180 résultats
1761D1402n.p.: n.p. 1761. Hardcover. Very Good. Full calf gilt-stamped lettering in black spine label. Additional shipping charges may apply. <br/><br/> n.p. hardcover books
1760140101London: Printed for G. Kearsly 1760. Small quarto pp. 1-4 1 2-76 drab boards. First edition in English. Semiramis ninth-century queen of Assyria present-day Iraq was until the early twentieth century a figure of legend that had been well-established as of the classical period: begotten of the fish-goddess Atargatis and fed by doves until her rescue by a royal shepherd; bride of general Onnes and successor to his power and eventually to the throne of Assyria; founder of Babylon and every other monument in the region; long-lived brave wise and sexually potent she was turned into a dove at her death and worshipped subsequently as a surrogate of the Assyrian fertility goddess Astarte. Modern archaeological research by Lehman-Haupt and others has largely replaced legend with history but the legend was still alive and well in Voltaire's time. She was a female personification of all that was gaudy and glorious in pre-Christian antiquity and she furnished good material for this tragedy Voltaire's preference in drama composed in 1748 a year after his conte philosophique ZADIG. Voltaire's play has probably had more continuing vitality as the foundation of the libretto of the Rossini opera "Semiramide" 1823 widely considered as one of the best and last operas in the Baroque style. ESTC T62226. The front paste-down bears the bookplate of Alaskan bibliographer James Wickersham who attached to the rear paste-down the mailing label with canceled stamp of the British bookseller McLeish & Sons from whom presumably he obtained this book. Lacks the advertising leaf at rear a very good copy. #140101 Printed for G. Kearsly unknown books
179088112Lisboa: Na Officina de Simao Thaddeo Ferreira 1790. First Portuguese edition of Voltaire's three tragedies translated into Portuguese. Octavo bound in full period calf gilt titles and tooling to the spine red spine label marbled endpapers. In near fine condition. A nice example. One of the most influential thinkers of the French Enlightenment Francois-Marie Arouet know by the nom de plum Voltaire was a resourceful and prolific writer. His works touched nearly every literary form including plays poems novels theoretical essays and scientific treatises. A forthright and candid advocate of civil liberties he frequently criticized the institutions of religious dogma and classism prevalent in 18th century France often doing so through satire to avoid censorship and imprisonment. Na Officina de Simao Thaddeo Ferreira unknown books
192721012501New York: The Bennett Libraries Inc 1927. Limited Edition. Leather bound. Near Fine. Tice Clara. No. 89 of 250 special copies octavo size 189 pp. Clara Tice 1888-1973 avante-garde illustrator and artist spent most of her life in New York City; due to her provocative art she was seen as representative of bohemian Greenwich Village. Her fame actually increased when the Society for the Suppression of Vice remember this was 1915 tried to confiscate her art; this naturally drew more attention to her art which was thereafter published in works such as Vanity Fair. Looking at the etchings in this book might cause comment even today; they lavishly celebrate the feminine figure and are rampant with sexual innuendo. <br/><br/>This one of the 250 special edition copies bound in full morocco by Whitman Bennett N.Y. and printed on special deckle-edge Pannekoek paper. The text according to the title page an exact copy of the "Earliest English Text Printed in Holland by Joh. Enschede en Zonen". <br/><br/>___DESCRIPTION: Red leather binding by Whitman Bennett N.Y. with their stamp on the verso of the front free endpaper with two female seated nudes depicted in gilt on the front corners four raised bands on the spine gilt rules decorations and lettering on the spine with "Special Issue" at the tail top edge gilt other edges uncut gilt rules on the turn-ins decorative endpapers limitation statement on the verso of the half-title page two separate title pages for each Part in red and black Part II title page being on page 121 of the book with ten full-colour etchings by Tice each etching with its tissue guard Table of Contents at the end; octavo size 9 1/8" by 6 1/4" pagination: 1-182 Table of Contents 183-189; limited edition this no. 89 of 250 special copies total edition 1000. <br/><br/>___CONDITION: Near fine; the leather binding smooth and supple a strong square text block with solid hinges the text pages clean and bright all of the etchings with their tissue guards present and the book is entirely free of prior owner markings; we are grading near fine due to a few very light marks to the leather on the back board a few pages roughly opened one leaf with a short closed fore-edge tear pp. 173-174 and the black ink on the etchings has powdered slightly; still a near fine example of Tice's outstanding nudes. <br/><br/>___POSTAGE: International customers please note that additional postage may apply as the standard does not always cover costs; please contact us for details. <br/><br/>___Swan's Fine Books is pleased to be a member of the ABAA ILAB and IOBA and we stand behind every book we sell. Please contact us with any questions you may have we are here to help. The Bennett Libraries Inc unknown books
17761316353Londres 1776. Hardcover. Octavo 280 pages; VG; bound in quarter red calf gilt lettering and tooling to paneled spine marbled boards marbled endpapers; half-title present verso of sfep has two early math equations; wide margins; scarce; shelved case 10. The imprint is false; probably printed in the Netherlands. Contrary to the title this edition does not contain "L'evangile de la raison" but does include "Dialogue du douteur & de l'adorateur". Signature marks include "Tome I" but no Vol. 2 is recorded; <br /> <br><br /> <br><br /> Preceeded by a second false imprint printed in Amsterdam by M. M. Rey in 1768;<br /> <br><br /> <br><br /> ESTC Citation No. N12875. 1316353. Shelved Dupont Bookstore. hardcover books
1777291158La Haye but Geneve.: Aux Depens des Libraires. 1777. 1st Edition. Publisher’s plain marbled wraps. . Very good untrimmed in the original wraps old ink name to title page. 8vo. 21.5x14 cm. . French text. weight: 0.6 lb. Aux Depens des Libraires. paperback books
1770264621Paris: Chez la Veuve Duchesne Saillant Desaint Panckoucke et Nyon de l'imprimerie de Barbou 1770. Nouvelle édition" first edition with Eisen's illustrations. Engraved frontispiece and title with medallion portrait of Voltaire 10 plates and 10 head-pieces engraved by Longueil after Charles Eisen all bound in vol. I. xl 272; 316 4 pp. 2 vols. 8vo. Contemporary full red morocco covers tooled in gilt with triple fillet border and floral tool stamped in corners flat spine divided into 6 compartments 2 with black morocco lettering-pieces the rest with gilt with floral and small tools star-patterned Dutch gilt endpapers a.e.g. Covers slightly rubbed contents fine. Eisen Charles. "Nouvelle édition" first edition with Eisen's illustrations. Engraved frontispiece and title with medallion portrait of Voltaire 10 plates and 10 head-pieces engraved by Longueil after Charles Eisen all bound in vol. I. xl 272; 316 4 pp. 2 vols. 8vo. First Eisen Edition. The first edition illustrated by Charles Eisen of Voltaire's epic poem on the life of Henry IV. Voltaire was so pleased with the illustrations that he wrote a complimentary letter to the artist printed here in volume I. Cohen-De Ricci 1026; Bengesco 384; Ray French 30 Chez la Veuve Duchesne, Saillant, Desaint, Panckoucke et Nyon [de l'imprimerie de Barbou] unknown books
17782690eParis: chez Desnos 1778. 12mo 124 x 68 mm. 4 82 1 pp. Two parts continuously paginated. Engraved frontispiece engraved title letterpress title removed six engraved plates before lettering all with tissue guards; one woodcut vignette of a rose. Small repair to outer blank corner of frontispiece else a fine untrimmed copy. 19th-century green straight-grained morocco gilt sides with triple filt fillets framing a wavy double border with roses spine gilt with roses in compartments turn-ins gilt gilt edges by Dupré stamp-signed on front turn-in; later two-part blue morocco slipcase by Riviere slightly scuffed. Provenance: Sir David Lionel Salomons Broomhill Tunbridge Wells armorial bookplate; Carlo de Poortere bookplate.<br/><br/>Only Edition a special copy with the engravings avant la lettre of a literary almanac in two parts unusually dividing the contributors by sex with part 1 pp. 7-34 containing only poems by women and part 2 only by men. A table at the end of each part lists the authors. In the ladies' section are verses by the mother and daughter Mme and Mademoiselle Deshoulières ou Des Houlières Mlle de Scudery Mme de La Suze Mme de Liancourt and other seventeenth-century i.e. "classical" writers. The male contributors include a few more modern authors notably Voltaire whose 13 occasional verses most dedicated to individual women represent a lighter side of his oeuvre.<br/><br/>The unsigned engravings of scenes set in elegant interiors or pastoral settings show a wedding banquet; a couple engaged in a playful chase with Cupid seizing the woman's dress; Reason Athena with a lion being seduced by folly a female fool complete with rattle bells and crazy hat; a female Narcissus admiring herself in a pond; a courting scene with musical instruments; and a lady daydreaming alone in her bedchamber. Grand-Carteret tells us that these plates along with a seventh plate were also used in a different Desnos almanac Les Caprices de l'Amour et de Baccus printed there with expressive captions. The frontispiece shows the bust of a smiling Voltaire being crowned with stars by one of two attendant muses. Grand-Carteret inattentively suggested that the bust might portray Alexis Piron another contributor not noticing the lightly etched titles of two books held by the recumbent muse namely Charles XII and La Henriade both of course by Voltaire and referring to the poem on p. 41 "A Madame la Marquise de Boufflers en lui envoyant la Henriade & Charles XII."<br/><br/>The rose decor of the binding echoes the woodcut vignette of a rose printed at the end of the publisher's anonymous dedication to all ladies Mesdames. The copy was deliberately bound without the letterpress title; it also does not contain the always optional Tables of losses and wins at the gaming table announced in the subtitle. Copies apparently differed and the almanac may have been reissued periodically. Some copies include a section of music according to Grand-Carteret who dates the almanac to 1789 whereas Cohen-de Ricci dated it to 1781. Both their copies seem to have also lacked a letterpress title: OCLC locates only the BnF copy with the letterpress title dated 1778 it is digitized on Gallica but without the plates.<br/><br/>Bengesco Voltaire Bibliographie de ses Oeuvres IV: 2238; Cohen-de Ricci 37-38 7 or 8 plates; Grand-Carteret 611 7 plates. chez Desnos unknown books
177124235London: T. Carnan 1771. First edition in English of his famous philosophical tale L'Ingénu first published in 1767; 12mo pp. 4 210; contemporary calf-backed marbled boards neatly rebacked black morocco label on spine; two short tears entering the top margin of the title 1 internal page stained else generally very good and sound. An edition was published in Philadelphia in 1778. L'Ingénu is a young man born in Canada of French parents but brought up for twenty years among the Hurons. "He then comes to France and is recognized as the lost nephew of an old French prior and his sister . L'Ingénu's simplicity frankness and good sense produce some comical situations . The story . is both a protest against abuses of power . and an exposure of some of the absurdities of our conventions" Ox. Comp. to French Literature. <br/><br/> T. Carnan hardcover books
192322200Paris: Rene Kieffer 1923. leather_bound. Orig. full two-toned brown leather covers decorated in blind backstrip lettered in gilt marbled endpapers. Teg. Fine. 54 pages. 24 x 19 cm. Limited edition copy 95 of 500 on velin la forme with 45 vignettes in pochoir by Joseph Hemard. An exquisite copy bound by Kieffer with his label on verso of front cover paste-down. Hémard's lasting fame however lies in his book illustrations - always with a distinctly French character usually comic and often mildly erotic. He was probably the most prolific book illustrator in the first half of the twentieth century in France. Rene Kieffer unknown books
1942WRCLIT57612Berne-Bümpliz: Éditions Les Belles Feuilles 1942. Small folio. Loose signatures laid into pictorial wrappers. Near fine in good quarter vellum chemise and slipcase the latter a bit worn with cracks and bumps at a few corners. First edition thus illustrated with ten large wood engravings a number of decorated initials and two decorations by Imre Reiner. From a total edition of 220 copies this is one of 170 copies on Rives signed by the artist with an extra suite of the woodcuts on Rives. An interesting production by the artist/designer/typographer. Éditions Les Belles Feuilles hardcover books
1784WRCLIT58272London: Printed for G. Robinson 1784. 2ii2251pp. Octavo. Modern quarter gilt morocco and marbled boards gilt label. Bound without the half-title otherwise a very good fresh copy. First edition in English published the same year as the original French edition. An edition appeared from Dublin as well. The two page introduction quotes from a letter from Paris dated 2 May indicating that two or three editions "have already been seized and seven Booksellers imprisoned . The Memoirs are really written by Voltaire and must soon or late become public. This Voltaire is sort of a malignant spirit who came upon earth only to embitter the cup of life and afterwards laugh at our wry faces." ESTC T1128. Printed for G. Robinson hardcover books
1822290382London: Printed for John Miller and W. Wright 1822. Full Leather. Good binding. With 59 full page plates in Vol. I 9 of which are duplicates on poorer paper and 58 full page plates in Vol. II 9 of which are duplicates; with 25 white Fine Paper engravings pasted down in Vol. I and 25 in Vol. II; with 11 gray Papier de Chine engravings pasted down in Vol. I and 11 in Vol. II. Most of the engravings are illustrations of the various scenes with a few portrait plates; all of the Papier de Chine illustrations are small engraved illustrations meant for the start of each canto and are facing duplicates on Fine Paper. Hinges reinforced by a conservator with Japanese tissue paper. Signed full red morroco binding by Matthews; with gilt lettering and decorations. Marbled endpapers and gilt dentelles. Top edge gilt. Good binding. Printed for John Miller and W. Wright unknown books
17681591281768. First Edition. paperback. 182pp. half-title; woodcut title page vignette. sewn; unlettered buff wrappers. N.p. Geneva 1768.<br/><br/> One of Voltaire's best known prose works it came out in many editions the same year. This is presumably the first and conforms to the copy in the Bibliotheque Imperiale.<br/><br/> unknown books
1770WRCLIT25846Paris: Chez la Veuve Duchesne. 1770. Two volumes. Octavo. Full contemporary mottled dyed calf spines gilt extra. Portrait plates and engraved headpieces. Light scattered foxing largely to occasional upper margins some extremity wear with narrow losses at extreme crowns of spines three small external worm holes in lower joint of second volume otherwise a very good set. First this edition containing in the first volume a pictorial title a frontis ten plates and ten headpieces all engraved by de Longueil after drawings by Charles Eisen. There are no illustrations in the second volume which concludes with a number of additional poems and documents by Voltaire. Voltaire's letter to Eisen written after seeing his designs opens the first volume and affirms his belief that the edition will be "plus recherchee." RAY ART OF THE FRENCH ILLUSTRATED BOOK 30. COHEN-DE RICCI 1026/7. SALOMONS p. 172. Chez la Veuve Duchesne... unknown books
176581265London: Printed for Thomas Brown 1765. First edition in English of Voltaire's Pocket Dictionary of Philosophy. Octavo full period calf gilt titles and elaborate gilt tooling to the spine gilt ruled marbled endpapers all edges red. In good condition. One of the most influential thinkers of the French Enlightenment Francois-Marie Arouet know by the nom de plum Voltaire was a resourceful and prolific writer. His works touched nearly every literary form including plays poems novels theoretical essays and scientific treatises. A forthright and candid advocate of civil liberties he frequently criticized the institutions of religious dogma and classism prevalent in 18th century France often doing so through satire to avoid censorship and imprisonment. Printed for Thomas Brown unknown books
1890271451Paris: Librairie des Bibliophiles 1890. hardcover. very good. 10 volumes. 12mo 3/4 tan morocco marbled boards ornately gilt spines 3 small repairs on spines.Paris: Bibliophiles 1890. Very good. A lovely set.<br/><br/> Librairie des Bibliophiles unknown books
1731231308Paris: Josse 1731. First. hardcover. very good. Slim 8vo pp. xxix 3. 110 3 approbation and errata. Decorative copper engraved head-pieces a few contemporary ink annotations full gilt brown calf covers lightly warped and rubbed with a bright gilt heraldic crest on front and back red edges. Paris: J.F. Josse 1731. First Edition. Scarce. Very good.<br/><br/> Josse unknown books
176424563Londres: aux depens de la compagnie 1764. 8vo pp. xvi 384; engraved frontispiece and 20 engraved plates; 20th-century full crimson straight-grain morocco by Zaehnsdorf decorative gilt border on covers gilt-paneled spine and preserving the original blue printed wrappers which are bound in. First published without plates at Louvain in 1755. This is likely a 'variorum' edition probably Dutch based on the first authorized edition of 1762 Geneva with variant readings from earlier piracies. Bengesco 491. <br/><br/> aux depens de la compagnie unknown books
176882403Geneve 1768. First edition of one of Voltaire's best-known works of prose. Octavo original full period calf gilt titles to the spine red morocco spine label raised bands marbled endpapers. In good condition. Rare and desirable. One of Voltaire's finest romances" The Princess of Babylon relays the story of the beautiful Formosanta who travels the world in search of her lover Amazan Barron Fantasy Literature I:88. Subtle in its philosophy Voltaire breaks narrative conventions in this novella to foster Enlightenment values and in the process also "pokes fun at a number of literary traditions" Pearson Fables of Reason 196. The novella saw instant success upon publication and was in such demand that it was being illegally pirated in England and printed under a false imprint of 'Geneva' when it was actually printed in London. hardcover books
179654353London: privately printed by Catherine Maria Bury Countess of Charleville 1796. First Edition large paper copy one of just 5. The first complete English translation. Large 8vo just under 24 cm pp. 227 218. Untrimmed. Bound in later 3/4 red morocco and plain boards rubbed along the extremities without the half title. "Mostly all of the copies were destroyed the freedom of the translation being considered injurious to the memory of Lady Charleville. Only 5 copies were printed on large paper. See the notes to the Renouard copy no. 1349- sale by Sotheby June 30 1834." The preface and notes cover 5 pages. ESTC; T137636.A nice clean tight set. A poem about Joan of Arc. From Wikipedia: "Voltaire was undoubtedly one of the most controversial writers and philosophers of the Enlightenment Age and The Maid of Orleans was also certainly one of his more contentious works. An epic and scandalous satire concerning the life of the not-yet-canonised Joan of Arc "the Maid of Orleans" the poem was outlawed burned and banned throughout a great portion of Europe during the 18th and 19th centuries. Containing mockery and satirical commentary on the life and antics of its subject the poem itself has variously been described as "bawdy" and "licentious". Despite the often sexist and indecent contents of the text its notoriety and contraband status made it one of the most widely read texts concerning Joan of Arc for several centuries. Circulating throughout the banned regions by often surreptitious means the book was read by a large number of the populace. It was also disseminated by Voltaire himself to some of his colleagues and other members of the upper class the circle of people and the portion of society that the text was specifically intended for. The author 1762-1851 was the daughter of Thomas Townley Dawson she married first James Tisdall and then in 1798 Charles William Bury first Earl of Charleville. She was an invalid for many years. privately printed by Catherine Maria Bury, Countess of Charleville unknown books
1901310390New York: St. Hubert Guild 1901. 168 designs.done by the Craftsmen of the St. Hubert Guild many hand-coloured. 22 vols. 8vo. Bound in three quarters crimson morocco gilt spines t.e.g. by Bennett NYC. Fine. 168 designs.done by the Craftsmen of the St. Hubert Guild many hand-coloured. 22 vols. 8vo. St. Hubert Guild unknown books
173327422London: Printed for C. Davis and A. Lyon 1733 1733. First edition. Cf. Bengeso 1558; Sabin 100751 noting Voltaire's letters on William Penn and the Pennsylvania Quakers. Fine copy. 8vo contemporary paneled calf rebacked with a new spine and raised bands. The first appearance of an early and important prose work by Voltaire a series of epistolary observations comparing British and French society culture science and philosophy. Written when he was living in England 1727-28 Voltaire's opinions shed a favorable light on British institutions and individuals including Sir Isaac Newton. Voltaire tells an early version of the apple falling from the tree story that inspired Newton's theory of gravity. When Letters was published on the continent as Lettres Philosophiques 1734 it was condemned by French authorities and precipitated one of Voltaire's many conflicts with the crown. <br/><br/> London: Printed for C. Davis and A. Lyon, 1733 unknown books
1912004439Berlin: Pan-Presse 1912. Berlin: Pan-Presse Verlag Paul Cassirer l1912. Small folio original mustard cloth with lettering and design in black. Slightly bowed else fine and fresh. Of 250 numbered copies this is one of 170 on Holland paper printed in Tiemann-Antiqua type. Forty original tipped-in jewel-like etchings some full page by Marcus Behmer: his magnum opus. The eleventh work of the Pan-Presse started by Paul Cassirer and specializing in luxury editions of books and graphics. His gallery represented leading members of the Berlin Secession of which Behmer was a member. Rodenberg page 453. Cloth. Fine. Illus. by Marcus Behmer. Small Folio. Pan-Presse Hardcover books
173582395Basle: Chez Christophe Revis 1735. First edition of Le Coq de Villeray's response to Voltaire's Letters Concerning the English Nation published in 1733. Octavo bound in contemporary calf gilt title to the spine raised bands marbled endpapers. In very good condition. Rare. Voltaire composed his Letters Concerning the English Nation based on his experiences living in England between 1726 and 1729. The volume was first published in English in 1733 and then in French the following year where it was seen as an attack on the French system of government and was rapidly suppressed. The letters concerned Voltaire's views on Anglicanism the Quakers William Penn and John Locke. Chez Christophe Revis hardcover books