116 résultats
BN262840Wystan Hugh Auden 1907-1973: Seine opernästhetische Anschauung und seine Tätigkeit als Librettist Kölner Beiträge zur Musikforschung Barbara Engelbert <br/><br/>Wystan Hugh Auden 1907-1973: Seine opernästhetische Anschauung und seine Tätigkeit als Librettist Kölner Beiträge zur Musikforschung Barbara Engelbert Wystan Hugh Auden 1907-1973: Seine opernästhetische Anschauung und seine Tätigkeit als Librettist Kölner Beiträge zur Musikforschung Barbara Engelbert unknown
19857949Manila: Shangkuan Press & School Supply. Very Good with no dust jacket. 1985. Hardcover. Shangkuan Press & School Supply Manila 1985 no further printing statement red boards Very Goodsome edgewear and bumping to the boards/no dust jacket 160 pages OPERA MONGOLIAN HISTORY CHRISTIANITY OPERA; A7227 Shlf; 8vo 8" - 9" tall; 160 pages . Shangkuan Press & School Supply hardcover
240121006Ricordi Subsidiary of G. Schirmer NY. unknown_binding. Very Good. 0x0x0. Please Read No marks on text - My shelf location 42-a-45 Ricordi (Subsidiary of G. Schirmer, NY unknown
1960100218<p>February 26 1960. 1960. Very good. - Over 85 words typed on his personal 10-1/2 inch high by 7-5/8 inch wide stationery with his name embossed at top left. The well-known musical theater composer & director writes to the political activist and perennial socialist candidate for president Norman Thomas expressing his pleasure that Thomas attended the United World Federalists' luncheon for Lord Attlee. "I hope that you will continue to take an active interest in our work to establish a world at peace under the just effective and enforceable world law through a strengthened United Nations". Signed "Oscar Hammerstein". Folded for mailing with minor creases to the corners else near fine.</p><p>Best known for his collaborative works with Richard Rodgers the American musical theater producer lyricist and director Oscar Hammerstein II 1895-1960 won 8 Tony Awards and 2 Academy Awards. Described by Stephen Sondheim as an "experimental playwright" Hammerstein collaborated with Rodgers on "Oklahoma!" "Carousel" South Pacific" "The King and I" and other works that focused on stories and character instead of lighthearted entertainment. Hammerstein was a prominent member of the United World Federalists advocating for a democratic world government.</p><p>A Presbyterian minister the recipient Norman Thomas 1884-1968 was a political activist and pacifist. He ran as the Socialist Party candidate for President in 6 elections from 1928 to 1948.</p> February 26, 1960.
11173Letter One: 20 Woodstock Road Bedford Park Chiswick; 1 May 1926. Letter Two: The George Hotel South Molton North Devonshire; 22 September 1941. Letter One: 2 pp 12mo. 23 lines. Good. Docketed '3.5.26 copd.' He thanks him for his letters and has 'sent the verses to Sanderson'. The copies of the 'Quilter publications' that Bennett needed for the writing of an article in the 'Music Teacher' have not arrived. Asks for information on a 'volume of songs by Sibelius'. 'If they are available could they be included in the Quilter parcel'. He is 'writing about Sibelius for publication in July & want to be as complete as possible'. Letter Two: 2 pp 4to. 23 lines. Good with staple holes to one corner. The 'question of rights as between author & composer . seems a problem without solution. One thing seems certain - that though indifferent music can ruin good words not even the best words can save indifferent music. Which is an annoying state of things for authors.' He considers it 'an excellent thing' that 'relative rights for broadcasting & gramophone are fixed. So much discussion is avoided.' He had rather 'the royalty proportions for "Freedom" were not discussed further' and will sign the agreement Boosey is sending him. Born in Farnham Harry Rodney Bennett was a children's author a writer of educational textbooks and the librettist of Quilter’s 1936 light opera Julia Love at the Inn. Letter One: 20 Woodstock Road, Bedford Park, Chiswick; 1 May 1926. Letter Two: The George Hotel, South Molton, North Devonshire; unknown
197088709Editions du CNRS, coll. « le Choeur des muses. Corpus des luthistes français » 1970 In-4 cartonnage pleine toile grise 27,7 cm sur 21,5. 359 pages. Très bon état d’occasion.
18291Paris, Baudry ; Hippolyte Souverain (Lyon, imprimerie typographique et lithographique de Louis Perrin), 1842 ; 2 tomes in-8, demi-chagrin rouge à coins, dos à nerfs décoré et doré aux petits fers, titre doré, tête dorée, tranches juste ébarbées (Bruyère) ; [4], 415 pp., frontispice dessiné par Louis Perrin, lithographié en rouge, ocre, noir et argent ; [4], 494 pp., frontispice identique au tome Ier, mais tiré en vert, vieux rose, noir et argent, nombreux ornements typographiques (bandeaux, lettrines, culs-de-lampe).
1794215352London: Debrett; Longman; Debrett; Debrett 1794. All but the last title first editions. 80; 6 42; 4 61 3; 4 32 pp. 1 vols. 8vo. Three quarters blue polished calf gilt spine t.e.g. Upper cover detached. All but the last title first editions. 80; 6 42; 4 61 3; 4 32 pp. 1 vols. 8vo. Debrett; Longman; Debrett; Debrett unknown
1948141028N.p.: N.p. 1948. Draft script for an unproduced musical. Several annotations in manuscript ink throughout. <br /> <br /> Originally published in the Saturday Evening Post and based on a short story by Dana Burnet. A senator is slated to give the keynote speech at the upcoming Democratic National Convention with many young people in attendance to protest the war. Following the advice of his assistant he ends up giving a speech from his heart and ends up nominated for president. <br /> <br /> Set in Philadelphia. <br /> <br /> Rust titled wrappers. Title page present dated June 1948 with credits for playwright Dana Burnet and librettist Shirley Solomon. 120 leaves with last page of text numbered 7:3. Mimeograph duplication rectos only. Pages Near Fine wrapper Near Fine bound with three gold brads. N.p. unknown
12301Without date or place. 1p. 16mo. On a piece of watermarked laid paper 17 x 10.5 cm. Fair on lightly-aged paper with a manuscript correction 'tracts' to 'tracks'. In three numbered stanzas Farnie's version being in effect an entirely new poem: 'This Fish was indeed Oh! A Woolwich Torpedo But Oh! But Oh! The big whale did not know.' 'Les noces d'Olivette' was first performed in Paris in 1879; Farnie's English language adaptation starring Florence St. John was performed at the Strand Theatre in London from 1880 to 1881. This version without date or place does not correspond to any of the six versions listed on COPAC. Without date or place. unknown
boz_002625Paul Jules Barbier Pouvoir signé par le poète, dramaturge et librettiste, Paul Jules Barbier. Dimensions : 24 x 17 cm.
boz_004823P.H. Raymond-Duval Pouvoir signé par P.H. Raymond-Duval, librettiste. Dimensions : 24 x 17 cm.
184594059[Ca. 1845]. 5 x 4,5 cm. Feinkartonpassepartout.
2325612 October 1953. On London letterhead of 'The King and I' Williamson Music Limited 14 St George St W.1. 1p 4to. In fair condition lightly aged. Folded once. The printing of the letterhead in red and black extends along three edges with decorations including an oriental-style architectural motif in front of a tree at bottom right. At the head of the page the letterhead reads 'Williamson presents The King and I as originally produced by Richard Rodgers & Oscar Hammerstein 2nd.' The four directors of Williamson Music Limited are named at the foot including Rodgers Hammerstein and 'Louis Dreyfus British formerly American'. The note addressed to 'Mr. MacQueen Pope' at his Coventry Street address reads: 'Dear MacQueen Thank you for your book I know that I shall read it with great pleasure. We had the opening you predicted and I am very glad that you were not wrong. All the best to you.' 'The King and I' was written as a vehicle for Gertrude Lawrence who starred in the original Broadway run opposite Yul Brynner. The original London production opened on 8 October 1953 at the Theatre Royal Drury Lane and featured Valerie Hobson as Anna and Herbert Lom as the King. MacQueen-Pope was the Drury Lane publicist hence his ability to make a prediction about the production's success. 12 October 1953. On London letterhead of 'The King and I', Williamson Music Limited, 14 St George St, W.1. unknown
18671298Philadelphia: Ledger Job Printing Office 1867. <p>8vo. 220 x 145 mm. 8 ¾ x 5 ¾ inches. 21pp. Stitched single gathering on ivory stock inserted within glued cover of blue-gray paper of same weight. Libretto is solid and relatively unsoiled; substantial closed tear runs halfway up the back cover at the binding fold. Front cover shows post-publication stamp of “Henry McCaffrey Music Publisher Baltimore.â€<br /> <br /> Printing unknown. This libretto accompanied performances of Norma by the Richings English Opera Company. The predominance of New York City in the advertising inside the front and rear covers points to Manhattan but Philadelphia seems to be the spot as the Philadelphia Daily Evening Bulletin of November 15 1867 declares in its “Amusements†column on that day that “The opera of Norma was given last evening at the Academy of Music by the Richings troupe in a very acceptable manner.â€</p> . Ledger Job Printing Office unknown
2021BIBSD0047469532021. Full Leather Bound. NEW. Size: 19.68 x 24.13 cms A Unique Premium Leather-Bound book for elite readers/collectors of old rare books. An Original Leather is being used for binding this book with Golden Leaf Printing and designing on Spine front and Back of the book with edge gilding. WE HAVE MULTIPLE OPTIONS IN COLOR OF LEATHER RED GREEN BLUE MAGENTA TAN PURPLE DEEP BROWN BLACK AND WITH DIFFERENT COLOR LABELS. YOU MAY CHOOSE ANY COLOR OF YOUR CHOICE AND MAIL US. This service is chargeable. Original edition was published in 1843 and this unique edition is Reprinted in 2021 with the help of original edition. Black & white printing on high quality natural shade paper with sewing binding for longer life professionally processed without changing its contents. As these are old books we processed each page manually on computer and make them readable. We give our best to give you the best book but in some cases we have to adjust few pages which are blur or missing or black spots. If it is multi volume set then it is only single volume. We hope that you understand these issues in these old treasure. This is an important book for the readers who want to know more about our old treasure. Our dedicated team is trying to bring these rare books back to the shelves. We are also giving service of printing the hard-to-find books which are not listed in our store. Hope you will like it and give your comments and suggestions. Lang: - Italian Pages 237. Product Disclaimer: Please be aware that because leather is a natural material slight discoloration or change in texture may be visible. FOLIO EDITION Size 12x19 Inches IS ALSO AVAILABLE ON REQUEST. hardcover
349651 page in4 - bon état -
12685Opera matinée 1983. Circa 78pp. used some pages added text worked over red boards hinge strain mainly good condition. Indexes to Acts lines through manysections. Contents include: questions for Wilfred Josephs "Sets Scenes Act II"; stage directions; suggestions about characters; directions; music "5 Mrs v H van Hopper tells A. she is hopeless against Rebecca"; "final faults"; sets; dialogue; problems; phone numbers and addresses; more detailed points for Wilfred Josephs; suggested lines for a duet; characters with actors' names e.g. Mrs v. Hoppen Nuala Willis as happened; etc. WITH: Handbill 4pp. for the "World Première of Rebecca Opera North brings alive the dream of Manderley". [Opera matinée 1983] hardcover
986Sans date - reliure - Heugel et Cie, Editeurs - Théâtre National de l'Opéra-Comique, dirigé par Léon Carvalho - Ouvrage non daté (circa 1890) - In-4 (28 x 19,5 cm) reliure demi-basane, filets et titre dorés au dos - 344 pages - Opéra-comique de Henru MEILHAC et Philippe GILLE. Musique de Jules MASSENET - A PROPOS : Opéra présenté pour la première fois le 19 janvier 1884. Partition piano-voix, édition Heugel & Cie, présentant les numéros de planches 7067 et 1386
329571 page in8 - à son chiffre gravé par Stern à Paris -
329581 page in12 - à son chiffre gravé par Stern à Paris -
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329611 page in8 - à son chiffre gravé par Stern à Paris -
014022Gustave Vaëz (1812-1862), librettiste belge. L.A.S., Paris, 17 août 1844, 1p in-8. Belle lettre autour de la re-création de l'opéra Othello de Rossini le 26 août 1844, à l'éditeur Christophe Tresse : « Mon cher Monsieur Tresse, nous avons, Alphonse Royer et moi un Othello traduit et réarrangé qui se jour à l'opéra le lundi 26 de ce mois, dans 9 jours ; la musique, comme vous le savez, est de Rossini, les rôles sont joués par [Gilbert] Duprez, [Paul] Baroilhet, [Nicolas-Prosper Levasseur] et Mme [Rosine] Stolz [Stoltz], on y a mis de la danse et tout ce qu'il faut pour rendre la représentation brillante. Nous voulons, suivant l'usage, faire imprimer d'avance pour vendre le jour même à l'opéra. Vous convient-il de vous rendre acquéreur du libretto au prix de mille francs que nous avons déterminé comme le plus bas prix auquel nous céderons la propriété de la chose. Cela dit, vous n'avez qu'un mot de réponse à me faire : oui ou non ; vous me ferez connaître votre décision demain n'est ce pas car il ne reste qu'une semaine pour l'impression. Soyez assez bon pour m'écrire deux lignes. Bien à vous dans tous les cas. Gustave Vaëz ». Tresse a effectivement édité le livret en 1844. Très intéressant courrier. [134-2]