Humboldt, Wilhelm vonAntiquariat.de
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18537514CBBerlin, Reimer, 1853. 8°. XXII, 352 S. Mit einem Stahlstichporträt. Blind- und goldgeprägter Orig.-Leinenband. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +, 7514CB|7514CB_2 [2 Warenabbildungen]
19235079EBMünchen, Georg Müller, 1923. 8°. 21,5 cm. 109 Seiten. Halbpergamentband.
Anacreon translated into English verse by Abraham Cowley." Love -- Drinking --Beauty --The duel --Age --The account -- Gold -- The epicure -- Another -- The grasshopper --The swallow. 16 unnumbered pages. Colophon " "Anacreon...consists of only 2000 copies on Ragston Collotype Parchment white vellum paper" Book
199822403BBWarmbronn, Keicher Verlag, 1998. Limitierte Auflage (300 Exemplare). Ausgabe Keicher Verlag (1998). Limitierte Auflage! 20 nn. Seiten, zwei faksimilierte Briefe. Titelbedruckte Original-Kartonbroschur. Sehr guter Zustand mit nur minimalen Gebrauchsspuren am Einband. Kein Besitzervermerk! Keine Anstreichungen! Kein Mängelex ('Warmbronner Edition', Druck Nr. 16).
ST-BRIEUC, Imp. Francisque Guyon - 1928 - in-8 - broché - incomplet Pagination 276 à 308 + TableXV - 90 pages + Table
10789ST-BRIEUC, Imp. Francisque Guyon - 1928 - in-8 - broché - incomplet Pagination 276 à 308 + TableXV - 90 pages + Table
7472Galerie Albert Verbecke, Paris, s.d. [1975]. In-8, broché sous couverture illustrée, 53 pp. L'abstraction lyrique 25 ans après, par André Parinaud - De Kooning. - Mathieu. - Planches. - Hartung. - André Masson. - Tobey. - Wols.
22865The Lyric Theatre Hammersmith W.6. London 'This Thursday evening June 2nd 1927 at 8 o'clock Subsequent evenings at 8.30'. Wightman Mountain & Andrews Ltd Printers 31 & 33 Victoria Street S.W. Four-page programme on bifolium stapled into covers of shiny art paper. In fair condition worn and aged with rusted staples. Folded once. The covers are printed on the outside only. On the front are two illustrations in Georgian style with the caption 'George Barnwell's Contrition'. On the back is a drawing of 'Portsmouth Old Theatre' 'Reproduced by kind permission of Arthur Moreland.' The small signature 'Nigel Playfair' is at top right of front cover. The first page of the programme carries five 'Producer's Notes' by 'Lessee & Manager' Playfair. The production is based on the conceit that the audience are watching the Crummles Company performing George Lillo's 'George Barnwell or The London Merchant'. In his third note Playfair writes: 'I do not intend the audience to think that the Crummles Company were bad actors in their fashion for I do not suppose they were: nor that Lillo wrote a bad play for I am sure this is not the case. If they do my production will have failed. It is in the surprises created by the surroundings and the conventions of the period that there will be I hope much to laugh at though with sympathy rather than derision.' The fourth note includes the statement 'This entertainment is not intended for Archaeologists - as such - except in the Pickwickian sense.' The last three pages of the programme give the usual details of cast and crew performance songs credits. Towards end: 'Ladies are respectfully requested to remove their hats and so add to the comfort of all.' The production ends with a 'Harlequinade' and the fifth note concerns Grimaldi. The text of Playfair's production was published by Chapman & Hall in 1927 but no other copy of this programme is to be found on OCLC WorldCat. The Lyric Theatre, Hammersmith, W.6. [London] 'This (Thursday) evening, June 2nd, 1927, at 8 o'clock | Subsequent evenings at 8. unknown
0365761354.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
Testo di Francesco Maria Piave, musica di Giuseppe Verdi (55b).
036666641X.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
19930056391993 Paris, Atelier Lacourière et Frélaut, 1993. Un feuillet double (275 X 217 mm).
1932563h5817USA: M. Whitmark & Sons. Fair. 1932. First Edition. Sheet Music. Six pages of piano sheet music with lyrics and ukulele chords. Nicely illustrated cover features photos of the stars of the Warner Bros. film 'Forty-Second Street" in which this song was featured. Unmarked with above-average wear. Coverfold almost entirely open. A worthy vintage copy.; 4to . M. Whitmark & Sons unknown
19322507190826048M. Whitmark & Sons 1932-01-01. Paperback. Very Good. Nice looking book has minor edge wear.Pages are not crisp white. M. Whitmark & Sons paperback
A clean, unmarked book with a tight binding. Previous owner's name label inside. 700 pages. 5"w x 8 3/8"h.
1907505518New York: Jos. W. Stern & Co 1907. Softcover. Good. Later printing. Folio. Two nested bifoliums making eight pages. Owner name on the front cover outer bifolium separated at the fold offsetting to the back cover and on the verso of the front cover moderate edgewear to the outer bifolium creasing to the top of the inner bifolium still a good complete copy. For voice and piano. Plate number 5151-4. The back cover features a sample of "With You in Eternity" by Arthur J. Lamb and Alfred Solman. Bob Cole was a popular African American songwriter known for his work on A Trip to Coontown which is considered the first musical production created and owned entirely by African Americans. James W. Johnson was an African American writer who eventually moved on from show business to become a leader of the NAACP and served as U.S. consul in Venezuela and Nicaragua under President Theodore Roosevelt. The front cover features a photo of both Cole and Johnson with the caption "Cole & Johnson. Who keep the world a-singing." OCLC locates five holdings of this title.<br /> <br /> The Shoo-Fly Regiment is an important early African American musical that told the story of African American soldiers during the Spanish-American War. In a review of a book by scholar Paula Marie Seniors which analyzes the work of Cole and Johnson Paige McGinely explains that Seniors' analysis "aims to demonstrate that the spectacles of black patriotism showcased in Shoo Fly Regiment were direct refutations of Theodore Roosevelt's ‘Rough Rider' white-supremacist imperialist mentality. By suggesting the possibility of coalitions among people of color the world over Shoo Fly Regiment staged a direct critique of both racist and imperialist projects steered by the United States" an analysis made all the more interesting given that Johnson eventually developed a connection to Roosevelt. Though "Who Do You Love" is merely a love song written in dialect it is nonetheless less a part of this historically and culturally significant musical. Jos. W. Stern & Co unknown
1913526712New York: Jos. W. Stern & Co 1913. Softcover. Good. Presumably the first edition. Cover illustration by Dorothy Dulin. Folio. Single bifolium with a single-sheet-insert making six pages. Light dampstaining to the top margin of page two a bit of fading to the top of the front and back covers dampstaining to page five but the contents remain bright and edgewear including some small tears and nicks still a good or better copy with a lovely cover illustration. For voice and piano with a supplement of the score on page five composed for "male or mixed quartet" providing 1st tenor 2nd tenor baritone and bass. Plate number 7580-4. There were multiple front covers with the same illustration but with different photographs this copy has a photograph of William Redmond of "That" Quartet. The back cover features a sample of "Daddy Has A Sweetheart And Mother Is Her Name" by Gene Buck and Dave Stamper. R.W. Lardner better known as Ring Lardner was a celebrated satirical author in his time and admired by the likes of F. Scott Fitzgerald Ernest Hemmingway and Virginia Woolf. OCLC locates five holdings of this piece. Jos. W. Stern & Co unknown
1931505560New York: Edward B. Marks Music Co 1931. Softcover. Near Fine. First edition. Cover illustration by Manning. Quarto. Lyrics in Spanish and English. Single bifolium with a single sheet insert making six pages. Light edgewear and toning some foxing to the back cover else near fine. For voice and piano. Plate number 9772-3. Features a sample of "Poor Kid" by L. Wolfe Gilbert and Jesse Greer as well as one-measure samples of five other Gilbert songs. J. Rosamond Johnson was an African American composer and singer best known for the song "Lift Every Voice and Sing" which he wrote with his brother James Weldon Johnson. There are a few different versions of this tune some with the subtitle "Rambling Rose of the Wildwood" but this version has the most striking cover we've seen. Edward B. Marks Music Co unknown
201163586CBOstfildern, Hatje Cantz Verlag, 2011. Quer-Groß-8°. 24,5 x 30 cm. 239 (1) Seiten. Gebundener Original-Pappband mit goldgeprägtem Rückentitel.
1390494942.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
195468220BBOhne Ort., Kunsthandel Martinet., 1954. 17 x 12 cm. 12 unpaginierte S. OBroschur., 68220B 150 Exemplare. Vom Rücken her lichtrandig, sonst sehr gutes Exemplar. Cat. No. 135.
1727699Amstelaedami, Apud Rod. & Gerh. Wetstenios 1727 1 vol. in-4 Titre-frontispice , t. , ( 13 ) ff. n. ch. , 489 (1) pp. , ( 55 ) ff. n. ch. . En latin . En IV livres , avec dédicace Viro amplissimo Stephano Hvrgronje J. C. ... ; Lectori S. D. ; Praefatio ; L. B. ; Elegia in Sextum Aurelium Propertium emendatum atque illustratum a viro utraque pallade claro Jano Broukhusio ; Caspar Barthuis ... ; Selecta clarorum virorum De Sex. Aurelio Propertio judicia ; Typographi lectori S D , et in fine , Index I omnium verborum ... ; Index II auctorum ... ; Index III rerum et verborum .... Titre-frontispice signé J. Mulder représentant un triomphe à Rome . Titre en rouge et noir , marque typographique avec devise " Terar dum prosim " . Bandeau B. Picart del. et sculpsit 1726 . Plein vélin estampé à froid de l' époque . Dos à six nerfs , titre manuscrit à l'encre . Double encadrement aux plats , avec fleuron central à froid et fleurons dorés aux angles . Tête rouge , autres tranches granitées rouges . Reliure hollandaise de l' époque . Mors supérieur fendu . ( Collat. complet )
201234FBKöln / London., Verlag der Buchhandlung Walther König / Koenig Books Ltd., 2012. 24,5 x 17,5 cm. 612 S. Illustrierter OKarton mit herausgestanzten Blockseiten., 34F Erste Auflage. Stoßkanten und Kapitale leicht berieben und bestoßen, Einband insgesamt minimal angestaubt und fleckig. Sonst gutes Exemplar.
175215989BBRomae, Excudebat Generosus Salomoni in Foro Sancti Ignatii (Superiorum Facultate), MDCCLII (1752). Ausgabe 1752. XIV Seiten. Papierbroschur. Titelblatt stellenweise etwas fleckig. Innen ansonsten gutes, sauberes Exemplar. Keine Anstreichungen! Kein Besitzervermerk! Keine Stockflecken! Vorderdeckel und Titelblatt an unterer rechter Ecke mit kleiner Fehl
