194 résultats
1990UBORWAL00EFArch Cape 1990. Very Good. Bornstein Jerry. The Wall Came Tumbling Down: The Berlin Wall and the Fall of Communism. Brandt Chancellor Willy. New York: Arch Cape 1990. 95pp. Illustrated. 4to. Hardcover. Book condition: Very good with lightly bumped edges. Dust Jacket Condition: Very good with bumped and lightly rubbed edges and slightly faded spine. Small sticker residue on front panel. Arch Cape hardcover books
19141262623London: G. G. Harrap & Co 1914. large 8vo. unpaginated; VG; bound in brown leather blind stamped lettering on spine and front board gilt decoration on spine and front board; corners bumped; rebound; beautifully illustrated throughout with numerous illustrations and elaborate ornamentation; 8 mounted color plates; top edge of text block gilt others uncut; DC consignment; shelved case 0. 1262623. Shelved Dupont Bookstore. G. G. Harrap & Co unknown books
D2528London: G. G. Harrap n.d. Hardcover. Very Good. GIlt-ruled half morocco and decorative green cloth gilt-stamped lettering and detail on spine 5 raised bands t. e. g.; illustrated throughout with four-color lithographs and full-color tipped-on plates. A lavish production. Spine a bit sunned; some light scuffing along joints and edges of boards; a little faint browning on prelims and terminals otherwise internally bright and clean. A lovely copy. <br/><br/> G. G. Harrap hardcover books
19106398London: George G. Harrap & Co. 1910. Good/Edition limited to 525 copies SIGNED by Willy Pogány. 33cm; 144 pages. Polychrome half title and title page. Twenty full color illustrations by Pogàny printed by Dalziel and mounted. Numerous full-page monochrome illustrations and illustrations in text. Letterpress and Initials in two colors surrounded by elaborate borders designed and printed by Vincent Brooks Day & Son. Decorated endleaves following blanks. In gilt-stamped brown leather. Covers worn at spine and at extremities somewhat stained and mottled yet sound and entire. Pages quite clean and unmarred. George G. Harrap & Co. hardcover books
183961New York: George H. Doran Co not identified. Hardcover. Fair heavy shelfwear to boards foxing spots mainly to end papers soiling to bottom block extending slightly to bottom of some pages previous owner's name inside front ffep text and illustrations are otherwise clear. Brown paper boards with green cloth spine gilt lettering on spine; top edge gilt color illustrated title and half title page ornamental borders; unpaginated; profusely illustrated throughout in bw and color with many mounted color plates. Presented by Willy Pogany. A classic Coleridge poem. George H. Doran Co hardcover books
19101342784New York: Thomas Y. Crowell & Co 1910. First Trade Edition. Hardcover. Quarto unpaginated; G; bound in publisher's green/gray cloth gilt titling and stamping to spine and front cover; some wear and rubbing some discoloration to top edge; interior clean; first gathering loose but intact; rear gutter threatening; illustrated endpapers; illustrated with twenty tipped in color plates complete as issued; shelved case 14. Preceded by 525 copies signed by Willy Pogany.;. 1342784. Shelved Dupont Bookstore. Thomas Y. Crowell & Co hardcover books
1910140938515London: George Harrap 1910. First THUS. Very Good. Limited edition of 525 copies hand-numbered 91 in blue signed by illustrator Willy Pogany. Quarto. Original full tan calf decorated in gilt illustrated with 20 beautiful tipped-in color plates top edge gilt. Unpaginated. Very Good with scratch in front cover wear along edges of leather internally near fine bookplate ghost on paste down. All plates present. A wonderful visual exploration of Coleridge's classic poem with intricate ink illustrations and every plate a hazy dream-like wash of color. George Harrap unknown books
WELLER9780063035089New. New book. unknown books
2006WELLER9780061171116Harper Perennial 2006. New. New book. Harper Perennial unknown books
1947149524Basle: Amerbach Publishing Comp 1947. Softcover. G Ex-library with label and bookplate and marks; cover slightly soiled; page edges are tanning; plates and texts are clean. Pink illus. wraps French flaps 11 pp. of text plus 24 pp. of colored plates. An introduction presents the 24 colored plates of Minnesingers from this medieval manuscript. Amerbach Publishing Comp unknown books
19411311700New York: Modern Age Books 1941. First Edition presumed. Hardcover. Hardcover Crown Octavo; VG-/VG; DJ shows notable shelf ware open tears on corners edges and head of spine age toned with rubbing on all sides price clipped on front inside slip; Text block age toned but clean text and illustration legible and clear; pp 305. 1311700. FP New Rockville Stock. Modern Age Books hardcover books
1941140939786New York: Modern Age Books 1941. First Edition. Very Good/Very Good. First edition. xii 305 pp. Publisher's blue cloth stamped in red. A Very Good copy with toned pages light wear in an attractive example of the uncommon dust jacket Very Good unclipped chipped at extremities a few tape mends on verso small area of white paint spray on spine panel. The copy of biologist W. Franklin Dove 1897-1972 inscribed to him by his wife and dated 25 Dec. 1942 on front free endpaper; a few marginal penciled notes probably by Dove throughout. Dove was involved in "unicorn research" a number of strange experiments attempting to surgically recreate the horn of the fictional creature the unicorn. Madeline McCurry Schmidt wrote of Dove in a 2011 blogpost for the distinguished Scientific American magazine: Dr. W. Franklin Dove spent years of his career creating unicorns. Unicorn goats unicorn cows. Even tri-horned animals roamed Dove's barns. Dove created these strangely-horned animals by removing immature "horn buds" from the heads of young animals and implanting the horn buds to a different location on the skull. He wanted to prove that horns did not grow straight out of the skull; instead horn tissue developed separately and fused to the skull as it grew. Understand that Dove was no crackpot scientist. Dove was a biologist at the University of Maine who studied animal production in the early 20th century. He had all the right collaborators and the right publications. Dove was a serious scientist. It's not the "seriousness" of Dove's endeavors that animal rights advocates might take issue with but moving on Nigel Suckling wrote of Dove's notorious"unibull" creation: in 1933 Dove took a day-old Ayrshire calf surgically removed its horn buds trimmed them to fit together and replanted them in the centre of its forehead. As the young bull grew the buds fused and produced a single solid straight and pointed horn a foot or so in length which proved equally useful for fighting and uprooting fences far superior in fact to the usual brace of curved ones when it comes to confronting a rival. Dr Dove's Unicorn bull became the leader of its herd and was very rarely challenged by other males. This result inspired at least recent one neuroscientist to examine the relationship of anatomy to behavior. A notable work of zoology that extends into realms of cryptozoology with a very unusual association that brings in the related subfield of experimental zoology. Modern Age Books unknown books
193218586Philadelphia: David McKay 1932. First edition thus. Hardcover. Orig. black cloth silver front cover panel with cloth inset illustrated by Pogany. Fine. 192 pages. 25 x 20 cm. Illustrated in black and white by Will Pogany. Signed presentation copy "To Herbert Morrison from his old friend Hollywood 1937." Morrison Life Peer Baron Morrison of Lambeth was a member of the Labour Party serving as Foreign Secretary 1951 and as a Deputy Prime Minister. During World War II he served as Home Secretary. Morrison also created the London greenbelt system and was responsible for the unified London transport system. Crisp fresh and very bright copy. No dust jacket but believe not issued by publisher. David McKay hardcover books
1991Embry 170606Pantheon 1991. First edition first printing. Fine in fine dust jacket in mylar cover. Pantheon, 1991. First edition, first printing. unknown books
193431873New York: Farrar & Rinehart 1934. First edition. Orange cloth a near-fine copy jacket with light edge wear small chip at the top of the spine affecting "THE" <br/><br/> Farrar & Rinehart hardcover books
1934126391New York: Farrar & Rinehart 1934. First edition. Hardcover. Translated from the French by Frederick A. Blossom. Illustrations by J. O'H. Cosgrave II. A very good plus copy in orange cloth binding with some very slight soiling and a tiny bit of fraying to the spine ends. No dust jacket. Farrar & Rinehart unknown books
191327714London: Chappell PN 25470 1913. Quarto. Original publisher's illustrated wrappers. i title ii printer's statement iii dramatis personae iv contents 162 ii publisher's advertisements pp.<br/><br/>Wrappers slightly worn; upper detached and with minor tear; spine torn at head and tail; former owner's signature in pencil to upper. Upper inner corners creased; light foxing and composer's facsimile signature handstamp to title; small tear to one leaf not affecting music. Probable First Edition. Chappell [PN 25470] unknown books
1954162048Boston: Little 1954. Octavo cloth. First edition. "Space travel to an unknown planet where an ever-changing utopia has developed." - Lewis Utopian Literature p. 103. Political satire in which Hieronymus Meeker and other crew members of an expedition to Mars end up on an unknown planet which they call Thalia where they travel to and escape from three dystopian lands losing a crew member here and there before reaching the utopian Oplikland. The land of the Vimliks who believe in the equality of all races and the superiority of the Vimliks is America as a machine dystopia in which citizens are sanitized and brainwashed to "believe in Vimlikland and in the way of life for which it stands ." Negley Utopian Literature: A Bibliography 620. Sargent British and American Utopian Literature 1516-1985 p. 251. Reginald 07918. A fine copy in very good dust jacket with touch of wear at edges and 11 mm closed tear at top edge of front panel. #162048 Little unknown books
1954145183Boston: Little 1954. Octavo cloth. First edition. "Space travel to an unknown planet where an ever-changing utopia has developed." - Lewis Utopian Literature p. 103. Political satire in which Hieronymus Meeker and other crew members of an expedition to Mars end up on an unknown planet which they call Thalia where they travel to and escape from three dystopian lands losing a crew member here and there before reaching the utopian Oplikland. The land of the Vimliks who believe in the equality of all races and the superiority of the Vimliks is America as a machine dystopia in which citizens are sanitized and brainwashed to "believe in Vimlikland and in the way of life for which it stands ." Negley Utopian Literature: A Bibliography 620. Sargent British and American Utopian Literature 1516-1985 p. 251. Reginald 07918. A fine copy in fine dust jacket. #145183 Little unknown books
196990408NY:: Weybright and Talley. Very Good in Very Good dust jacket. 1969. Hardcover. B0006BZAJY . Illustrated with maps and drawings. First edition. Previous owner's book-plate on front paste-down else very good in a very good dust jacket. . Weybright and Talley, hardcover books
1969ULEYDRI00AFWeybright and Talley 1969. Very Good. Ley Willy. The Drifting Continents. NY: Weybright and Talley 1969. 90pp. Indexed. 8vo. Cloth. Book condition: Very good with former owner's name and soiling on top edge of text block. Dust Jacket Condition: Very good with chipped edges and a few short closed tears along folds. Weybright and Talley hardcover books
191546606NY: McBride Nast and Company 1915. Hardcover. Very good. Some offsetting and foxing to prelims esle a very good example that shows some light rubbing to the boards and minor wear to the extremities. <br/><br/> McBride Nast and Company hardcover books
195362623Madrid: Imp. Viuda de Galo Saez 1953. Paperback. Good. 231p. 22cm. Wrapper browned and missing lower half of backstrip. Contents sound. Unopened. INSCRIBED in an unknown hand "Homenaje del autor". Spanish text. Errata slip laid in. <br/><br/> Imp. Viuda de Galo Saez paperback books
04400London & Paris: Liberty & Co. 1913. An Original Willy Pogany Tannhäuser Calendar for 1914<br/><br/>POGANY Willy illustrator. Tannhäuser Calendar for 1914. London & Paris: Liberty & Co. 1913. <br/><br/>Octavo 8 5/8 x 6 1/16 inches; 219 x 154 mm. 24 pages including wrappers printed on heavy gray stock. Eight mounted color plates. The second color plate with two creases at lower left corner.<br/><br/>Printed in colors on gray paper stock sewn as issued. Front wrapper with neat early ink inscription on top margin. Remnant of silk ties otherwise a near fine copy of this scarce piece of Willy Pogany ephemera. <br/><br/>Willy Pogány born in Szeged Hungary in 1882 studied at Budapest Technical University and in Munich and Paris. His reputation as a muralist painter and illustrator was well established in Paris London and Munich before arriving in the United States in 1915 at the age of thirty-three. Skilled in an unusually wide range of media he had won gold medals at exhibitions in Budapest Leipzig and at the Panama Pacific International Exhibition.<br/><br/>"Among Pogány's many murals are those for the Heckscher Children's Theatre in New York City and the Niagara Falls Power Station. As a painter he did portraits of famous people in all walks of life. An expert on scenery design and lighting effects Pogány also designed sets for ballets and operas including "Le Coq d'Or" and for many films such as Modern Times for Charlie Chaplin as well as animated cartoons based on his children's books.<br/><br/>"Among his other artistic endeavors Pogány was an accomplished book illustrator. It was this phase of his career especially as an illustrator of children's books which gives this collection special relevance for Special Collections & University Archives at the University of Oregon Libraries. Pogány designed and illustrated more than 150 books. His illustrations include those for the Rubaiyat and the Sonnets from the Portuguese The Song Celestial The Adventures of Odysseus Gulliver's Travels and many others both classic and original.<br/><br/>"Working tirelessly right up until the end Willy Pogány died in 1955" University of Oregon Guide to the Willy A. Pogány Papers 1910-1967. London & Paris: Liberty & Co., [1913] unknown books
03378London: G.G. Harrap & Co. 1911. One of Pogany's Quintet of Masterpieces<br/>Limited to 525 Copies<br/><br/>POGANY Willy illustrator. Tannhauser. A Dramatic Poem by Richard Wagner Freely Translated in Poetic Narrative Form by T.W. Rolleston. Presented by Willy Pogany. London: G.G. Harrap & Co. n.d. 1911. <br/><br/>Limited to 525 copies signed and numbered by the artist this being copy no. 241. Quarto. Sixteen mounted color plates including frontispiece many full page two-tone illustrations each page beautifully decorated. <br/><br/>Full vellum pictorially stamped in gilt. Top edge gilt others untrimmed. A fine copy with only a bit of light staining to spine. Housed in a blue cloth slipcase.<br/><br/>William Andrew "Willy" Pogany born Vilmos Andreas Pogány August 1882 - 30 July 1955 was a prolific Hungarian illustrator of children's and other books. Pogany's best known works consist of illustrations of classic myths and legends done in the Art Nouveau style. He also worked as an art director on several Hollywood films including Fashions of 1934 and Dames.<br/><br/>The publication of Pogány's Tannhauser was the first act in his trilogy of masterworks focused on Wagner's Germanic tales and one of the quintet that is considered his finest work. Pogány clearly approached the commission to improve and extend techniques that he had developed through his preceding work particularly The Rubáiyat of Omar Khayyám and The Rime of the Ancient Mariner. Along with Tannhäuser Parsifal and Lohengrin these five books immortalized his career as an llustrator. That commitment to ongoing innovation resulted in an incredible suite of illustrations including color lithographs monotone and marginal illustrations and the delightful tipped-in color plates produced in four-color process included in Tannhauser. Themes of medieval chivalry erotic love and moral tests are illustrated in a lavish fashion by Pogány with an outstanding use of iconography form and colour. London: G.G. Harrap & Co., 1911 unknown books