Pierre-Georges CastexLivre Rare Book
1 459 résultats
LIT172M1968 / 466 pages. Broché Editions José Corti
544262Paris, E. Dentu, 1894. In-16, demi-basane marron, dos lisse, orné d'un joli décor de double encadrement ornementé en long et doré, bordant la pièce de titre fauve, plats coquillés et gardes marbrées, couverture illustrée conservée, 326pp, illustrations in et h.-t. de G. Picard en N/B.
2002LITTXVIE210217Toulouse, Anacharsis, 2002, 12,5 x 20, 175 pages cousues sous couverture rempliée illustrée. Adaptation en français moderne, préface, notes et dictionnaire du Cymbalum Mundi par Laurent Calvié. En postface, un texte de Charles Nodier.
189874615Paris: Imprimerie Champenoispour CH. MassonH. Piazza 1898. Fine. Imprimerie Champenois pour CH. Masson H. Piazza Paris Décembre 1898 23 x 35 cm une feuille Rare original lithograph executed by Paul-César Helleu for L'Estampe Moderne series number 20 published in December 1898. One of 50 deluxe proofs printed on China paper with wide margins artist's signature in the plate publisher's dry stamp depicting a child's profile in the lower margin mounted on a sheet of laid paper with the numbered stamp of the deluxe printing on the reverse some foxing. Lithograph inspired by an extract from Polichinelle by Charles Nodier. Magnificent French monthly publication edited between May 1897 and April 1899 L'Estampe moderne consists of original chromolithographs which unlike other magazines such as Les Maîtres de l'Affiche and as stipulated on the tissue guards were created specifically by each artist for the magazine. Thus 100 prints appeared in total covering the major artistic movements of the late 19th century: Symbolism Art Nouveau Pre-Raphaelites Orientalists and Belle Epoque. Each issue of four prints was printed in 2000 copies sold for 3.50F and 100 on Japan paper offered at 10F. Henri Piazza also planned a confidential printing of very grand luxury: 50 copies on Japan paper with wide margins and 50 in black on China paper at the considerable price of 30F. This print of beautiful format is superbly printed on one of the most prestigious papers: China paper. ""Despite all its qualities China paper too inconsistent owes its reputation not to its own beauty but to its particular affinities with printing ink. Its texture smooth and soft together is more apt than any other to receive a beautiful printing. This property makes China paper sought after for printing engravings."" Anatole France. French collectors' interest in artistic posters intensified at the beginning of the 1890s. Octave Uzanne to describe this fever invented the term ""affichomanie."" The poster originally popular and posted in the streets of the capital then became an art object and its ephemeral medium became precious and devoted to preservation. Piazza decided to remove the poster from its advertising vocation and elevate it to the rank of a complete work of art in the same way as the illustrated luxury book. He thus composed a prestigious collection of entirely original works by the most prominent European artists of the moment: Georges de Feure Eugène Grasset Henri Detouche Emile Berchmans Louis Rhead Gaston de Latenay Lucien Lévy-Dhurmer Gustave-Max Stevens Charles Doudelet Hans Christiansen Henri Fantin-Latour Steinlen Ibels Engels Willette Henri Meunier Evenepoël Bellery-Desfontaines Charles Léandre etc. Handsome copy. Imprimerie Champenoispour CH. MassonH. Piazza unknown
189874614Paris: Imprimerie Champenoispour CH. MassonH. Piazza 1898. Fine. Imprimerie Champenois pour CH. Masson H. Piazza Paris Décembre 1898 23 x 35 cm une feuille et une serpente Rare original lithograph executed by Patrice Dillon for L'Estampe Moderne series number 20 published in December 1898. One of 50 deluxe proofs printed on Japan paper with wide margins artist's signature in the plate publisher's dry stamp depicting a child's profile in the lower margin numbered stamp of the deluxe printing on the reverse; engraving preceded by a tissue guard captioned with the artist's name title and an extract from a work. Lithograph inspired by an extract from Polichinelle by Charles Nodier reproduced on the print's tissue guard. Magnificent French monthly publication edited between May 1897 and April 1899 L'Estampe moderne consists of original chromolithographs which unlike other magazines such as Les Maîtres de l'Affiche and as stipulated on the tissue guards were created specifically by each artist for the magazine. Thus 100 prints appeared in total covering the major artistic movements of the late 19th century: Symbolism Art Nouveau Pre-Raphaelites Orientalists and Belle Époque. Each issue of four prints was printed in 2000 copies sold for 3.50F and 100 on Japan paper offered at 10F. Henri Piazza also planned a confidential printing of very grand luxury: 50 copies on Japan paper with wide margins and 50 in black on China paper at the considerable price of 30F. This print of beautiful format is superbly printed on the most prestigious of papers: Japan paper. Thick silky satiny and pearlescent it contributes to making each page a complete work in itself. Its quality of ink absorption and its affinity with colors also make it the ideal medium for these very beautiful lithographs. French collectors' interest in artistic posters intensified at the beginning of the 1890s. Octave Uzanne to describe this fever invented the term ""affichomanie."" The poster originally popular and posted in the streets of the capital then became an art object and its ephemeral medium became precious and devoted to preservation. Piazza decided to remove the poster from its advertising vocation and elevate it to the rank of a complete work of art in the same way as the illustrated luxury book. He thus composed a prestigious collection of entirely original works by the most prominent European artists of the moment: Georges de Feure Eugène Grasset Henri Detouche Emile Berchmans Louis Rhead Gaston de Latenay Lucien Lévy-Dhurmer Gustave-Max Stevens Charles Doudelet Hans Christiansen Henri Fantin-Latour Steinlen Ibels Engels Willette Henri Meunier Evenepoël Bellery-Desfontaines Charles Léandre etc. Handsome copy. Imprimerie Champenoispour CH. MassonH. Piazza unknown
1888864A16Paris: Librairie des Bibliophiles 1888. Leather. Near Fine. 7" by 4.5". Ad. Lalauze. French translation of Oliver Goldsmith's famous novel 'The Vicar of Wakefield' in two bright volumes. One of the most popular novels among Victorians The Vicar of Wakefield was originally published in 1766 and concerns family endurance and the drama surrounding the Primrose family who live an idyllic country life until they loose finances and their daughter is abducted. A comedic novel told with much sentiment. Written by Oliver Goldsmith popular Anglo-Irish novelist playwright and poet in the Georgian era. This is his most well known work along with the pastoral poem 'The Deserted Village' and his play 'The Good Natur'd Man.'The French edition translated with preface and notes by Charles Nodier. A new edition. Also issued in limited editions. Complete in two volumes. Collated complete with eight full page plates of etchings by Lalauze. Housed in custom marbled slipcase. In uniform quarter morocco binding over marbled boards gilt to top edge. Externally very smart with minor shelf wear only back strip gently faded. Internally firmly bound Odd minor faint spotting to fore edge vol. 2 only not affecting any of the leaves that are bright and clean. Near Fine Librairie des Bibliophiles hardcover
1853919T6Paris: E. Blanchard 1853. Cloth. Good. 7.5" by 5.5". Jacques. The fourth French edition of this classic Victorian novel from Goldsmith with two parts bound in one illustrated throughout. French. Two parts bound in one volume. Fourth French edition. Illustrated throughout. One of the most widely read eighteenth century novels among Victorians this piece follows the lives of the Primrose family through bankruptcy. Written by Oliver Goldsmith an Anglo-Irish novelist dramatist and poet. Translated by Jean Charles Emmanuel Nodier a French author and librarian. Illustrated by Jacques. In the original brown cloth binding with gilt. Externally smart with light rubbing and minor bumping to the extremities. Minor splits in the cloth to the head of the spine with a small puncture mark to the rear board. Internally firmly bound. Pages are very bright with spotting throughout. Good E. Blanchard hardcover
183877696Paris: Bourgueleret 1838. Fine. Bourgueleret Paris 1838 14.50 x 22.50 cm relié Bilingual illustrated edition in first printing translated by Charles Nodier with the English text facing. Notice by Charles Nodier. 10 plates by Johannot on heavy laid paper before letters and more than one hundred vignettes. Printed on fine tinted laid paper. A frontispiece on China paper mounted on heavy laid paper. Text within ruled borders. Full glazed midnight blue calf binding. Smooth spine decorated with long mirror tools. Boards stamped in blind with a large Cathedral plate with foliate scrollwork motifs that seem to reproduce the front cover. Edges gilt. Interior border. Fresh overall but foxing on the frontispiece and title leaf. Traces of rubbing. One upper edge slightly bumped over 0.5cm. The figure p. 341 is missing. Captioned tissue guards present. Handsome copy in a full contemporary binding. The plate used for the boards seems particularly well suited to the work cathedral motifs softened by ornaments foliage and other elements. Bourgueleret hardcover
1836biblio261<p><em>Two volumes. Quarto. Chez Amable Costes. Paris. 1836/1837. </em><em>Complete set with 135 copper engraved plates and two folding engraved maps. </em><em>Premier Partie: viij 56 16 48 28 48 24pp. Engraved half title title section titles folding map slightly darkened to edge 51 copper engraved plates as listed in tables des matières et indication des figures; </em><em>Deuxieme Partie: 136 80 64 64pp. Title section titles 84 copper engraved plates as listed in tables des matieres et indication des figures plus one extra folding map. </em><em>Contemporary quarter morocco faux shagreen vellum corner tips. Spines in six compartments gilt lettering and decoration gilt faded to base of spine Vol. I. Marbled endpapers. All edges blue. Crisp and bright occasional light toning to text. Light shelf wear. A desirable set.</em></p><p><em>Carte Routiere de l'Italie dressee par Th. Duvotenay eleve de M.P.Lapie publiee par Amable Costes 1836.</em></p><p><em>Second map grave Flahaut; ecrit par Arnoul.</em></p> Chez Amable Costes hardcover
1846RO20194385PIGOREAU ALPHONSE. 1846. In-8. Relié demi-cuir. Etat d'usage, Couv. convenable, Dos à nerfs, Mouillures. VIIJ + 56 + 16 + 48 + 28 + 48 + 24 + 134 + 80 + 64 + 64 pages - nombreuses gravures en noir et blanc hors texte + 2 cartes depliantes en noir et blanc hors texte - frontispice en noir et blanc - mouillures dans le texte sans consequence pour la lecture - plats jaspés - dos à 4 nerfs - mors fendus - 4 photos disponibles.. . . . Classification Dewey : 945-Italie
19238316Paris, Honoré Champion, 1923. Gr. in 8 (165 x 250) de 5 ff., VI-450 p. Broché, piqûres uniquement sur les couvertures.
184300236Au comptoir des Imprimeurs-Unis 1843. Book. Good. Hardcover. 12mo - over 6¾" - 7¾" tall. In-12 relié Bon Etat. Au comptoir des Imprimeurs-Unis Hardcover
1844448741844 Paris. Imprimerie Royale. 1844. 1 volume grand in-8, cartonnage à la Bradel de l’éditeur de couleur crème, pièce de titre en maroquin grenat. 329 pp. ; 1 carte dépliante, 40 gravures sur bois hors-texte tirées sur Chine avec serpentes légendées, 153 vignettes dans le texte, par Raffet, Dauzats et Decamps.
1989R200074311GF FLAMMARION. VERS 1989. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 309 pages.. . . . Classification Dewey : 840.091-XX ème siècle
110109Genève, Editions d’Art Albert Skira - Imprimeur Albert Kundig 1944, 205x130mm, 315pages, broché. Couverture à rabats. Bel exemplaire.
16778Paris Madame Dabo-Butscher 1824 544p/482p karton ingebonden voormalig bibliotheek exemplaar - unknown
HA529KLWBroché très bon état .Contenu propre . 2004. 59 pages . PHOTOS SUR DEMANDE
16770Paris Madame Dabo-Butschert 1824 483p paperback ingenaaid grotendeels ongeopend - paperback
16771Paris madame Dabot-Butschert 1824 525p paperback ingenaaid grotendeels ongeopend stempel voorin voormalig bibliotheek exemplaar - paperback
16776Paris Dabo-Butschert1824 436p paperback ingenaaid alle paginas opengesneden voormalig bibliotheek met stempel - paperback
16775Paris madame Dabo-Butschert 1824 427p paperback ingenaaid ongeopend - paperback
1019811447.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1334894175.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
45499726like new. unknown
1018228195.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
