194 résultats
36364Paris: Contrejour 1986. Hardcover. 12" x 9.5". 159pp. Text in French and English. B&W photographs throughout. White cloth boards in cream photographic DJ. Some light soiling to edges of boards and spine; DJ spine sunned with slight foxing to front cover and interior; foxing on top edge of textbock and light overall toning to pages. Good in like DJ. ISBN 2859490337 . Good. Hardcover . Contrejour [1986] hardcover books
1986161193Paris: Contrejour 1986. Later printing. Hardcover. Text in French. Includes numerous black and white images. A very good copy with bumping to the bottom corners in a close to near fine dust jacket with the same bumping. Also with a laid in folded caption list in English. Contrejour unknown books
1965UROGHET00MELNieuwe Nijgh Boeken 17 1965. Very Good. Roggeman Willy. Het Zomers Nihil. Rotterdam: Nieuwe Nijgh Boeken 17 1965. 149pp. 8vo. Paperback. Book condition: Very good with gently rubbed and bumped edges and spine gently rippled. Nieuwe Nijgh Boeken 17 paperback books
1964025694's-Gravenhage/Rotterdam: Nijgh & Van Ditmar 1964. 2e Druk. 162p. original stiff wrappers Nieuwe Nijgh boeken 6. Nijgh & Van Ditmar unknown books
19532311930New York: Grosset & Dunlap 1953. Hard Cover. Good/No Jacket. Glanzman Louis. No jacket. A bit musty a few minor stains on page base. 1953 Hard Cover. 209 pp. Numerous illustrations & illustrated endpapers by Louis Glanzman. "Tom Corbett is the main character in a series of Tom Corbett Grosset & Dunlap hardcover books
199422027Munich: Schirmer/Mosel 1994. First Edition. Hardcover. Very good/very good. 4to. Black paper-covered boards in photographic black-and-white dust jacket. Corners and spine ends slightly bumped. SIGNED by Rizzo on ffep and dated 17 5. 94. 63 plates in color and black and white. 94 pp. <br/><br/>All text in French including introduction by Jean-Pierre de Lucovitch. Includes an index of photographs identified by subjects and dates with Rizzo's comments. Includes portraits of Picasso Brigitte Bardot Marilyn Monroe John Steinbeck Maria Callas and numerous other artists and performers. Schirmer/Mosel hardcover books
04915London: George G. Harrap & Co. Ltd. 1916. An Exceptionally Fine Riviére Rubáiyát<br/>Illustrated by Willy Pogany<br/><br/>RIVIÉRE & Son binders. Rubáiyát of Omar Khayyám. Presented by Willy Pogany. The illustrations and decorations in this edition of Fitzgerald's translation of the "Rubáiyát" are by Willy Pogany. London: George G. Harrap & Co. Ltd. ca. 1916.<br/><br/>Octavo 8 1/8 x 5 1/2 inches; 207 x 140 mm. Text printed in blue and black. 112 unnumbered pp. With sixteen tipped-in color plates within decorative borders by Willy Pogany and numerous text illustrations printed in blue.<br/><br/>Bound ca. 1916 by Riviére & Son stamp-signed in gilt on front turn-in. Full vermillion crushed levant morocco. Front cover with a central oval panel of green morocco with Eve the serpent and the tree of life inlaid in various color morocco's. This central panel is surrounded by a gilt floral border of flowers and bunches of grapes which in turn is surrounded by a border lettered "Oh Thou Who Man of Baser Earth Didst Make / And Who With Eden Didst Devise The Snake / For All The Sin Wherewith The Face Of Man / is Blacken'd. Man's Forgiveness Give - And Take". Rear cover with an oval panel featuring the snake twined around a large chalice also surrounded by a gilt floral border of flowers and bunches of grapes which in turn is surrounded by a border lettered "Oh Thou Who Man of Baser Earth Didst Make / And Who With Eden Didst Devise The Snake / For All The Sin Wherewith The Face Of Man / is Blacken'd. Man's Forgiveness Give - And Take". Spine with five raised bands decoratively paneled tooled and lettered in gilt in compartments gilt board edges decorative gilt turn-ins decorative floral endpapers all edges gilt. Housed in the original felt-lined red cloth over boards slipcase. A very fine example.<br/><br/>Willy Pogany had previously illustrated the Rubaiyat in 1909 but these later illustrations are quite a different interpretation more westernized and modernized than the earlier ones.<br/><br/>"Had Omar Khayyam the old tentmaker visioned the beauty of his verses centuries later in Western dress as embroidered by a Hungarian artist he might have had a new conception of the meaning of immortality. For Pogany the Hungarian had made Omar the Persian live again." Willy Pogany and his Work. eight-page leaflet.<br/><br/>Willy Pogány born in Szeged Hungary in 1882 studied at Budapest Technical University and in Munich and Paris. His reputation as a muralist painter and illustrator was well established in Paris London and Munich before arriving in the United States in 1915 at the age of thirty-three. Skilled in an unusually wide range of media he had won gold medals at exhibitions in Budapest Leipzig and at the Panama Pacific International Exhibition.<br/><br/>"Among Pogány's many murals are those for the Heckscher Children's Theatre in New York City and the Niagara Falls Power Station. As a painter he did portraits of famous people in all walks of life. An expert on scenery design and lighting effects Pogány also designed sets for ballets and operas including "Le Coq d'Or" and for many films such as Modern Times for Charlie Chaplin as well as animated cartoons based on his children's books.<br/><br/>"Among his other artistic endeavors Pogány was an accomplished book illustrator. It was this phase of his career especially as an illustrator of children's books which gives this collection special relevance for Special Collections & University Archives at the University of Oregon Libraries. Pogány designed and illustrated more than 150 books. His illustrations include those for the Rubaiyat and the Sonnets from the Portuguese The Song Celestial The Adventures of Odysseus Gulliver's Travels and many others both classic and original.<br/><br/>"Working tirelessly right up until the end Willy Pogány died in 1955" University of Oregon Guide to the Willy A. Pogány Papers 1910-1967. London: George G. Harrap & Co., Ltd., [1916] unknown books
195026328Celle. Köln: Hermann Moeck Verlag. Charly Oehl PN M.Ch.Oe.15 1950. Folio. Stapled. Original publisher's ivory and blue illustrated wrappers by Schlipphacke. 3 table of contents 4-22 pp. <br/><br/>Publisher's imprint to verso of upper wrapper. Copyright notice "Copyright by Musikverlag Charly Oehl Köln. " to first page of every number. Without title. <br/><br/>Wrappers slightly worn and soiled. Uniformly browned. First Edition of nine numbers from the operetta. Rare. Worldcat 2 copies only at the Deutsche Nationalbibliothek and the Zentralbibliothek in Zurich.<br/><br/>Richartz was a German composer and conductor who is remembered principally for operettas such as Die tauzende Helena 1941 film music and popular songs. [Hermann Moeck Verlag... Charly Oehl] [PN M.Ch.Oe.15] unknown books
19141262623London: G. G. Harrap & Co 1914. large 8vo. unpaginated; VG; bound in brown leather blind stamped lettering on spine and front board gilt decoration on spine and front board; corners bumped; rebound; beautifully illustrated throughout with numerous illustrations and elaborate ornamentation; 8 mounted color plates; top edge of text block gilt others uncut; DC consignment; shelved case 0. 1262623. Shelved Dupont Bookstore. G. G. Harrap & Co unknown books
20039063New York: Farrar Straus and Giroux 2003. First Edition. Hardcover. Near fine/near fine. Octavo. 176 pp. Hardcover. In publisher's dust jacket. Farrar, Straus, and Giroux hardcover books
1999Embry 171834Schiffer Military History 1999. First edition first printing. Fine in fine dust jacket in mylar cover. B&W photos Schiffer Military History, 1999. First edition, first printing. unknown books
03376London: G.G. Harrap & Co. 1912. De Luxe Parsifal<br/>Exquisite Pogany<br/>One of 525 Copies<br/><br/>POGANY Willy illustrator. ROLLESTON T.W. Parsifal or the Legend of the Holy Grail. Retold from Ancient Sources with Acknowledgment to the Parsifal of Richard Wagner by T.W. Rolleston. Presented by Willy Pogany London: Harrap 1912. <br/><br/>Edition De Luxe limited to 525 copies signed and numbered by the artist this being copy no. 293. Quarto 10 7/8 x 7 1/8 in; 275 x 181 mm. Unpaginated. Sixteen mounted color plates including frontispiece many full page color and two-tone illustrations each text leaf with elaborate pictorial borders.<br/><br/>Publisher's full vellum pictorially stamped in gilt. Top edge gilt others untrimmed. Top board very slightly bowed. A fine copy. Housed in a blue cloth slipcase.<br/><br/>William Andrew "Willy" Pogany born Vilmos Andreas Pogány August 1882 - 30 July 1955 was a prolific Hungarian illustrator of children's and other books. Pogany's best known works consist of illustrations of classic myths and legends done in the Art Nouveau style. He also worked as an art director on several Hollywood films including Fashions of 1934 and Dames.<br/><br/>The publication of Pogány's Lohengrin was the final act in his trilogy of masterworks focused on Wagner's Germanic tales and one of the quintet that is considered his finest work. Pogány clearly approached the commission to illustrate Lohengrin as an opportunity to improve and extend techniques that he had developed through his preceding work particularly The Rubáiyat of Omar Khayyám The Rime of the Ancient Mariner Tannhäuser and Parsifal. the other four books that immortalized his career as an illustrator. That commitment to ongoing innovation resulted in an incredible suite of illustrations including color lithographs monotone and marginal illustrations and the delightful tipped-in color plates produced with a four-color process included in Parsifal. Themes of medieval chivalry erotic love and moral tests are illustrated in a lavish fashion by Pogány with an outstanding use of iconography form and color. London: G.G. Harrap & Co., 1912 unknown books
03377London: G.G. Harrap 1913. One of Pogany's Masterpieces<br/>Limited to 525 Copies Signed by the Artist<br/><br/>POGANY Willy illustrator. ROLLESTON T.W. WAGNER Richard. The Tale of Lohengrin Knight of the Swan after the Drama of Richard Wagner by T.W. Rolleston. Presented by Willy Pogany. London: G.G. Harrap n .d. 1913. <br/><br/>Limited to 525 copies signed by the artist this being copy no. 90. Quarto. Eight tipped-in color plates numerous full page color illustrations calligraphic text head- tailpieces; an image on every page. Printed on heavy grey stock. <br/><br/>Full vellum pictorially gilt-stamped. Top edge gilt others untrimmed. A fine copy. Housed in a blue cloth slipcase.<br/><br/>William Andrew "Willy" Pogany born Vilmos Andreas Pogány August 1882 - 30 July 1955 was a prolific Hungarian illustrator of children's and other books. Pogany's best known works consist of illustrations of classic myths and legends done in the Art Nouveau style. He also worked as an art director on several Hollywood films including Fashions of 1934 and Dames.<br/><br/>The publication of Pogány's Lohengrin was the final act in his trilogy of masterworks focused on Wagner's Germanic tales and one of the quintet that is considered his finest work. Pogány clearly approached the commission to illustrate Lohengrin as an opportunity to improve and extend techniques that he had developed through his preceding work particularly The Rubáiyat of Omar Khayyám The Rime of the Ancient Mariner Tannhäuser and Parsifal the other four books that immortalized his career as an illustrator. That commitment to ongoing innovation resulted in an incredible suite of illustrations including color lithographs monotone and marginal illustrations and the delightful tipped-in color plates produced with a four-color process included in Lohengrin. Themes of medieval chivalry erotic love and moral tests are illustrated in a lavish fashion by Pogány with an outstanding use of iconography form and color. London: G.G. Harrap, 1913 unknown books
03378London: G.G. Harrap & Co. 1911. One of Pogany's Quintet of Masterpieces<br/>Limited to 525 Copies<br/><br/>POGANY Willy illustrator. Tannhauser. A Dramatic Poem by Richard Wagner Freely Translated in Poetic Narrative Form by T.W. Rolleston. Presented by Willy Pogany. London: G.G. Harrap & Co. n.d. 1911. <br/><br/>Limited to 525 copies signed and numbered by the artist this being copy no. 241. Quarto. Sixteen mounted color plates including frontispiece many full page two-tone illustrations each page beautifully decorated. <br/><br/>Full vellum pictorially stamped in gilt. Top edge gilt others untrimmed. A fine copy with only a bit of light staining to spine. Housed in a blue cloth slipcase.<br/><br/>William Andrew "Willy" Pogany born Vilmos Andreas Pogány August 1882 - 30 July 1955 was a prolific Hungarian illustrator of children's and other books. Pogany's best known works consist of illustrations of classic myths and legends done in the Art Nouveau style. He also worked as an art director on several Hollywood films including Fashions of 1934 and Dames.<br/><br/>The publication of Pogány's Tannhauser was the first act in his trilogy of masterworks focused on Wagner's Germanic tales and one of the quintet that is considered his finest work. Pogány clearly approached the commission to improve and extend techniques that he had developed through his preceding work particularly The Rubáiyat of Omar Khayyám and The Rime of the Ancient Mariner. Along with Tannhäuser Parsifal and Lohengrin these five books immortalized his career as an llustrator. That commitment to ongoing innovation resulted in an incredible suite of illustrations including color lithographs monotone and marginal illustrations and the delightful tipped-in color plates produced in four-color process included in Tannhauser. Themes of medieval chivalry erotic love and moral tests are illustrated in a lavish fashion by Pogány with an outstanding use of iconography form and colour. London: G.G. Harrap & Co., 1911 unknown books
03820Philadelphia: David McKay Co. 1942. A Finely Bound Rubaiyat<br/>Illustrated by Willy Pogany<br/><br/>POGANY Willy illustrator. Rubáiyát of Omar Khayyám in English Verse by Edward Fitzgerald. Illustrations by Willy Pogany. Philadelphia: David McKay Co. 1942. <br/><br/>Small folio 9 7/8 x 7 1/16 inches; 250 x 180 mm. vii 1-101 1 printers mark pp. Sixteen full-page and four smaller black & white drawings all with decorative borders.<br/><br/>Bound ca 1942 by Maurin stamp-signed in gilt on front turn-in. Full orange-brown morocco covers ruled in gilt with a central 'arabesque' design surrounded by four richly gilt decorated corner pieces. Spine with four raised bands decoratively tooled and lettered in gilt gilt-ruled board edges elaborate gilt turn-ins marbled end-papers top edge gilt.<br/>Very slight crack but perfectly sound at top of front joint otherwise near fine.<br/><br/>First published in 1859 Edward FitzGerald's version of Omar Khayyam's quatrains was widely read only after it was taken up by the Pre-Raphaelites in 1861. The height of the poem's popularity corresponded with the heyday of the illustrated book and such well-known illustrators as Willy Pogany Edmund Dulac René Bull and Frank Brangwyn received commissions to illustrate the poem. The drive to illustrate the Rubáiyat was given extra impetus first by the development from the 1860s onwards of wood-engraved colour illustrations and later around the end of the century by the coming of color halftone printing. The lushly exotic and sentimental colored illustrations enabled by Victorian print technology matched the melancholy hedonism of FitzGerald's version of the Rubaiyat. Apart from the vast number of illustrated Rubáiyats the proliferation of Omar Khayyam clubs was another manifestation of the cult. Their meetings furnished excuses for rumbustious drinking and the composition of appalling doggerel. The membership of London's Omar Khayyam Club included an impressive number of convivial bookmen including Andrew Lang Arthur Pinero Arthur Conan Doyle and Edmund Gosse. Justin McCarthy the politician and prolific hack novelist presided. The literary dinners and the pastiches of Khayyam's quatrains tended to stress the heedless bibulousness of the original work. But there is another aspect to the appeal of Khayyam to the Victorian and Edwardian reading public. The first version of the Rubáiyat had been published in 1859 the same year that Darwin's Origin of the Species had appeared. A few years later Matthew Arnold would publish "Dover Beach" in which the melancholy long retreat of the "Sea of Faith" left humanity on a "darkling plain". Already in 1850 in "In Memoriam" Tennyson had raised questions about Christian doctrine and the immortality of the soul only to dismiss them with suspicious glibness. The doubts and fears of the twelfth-century Persian philosopher were shared by many of his English and American readers. In the Rubáiyat as the day wears on its mostly agnostic protagonist becomes increasingly preoccupied by thoughts of mortality and judgment in a possible afterlife and this too perfectly matched the Victorian preoccupation with death. Deathbed scenes were a popular staple of fiction and the cowled figure stalked through quite a few novels. Philadelphia: David McKay Co., 1942 unknown books
1929002018New York 1929. Willy Pogány Hungarian/American 1882-1955. ORIGINAL PEN-AND-INK PORTRAIT OF THE MAD HATTER From his illustrated 1929 Alice's Adventures In Wonderland published by E. P. Dutton. This marvelous drawing is that illustrating "Who Stole the Tarts" from Chapter 11 page 172 wherein The Queen of Hearts is accusing the Mad Hatter of the crime. Pogany's version has the Mad Hatter trembling with fear as he clutches his tea cup and toast. The image is 4.75" x 3.5" situated in one corner of a large sheet of 11" by 14" heavy art paper. Pogány has initialed the drawing at the lower right. His lightly penciled outline and notations can also be seen. The detail of the drawing which is sharply inked and in Very Good condition indeed is spectacular in comparison to the actual printed illustration see our photo of the actual size of the book image to compare. We originally saw this illustration in The Book Sail's 16th Anniversary Catalogue way back in 1984. It's our pleasure to finally be able to both handle it and find it a good home. Signed. Unbound. Very Good. Illus. by Willy Pogany. Paperback books
1929003040New York 1929. Willy Pogány Hungarian/American 1882-1955. ORIGINAL PEN-AND-INK PORTRAITS OF THE MAD HATTER and THE MARCH HARE From his illustrated 1929 Lewis Carroll Alice's Adventures In Wonderland published by E. P. Dutton. These marvelous drawings illustrate "The Mad Tea Party" chapter and grace pages 102 and 103. The images are both 4.75" x 3.5" situated in two corners of a large sheet of 11" by 14" heavy art paper. Pogány has printed his name in full on the March Hare drawing at the top right and initialed the Mad Hatter drawing at the lower left. His lightly penciled outline and notations can also be seen. The details of the drawings is spectacular in comparison to the actual printed book. Unique. Signed. Original Art Artwork. Unbound. Very Good. Illus. by Willy Pogany. Paperback books
19103693New York: Thomas Y. Crowell & Co 1910. First American edition. Publisher's tan buckram over pictorial paper boards spine decoratively tooled and lettered in gilt top edge gilt others uncut pictorial endpapers. 128 unnumbered pp. Twenty-four tipped-in color plates including frontispiece all mounted onto heavy stock card. A few of the tipped-in color plates have a light crease on the lower corner and a couple of the heavy card mounts have been neatly repaired with archival tape. Otherwise this is a very Fine copy in the original brown paper dust jacket decoratively printed in dark brown. Housed in a cloth slipcase. The card mounts in this edition are notoriously fragile.<br/><br/>"Had Omar Khayyam the old tentmaker visioned the beauty of his verses centuries later in Western dress as<br/>embroidered by a Hungarian artist he might have had a new conception of the meaning of immortality. For Pogany<br/>the Hungarian had made Omar the Persian live again" Crowell. Willy Pogany had previously illustrated the Rubaiyat in 1909 but these later illustrations are quite a different interpretation more westernized and modernized than the earlier ones. Thomas Y. Crowell & Co unknown books
193218586Philadelphia: David McKay 1932. First edition thus. Hardcover. Orig. black cloth silver front cover panel with cloth inset illustrated by Pogany. Fine. 192 pages. 25 x 20 cm. Illustrated in black and white by Will Pogany. Signed presentation copy "To Herbert Morrison from his old friend Hollywood 1937." Morrison Life Peer Baron Morrison of Lambeth was a member of the Labour Party serving as Foreign Secretary 1951 and as a Deputy Prime Minister. During World War II he served as Home Secretary. Morrison also created the London greenbelt system and was responsible for the unified London transport system. Crisp fresh and very bright copy. No dust jacket but believe not issued by publisher. David McKay hardcover books
200057025NY:: SeaStar Books Books of Wonder. Fine in Fine dust jacket. 2000. Hardcover. 1587170264 . First printing thus. Fine in a fine dust jacket. . SeaStar Books (Books of Wonder), hardcover books
D2547New York: Dodd Mead n.d. Hardcover. Very Good. Blue cloth lettering stamped in gilt on upper board and spine. Illustrated throughout with 4-color lithographs and full-color tipped-on plates. Spine tips and corners gently bumped; some very light soiling along edges of boards. Plates are bright and lovely and colors remain true. <br/><br/> Dodd Mead hardcover books
04400London & Paris: Liberty & Co. 1913. An Original Willy Pogany Tannhäuser Calendar for 1914<br/><br/>POGANY Willy illustrator. Tannhäuser Calendar for 1914. London & Paris: Liberty & Co. 1913. <br/><br/>Octavo 8 5/8 x 6 1/16 inches; 219 x 154 mm. 24 pages including wrappers printed on heavy gray stock. Eight mounted color plates. The second color plate with two creases at lower left corner.<br/><br/>Printed in colors on gray paper stock sewn as issued. Front wrapper with neat early ink inscription on top margin. Remnant of silk ties otherwise a near fine copy of this scarce piece of Willy Pogany ephemera. <br/><br/>Willy Pogány born in Szeged Hungary in 1882 studied at Budapest Technical University and in Munich and Paris. His reputation as a muralist painter and illustrator was well established in Paris London and Munich before arriving in the United States in 1915 at the age of thirty-three. Skilled in an unusually wide range of media he had won gold medals at exhibitions in Budapest Leipzig and at the Panama Pacific International Exhibition.<br/><br/>"Among Pogány's many murals are those for the Heckscher Children's Theatre in New York City and the Niagara Falls Power Station. As a painter he did portraits of famous people in all walks of life. An expert on scenery design and lighting effects Pogány also designed sets for ballets and operas including "Le Coq d'Or" and for many films such as Modern Times for Charlie Chaplin as well as animated cartoons based on his children's books.<br/><br/>"Among his other artistic endeavors Pogány was an accomplished book illustrator. It was this phase of his career especially as an illustrator of children's books which gives this collection special relevance for Special Collections & University Archives at the University of Oregon Libraries. Pogány designed and illustrated more than 150 books. His illustrations include those for the Rubaiyat and the Sonnets from the Portuguese The Song Celestial The Adventures of Odysseus Gulliver's Travels and many others both classic and original.<br/><br/>"Working tirelessly right up until the end Willy Pogány died in 1955" University of Oregon Guide to the Willy A. Pogány Papers 1910-1967. London & Paris: Liberty & Co., [1913] unknown books
191546605NY: McBride Nast and Company 1915. Hardcover. Very good. Some offsetting and foxing to prelims else a very good example that shows some light rubbing to the boards small spot to the rear and minor wear to the extremities. <br/><br/> McBride Nast and Company hardcover books
100395Watercolor gouache and pencil on paper mounted on board; signed "W.P." lower left and titled by artist. 13.5 x 10.5 in. Pogány Willy. Watercolor gouache and pencil on paper mounted on board; signed "W.P." lower left and titled by artist. 13.5 x 10.5 in. A fine illustration for Book II of Spencer's The Faerie Queene showing Phaedria in her boat tempting Sir Guyon representing Temperance who stands ashore with the Palmer. unknown books
13888Pencil with india ink background on paper hinged to backing board. 1 vols. 7-1/4 x 5-1/2 in. Glue residue at bottom of image else fine. Pencil with india ink background on paper hinged to backing board. 1 vols. 7-1/4 x 5-1/2 in. A fully realized but unfinished drawing of a robed young man in a state of grace passing through a group of anguished writhing bodies.<br/>William Andrew Willy Pogany 1882-1955 was born in Hungary where he studied engineering. His success as a caricaturist led him to pursue a career in art first in London then in the United States. His influences were the Oriental artists and illuminated books and most of his career was devoted to book illustration. Among his many successes were The Rubaiyat Hungarian Fairy Book and Gulliver's Travels. He also painted murals created state settings did illustrations for most of the major magazines and exhibited widely over the course of a long career. Reed The Illustrator in America 1880-1980 p. 105 unknown books
