Eliot GeorgeLivre Rare Book
159 résultats
RO60149569Thomas Nelson and Sons. Non daté. In-12. Relié toilé. Etat d'usage, Couv. convenable, Dos satisfaisant, Papier jauni. 589 pages. Texte en anglais. Rousseurs. Frontispice et quelques illustrations en noir et blanc, hors texte. Un ex-libris au crayon sur le verso de la page de garde.. . . . Classification Dewey : 420-Langue anglaise. Anglo-saxon
1968RO60154673Longmans. 1968. In-12. Broché. Etat d'usage, Couv. défraîchie, Dos frotté, Papier jauni. 144 pages. Texte en anglais. Rousseurs. Quelques illustrations en noir et blanc hors texte. Quelques annotations à l'encre dans le texte et une sur le 2e plat. Un ex-libris à l'encre sur le 1er plat.. . . . Classification Dewey : 420-Langue anglaise. Anglo-saxon
190099913305Philadelphia Henry T. Coates Philadelphia Henry T. Coates SD (vers 1900), In-8 percaline verte de l'éditeur, 1° plat décoré. 558 pages. Trés bon état.
1972213418Study aids 1972 65 pages in8. 1972. Broché. 65 pages.
1942RO30088663HENRI DIDIER - 2° EDITION. 1942. In-16. Broché. A relier, Couv. convenable, Dos satisfaisant, Intérieur frais. 71 pages. Frontispice : dessin en noir et blanc. Nombreux dessins en noir et blanc dans le texte. Ouvrage en anglais. PRemière de couverture illustrée en couleurs. Second plat détaché.. . . . Classification Dewey : 420-Langue anglaise. Anglo-saxon
1935RO60150046Henri didier. 1935. In-12. Broché. Bon état, Couv. défraîchie, Dos abîmé, Papier jauni. 71 pages. Texte en anglais. Nombreuses rousseurs. Nombreux accrocs au dos,agrafes rouillées. Frontispice illustré en noir et blanc. Nombreuses illustrations en noir et blanc, in texte.. . . . Classification Dewey : 420-Langue anglaise. Anglo-saxon
R150152269BLACKWOOD AND SONS.. Non daté. In-8. Relié toilé. Etat d'usage, Coins frottés, Mors fendus, Intérieur acceptable. 486 pages. Quelques illustrations en noir et blanc hors texte.. . . . Classification Dewey : 420-Langue anglaise. Anglo-saxon
15694London, Yorks Notes Advanced, 1999, in-8 softcover, 96 pp. In english. VERY GOOD CONDITION. (as new).
1993x-1851960864PICKERING CHATTO 1993. Hardcover. New. 250 pages. 8.50x5.59x0.79 inches. PICKERING CHATTO hardcover
1980137172Norwalk Connecticut: Easton Press 1980. Hardcover. Very Good/No Jacket. Very Good Condition. Leather Bound. Accented In 22Kt Gold. Three Ribs Spine. 462 Pages. Achival Paper With Gilded Edges. <br/> <br/> Easton Press hardcover
1893mon0003311727Estes & Lauriat 1893T. hardcover. Good. . 2 vol. set complete. Books have varying degrees of shelf wear. Foxing has occurred in each volume. Previous owners name is written inside the front free end page in both vols. Estes & Lauriat hardcover
185937672William Blackwood 1859. 2 vols. 8vo. Fourth Edition neat contemporary signature on blank preliminary; elegantly bound in contemporary full tan calf sides with multiple frame border stopped at corners with gilt rosettes back with five raised bands ruled in gilt second compartments with red leather labels framed and lettered in gilt third compartments framed and lettered in gilt all other compartments elaborately framed and tooled in gilt marbled edges gilt doublures gilt dentelles marbled endpapers a most attractive copy in wholly unrestored period binding. THE BINDING IS SIGNED ON FRONT FREE ENDPAPER VERSOS. Henry Stamper 1802-1887 master bookbinder was an associate of Bedford Lewis Clarke and Morrell; indeed he may have succeeded Bedford as manager of the Lewis bindery and his later business passed to Morrell. Examples of his work are held by the Folger Shakespeare Library and the Bodleian. We are indebted to Laurence Worms for the foregoing information. William Blackwood, hardcover
186829176Edinburgh: William Blackwood 1868. 3 volumes. First edition Carter's state "A" binding Vol. III with four page "Recent Publications" ad no catalogue following as matches Sadleir's. 8vo publisher's original terra-cotta cloth decorated in blind on the covers spines ruled and lettered in gilt. Now housed in a custom slipcase. 303; 290; 283 4 ads. With all half-titles. A beautiful set the text is especially fine and fresh the cloth in especially well preserved condition with no fading and virtually no wear the hinges in Vol. III should be strengthened and refurbished. A BEAUTIFUL SET THE ORIGINAL CLOTH EXCEPTIONALLY FRESH CLEAN AND UNWORN. FELIX HOLT was one of Eliot's later novels written after she had attained great popularity and was earning a considerable income from her writing. Shortly after her death critics such as Leslie Stephen disparaged her work although interestingly enough Virginia Woolf was one of her defenders but in recent years her reputation has been upheld. F. R. Leavis in particular introduced a new understanding of and respect for her mature works. He considered her 'not as transcendentally great as Tolstoy but she is great and great in the same way'. William Blackwood hardcover
187134075Edinburgh: William Blackwood and Sons 1871. 4 volumes. First Edition with Fine Provenance having come from the collection of Robert Hoe with his gilt lettered morocco ex libris. 8vo beautifully bound by Riviere and Son in full tan calf the covers with multi-ruled gilt fillet lines at the borders with circular tools as corner-pieces the spines richly gilt decorated in panels between gilt ruled and stippled raised bands two compartments with contrasting red and green morocco labels finely gilt ruled and lettered and with gilt tooled corner-pieces beautifully gilt tooled turn-ins and ruled board edges marbled endpapers t.e.g. vii 410; 377; 384; 371 pp. with all half-titles as called for. A superb copy and a fine and handsome set the text clean and fresh with occasional light mellowing and basically free from any spotting the fine binding in excellent condition. FIRST EDITION GEORGE ELIOT'S Mary Anne Evans REPUTATION REACHED ITS PEAK WITH THE PUBLICATION OF THIS HER NEXT TO LAST BOOK. MIDDLEMARCH is a difficult book to find especially so in such attractive condition as it came out in parts or cloth was circulated widely and does not seem to have survived in any significant quantity.<br> Probably the most popular of all of Eliot's novels MIDDLEMARCH has multiple plots with a large cast of characters and in addition to its distinct though interlocking narratives it pursues a number of underlying themes including the status of women the nature of marriage idealism and self-interest religion and hypocrisy political reform and education.<br> Industrialist and noted book collector Robert Hoe was preeminent among American producers of printing presses. He was one of the organizers and first president of the Grolier Club the well-known New York organization for the promotion of bookmaking as an art. His collection of rare books and manuscripts at the time of his death in 1909 was valued at several million dollars. William Blackwood and Sons hardcover
18601254121860. First Edition. ELIOT George. The Mill on the Floss. Edinburgh and London: William Blackwood and Sons 1860. Three volumes. Octavo original orange-brown cloth uncut; housed in a custom slipcase. $4900.First edition first printing first state of this most widely read of Eliots works in the original publisher's cloth.Eliot's largely autobiographical The Mill on the Floss was written immediately after Adam Bede and published in 1860. ""The portrayal of childhood of rural life and the subsidiary characters delighted most critics It remains one of the most widely read of her works"" Drabble 651. All half titles present. First state without advertisements in Volume I; a 16-page publisher's catalogue is present at the end of Volume III as sometimes occurs with first-state copies. In Baker & Ross binding A with ""Bound by Burn"" binder ticket on rear pastedown of Volume I. Baker & Ross A5.1. Sadleir 816. Wolff 2060. Scattered foxing to text; original cloth generally fresh with bright gilt and minimal wear slight toning to spines expert repairs to a few inner hinges and joints. An extremely good copy in the original publisher's cloth. hardcover
190830William Blackwood and Sons c. 1877. Stereotyped edition. 8 vols in 7. 8vo 7½ x 5¼ ins. Contemporary half calf on marbled paper-laid boards with matching edges and endpapers spines elaborately gilt tooled with contrasting labels rather rubbed at spines and corners of boards and some labels chipped - otherwise a firmly bound set. Pp. various illus with engraved titles vols VII and VIII with tissue-guards and b&w plates pp. 199-122 and 391-394 of vol I loose; previous owner's neat 1877 gift inscription on verso of front free endpaper of each vol. William Blackwood and Sons, c. 1877 unknown
186328991London: Smith Elder and Co. 1863. 3 volumes. First edition. 8vo in the original green textured cloth quite rare thus the boards paneled in blind the spines gilt lettered and decorated. Housed in a single morocco backed slipcase within individual cloth-covered chemises the morocco backed box decorated as a book with gilt tooled raised bands and gilt lettering. iv 336; iv 333 2; iv 292 pp. A copy in original cloth and state very rare as such the text uncommonly fresh with only the most minor of occasional light spotting or mellowing the cloth sturdy and dark green a little expected rubbing and very minor edge wear the gilt a bit dull a few hinges with some cosmetic separation to the endpapers the volumes still strong and tight. VERY RARE IN ORIGINAL CLOTH AND IN SUCH ORIGINAL STATE. WE KNOW OF NO OTHER ACCEPTABLE COPY CURRENTLY ON THE MARKET IN THE ORIGINAL CLOTH. A truly outstanding copy very desirable this is an exceptional survival.<br> Eliot's historical novel ROMOLA can be seen as a deep study of life in the city of Florence as the fictional events all take place amidst actual historical events during the Italian Renaissance and includes in its plot several notable figures from Florentine history. Literary scholars have drawn comparisons between the setting of the novel and George Eliot's contemporary Victorian England and the psychological and religious introspection seen in Eliot's other novels is also seen in Romola. Smith, Elder and Co. hardcover
183880Boston: Estes and Lauriat 1890. 2 vols. 8vo 8¼ x 5¾ ins. Original gilt lettered decorative cream cloth top edges gilt headcaps chipped and light wear at corners - in protective covers. Pp. vi 315 & vi 299 illus with b&w plates with captioned tissue-guards no inscriptions. Boston: Estes and Lauriat, 1890 unknown
189733543Blackwood 1897. 3 works in 1 vol. sm. 8vo. with volume titles in red and black; sand cloth yellow top uncut expertly rebacked gilt back a remarkably bright crisp copy. With 4pp publisher's catalogue at end. Complete with all half-titles which are sometimes missing. SCARCE. Blackwood, hardcover
1984013151Pennsylvania: Franklin Library 1984. Leather binding. As New. 8vo - over 7¾ - 9¾" tall. full brown leather with five raised bands to spine. Unopened condition with notes from the editors pamphlet included <br/> <br/> Franklin Library hardcover
185829201Edinburgh: William Blackwood and Sons 1858. 2 volumes. First Edition. With both half-titles. 8vo in handsome antique full green morocco the covers with double-ruled gilt fillet lines at the edges the spines with ornate gilt framed panels between raised bands two compartments with gilt lettering additional gilt lettering at the tail and gilt ruling at both tips gilt ruled board edges and beautifully gilt tooled turn-ins fine marbled endpapers t.e.g. 366; 381 pp. A handsome set the text quite clean and fresh and free from any spotting a light touch of normal age at the edges the fine binding in very good and attractive condition the hinges firm and fine only a trivial bit of wear and the spines mellowed to a very attractive tone of olive. FIRST EDITION GEORGE ELIOT'S Mary Anne Evans FIRST PUBLISHED FICTION AND THE FIRST WORK PUBLISHED UNDER THE GEORGE ELIOT PSEUDONYM. A collection of three short stories. Her partner G. H. Lewes in order to help her get her stories written and published arranged for John Blackwood to publish these first tentative efforts claiming them to be written by a 'friend' named George Eliot. The stories first appeared in Blackwood's Edinburgh Magazine throughout 1857 and were then first published in book form as here in January of 1858.<br> In this complete form it was met with 'just and discerning applause' and considerable speculation as to the identity of its author. Charles Dickens wrote to the unknown author by care of William Blackwood saying "I have been so strongly affected by the two first tales in the book you have had the kindness to send me through Messrs. Blackwood that I hope you will excuse my writing to you to express my admiration of their extraordinary merit. The exquisite truth and delicacy both of the humour and the pathos of these stories I have never seen the like of; and they have impressed me in a manner that I should find it very difficult to describe to you. if I had the impertinence to try. In addressing these few words of thankfulness to the creator of the Sad Fortunes of the Rev. Amos Barton and the sad love-story of Mr. Gilfil I am I presume bound to adopt the name that it pleases that excellent writer to assume. I can suggest no better one: but I should have been strongly disposed if I had been left to my own devices to address the said writer as a woman. I have observed what seemed to me such womanly touches in those moving fictions that the assurance on the title-page is insufficient to satisfy me even now. If they originated with no woman I believe that no man ever before had the art of making himself mentally so like a woman since the world began." This makes him among the first to suggest the author may have actually been a woman. William Blackwood and Sons hardcover
186134077Edinburgh and London: William Blackwood and Sons 1861. First Edition with Fine Provenance having come from the collection of Robert Hoe with his gilt lettered morocco ex libris. 8vo beautifully bound by Riviere and Son in full tan calf the covers with multi-ruled gilt fillet lines at the borders with circular tools as corner-pieces the spines richly gilt decorated in panels between gilt ruled and stippled raised bands two compartments with contrasting red and green morocco labels finely gilt ruled and lettered and with gilt tooled corner-pieces beautifully gilt tooled turn-ins and ruled board edges marbled endpapers t.e.g. vi 364 pp. A superb copy fine and handsome the text very clean and fresh with only occasional light mellowing and basically free from any spotting the fine binding in excellent condition. A VERY FINE AND HANDSOME FIRST EDITION IN A BEAUTIFUL BINDING AND WITH SUPERB PROVENANCE OF ONE OF ELIOT'S BEST AND MOST ADAPTED NOVELS. While outwardly the simple tale of a linen weaver it was groundbreaking for its strong realism and its sophisticated treatment of a variety of issues ranging from religion to industrialization and to community. It is also only the third novel published by the author.<br> William Blackwood and Sons hardcover
ZIVALS1884NEW. NEW. Enviamos a todo el mundo por USPS. UPS o DHL. 100% garantia en su compra. We ship worldwide. unknown
186138800William Blackwood Edinburgh 1861. 8vo. First Edition some light spotting mainly marginal on half a dozen leaves; original terracotta cloth boards elaborately framed and blocked in blind gilt back uncut expertly recased a very good bright clean crisp copy. Complete with the following points: 4pp advertisements unnumbered facing front free endpaper sometimes found between front endpapers; 16pp publisher's catalogue undated at end; binder's ticket of Edmonds & Remnants mounted on rear paste-down. With the blind stamp of WH Smith Strand on front advertisement leaves and front free endpaper and 4pp Subscription Library leaflet mounted on first advertisement leaf. Carter binding variant B; see Jarndyce p.24; NCBEL III/902. William Blackwood, Edinburgh, hardcover
192622747John Lane The Bodley Head 1926. 8vo. First Edition on laid paper; original terracotta buckram backstrip with printed paper label red top uncut and largely unopened boards lightly age-marked at fore-edges else a very good bright crisp copy. With spare printed paper label and 4pp publisher's catalogue at end. John Lane The Bodley Head, hardcover
