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318134Edward Moxon 1899. FIRST EDITION ORIGINAL BINDINGS octavo blue textured buckram boards gilt lettering to spines blind stamp decoration to boards mixed pagination frontispiece with tissue guard to vol one only VG- moderate chipping to spine edges- heavy to vol 4 with some minor loss moderate bruising & scuffing to board extrems heavy discolouration to spines & boards moderate to heavy tanning to page edges prev owner's name in ink to full title pages occasional light cracking to some gutters occasional pencil annotation to margins varying degrees of foxing to prelims & terminals- mostly light minor water damage to front gutter of vol 4 Edward Moxon 1899 hardcover
192981784hLondon: Oxford University Press Humphrey Milford 1929. Book. Near Fine. Hardcover. 12mo - over 6¾ - 7¾" tall. Scarce original Oxford decorative "basket-weave" pressed leather specialty binding with button fore-edge closure strap. All edges gilt. xxiv912pp. Moderate toning to covers and slight crimping to lower overlapping edges. Light marginalia to one page in the introduction. Otherwise clean tight and unmarked. Very neat -- a sound and handsome copy. Oxford University Press Humphrey Milford Hardcover
44253229-nnew. unknown
183273181Paris Fournier Jeune 1832 3 vol. relié 3 vol. in-8, reliure demi-veau vert, dos à nerfs ornés de filets et roulettes dorés, caissons décorés à froid, tranches jaunes, VIII-424-(2), (4)-IV-434-(2) et (4)-439-(3) pp. (reliure de l'époque). Tête de série réunissant les trois premiers tomes sur les 12 publiés entre 1832 et 1833. Ces trois volumes contiennent entre autres, en pré-originale, "Le Comte Chabert" (Le colonel Chabert) de Balzac, "Antoine Pinchon" de Jules Janin, "L'île des fleurs" de George Sand (signé "Sands"), "La rose rouge" d'Alexandre Dumas, "Le frère et la soeur" de Mary Shelley. Dos un peu usés, quelques rousseurs très éparses. Sinon ensemble en belle condition dans une jolie reliure du temps. Rare.
183273181Paris Fournier Jeune 1832 3 vol. relié 3 vol. in-8, reliure demi-veau vert, dos à nerfs ornés de filets et roulettes dorés, caissons décorés à froid, tranches jaunes, VIII-424-(2), (4)-IV-434-(2) et (4)-439-(3) pp. (reliure de l'époque). Tête de série réunissant les trois premiers tomes sur les 12 publiés entre 1832 et 1833. Ces trois volumes contiennent entre autres, en pré-originale, "Le Comte Chabert" (Le colonel Chabert) de Balzac, "Antoine Pinchon" de Jules Janin, "L'île des fleurs" de George Sand (signé "Sands"), "La rose rouge" d'Alexandre Dumas, "Le frère et la soeur" de Mary Shelley. Dos un peu usés, quelques rousseurs très éparses. Sinon ensemble en belle condition dans une jolie reliure du temps. Rare.
2021BN216289GALLIMARD 2021. 2021. Hardcover. Frankenstein - Dracula: Écrits gothiques et vampiriques <br/><br/>Frankenstein - Dracula: Écrits gothiques et vampiriques Stocker Bram; Shelley Mary; Collectif GALLIMARD hardcover
1910164717London: J. M. Dent & Sons Ltd; E. P. Dutton & Co. New York 1910. Everyman's Library edition in the publisher's deluxe quarter pigskin the most expensive of the four bindings in which it was issued and produced in smaller numbers than the others. The remaining three binding styles that the classic reprint series offered in its earliest years were full cloth full leatherette and a library binding. This edition was first published in 1907. 2 vols octavo. Decorative title pages and textual frontispieces with intricate woodcut floral border in the arts and crafts style. Original brown quarter pigskin spines lettered in gilt within frame incorporating Everyman's Library monogram brown cloth sides ruled in blind linen endpapers edges brown. Spines lightly sunned a little rubbing vol. I with occasional creasing of leaves contents clean: a very good copy. Terry Seymour A Printing History of Everyman's Library 1906-1982 2011 p. 6. hardcover
2008x-0805864717Routledge 2008. Hardcover. New. 1st edition. 357 pages. 9.50x6.25x0.75 inches. Routledge hardcover
3 vols., sm. 8vo., Third Edition, on laid paper, with an engraved frontispiece, large engraved title-vignettes and large engraved armorials on dedications, some light offsetting and age-staining, tiny uniform signature on blank preliminary in each volume; handsomely bound in nineteenth century full oatmeal buckram, backstrips with five flat bands, second compartments with leather labels lettered, numbered and ruled in gilt, a most attractive set ideal as a gift of for presentation. THE SET WAS FORMERLY IN THE LIBRARY OF MICHAEL CHERNIAVSKY AND BEARS HIS SIGNATURE ON FRONT FREE ENDPAPER OF FIRST VOLUME. Dedicated to Elizabeth, Countess of Northumberland, Percy's 'Reliques' is one of the most important collections of poetry in English. First published in 1765, ii not only encouraged 'with lasting effect the revival of interest in our older poetry' (DNB) but became a fertile source of content and style for the burgeoning Romantic movement. Michael Theodore Cherniavsky (1920-1992) was a renowned and long-serving (1948-1966) master of history at Christ's Hospital School and subsequently Professor of History at the University of Waterloo, Ontario from 1967 to 1983. A lovely copy and scarce in this condition. See NCBEL II, 385, 386.
1880951860London: Chiswick Press for Kegan Paul Trench & Co 1880 & 1882. ring_bound. Poems: Frontispiece xxvi 393 1 pp. - Letters: Frontispiece xix 1 blank 255 1 blank pp. Two volumes. Contemporary dark green morocco 157 x 103 x 32 / 27 mm gilt lettering and floral decorations in compartments Covers gilt with lines and dotted lines turn-ins richly gilt. Edges gilt. Small Octavo. 150 x 93 mm. Endleaves foxed some minor foxing else fine. Two very attractive bindings. Printed at the Chiswick Press on Dickinson handmade paper with the watermark 'D & Co'. - Zwei dunkelgrüne ungeglättete Maroquinbände der Zeit mit goldgeprägten Rückentiteln jeweils zwei reich fleural vergoldeten Rückenfeldern sowie Doppellinien die die sechs Rückenfelder trennen. Die Deckel mit Muster aus goldgeprägten Linien und gepunkteten Linien Steh- und reiche Innenkantenvergoldung handgestochene rot-weiße Kapitale Goldschnitt. Vorsätze etwas stockfleckig sonst nur minimal stockfleckig. Schöne sehr dekorative Einbände. - RFM. Schöne Jugendstil-Einbände - Weitere Bilder auf Anfrage oder auf unserer Homepage. Wegen Urlaub kann Ihre Bestellung / Anfrage erst nach dem 21.06.2026 bearbeitet werden. - Because of holidays your order / question can be handled only after 06/21/2026. Chiswick Press for Kegan Paul, Trench, & Co unknown
1967149907N.p.: N.p. 1967. Vintage borderless reference photograph of director Carl Reiner and actors Jose Ferrer and Elaine May on the set of the 1967 film. Reiner's debut as a director and Elaine May's first feature film. <br/><br/>Based on the 1963 play which was in turn based on the semi-autobiographical novel by director Carl Reiner. Against the wishes of his parents a young working-class man dreams of becoming an actor but has little to offer the stage given his lack of experience and ability. <br/><br/>Set in New York. <br/><br/>10 x 8 inches. Near Fine. N.p. unknown books
1955137952Beverly Hills CA: United Artists 1955. Vintage candid photograph of Robert Mitchum sharing a moment with his wife Dorothy while on the set of "The Night of the Hunter." Dressed in costume as Harry Powell the image of a smiling relaxed Mitchum is incongruous with the severe terrifying nature of the character he played one of the most iconic villains in all film history. <br/><br/>8 x 10 inches. Very Good plus. Shallow vertical slice to the right side of the image. United Artists unknown books
1829119502Paris: A. and W. Galignani 1829. Hardcover. Very good. xi 225 vii 75 p. 24 cm. Title page vignette. Half leather with orange marbled paper boards. Text printed in double column. Respined with original spine reattached. Hinges repaired internally. New front free endpaper. Bookplate and ink inscription on front pastedown. Ink stamp on bookplate and title page. Foxing. Inscription at bottom of p. 38 in first part and ink mark on p. 3 of same section. <br/><br/>This volume constitutes the first collected edition of Keats and the second collected works of Coleridge and Shelley. The Parisian publisher Galignani was famous for its pirated editions Sir Walter Scott referred to the shop as the "old pirate's den" but the firm did have the cooperation of family members and literary friends of all three poets when assembling this volume. For example each poet's work is preceded by a short life of the author the memoir of Keats being produced by Leigh Hunt. Hunt also sent along some unpublished Keats poems in his possession to be included. Keats' literary executor Charles Armitage Brown disliked Hunt's portrayal of his friend but Brown's own biography of Keats was not ready in time for this edition and was not published until 1937. The memoir of Shelley was written by his wife Mary Shelley who also helped the publication of this edition by allowing the publisher access to Shelley's papers. A. and W. Galignani hardcover
198421311Modern Library. 1984. First Modern Library Edition. Hardcover. Very Good in Good dust jacket. Dark red cover is lightly sunned along top edge of front board caps are lightly rubbed corners are lightly rubbed but cover is clean bright and in very good condition. Boards and spine are straight. Binding is tight. Pages are clean and in near pristine condition. Dust jacket has light shelf rubbing toning and minor wear to extremities including chipping and tearing but is in good condition. Publisher's price of $7.95 on DJ flap. DJ protected by a brand new clear acid-free mylar cover. We add mylar covers to all books with DJs to preserve the DJs and add luster to magnify their beauty. If pictured shown without the mylar cover for an accurate representation of dust jacket. . Modern Library hardcover
1965BS4231114002University of Nebraska Press 1965. Hardcover. Good. 342 pgs. Dust jacket has a couple shallow chips along top of spine a short closed tear to lower front panel. Nice cover. Interior pages are clean throughout. Binding is secure.Lyles B7c University of Nebraska Press hardcover
193446233New York: Harrison Smith and Robert Haas 1934. Very Good. New York: Harrison Smith and Robert Haas 1934. First Edition. Tall octavo; tan cloth with black and blue illustration to front and titling to spine; black topstain; no slipcase or dust jacket; 259pp. 15 black and white plates featuring Lynd Ward's wood engravings; numerous in-text illustrations. Boards worn at extremities with minor fraying to spine ends; general rubbing; spine toned. Binding sound and pages unmarked. A Very Good copy featuring Ward's striking woodcuts. Harrison Smith and Robert Haas unknown
1974169578N.p.: N.p. 1974. Seven vintage borderless reference photographs from the 1974 film. <br /> <br /> Widely considered Mel Brooks' finest comedy and surely the peak of his powers as a director. One of the few modern film comedies in the National Film Registry joined by two of Brooks' other masterpieces "The Producers" 1968 and "Blazing Saddles" 1974. Nominated for two Academy Awards. <br /> <br /> 9.25 x 7 inches. Near Fine to Fine. <br /> <br /> National Film Registry. N.p. unknown
1954166036London: Welbeck Films 1954. Revised Draft script for the 1954 film copy belonging to Art Director George Provis with his name written on the top of the front wrapper and a manuscript ink annotation of the date "9/6/54" on the bottom of the title page here under the working title "To Dorothy - A Son" released in the UK as "To Dorothy a Son" and in the US as "Cash on Delivery." With a manuscript pencil annotation on one page 12A underlining a needed prop and one page 38 with a clipping of a revision page affixed over the previous dialogue.<br /> <br /> George Provis was a British Art Director and Production Designer who began his career working on quota quickies low budget features made to comply with Britain's Cinematograph Films Act of 1927 in the 1930s. After the Second World War Provis was appointed by British film producer Sydney Box to head the art department at Gainsborough Pictures and is credited on over 120 films.<br /> <br /> Based on the 1950 play "To Dorothy a Son" by Roger MacDougall. Shelley Winters stars as Myrtle an American woman who stands to inherit $2 million dollars from her uncle as long as she doesn't have any male heirs. The only thing standing in her way is John Gregson as her ex-husband and his very pregnant new wife played by Peggy Cummins.<br /> <br /> Tall untitled green wrappers. Title page present with an annotated date of "9/6/54" noted as Revised Screenplay with credits for screenwriter Peter Rogers and playwright Roger MacDougall. 114 leaves with last page of text numbered 106. Mimeograph duplication rectos only with pink revision pages throughout undated. Pages Near Fine wrapper Near Fine bound internally with a prong binding. Welbeck Films unknown
1839mon0003084539London: Edward Moxon 1839. Hardcover. Good. . 4-volume set complete. Uniformly bound in blue half-leather with marbled boards rasied bands and gilt decoration covers show minor wear rubbing and bumped corners. Top edges gilt marbled endpapers. Pages are tanned with a few minor tidemarks. London: Edward Moxon hardcover
2001002240NY: PPP Editions/ Roth Horowitz LLC 2001 2001. LIMITED DELUXE EDITION. 1 vol. 12" x 10" limited to 500 copies bound in 1/4 black morocco spine lettered in blind illustrated with numerous four-color and black and white plates with the original slipcase IN FINE CONDITION. NY: PPP Editions/ Roth Horowitz LLC, 2001 unknown
2001203984New York: PPP Editions in association with Roth Horowitz 2001. First edition. Hardcover. Limited edition of 500 specially bound copies. While the choices in this book like those in any best of list are highly subjective this book along with the three books by Martin Parr and Gerry Badger helped codify and illustrate what are some of the true classic photography books. Features essays by Richard Benson May Castleberry Jeffrey Fraenkel Daido Moriyama Shelley Rice and Neville Wakefield and with the catalog by Vince Aletti and David Levi Straus. A very near fine copy in quarter leather binding with silk boards and in near fine cloth slipcase that has a small spot to the bottom edge. No dust jacket as issued. PPP Editions in association with Roth Horowitz unknown
1951123070Small 4to. Florence Italy: The L-D Allen Press 1951. Small 4to 16 pp. printed in brown with floral decorations to every page. Original pink wrappers front cover titled in black. Edges slightly faded otherwise as new. § From the introduction: “This ode described as the most perfect of English lyrics illustrates Shelley’s superior gift of expression. In 1819 he also composed Prometheus Unbound cited as the most radiant of all Utopian visions and The Cenci greatest of the tragedies since Shakespeare. That these three poems each taking a supreme place among its own kind should have been produced by one man and in a single year of his life is one of the astonishing accomplishments of literary biography.†The L-D Allen Press unknown books
19511230701951. Florence Italy: The L-D Allen Press 1951. <br /> <br /> Small 4to 16 pp. printed in brown with floral decorations to every page. Original pink wrappers front cover titled in black. Edges slightly faded otherwise as new.<br /> <br /> § From the introduction: "This ode described as the most perfect of English lyrics illustrates Shelley's superior gift of expression. In 1819 he also composed Prometheus Unbound cited as the most radiant of all Utopian visions and The Cenci greatest of the tragedies since Shakespeare. That these three poems each taking a supreme place among its own kind should have been produced by one man and in a single year of his life is one of the astonishing accomplishments of literary biography.". unknown