Charles NodierBiblio.com
525 résultats
0260166502.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
0366309919.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
0656989602.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
0366470167.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
182571534Paris: N. Delangle 1825. Fine. N. Delangle Paris 1825 10 x 15.30 cm relié Edition from the Petits Classiques françois collection printed in 500 copies at the expense and under the supervision of Charles Nodier and the publisher using Didot l'Aîné typefaces. Half navy blue morocco binding with corners spine with five raised bands decorated with double blind-stamped compartments a few small scratches to the spine marbled paper boards marbled endpapers and pastedowns marbled edges two corners slightly bumped. Handsome copy despite some light foxing. N. Delangle hardcover
ria9783563044346_inpPaperback. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; N/A paperback
20122092902141700455Slatkine Reprints 2012. Soft Cover. Fine. Number of pages: 12 v. Number of books: 12 Slatkine Reprints paperback
1830003188Paris: Louis Janet 1830. First Edition. Velvet on Boards. Full Morocco Slipcase. Near Fine. 12mo. 16.5 by 10.5 cm. clvii 44 1 pp. With five hand-colored and illuminated plates including title plus illuminated devices and decoration elsewhere. While the plates are printed the coloring and illumination is such that it is a fine simularcrum of manuscript illumination. This work is in fact a literary hoax simulating a Medieval Romance but in fact penned by Michel and promoted by the extensive notes and annotations that follow the chronicles. The leaves are a light vellum and this edition was issued with luxuriant unusual bindings such as the navy blue velvet of this one. Louis Janet unknown
1830004720Paris: Louis Janet 1830. First Edition. Cloth. Full Straight-Grained Morocco Slipcase. Near Fine. 12mo. 16.5 by 10.5 cm. clvii 44 1 pp. With five hand-colored and illuminated plates including title plus illuminated devices and decoration elsewhere. While the plates are printed the coloring and illumination is such that it is a fine simularcrum of manuscript illumination. This work is in fact a literary hoax simulating a Medieval Romance but in fact penned by Michel and promoted by the extensive notes and annotations that follow the chronicles. The leaves are a light vellum and this copy has a resplendent decorative green cloth relief with a rich gilt background that is quite distinctive. Pink moire endpapers. Lovely gilt decoration including border on the straight-grained morocco slipcase. A few light fox marks but essentially clean and mostly pristine. Minor rubbing of the gilt on the spine and other trivial manifestations of wear. Louis Janet unknown
1820001923Paris: Chez Ladvocat Libraire 1820 1820. FIRST FRENCH EDITION. 2 vols. 6-3/4" x 4-1/4" with the half-titles without the publishers 4pp. ads otherwise complete bound in contemporary 1/4 maroon calf gilt decorated spines vellum back corners contemporary engraved bookplate of Madam Barante inner and outer hinges fine head and foot of spines fine spines slightly sunned internally clean and bright. First edition in French of Polidori's Vampires. This work often mistakenly attributed to Charles Nodier author of the preliminary observations signed with his initials is by Cyprien Berard then director of the Theater de Vaudeville. He points out the popularity that the vampire had conquered at the end of the 18th century: "the frightening fable of the vampires could not fail to be consecrated among all the nations which received it in their belief. I have no doubt that the public grants like me another kind of rarer and more estimable merit to this novel.". France therefore lacked a literary production on vampires! Berard's work comes at the right time.It is by far the most interesting text that the first generation of French Romantics wrote." Florent Montaclair in: The Vampire in French Literature 1820-1868 p. 109. SCARCE - RBH locate only two copies ever appearing at auction. Paris: Chez Ladvocat, Libraire, 1820 hardcover
1847004533NY: D. Appleton & Company 1847 80pp 2 80pp 2 66pp 2 62pp incomplete tale lacking some pages. Bound in 3/4 leather & marbled paper raised bands on spine illustrated throughout. Hinges cracked one signature sprung chipping to marble paper on covers. D. Appleton & Company hardcover
181800472Paris: Alexis Eymery Libraire Rue Mazarine No. 30. Printed by P. Didot L'Aine 1818. Hardcover. Fair. LITERATURE. Ed. Charles Nodier. Jean de la Fontaine. "Fables de la Fontaine avec un Nouveau Commentaire Litteraire et Grammatical. Tome Second French." Paris: Alexis Eymery Libraire Rue Mazarine No. 30. Printed by P. Didot L'Aine 1818. Only the second volume. French language. Full calf with five raised bands forming six compartments on a richly gilt spine with the title in the second compartment. Blue and pink French swirl endpapers chain-laid paper. Six engraved plates of allegorical tableaux. 8 1/4 x 5 inches. 22 oz. 6 460 pp. Boards dry rubbed worn with back hinge cracked halfway up the spine. Light toning foxing. Text clean. Fair to Good. No ASIN. No ISBN. "Jean de La Fontaine collected fables from a wide variety of sources both Western and Eastern and adapted them into French free verse. They were issued under the general title of 'Fables' in several volumes and are considered classics of French literature. Humorous nuanced and ironical they were originally aimed at adults but then entered the educational system and were required learning for school children. Paris: Alexis Eymery, Libraire, Rue Mazarine, No. 30. Printed by P. Didot, L'Aine hardcover
19802090502124800958Not Available 1980. Soft Cover. Fine. The book is in fine condition. Not Available paperback
182452885Paris: N. Delangle 1824. Fine. N. Delangle Paris 1824 15 x 24 cm 2 volumes reliés First edition of Charles Nodier's commentary and first printing of the frontispiece and 8 illustrations hors-texte by Eugène Devéria one of the rare copies printed on vellum. Half brown morocco bindings with corners spines slightly lightened with four fine raised bands set with gilt dots decorated with double gilt compartments richly decorated gilt friezes at head and foot traces of rubbing on joints marbled paper boards marbled endpapers and pastedowns corners slightly bumped contemporary bindings signed by Bibolet. Some light foxing library classification labels pasted opposite half-title pages. Provenance: from the library of Paul Lacombe with his bookplates pasted on pastedowns. N. Delangle hardcover
66093A.-A. Renouard Paris 1812 2 tomes In-12 en un volume xi-187-210pp. reliure demi-basane de l'epoque dos orne de blasons avec piece de titre en maroquin rouge charnieres fendues corps d'ouvrage en bon etat Nb-0349 unknown
38120Imprimerio de Prosper Noubel - édition originale In-8 lv-404pp. illustr. portrait frontispice bandeaux et culs de lampes quelques rousseurs éparses reliure demi-basane époque dos plat orné A72 Précédé d'un avant-propos de l'éditeur d'une bibliographie patoise par Charles Nodier de critiques et portraits littéraires par Sainte Beuve et d'une dédicace a Monsieur Charles Nodier. Feuillets de musique notée in-fine unknown
184347823Paris: Lavigne 1843. Fine. Lavigne Paris 1843 15 x 24 cm relié New edition of the French translation established by Elise Voiart and illustrated with 200 vignettes engraved after drawings by Charles Lemercier. Half cherry red shagreen binding spine with four raised bands set with gilt fillets ornately gilt in triple compartments decorated with gilt typographical motifs minor scratches to foot of spine covers framed with triple gilt fillets on marbled paper boards marbled endpapers and pastedowns two corners damaged marbled edges. Work illustrated with numerous vignettes in the text. Preface by Charles Nodier. Foxing. Lavigne hardcover
1818118568Paris : Alexis Eymery 1818. 180x110mm. frontispice CXI - 460Êpages reliure veau racinÂŽ avec piÂce de titre et tomaison et filets dorÂŽs au dos. Dorrure au dos passÂŽe. IntÂŽrieur propre. 338 Alexis Eymery unknown
1824298241824. Paris Charles Gosselin 1825. Un vol. au format in-16 123 x 82 mm de 1 f. bl. 1 f. bl. 2 ff. n.fol. xv - 263 pp. et 1 f. bl. Reliure de l'ÂŽpoque de plein veau glacÂŽ carmin plats agrÂŽmentÂŽs d'un filet d'encadrement noir ˆ froid terminÂŽs par de petits ÂŽcoinÂons dorÂŽs large dentelle d'encadrement ˆ froid dos ˆ nerfs ornÂŽ de filets gras et maigres en noir filet en pointillÂŽs dorÂŽs sur les nerfs larges fleurons ˆ froid triples filets dorÂŽs titre dorÂŽ palette dorÂŽe en tÂte et queue roulette dorÂŽe sur les coupes tranches dorÂŽes dentelle intÂŽrieure dorÂŽe. Brigandat. Exemplaire revÂtu d'une dÂŽlicate reliure romantique signÂŽe Brigandat. ''Relieur parisien de la premiÂre moitiÂŽ du XIXÂme''. in FlÂŽty. ''Illustrations of his excellent bindings appear in Gum''. in Ramsden. ''Le travail de Brigandat est toujours soignÂŽ ; certaines de ses reliures prÂŽsentent un intÂŽrÂt peu commun''. in La reliure romantique. L'ouvrage s'ouvre sur page de titre avec vignette figurative gravÂŽe. Il s'agrÂŽmente en outre de 6 planches gravÂŽes montÂŽes sous serpente. Les dÂŽbuts de Lamartine dans la poÂŽsie dÂŽbuts de la poÂŽsie romantique dans la littÂŽrature franÂaise eurent un magnifique succÂs. AprÂs la poÂŽsie sensuelle ou jugÂŽe trop conventionnelle des derniers classiques on fut surpris et charmÂŽ d'entendre un poÂte osant Âtre ˆ la fois ÂŽmu et sincÂre faisant preuve d'une profonde mÂŽlancolie ÂŽlÂŽgiaque et douce. La forme des MÂŽditations fluide et homogÂne atteint gr‰ce aux sentiments forts et profonds du poÂte une harmonie novatrice comblant dÂs lors la dÂŽficience du romantisme en matiÂre de poÂŽsie. Soupirs de l'‰me de Lamartine le recueil est ÂŽvocateur des souvenirs et des regrets les espÂŽrances et des dÂŽsespoirs comme de l'angoisse face ˆ la mort. Mais ces ÂŽlans de l'‰me sont insÂŽparables du sentiment de la nature amie ˆ qui le poÂte confie ses joies et ses peines. L'ÂŽvocation des paysages naturels est l'expression de l'ÂŽtat d'‰me du poÂte lui-mÂme. Pour l'originale de 1824 : Vicaire IV Manuel de l'amateur de livres du XIXÂme siÂcle 952 - Carteret II Le TrÂŽsor du bibliophile romantique et moderne p. 18 - Clouzot Guide du bibliophile franÂais p. 102 pour la neuviÂme ÂŽdition en partie originale - FlÂŽty Dictionnaire des relieurs franÂais p. 34 - Ramden French bookbinders p. 43 - La Reliure romantique p. 11 - Bender Bibliographie des oeuvres de Charles Nodier p. 11. Angles trÂs lÂŽgÂrement ÂŽlimÂŽs. TrÂs rares rousseurs dans le texte. Du reste belle condition. b42961 unknown
188712384Paris: G. Charpentier 1887. 2 aquatints after drawing by A. Ferdinandus enraved by F. Massé. 369 pp. 11.5 x 8 cms. 12mo bound by Lucette Lévy in full brown morocco elaborately tooled in gilt on both sides and spine with a lattice pattern with in a border on each side and spine the cetnre of each lozenge with a gilt flower tool spine lettered in gilt doublures with a matrix of flower tools with in two gilt fillet borders watersilk free endpapers original wrappers bound in. With the original chemise. A very handsome book in excellent condition.In the 1920s many women were drawn to the medium of bookbinding perhaps influenced by the new modernist designs forged by Pierre Legrain. The women included the widows of bookbinders killed in the war and a hwole new enterprising generation of young women who were searching for a fashionable vocation in teh arts. As the Ecole Estienne was reserved ofr men may women enrolled at the city’s Ecole et Les Ateliers d’Art Decoratif which had been founded in 1894. It is very probable that Lucette Lévy was among them. Binding instruction was offered first by Mme Rene Sergent and later by Lapersonne Choffe and Genevieve de Leotard. On completion of the 4 year course graduates sought employment in the city’s main binding workshops or set out to establish themselves independently. <br>Although we cannot find any details about her apart from occasional bindings which have appeared in the rooms viz. Christie’s 2009 and a couple of bindings in booksellers’ catalogues Lucette Lévy was clearly extremely talented with great technical ability like Adler she inclined to familiarising herself with the text and illustrations in a book to create an accord with it in her binding. She was varied and adaptive in her styles and was inventive with fonts for lettering and ways of binding throughout the 1920s and 1930s. G. Charpentier unknown
1925LOVATFRA000425Daniel O'Connor London. c1925. First U.K. edition first issue printed at the Westminster Press. 62 pages with colour illustrations throughout by Lovat Fraser. Colour decorated endpapers. Patterned cloth-backed boards.Some rubbing to corners of covers. Very good indeed. Daniel O'Connor, London. hardcover
0266459455.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
183659466Paris : chez Allardin 1836. 288x190mm. xylographies demi-basane noires titre et filets dors au dos. 1193 chez Allardin unknown
183781126Paris : Postel 1837. 305x195mm. xylographies in texte demi-veau de lÕpoque plats papier marbr titre et ornementations dors au dos quelques rousseurs. Texte sur deux colonnes. Cuir frott. 547 Postel unknown
1890255232Librairie d'éducation nationale 1890. Bon Etat de conservation circa 1890 première garde abîmée intérieur uniformément jauni bonne tenue. in4. 1890. Relié. 6e édition Librairie d'éducation nationale unknown
