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1904NF4085HISTORY OF THE EIGHTEENTH NEW HAMPSHIRE VOLUNTEERS 1864-5 Fort Hill Press 1904 first edition light wear to fore edge corner tips and spine extremities else a tight vg copy replete with 15 photographic full page illustrations. Fort Hill Press unknown
1904TB25459Boston: Self-published 1904. First Edition. Very good in dark blue cloth covered boards with gilt text on the spine. A small quarto measuring 9 1/4" by 6" with rubbing and wear to the cloth at the head of the spine. Without a dust jacket. 124 pages including an index a roster of the Eighteenth New Hampshire Volunteers and text. Illustrated with a frontispiece and fourteen black and white photographic reproductions. Self-published hardcover
1904BOOKS056477IBoston MA: The Fort Hill Press 1904. HC. good blue cloth hardcover some spotting to boards. B&W illustrations. Col. Livermore used the diaries of six men in preparing this brief summary but the bulk of the text came from the OFFICIAL RECORDS. Nevins; CIVIL WAR BOOKS: I 121 124pp. The Fort Hill Press unknown
190400283364Boston: The Fort Hill Press 1904 Blue cloth slight soiled. Frontispiece; Officers Quarters Company C. Many b/w photographs. Roster Index 124 pgs. Rare. First Edition. Cloth. Very Good. The Fort Hill Press hardcover
197852557Kent: Volair Limited 1978. First edition thus. Quarto. xxviii470pp. 5345pp. Finely gold-tooled leather in original brown cloth slipcase. All gilt edges. Raised bands. Ribbon marker. Silk-moire endpapers. Color frontispiece in Vol. I. Stunningly illustrated work by T. L. McKenney on American Indian Chiefs. <br /> <br /> Thomas Lorraine McKenney 1785 - 1859 was a United States official who served as Superintendent of Indian Trade and later as Head of the Bureau of Indian Affairs. In the mid 1820's he went West to observe Indian tribes attempting to collect artifacts & portraits of notable native Americans. After this endeavor proved somewhat disappointing he commissioned Charles Bird King 1785 - 1862 to paint portraits of visiting Indian delegates in his Washington studio. The portraits were published in lithograph form in folio format in 1836 - 1844 accompanied with essays & biographies by James Hall 1793 - 1868. Hall was a popular author of Western topics. The spectacular lithographic plates are reproduced in this publication in smaller format. The majority of paintings were done by King some by Peter Rindisbacher 1806 - 1834 as well as some other artists. "For this edition by Volair which makes use of modern reproduction technology the beast features of the folio and octavo editions are combined. The portraits come from an original folio edition published by Frederich W. Greenough 1838-44. A remarkable feature of these portraits is that they include six by the renowned English lithographer Charles Hullmandel. Normally found only in the uncompleted European edition by Campbell these extremely rare lithographs are as follows: War Dance of the Sauks and Foxes Vol. I frontispiece Red Jacket Vol. I pg. 7 Mohongo Vol. I pg. 27 Shingaba W'Ossin Vol. I pg. 151 Pushmataha Vol. I pg. 183 and Kish-Kallo-Wa Vol. I pg. 449.The text of the Volair edition comes from the first octavo edition published by the lithographer J. T. Bowen 1848-50. For some reason Bowen rearranged the sequence of the portraits and biographical sketches. The Volair edition necessarily follows the revised arrangement; the only difference is that it is bound into two volumes instead of three." <br /> <br /> Minor fraying on slipcase which remains very sound. Books in fine condition as new. Elaborate publication in a stunning binding. Volair Limited unknown
0548646945.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
183712<p>3 volumes. Folio 507 x 365 mm. 120 hand-colored lithographed plates finished with gum arabic lithographed map leaf and 17 pp lithographed facsimile signatures of subscribers with two additional names added in manuscript to Pennsylvania subscribers. Original half-morocco upper covers gilt lettered "Indian Gallery / 120 Illustrations" lower spine lettered in gilt "L.A. Godey" yellow glazed endpapers rebacked retaining original spine hinges reinforced.</p><p><strong>Superb complete copy in its original binding of one of the most beautiful books printed in the United States which through 120 hand-colored plates preserves the memory of the Indian people.</strong></p><p>Provenance: Louis Antoine Godey 1804-1878 publisher of Godey's Lady Book spine stamped manuscript identification in another hand; Helen Godey Wilson 1879-1937 bookplates.</p><p>FIRST EDITION of "one of the most distinctive and important books in Americana" Reese.</p><p>In 1821-22 Thomas McKenney began assembling portraits of Native Americans that would eventually become part of a portrait gallery under the Smithsonian. He started by taking visiting Native American dignitaries to the studio of Charles Bird King in Washington who would paint their portraits in oil some copies for the dignitaries and some collected by McKenney. These portraits were eventually preserved in the War Department's "Indian Gallery" becoming part of the Smithsonian in 1858. The collection boasted 147 of McKenney's portraits of Native Americans alongside about 200 paintings by John Mix Stanley when it burned to the ground in 1865.</p><p>Thankfully beginning in 1829 McKenney had embarked on a project to preserve his oil portraits in lithography rescuing most of these important projects for posterity. In September 1829 he signed a contract to publish a work to consist of a history biographies and 120 lithographed plates. The works were issued serially in wrappers and the first volume was collected and published in 1836. By the time the 3rd volume appeared in 1844 15 years after the first contracts were signed the monumental work had consumed six publishers and employed 5 different lithographers.</p><p>"Its long and checkered publication history spanned twelve years and involved multiple lithographers mainly Peter S. Duval and James T. Bowen and publishers but the final product is one of the most distinctive and important books in Americana. Almost all the plates are portraits of individual Native Americans the majority painted from life by Charles Bird King" Reese.</p><p>This copy in its original contemporary binding is from the contemporary American publisher Louis A. Godey. Godey was most famous for the influential Godey's Lady's Book beginning in 1830 famous for their representations of women's fashion employing hand-tinted lithographic plates. With the first issue of the title pages in volumes 1 & 3 the second issue of volume 2; the plates in mixed states as usual. See Lane "A History of McKenney and Hall's History of the Indian Tribes of North America" Imprint Vol. 27 no. 2 Autumn 2002 2-15. Howes M-129; Reese Stamped With A National Character 24; Sabin 43410a.</p> Edward C. Biddle and Daniel Rice and James G. Clark hardcover
184869369Philadelphia: Published by J. T. Bowen 1848. HALL James. History of the Indian Tribes of North America. with Biographical Sketches and Anecdotes of the Principal Chiefs. Embellished with one hundred and twenty portraits from the Indian Gallery in the Department of War at Washington. Philadelphia: Published by J. T. Bowen 1848.<br> <br> Full Description:<br> <br> McKENNEY Thomas L. and James Hall. History of the Indian Tribes of North America with Biographical Sketches and Anecdotes of the Principal Chiefs. Embellished with One Hundred and Twenty Portraits from the Indian Gallery in the Department of War at Washington. In Three Volumes. Philadelphia: Published by J.T. Bowen 1848-1850.<br> <br> First octavo edition. Three large octavo volumes 10 1/8 x 6 1/2 inches; 258 x 167 mm. iv 1- 333 1 blank; xvii 1 blank 9-290; iv 17-392 pp. With hand-colored lithographed dedication leaf "To the Memory of Washington" and 120 hand-colored lithographed plates "Lithd. & Cold. & Published by J.T Bowen Philada." mostly after Charles Bird King the plates heightened with gum arabic. Protective tissue guard sheets.<br> <br> Publisher's deluxe blue-black morocco binding. Elaborately stamped and tooled in blind and gilt. Spines stamped and lettered in gilt. Board edges gilt. All edges giltSome wear to spines. A few invisible repairs to hinges. Previous owner's old ink signature on top margin of title-page of each volume. Volume I with some minor dampstaining to lower blank margin. Volume II with some dampstaining to inner gutter. Dampstaining never affecting plates most likely because leaves were stained before the book was bound. A small closed tear to the bottom margin of plate "Oche-Fincew" in volume III not affecting engraving. Overall an excellent copy the plates very bright and clean.<br> <br> Originally published in twenty folio parts three folio volumes between 1836 and 1844 with 120 hand-colored lithographed plates. The first octavo edition appeared in 1848-1850 with the plates reduced. Several octavo editions were published between 1850 and the 1870s with varying numbers of plates some maintaining the original 120 and some abridged to contain as few as forty or fifty plates. All are highly desired today.<br> <br> "As early as 1824 the practice was begun of taking portraits of the principal Indians who came to Washington and depositing them in the War Department. They were chiefly painted by Mr. King an artist of high repute who has been remarkably successful in transferring to his canvas the strong lineaments of the Indian countenance. Col. M'Kinney sic who was for many years superintendent of Indian affairs at Washington and was thus brought in constant association with the principal men of the nations and tribes which sent representatives to the seat of government conceived the plan of making this rare and curious collection more valuable to the world by publishing a series of engraved portraits exactly copies and colored from these paintings. With each portrait is connected a biographical sketch of the individual whom it is intended to represent interspersed with anecdotes and narrations. The work contains also a historical account of the various Indian tribes within the borders of the United States" Sabin 43410a describing the 1836-1844 edition. "The original oil paintings of which the plates were copies were all destroyed in the 1865 Smithsonian fire" Howes.<br> <br> Howes M-129 "the most colorful portraits of Indians ever executed". Sabin 43411 describing the 1850 octavo edition. Field 992 1837 ed.<br> <br> HBS 69369.<br> <br> $18500. Published by J. T. Bowen unknown
1406117Norwalk CT: Easton Press 2010. Deluxe Limited Edition: #379/400. Hardcover. Octavos Three Volumes. In Very Good condition. Volumes bound in matching red genuine leather with gilt decoration and titling; spines paneled with gilt titling; text block edges gilt with marbled endpapers and bound-in ribbon bookmarks. Light shelf wear to boards with faint scuffing visible on covers and along hinges. Text block edges show light scuffing and wear. Interiors clean. Limitation page in Vol. III is hand-numbered "379" out of 400. Certificate of authenticity also hand-numbered is laid-in within Vol. III.<br /> <br /> <br> <br> <br /> <br /> CONTENTS: Vol. I iv 333 pages; Vol. II 305 xvii pages; Vol. III iv 17-392 pages. All volumes include numerous illustrations not included in the pagination which mostly consist of portraits of the various figures and chiefs discussed. Shelved in Room A. 1406117. Special Collections. Easton Press hardcover
193444548Edinburgh: John Grant 1934. Fine in very good jackets. Important edition of the monumental visual record of Native American leaders including an extensive account of the original 1836-44 folio edition biography of the original authors and the infamous Smithsonian fire - all new to this edition. Thomas L. McKenney a Quaker served as the US Government's Superintendent of Indian Affairs from 1824 to 1830. During this period he worked with the renowned American artist Charles Bird King commissioning the artist to paint portraits of Native leaders who were visiting the government in DC. The fame of the paintings soon spread and McKenney conceived of a massive printing project to record them in book form. <br /> At the same time incoming president Andrew Jackson fired McKenney after McKenney fundamentally rejected Jackson's stance on the US's relationship with Indigenous nations. Suddenly jobless McKenney threw himself into the project mounting one of the most ambitious book projects ever seen in the United States up to that time: three elephant folio volumes containing 120 hand-colored plates. Already a significant record of leaders and their nations the books took on supreme importance as a cultural document after a fire at the Smithsonian engulfed the majority of Charles Bird King's original paintings. <br /> This edition made the production accessible in the 20th century beyond the increasing rarity of the 19th-century folio and octavo editions. Its introduction by Hodge captures the growing legend of the story behind the production detailing the delays and obstacles that threatened more than once to end the project. A noteworthy edition mythologizing and making accessible the story of a critical record of Indigenous nations in the pre-Jacksonian era. 3 thick octavo volumes 9.25'' x 6.75'' each. Original blue pictorial cloth stamped in blind gilt-lettered spines. In original typographic dust jackets no price on flaps. Top edges gilt other edges uncut some leaves unopened. Illustrated with two photogravure portraits of McKenney and Hall 123 full-page color plates after King's paintings with captions tissue guards and 2 color folding maps. Volume I with historical introduction by Frederick Webb Hodge. lxiv 442 2; viii 458 2; xvi 355 pages. Jackets with a bit of creasing some soiling. Cloth and interior fresh and bright. John Grant unknown
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185453994Philadelphia: D. Rice & A. N. Hart 1854. Second octavo edition 3 volumes 120 brilliant hand-colored plates by J.T. Bowen mostly after Charles Bird King; a lovely set in publisher's full blindstamped brown morocco gilt-lettered spines a.e.g.; very neatly and professionally rebacked with the old spines laid down; the covers with minimal wear and the plates generally fresh and clean 2 plates and several pages in volume I with a tiny dampstain in the very top margin not affecting any text or illustration; a near fine sound copy. Originally published in three large folio volumes 1836-44. "These are the most colorful portraits of Indians ever executed . The original oil paintings of which these plates were copies were all destroyed in the 1865 Smithsonian fire" Howes. "The plates are accurate portraits of celebrated chiefs or of characteristic individuals of the race; and are colored with care to faithfully represent their features and costumes" Field. Field 992; Howes M129; Sabin 43411. D. Rice & A. N. Hart unknown
2007DADAX0548646945Kessinger Publishing 2007-10-22. paperback. New. 8.25x1.26x11.00. Buy with confidence. Excellent Customer Service & Return policy. Kessinger Publishing paperback
193318953Edinburgh: John Grant. Very Good in Very Good dj. 1933; 1934. New edition. Hardcover. NOISBN . just a bit of shelfwear and light bumping to bottom edges/corners one-time owner's rubber-stamped signature on front pastedowns both volumes; jackets are uniformly age-toned somewhat more at spines with general soiling and some wrinkling along the top edges but with no tears or chips. 2 photogravure ports.; 72 color plates; 2 maps Regrettably incomplete set Volumes I and III only; Volume II is not present of this classic work originally published in three folio volumes issued in 1836 1838 and 1844. The introduction to this "New Edition" by editor Hodge presents an account of the creation of the original work including much biographical information about the authors and an extensive bibliographical discussion of numerous editions that followed in particular the history of the work's most notable feature: the color portraits of many Native Americans primarily tribal chiefs. Because the portraits which hung originally at the War Department and later at the Smithsonian Institution had been painted from life and predated the widespread use of photography in many instances they represent the only existing images of their subjects; and because most of the originals were destroyed in the 1865 Smithsonian fire only the published reproductions remain. This edition contained 123 color plates in all of which 72 are present in the two volumes on offer as are the two color maps at the end of Volume III. NOTE that additional postage charges will be assessed for international shipping of these heavy volumes; if this concerns you please contact us for a shipping quote before placing your order. As always at ReadInk domestic Media Mail shipping is free . John Grant hardcover
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1992Q-0840734018Thomas Nelson Inc 1992-07-01. Paperback. New. In shrink wrap. Looks like an interesting title! Thomas Nelson Inc paperback
2001Q-0801063558Baker Pub Group 2001-04-01. Paperback. New. In shrink wrap. Looks like an interesting title! Baker Pub Group paperback