8 472 résultats
1880SHELLEYP004389Reeves and Turner London. 1880. First edition. Edited with Prefaces Notes and Appendices by Harry Buxton Forman. Octavo. Eight volumes. Plates. Period binding of half calf with marbled boards raised bands gilt decorated spines leather author- and title-labels. Marbled endpapers and edges. The first important collected edition of Shelley's works.Some light rubbing to the spines and edges most noticeably at the raised bands. Some spotting of the prelims. Some fading to spine labels. Very good indeed. A handsome and scarce edition. Reeves and Turner, London. hardcover
1914000350<p><strong>"Cleanly printed from first to last" as Cobden-Sanderson remarked on <em>Shelley</em>. A very good copy of 200 printed on paper from a total edition of 212 copies 12 on vellum. </strong></p><p><strong>Description:</strong> Original full limp vellum with title in gilt on spine. Octavo: 24 × 17 cm; pp. 181. Printed in black and red on Doves handmade paper top edge cut fore and lower edges trimmed. Inner pastedown stamped <em>The Doves Bindery</em>.</p><p><strong>Ref.:</strong> Cobden-Sanderson 1922 142; Tidcombe DP35</p><p><strong>Condition:</strong> Volume is near fine with clean boards straight corners without rubbing. Pages tightly bound throughout pages 102–103 and 106–107 show some yellow discolourations verso of gathering g1 obviously an incident during printing edges slightly spotted. But otherwise a very good clean copy.</p><p><strong>Notes:</strong> The <em>Shelley</em> print was a tough nut to crack. By May 1914 when Shelley was printed Cobden-Sanderson had recovered from his long illness but he had become over-sensitive about the quality of the presswork. He blamed his age for the imperfections he thought were there and for his 'growing inability to energize the Press to its fingertips'. In the end however he found the prints were 'on the whole quite "all right" – cleanly printed from first to last' Tidcombe 2002. It is all the more surprising given Cobden-Sanderson's pedantry that a copy with such a paper defect should have come into circulation at all.</p> Doves Press
190322118Edinburgh: Printed by Turnbull and Spears for Otto Schulze & Co 1903. Limited Edition No. 20 of 40 copies printed on Japanese vellum. Square 8vo. v 289 1 pp. Title–page printed in red and black with woodcut border numerous 6–line woodcut capitals. Beautifully bound by Zaehnsdorf with their exhibition blind stamp on rear silk pastedown in full contemporary tan morocco gilt spine in 6 compartments with 5 raised bands gilt–lettering and geometric designs in compartments top edge gilt others uncut silk endpapers gilt dentelle turn ins. The date "1893" is inexplicably gilt-stamped on lower spine. Light wear to extremities and minor rubbing along joints; else a fine copy. Printed by Turnbull and Spears for Otto Schulze & Co unknown
JD37148London C and J Ollier 1821 second edition. First published in Italy in 1819 a printing of only 250 copies but this is the first English edition dedication page to Leigh Hunt is present bound in half morocco with five raised bands spine and covers with gilt TEG marbled endpapers bound by Thomas Fazakerley of Liverpool issued without half title and ads. Possible evidence of bookplate removal from front pastedown slightly rubbed else a very nice copy. London, C and J Ollier, 1821, second edition. hardcover
181999620London: John Ascham. 18191834. 1st thus. Printed and published by John Ascham Holborn all title pages dated 1834 with the two page 'Advertisement' for 'Rosalind and Helen' stating 'Naples Dec.20 1818". Recased in decorated paper-covered cloth boards leather and gilt title spine label new endpapers pp iv contents pages inserted title page ii adverts. 48; title page 71; title page viii preface 325; title page 424. Some foxing to upper margins of pages 38-42 of first poem and 377--382 with some foxing other upper cnrs lightly creased. Content pages lightly browned. Very good condition. Rare edition which includes Shelley's sonnet 'Ozymandias' which follows 'Rosalind and Helen'. Bound with 1834 edition of Epipsychidion; Posthumous Poems; The Cenci - each with title page. Uncommon likely pirated 1834 edition. 1st thus. Cloth Backed Boards. John Ascham hardcover
0198355335New. Brand new and still unused unknown
0520043227New. Brand new and still unused unknown
140949220Hoboken NJ: Sonic Youth Fanclub 1995. Fine. A scarce complete run of postpunk/indie band Sonic Youth's fanzine edited and distributed by the band members themselves as a means of keeping their growing fan base up to date on record/merch releases upcoming tour dates drawings by the band members as well as non-music related pursuits.<p>Seven issues staple bound and printed on newsprint. Fine. Excellent shape overall. Issue #1 has a Sonic Death Membership green slip laid in numbered 0086. <p>Includes write-ups on Pavement Bikini Kill John Zorn Royal Trux Sebadoh. Blowfly and more; record reviews by frontman Thurston Moore a two page spread devoted to hate mail received by the band tour info about the Raincoats and a lengthy contribution about Yoshimi Yokota of Free Kitten and Boredoms. OCLC locates just two incomplete institutional holdings. Sonic Youth Fanclub unknown
8931Cornwall CT 1975. 10 original watercolors ranging from 5x3.5" to 11.5x8" nine of which are signed by Parker. Printer's notes and tape to versos and margins. Few smudges and wrinkles but generally near fine. Included is a copy of the book published by Clarkson N. Potter 1976. <br /> <br /> Tremendous set of illustrations by Robert Andrew Parker painter and watercolorist known for his work in magazines book and album covers and children's books in a career that spanned over 70 years. In 1962 Parker illustrated Marianne Moore's Eight Poems published by MoMA NY. Moore described Parker's work as "combining the mystical and actual working both in an abstract and a realistic way" which is certainly on display in these brilliant pieces for Shelley's classic text. unknown
1951161404Los Angeles: RKO Studios Inc 1951. Revised Final Draft script for the 1951 film. Specially bound copy belonging to producer Jerry Wald with his name in gilt on the spine. Seven reference photographs from the film bound in variously among the script pages each with an RKO photographer stamp for Rod Tolmie on the verso. Original wrapper bound in with manuscript ink and wax pencil annotations of "Files" to the top right and "Changes" Retakes" and "Inserts" each followed by one to three dates center. Script followed by eight pages of "Retakes . After credits."<br /> <br /> Jerry Wald is best remembered for his long and successful association with Warner Brothers as both a screenwriter and producer of a number of notable films including "Mildred Pierce" 1945 "Humoresque" 1946 "Key Largo" 1948 and "Flamingo Road" 1949. In the 1950s he moved to Twentieth Century-Fox and was the producer there for "An Affair to Remember" 1957 "Peyton Place" 1957 and "Sons and Lovers" 1960. <br /> <br /> Farley Granger stars as a mild mannered accountant whose wife played by Shelley Winters mistakes a small dog who follows him home-and is wanted by the mob-as a forgotten anniversary gift. <br /> <br /> Shot on location in Los Angeles. <br /> <br /> Bound in light green cloth with dark green quarter leather binding with five raised bands and gilt titles on the spine. Distribution page present with receipt intact. Title page present dated March 9 1951 noted as REVISED FINAL SCRIPT with credits for screenwriter George Beck. 151 leaves with last page of text numbered 8. Mimeograph duplication rectos only with blue revision pages throughout dated variously between 3/16/51 and 4/21/51. Pages Near Fine binding Very Good plus with light rubbing to the crown and corners. RKO Studios, Inc unknown
1821H-170<p>Shelley Percy Bysshe 1792-1822. <em>Queen Mab</em>. London: W. Clark 1821. <br />8vo. Several leaves watermarked "1820" or "A". Contents washed. <strong>Fine binding</strong>; Late 19th-century half calf gilt spine in 6 compartments with raised bands morocco lettering-pieces gilt in 2 others gilt tooled edges gilt <strong>stamp-signed by Morrell</strong>; housed in a beautiful folding case gilt-stamped. <em>Provenance</em>: Conon Williams armorial bookplate; Myers & Co. of London booksellers' ticket.<br /><br />PIRATED FIRST EDITION the first published thin paper copy issued without the dedication to Harriet . <em>Queen Mab</em> was first privately printed in 1813 and was relatively unknown until this pirated edition of 1821 printed by R. Clark was published which precedes the first authorized edition that was composed of the remaining sheets from Clark's edition and issued with a new title-page by Carlile in 1822. When Shelley learned of Clark's unauthorized edition he protested the piracy; Clark appeared before the Court of King's Bench on 23 June and pleaded not guilty to publishing an "indecent immoral and scandalous poem." According to George Goodspeed "His trial did not take place until late in the following year but the book appears to have been suppressed nominally at least very soon after its publication" See <em>The Colophon New Graphic Series</em> No. 1 pp.25-32 1939. Ashley V. p.150.</p> W. Clark hardcover
170654Culver City CA: Tri-Star TriStar Pictures / American Zoetrope 1993. First Revised Draft and Second Revised Draft for the 1994 film. Both scripts with printed drawings taken from Berni Wrightson's illustrated edition of Shelley's novel published by Dodd Mead in 1983 interspersed throughout. Second Revised Draft with annotations in manuscript ink on two leaves denoting page numbers. <br /> <br /> Widely considered one of the most faithful adaptations of Mary Shelley's classic 1818 novel featuring director Kenneth Branagh as Victor Frankenstein and Robert De Niro as his creation. <br /> <br /> First Revised Draft:<br /> <br /> Red untitled wrappers. Title page present dated January 18 1993 noted as 1ST REVISED DRAFT with credits for Shelley and screenwriters Steph Lady and Frank Darabont. 136 leaves with last page of text numbered 118. Xerographic duplication rectos only. Pages Very Good plus wrapper Very Good plus bound with two gold brads.<br /> <br /> Second Revised Draft:<br /> <br /> Blue generic TriStar wrappers. Title page present dated February 8 1993 noted as 2nd Revised Draft with credits for Shelley and screenwriters Steph Lady and Frank Darabont. 124 leaves with last page of text numbered 120. Xerographic duplication rectos only. Pages about Fine wrapper Near Fine bound internally with two gold brads. Tri-Star [TriStar] Pictures / American Zoetrope unknown
19318558London: The Readers Library Publishing Company Ltd 1931. First UK photoplay edition. 8vo 17x12cm 4 252 2pp. Publisher's maroon cloth decorated and lettered in gilt on front cover and embossed on the spine. Illustrated jacket showing an image of Boris Karloff as "The Monster." Book slightly cocked pages toned as usual light edge wear to boards. Jacket with closed tear to spine some soiling and light rubbing. Very good. <br /> <br /> Attractive copy of this fragile and cheaply produced book which coincided with the film's release in the U.S. Scarce in the jacket. The Readers Library Publishing Company Ltd unknown
1855Bindings rubbed and worn with minor surface loss to board edges corners and spine ends; foxed to frontispiece; light uniform toning throughout; early ink ownership inscription to first volume dated 1865. Percy Bysshe Shelley. Mary Shelley editor. The Poetical Works of Percy Bysshe Shelly in Four Volumes. London: Edward Moxon 1839. First edition. <br /> Four sixteenmo volumes approx. 6.5 x 4.5 inches each. 380; 347; 314; 361pp. Portrait frontispiece to first volume. Bound in contemporary half-leather over marbled paper boards spines lettered and decorated in gilt four raised bands marbled edges and endleaves.<br /> <br /> . unknown
1839493<p><strong>First authorised edition in 4 volumes. Published by Edward Moxon 1839. Portrait frontis piece to volume 1. Original publishers blind stamped red cloth lettered in gilt on spines. All original yellow endpapers name in ink on first free e.p. Slight wear to tops of spines and extremities slightly rubbed. Some minor professional restoration to the spine crowns and feet. Overall very good copies. Scarce in the original publisher s cloth. Now housed in a custom slipcase. A lovely set. First edition of Mary Shelley s important edition of her husband s poetical works After Shelley s death in 1822 Mary Shelley devoted herself to publishing his manuscripts and writing his biography. She first attempted to publish Shelley s poems in 1824 but his father Sir Timothy Shelley prevented further publication of Shelley s writings for fifteen years. In 1839 the obstacles to an authentic edition having been removed… Mrs. Shelley published what was then supposed to be a definitive edition in four volumes enriched with biographical notes and some very beautiful lyrics which had remained in manuscript DNB. With engraved frontispiece portrait of Shelley by Finden. With all half titles. Lowndes 2374. CBEL III:213.</strong></p> Edward Moxon hardcover
181834239London: Printed for C. and J. Ollier 1818. First edition revised issue of "Laon and Cythna" with the cancels and new title this copy with the 1818 date. With leaf d1 bearing the Pindar quote and "Revolt of Islam" title lacking blank b2 as usual and the errata leaf at end. Pp. ii v-xxxii 2 270 errata. 1 vols. 8vo. Contemporary half black morocco marbled boards. Some rubbing upper joint starting some offsetting and spotting else very good from the library of James Lorimer Graham with his bookplate. First edition revised issue of "Laon and Cythna" with the cancels and new title this copy with the 1818 date. With leaf d1 bearing the Pindar quote and "Revolt of Islam" title lacking blank b2 as usual and the errata leaf at end. Pp. ii v-xxxii 2 270 errata. 1 vols. 8vo. James Lorimer Graham was the fourth Duke and seventh Marquis of Montrose. At this time he was the Marquis of Graham. He was a statesman serving as privy councillor a commissioner of the India board lord steward of the queen's household chancellor of the duchy of Lancaster postmaster-general where he was involved in several important changes including the Electric Telegraphs Bill which put the telegraphic communication system in the hands of the post office and also Chancellor of the University of Glasgow. Granniss 43-44; Ashley 5:68 Printed for C. and J. Ollier unknown
1927322893London: Published For The Julian Editions by Ernest Benn Ltd 1927. One of 780 sets. 10 vols. 8vo 9-3/8 x 6-1/8 inches. Publisher's vellum backed green cloth leather labels top edge gilt.Minimal wear in all a fine set Sotheran's ticket tipped-in in the first volume. One of 780 sets. 10 vols. 8vo 9-3/8 x 6-1/8 inches. Published For The Julian Editions by Ernest Benn Ltd unknown
19317002480NY: Grosset & Dunlap 1931. Bound in red cloth stamped in black. The grey on the top edge of the pages is still bright. This is a "hybrid" copy with 80% of the original dust jacket present with archival tape repair to obverse - the panels and the flaps laid over a facsimile dust jacket that just shows the spine which was missing. Previous owner's neat name to front end paper. This is the rare photoplay edition with black and white pictures on glossy stock from the movie interspersed with the pages. 240 pp. . First Edition Thus. Hard Cover. Very Good /VG. Grosset & Dunlap Hardcover
198034396BERTELSMANN CARL 1980. 1. hardcover. Frankenstein BERTELSMANN, CARL hardcover
19113764London/Philadelphia: William Heinemann/J.B. Lippincott Co 1911. First Thus. First U.K. Robinson-illustrated Deluxe edition a Heinemann "Xmas Art Book" that originally sold for 15 shillings. Publisher's deluxe binding of full vellum over boards front cover and spine elaborately stamped and lettered in gilt pictorial end-papers top edge gilt. In the scarce original pictorial dust jacket with just some very minor rubbing at extremities. Small neat and inoffensive ink stamped signature on half-title and title-page. Quarto 10 3/8 x 7 3/4 in; 264 x 195 mm. Collating xii 4 17-127 1. Eighteen full color tipped-in plates including frontispiece with captioned tissue guards. Small color halftone or black and white some full page illustrations to each page. Housed in the original green cardboard slipcase with the color illustration from page 61 on front panel. A tight bright and Fine copy of this generously produced volume.<br /> <br /> "No more tastefully illustrated book of verse could be desired than the elaborately artistic edition of Shelley's Sensitive Plant edited by Mr. Edmund Gosse illustrated with much richness of coloring and gracefulness of design by Mr. Charles Robinson and imported by the Lippincott Co. Mr. Gosse's introduction throws new light on the ' Lady the wonder of her kind' who played the part of 'an Eve in this Eden ' where grew the sensitive plant. Drawing upon Medwin's notes to a never-published second edition of his life of the poet he tells us that this paragon of her sex was a certain Countess of Mountcashell an Irish lady about fifty years of age of sufficient unconventionality to be welcomed by Shelley and his company as a congenial spirit. The notes on this lady and the editor's gleaning of facts concerning the mimosa pudica or sensitive plant celebrated bythe poet are interesting. The illustrations large and small accompanying the slender thread of text form the conspicuous feature of the book and make it one of the most sumptuous gift volumes of the year. The cover design is a thing of beauty" The Dial 1911. William Heinemann/J.B. Lippincott Co unknown
19053905London: Henry Frowde Oxford University Press 1905. Thick octavo. Bound in dark green morocco by the W.H. Smith bindery under Douglas Cockerell featuring a subtle but signature Cockerell design in blind and gilt consisting of triple leaf motifs connected to bands across spine and multiple solid gilt dots on both covers. Spine very slightly faded boards a bit bowed. Green marbled endpapers. All edges gilt. Henry Frowde, Oxford University Press unknown
1830880P38London: Alfred Miller 1830. Paperback. Good Only. 6" by 4". Robert Cruikshank. The first illustrated edition of this anonymously penned poem thought to be written by a young Mary Shelley. The scarce first illustrated edition.Illustrated with an engraved title and six plates by Robert Cruikshank. Four pages of adverts to the rear.Collated complete.'Monsieur Nongtongpaw' is thought to be a juvenile poem by Mary Shelley written when she was a child. It was first publishing by her father William Godwin's publishing firm in 1807. Some modern scholars believe it to have been penned by John Taylor.A charming poem based on Charles Dibdin's 1796 song of the same name mocking English and French stereotypes. In the original publisher's paper wraps. Externally worn front wrap is held by two cords only rear wrap is working loose. Lacking most of the back strip. Wraps are a little discoloured with some light marks. Edge wear to the wraps with a few small chips. Prior owner's ink inscription to the recto of the front endpaper. Internally generally firmly bound. Pages are lightly age-toned with scattered spots and handling marks. Prior owner's ink inscription to the title page. Good Only Alfred Miller paperback
1911941Q5London: William Heinemann 1911 . First edition. Leather. Very Good Indeed. 10.5" by 8". Charles Robinson . The first Robinson illustrated edition of Percy Bysshe Shelley's romantic dreamlike poem elegantly bound in half crushed morocco. The first Robinson illustrated edition being the first appearance of Charles Robinson's illustrations. Bound in half crushed morocco with cloth boards. Beautifully illustrated by prolific book illustrator Charles Robinson. Collated complete with eighteen plates and numerous additional vignettes. First published in 1820 'The Sensitive Plant' explores nature art and the human psyche. Written by Percy Bysshe Shelley this romantic poem comments on society's' view of perfection and humankind's place in the universe. With the bookplate and inscription of Marjorie E. Waggett. Bound in half crushed morocco with cloth boards. Externally excellent with a few marks to the boards and a touch of fading to the spine. Ink inscription to half title and bookplate to following blank. Internally firmly bound with bright clean pages. Very Good Indeed William Heinemann hardcover
1876129623London : Reeves And Turner 1876-1877 1876. 1st Buxton Forman edition in this form. Hardback. A fine set in the original full calf. Period sympathetically re-backed with a red Morocco gilt-blocked label; very impressively finished. Remains particularly well-preserved overall; tight bright clean and strong. Scans &c. On request. ; 1 pages; Physical desc. : 4 v. : ill. fronts. ports. . pl. facsim. ; 22 cm. London : Reeves And Turner [1876-1877] hardcover
SONG0134444914Pearson 2016-10-10. 1. paperback. Used: Good. 10.70x8.40x0.40. Buy with confidence. Excellent Customer Service & Return policy. Pearson paperback