition with several important changes to previous editions 1 the name Oscar Wilde appears on the title page 2 The copyright date is changed from January 1898 to February 1898 and 3 a line of the poem on page 4 third stanza has been changed. A very good copy void of foxing or staining with a tanned and dust-soiled spine. Leonard Smithers unknown
1898181423London: Leonard Smithers 1898. The rare deluxe issue elegantly bound First edition number 17 of 30 copies printed on japon presented here in a restrained contemporary morocco binding. The limitation is handwritten in purple ink by Leonard Smithers. A further 800 copies on handmade paper were published simultaneously. Wilde wrote the poem while exiled in France and published it under the pseudonym "C.3.3." after his cell in Reading Gaol the third cell on the third landing of Gallery C. The first edition sold out rapidly and a second edition was issued within weeks. Octavo 220 x 145 mm. Contemporary purple morocco spine lettered and decorated with leaf tools in gilt "W" monogram enclosed in laurel wreath to front cover in gilt blind rules to covers turn-ins gilt original vellum spine bound in at rear. Housed in a purple flat-back cloth box by the Chelsea Bindery. Book label of J. O. Edwards to front free endpaper. Joints repaired a handsome copy. Mason 372. hardcover
1900187548London: Leonard Smithers c. 1900-07. A finely bound copy of Smithers's unauthorized edition with the publisher's address removed from the title page. Mason notes that "there are some misprints in the text but except in one or two places it is a line for line reprint of the earlier editions". Octavo 212 x 133 mm. Mid-twentieth century red morocco by Asprey spine lettered in gilt gilt rule to boards board edges and turn-ins floral endpapers edges gilt. Paper repair to p. 15. An attractive copy. Mason 584 & 585. hardcover
1898188708London: Leonard Smithers 1898. For he who lives more lives than one / More deaths than one must die Signed limited edition number 74 of 99 copies signed by the author. Wilde styled this the "author's edition" and in a letter to his publisher of 28 February 1898 he insisted on the purple binding with a new gilt remarque by Ricketts. Produced at Wilde's request it was the third edition overall appearing two months after the first. Octavo. Original cream quarter linen spine lettered in gilt purple cloth sides flower and leaf design on front cover after remarque by Charles Ricketts edges untrimmed. Ownership inscriptions to prelims of Florence Vanda Cunliffe Thomas 1873-1936 Red House Bicester dated March and April 1898 following publication in March. Spine toned binding a little marked surface scratch on front cover light edge wear intermittent foxing but bright overall. A very good copy. Mason 374. hardcover
189814845London; Leonard Smithers Royal Arcade London W 1898. 1898. First edition first printing; one of 800 unnumbered copies printed on handmade paper; 30 were simultaneously printed on Japanese vellum. Large post octavo pp. viii 31 1 blank. Publisher's original cinnamon-colour linen white linen spine; titles gilt to spine. Printed at the Chiswick Press but not named on the imprint. Soiling to inner edges of boards corners slightly bumped top edge dusty. Contents clean and rather bright. A very good copy. In 1895 Oscar Wilde was sentenced to two years' hard labour for 'gross indecency'. This poem written while Wilde was in exile in France and Naples in 1897 uses the case of his fellow inmate Charles Thomas Wooldridge to highlight the brutality of the prison system and the irony of the state sentencing a man to death for exactly the same crime. Even without Wilde's name on the title-page the first 800 copies sold out within a week. Mikolyzk A91 Mason 371. London; Leonard Smithers Royal Arcade London W, 1898. hardcover
1898183481London: Leonard Smithers 1898. For he who lives more lives than one more deaths than one must die First edition one of 800 unnumbered copies printed on handmade paper; a further 30 copies on japon were published simultaneously. The first edition sold out rapidly and a second edition was issued within weeks. Octavo. Original white quarter cloth spine lettered in gilt light brown cloth sides edges untrimmed. Housed in a custom yellow cloth chemise and quarter calf with yellow cloth slipcase. Bookplate and shelf-label of John Sowden; unrelated contemporary ownership inscription to title page. Spine browned soiling to covers ends and corners bumped damp stain and browning to endpapers spots of foxing to contents. A good copy. Mason 371. hardcover
1898183630London: Leonard Smithers 1898. For he who lives more lives than one more deaths than one must die First edition one of 800 unnumbered copies printed on handmade paper; a further 30 copies on japon were published simultaneously. The first edition sold out rapidly and a second edition was issued within weeks. Octavo. Original white quarter cloth spine lettered in gilt light brown cloth sides edges untrimmed leaves unopened. Housed in a custom yellow cloth chemise and quarter calf with yellow cloth slipcase. Spine lightly toned and bumped at head covers bright text clean. A near-fine copy. Mason 371. hardcover
1898WILDEOSC009699Leonard Smithers London. 1898. Fourth edition. Octavo. 31 leaves printed on rectos only. Two-tone buckram covers. Published anonymously. It was only after the sixth edition that Wilde's name appeared on the title-page. Covers a little marked. Cloth slightly bubbled. Small rustmark at outer edge of front free endpaper. Leonard Smithers, London. hardcover
189823069London: Leonard Smithers 1898. Sixth Edition. Hardcover. Orig. cream cloth and light brown cloth spine darkened. Very good. 31 pages. 23 x 14 cm. One of a 1000 copies on handmade paper. The last edition to identify the author as "C.3.3." -- Wilde was imprisoned in cell block C landing C Cell 3. This narrative a tale of Charles Thomas Woodbridge's 1896 execution at Reading for the murder of his wife. Small owner signature free front endpaper free endpapers toned. Leonard Smithers hardcover
189966272London: Leonard Smithers 1899. 8vo. 31 pp one of the unauthorised editions printed between 1899 and 1907 based on the 7th edition Mason 378 which first identified Wilde as the author. They printed at 137 Dalling Road Hammersmith. Quite heavily foxed first few pages fading and marks to spine. . Very Good. Cloth. 1899. Leonard Smithers 1899 hardcover
189911036London 1899. Flecken auf Einbd. berieben. EA 8°. Hln. Literatur unknown
1898162864London: Leonard Smithers 1898. Written from exile in France First and limited edition one of 800 unnumbered copies printed on handmade paper; a further 30 copies on japon were also issued. Wilde published this work under the pseudonym "C.3.3." after his cell in Reading Gaol the third cell on the third landing of Gallery C. The first edition sold out rapidly and a second edition was printed within weeks. Octavo. Original white quarter cloth spine lettered in gilt yellow cloth sides fore and bottom edges untrimmed. Housed in a custom pink morocco backed slipcase and chemise. Bookplate of Douglass Cooper to front pastedown. Spine ends bumped a little soiling to cloth endpapers lightly browned and foxed else a near-fine copy in unusually nice condition. Mason 371. hardcover
189823817London: Leonard Smithers 1898. First edition. Hardcover. Orig. quarter cream and light brown cloth spine darkened. Very good. 31 pages. 23 x 14 cm. "Of this Edition eight hundred copies have been printed on hand-made paper and thirty copies on Japanese vellum." The last edition to identify the author as "C.3.3." -- Wilde was imprisoned in cell block C landing C Cell 3. This narrative a tale of Charles Thomas Woodbridge's 1896 execution at Reading for the murder of his wife. Three small fade spots front cover and slight crinkling at back cover toward head at fore-edge. Nicks to spine head and foot. Leonard Smithers hardcover
