Wieland

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WIELAND, MatthiasBiblio.com

Wahre Abbildung der Beleichtung des Land-Haußes zu München.

17475492Proof Copy of Illuminations on the Occasion of the Wedding of Maximilan Joseph III of Bavaria to Princess Maria Anna of SaxonyWIELAND Matthias. Wahre Abbildung der Beleichtung des Land-Haußes zu München. Welches bey höchster Vermählung S: Regierend Churfürstl: Durtl: sic in Bayrn Maximilian Ioseph mit der Pollnisch- und Chur-Sachßisichen sic Princesin Frauen Maria Anna Churfrtl: Durtl: vorgestöhlet worden den 17.t July annô MDCCXLVII. Munich engraved by Matthias Wieland signed in the plate 1747.£1500Broadside 330 x 500mm copper engraving inscribed lower right M: Wieland scul. Mon. Munich 1747; trimmed to or beyond the plate mark on the right touching the framing lines. Two penetrating ink stains on the verso small abrasion in the lower border but overall very clean and crisp printed on strong paper.Illuminated festive broadside engraving for the wedding of Prince-Elector Maximilian Joseph III to Maria Anna of Saxony showing the nightly illuminations on the occasion. This is a proof copy: the central medallions for small portraits of the couple are still empty at the foot of the print there is a scale for the precise insertion of the presumably separate portrait plates.Maximilian III Joseph 1727 - 1777 also known by his epithet "the much beloved" was a Prince-elector of the Holy Roman Empire and Duke of Bavaria from 1745 to 1777. His marriage to his first cousin Maria Anna Sophia of Saxony in 1747 remained childless. He was the last of the Bavarian branch of the House of Wittelsbach and his early death in 1777 caused problems in the succession of the Wittelbach and eventually resulted in the War of Bavarian Succession.At a slightly later date there was fireworks display at the Nymphenburg palace which Wieland depicted on an oversized more than 1000mm copperplate engraving. Ornamentstichsammlung Berlin no. 2912; digitised. He describes himself there as the fireworker Tormentarius. Both sheets are recorded in Maillinger Bilder-Chronik I nos. 976/977 in Pfister Kunstsammlung no. 2650 the present one in its final state.The recording of the celebration of the wedding forms part of official art in the Renaissance and the Baroque with a clear political purpose. It made the contemporary viewer see and understand pageantry as an instrument and manifestation of power.Provenance: Small crowned monogram stamp of the Franz Joseph Graf von Enzenberg Collection on the reverse Lugt 845 auctioned in March 1879 by Wawra in Vienna. The broadside is not listed separately in the catalogue and was presumably part of the bundles listed at the end.Maillinger Bilder-Chronik I nos. 976/977; Pfister Kunstsammlung Monacensia Bavarica no. 2650 only the present one in its final state; British Museum 18591210.1103 for the large fireworks broadside. Wieland

Wieland, Christoph MartinBiblio.com

Horazens Briefe aus dem Latienischen übersetzt und mit historischen Einleitungen und anderen nöthigen Erläuterungen versehen

178219266Dessau: auf Kosten der Verlags-Kasse und zu finden in der Buchhandlung der Gelehrten 1782. First edition. Hardcover. fair. 2 volumes in 1. 8vo. 304pp. 261pp. Paper covered boards. Famous work on the satirical work "Horazen's Briefe" translated from the Latin by renowned German poet and novelist C.M. Wieland see below. Serious age wear water marks and repair to boards with spine missing. Binding still firm. Browning and sporadic foxing with some underlining in red to very few pages not affecting text. Owners' writing to inside of both boards. In German in Gothic letters. binding in poor book in good- condition. On the author: Christoph Martin Wieland 1733-1813 was a German poet and novelist. He spend his boyhood in Biberach until he was sent to the school of Kloster monastery Bergen in 1747. When he left the school in 1749 he widely read the Latin classics and leading contemporary French writers; amongst German poets his favourites were Brockes and Klopstock. During the summer of 1750 he fell in love with Sophie Gutermann a cousin of his and this love affair inspired him to plan his first ambitious works Lobgesang auf die Liebe 1751 followed by Die Natur der Dinge 1752 a didactic poem in six books of Alexandrine verse. In 1750 he went to the University of Tübingen as a student of law but his time was mainly taken up with literary studies. The poems he wrote at the university are pietistic in tone and dominated by the influence of Klopstock. They attracted the attention of the Swiss literary reformer J.J. Bodmer who invited Wieland to visit him in Zürich in the summer of 1752. Wieland remained in Switzerland until 1760 where he spent the last year at Bern as a private tutor.Wieland as Gotthold Lessing said "forsook the ethereal spheres to wander again among the sons of men." quoted from the Encyclopedia Britannica Wieland met again his early love Sophie Gutermann who had become the wife of Hofrat La Roche then manager of Count Stadion's estates. The former poet of an austere pietism now became the advocate of a light-hearted philosophy from which frivolity and sensuality were not excluded. In Don Sylvia von Rosalva 1764 a romance in imitation of Don Quixote he held up to ridicule his earlier faiths and in the Comische Erzählungen 1765 he gave his extravagant imagination only too free a rein. More important is the novel Geschichte des Agathon 1766-1767 in which under the guise of a Greek fiction Wieland described his own spiritual and intellectual growth. This work which Lessing recommended as "a novel of classic taste" quoted from the Encyclopedia Britannica marks an epoch in the development of the modern psychological novel. Of equal importance was Wieland's translation of twenty-two of Shakespeare's plays into prose 8 vols. 1762-1766; it was the first attempt to present the English poet to the German people in something approaching entirety.Wieland married in 1765 and between 1769 and 1772 was professor of philosophy at Erfurt. With the exception of some years Weimar remained Wieland's home until his death. Here in 1773 he founded Der teutsche Merkur which under his editorship 1773-1789 became the most influential literary review in Germany. Without creating a school in the strict sense of the term Wieland had a strong influence on the German literature of his time. The verse-romance and the novel--more especially in Austria--benefited by his example and even the Romanticism of the 19th century borrowed from him in its excursions into the literatures of southern Europe. The qualities which distinguish his work his fluent style and light touch his careless frivolity in contrast to poetic depth show him to have been in literary temperament more akin to Ariosto and Voltaire than to the more spiritual and serious leaders of German poetry; but these very qualities in Wieland's poetry introduced a balancing element into German classical literature and added materially to its fullness and completeness. This is not to say however that Wieland shouldn't be counted among the great German poetic geniuses. Kant himself refers to Wieland in the same sentence as Homer citing him as an example of Kant's idea of artistic genius. Critique of Judgment 5:309 quoted in Encyclopedia Britannica. auf Kosten der Verlags-Kasse und zu finden in der Buchhandlung der Gelehrten hardcover

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