8 472 résultats
108705The Golden Cockerel Press. N.D. The Golden Cockerel Press. N.D. Unlimited Edition. Hardback with DW. Illustrated in black and white. Board extremities slightly worn. Pages lightly browned and a library blind stamp to rear endpaper. A lovely clean copy in a slightly worn wrapper with water damage to upper panel. hardcover
1901ST20827London: Printed at the Ballantyne Press for Vale Press 1901-02. ONE OF 300 COPIES on paper and 10 on vellum. 240 x 145 mm. 9 1/2 x 5 3/4". Three volumes. <br/> VERY PRETTY GREEN CRUSHED MOROCCO GILT BY BAYNTUN-RIVIERE stamp-signed on front turn-ins covers framed by long-stemmed pansies raised bands spine compartments with pansy centerpieces densely gilt turn-ins marbled endpapers top edge gilt other edges untrimmed. Fine elaborate woodcut initials and four pages with intricate borders all by Charles Ricketts. Ransom p. 436; Tomkinson p. 170. A breath of shelfwear to tail edges occasional trivial foxing but A BEAUTIFUL SET clean and fresh internally in unworn bindings.<br/> <br/> This is a particularly beautiful English set being printed in London by one of the most important Arts & Crafts private presses and being bound in Bath by an eminent long-lived bindery. The Vale Press was founded--and closely supervised by--Charles Ricketts who was perhaps the most significant figure in the private press movement after William Morris. From 1896-1903 Ricketts ran the Vale Press which produced books that in Cave's words were "far truer to the spirit of fifteenth-century printing than Kelmscott work." The Press issued nearly 50 titles and both its impressive output and considerable artistic success can be attributed to the fact that Ricketts who was remarkably skilled as a designer painter and illustrator was in control of every facet of the operation. Tomkinson observes that "although the actual printing was done on the premises of the Ballantyne Press the Vale books were built entirely on Mr. Ricketts' design under his personal supervision on a press set apart for his sole use; the founts decorations illustrations including the engraving on the wood watermarks and pagination were all the work of Mr. Ricketts and it is doubtful if in the history of printing books have been made which reflect the invention and work of one man more explicitly than do the Vale books." Our bindings are the work of a firm created by the merger of two venerable English binderies. Founded in Bath in 1894 the Bayntun bindery has provided beautiful bindings for bibliophiles for more than 130 years. In 1937 Bayntun acquired the Riviere bindery which had been in business since 1829 and began signing its bindings "Bayntun-Riviere" as here. It is now the last of the great Victorian trade binderies still in family ownership. Although he lived only 30 years Shelly 1792-1822 left an enduring legacy. His remarkable lyricism powerful imagination energetic espousal of political change and vision of the consequential role of the poet he said "poets are the unacknowledged legislators of the world" combined to exert lasting influence on the poets who came after him. The pansy motif used here--for the marginal decoration in the text as well as in the all-over design of the bindings--is especially apt: in his poem "Remembrance " Shelley wrote "Pansies let MY flowers be" emphasis his. [Printed at the Ballantyne Press for] Vale Press unknown
1927367192Chelsea England: The Swan Press 1927. Hardcover. Very Good. Limited edition this is number ninety-five of one hundred copies. Quarto. 13pp. Arranged with a note on the sequence by V.V.B. Original tan buckram-backed decorated boards. Extremities worn spine label chipped and worn spine and edges browned else very good. Containing lines 47 to 62 of The Recluse by William Wordsworth Ode by Arthur O'Shaughnessy The Appeal to the Artist by Rachel Annand Taylor Hellas Last Chorus by Percy Bysshe Shelley and Song of the Exposition by Walt Whitman. The Swan Press hardcover
1313581267.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1314581872.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1313046795.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1314386662.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
18503Dated July 1985 by Robinson with his details: Prof. Charles E. Robinson College of Arts and Science Dept. of English 204 Memorial Hall Newark Delaware 19716 USA. Robinson is the author of Ollier's entry in the Oxford Dictionary of National Biography in which he discusses the 'fifty titles' that Ollier and his brother James published between 1817 and 1823 and the others dating from his second stint as publisher between 1846 and 1849. The list is 10pp. 4to. In fair condition on lightly-aged paper. Subtitle: 'Indicates that U. of Delaware Library has in original microform or photo rpt.' Robinson has given the date and his details in autograph at the head and has starred items in 'urgently need' in red ink. In addition to full title publisher's details and date many entries contain brief notes regarding printing publication and dating. For example Shelley's 1818 'Laon and Cythna' is said to have been published '8 Dec. 1817 according to 1 Dec. 1817 Morn. Chron. ad' and the same poet's 1823 'Poetical Pieces' is said to have been 'Made from remainder sheets of earlier editions; a variant of this edition lacks Hellas'. The list contains 16 Shelley items and two by Keats. See Image. Dated July 1985 by Robinson with his details: Prof. Charles E. Robinson, College of Arts and Science, Dept. of English, 204 Memo unknown
201638270Minneapolis: Angel Bomb Press 2016. Fine. Open edition. This is an artful three-color letterpress mini-book designed and printed to celebrate the 200th anniversary of Mary Shelley's Frankenstein. The book has an accordion fold structure that allows the front spread to be from the perspective of Doctor Frankenstein and the reverse to be from the perspective of the monster. The original story was re-read and condensed down into 9 distinct spreads with artwork created for each and relevant copy from the original work provided to tell the story. With black covers and an ornate title label to front. Housed in a red box designed to look like a cigarette package with title on top. In fine condition. Measures 2x 3.25 inches. ARTISTSB/121225. Angel Bomb Press unknown
1941JC11764Culver City California: The Highland Press 1941. Hardcover. Very Good. Cloth gilt-stamped lettering on upper board; 12mo; pp. 55 1. Inscribed by the author on the FFEP "To Lauren Bacall -- with compliments and every best wish from Shirley Carson Jenney." Shirley Carson Jenney d. 1953 American psychic and clairaudient medium produced several volumes which she claimed to have been communicated to her by the spirit of Percy Bysshe Shelley including this volume and one previous "The Great War-Cloud" 1938. Some light bumping at spine tips and along edges of boards. <br/><br/>Lauren Bacall born in the Bronx as Betty Joan Perske 1924-2014 was an American actress known for her distinctive voice and sultry looks. Howard Hawks director producer screenwriter changed her first name to Lauren and Perske adopted "Bacall" a variant of her mother's maiden name of Romanian Jewish descent as her screen surname. The young Lauren Bacall worked as an usher at the St. James Theatre and as a fashion model. She made her acting debut on Broadway in 1942 at age 17 as a walk-on in "Johnny 2x4." By then she lived with her mother on Bank Street Greenwich Village and in 1942 she was crowned Miss Greenwich Village. Though Diana Vreeland is often credited with "discovering" Bacall putting her on the cover of "Vogue" in 1943 much of the iconography surrounding Bacall she cultivated herself with the help of Nancy Hawks Howard Hawks's wife who advised Bacall on clothing elegance manners and taste. Even Bacall's trademark voice required arduous training -- at Hawks's suggestion Bacall worked with a voice coach to make her voice lower and deeper. Her screen debut as the leading lady in the Humphrey Bogart film "To Have and Have Not" 1944 made her an instant star. She married Bogart in 1945 and continued in the film noir genre alongside him in "The Big Sleep" 1946 "Dark Passage" 1947 and "Key Largo" 1948. She starred in the romantic comedies "How to Marry a Millionaire" 1953 with Marilyn Monroe and "Designing Woman" 1957 with Gregory Peck. She co-starred with John Wayne in his final film "The Shootist" 1976. Bacall worked on Broadway in musicals earning Tony Awards for "Applause" 1970 and "Woman of the Year" 1981. The Highland Press hardcover
183577975Paris:: A. and W. Galignani and Co. 1835. old quarter calf and marbled sides. Old institutional stamp on flyleaf and paper label at base of spine; neat donation inscription on title page; slight use to the binding; contents fine. 12mo. A. and W. Galignani and Co., unknown
18866240London: Reeves & Turner 1886. Second edition. Fine. Two octavo volumes 7 1/4 x 4 11/16 inches; 184 x 119 mm. 572; 580 pp. A spectacular ca. 1920 Cosway-Style binding by Sangorski & Sutcliffe for the J.L. Hudson Company stamp-signed in gilt on rear turn-in. Full red crushed levant morocco over beveled boards covers lavishly gilt in the Art Nouveau style with inlaid green and light brown morocco inlays. The first volume with a central green morocco medallion with Percy Bysshe Shelley's initials in gilt. The second volume with a central green morocco medallion with the phrase "Pansies/Let My Flowers Be" stamped in gilt. Spines with five raised bands elaborately decorated and lettered in gilt in compartments four of which have onlaid green morocco flowers. Double gilt-ruled board edges and elaborate gilt turn-ins dark blue watered silk liners and endleaves all edges gilt and gauffered. The first volume with a front doublure of dark blue crushed levant morocco multi-ruled in gilt. In the center is a superb gilt framed hand-painted portrait miniature 3 x 2 3/8 inches; 76 x 60 mm. of Percy Bysshe Shelley. The miniature is surrounded by a rectangular recessed frame with eight onlaid red morocco flowers and twenty-four onlaid beige morocco leaves. The front and back joints of both volumes have been expertly and almost invisibly repaired. Housed in a custom-made felt lined half red morocco with a red felt divider clamshell case two spines paneled and lettered in gilt in compartments. <br /> <br /> A wonderful early Sangorski & Sutcliffe Cosway-style binding. The miniature is of exceptional quality and is quite possibly the work of Miss C.B. Currie. The J. L. Hudson Company commonly known simply as Hudson's was a retail department store chain based in Detroit Michigan. Hudson's flagship store on Woodward Avenue in Downtown Detroit was constructed beginning in 1911 with additions throughout the years before being 'completed' in 1946. The building was named after the company's founder Joseph Lowthian Hudson and was demolished on October 24 1998. In 1961 it was the tallest department store in the world and at one time claimed to be the second-largest department store after Macy's in the United States by square footage. The Grand River Avenue Book Shop was on the Mezzanine floor.<br /> <br /> The story of the Sangorski & Sutcliffe Bindery reads like something out of a novel-when two of Douglas Cockrell's talented apprentices Frances Sangorski and George Sutcliffe were laid off during an economic downturn they began working out of an attic. Eventually their bindery would be famous for its intricate multicolored leather inlays and elaborate gold and jeweled bindings. Although named after the English miniaturist Richard Cosway 1742-1821 the desirable "Cosway Binding" with its jewel-like portrait miniature set into a fine binding was first developed at the turn of the century by J.H. Stonehouse director of London's Henry Sotheran Booksellers. Their miniatures were painstakingly crafted by the talented painter Miss C. B. Currie 1849-1940. As the style grew in popularity other publishing houses quickly began to reproduce this technique-each developing their own desirable take on the aesthetic-referred to as "Cosway style.". Fine. Reeves & Turner unknown
19106404London: Robt. Riviere & Son 1910. A fine example. Square sixteenmo 5 1/16 x 3 15/16 inches; 129 x 100 mm. 46 2 blank pp. Title-page and initial letters printed in red and black. Handsomely bound ca. 1910 by Rivière & Son stamp-signed in gilt on lower turn-in. Full dark blue crushed levant morocco covers bordered in gilt surrounding an ornate floral design stamped in gilt each with twelve inlaid red morocco flowers spine with five raised bands decoratively tooled and lettered in gilt in compartments gilt board edges and turn-ins cream paper liners and end-leaves top edge gilt. Neat ink inscription on front free end-paper and a small gold bookplate. <br /> <br /> Shelley's poem The Sensitive Plant is a beautiful and tragic poem commemorating the brevity of life and immortality of cyclical nature. Written after death of his son while Percy and Mary Shelley struggled with their grief in Pisa the poem consists of four stanzas with three sections charting the change of seasons. It is set in a garden bursting with blooms but highlights the sensitive plant-a mimosa-with its humble leafy foliage. Human will is nothing in the face of the impartial power of nature and time. First published in Prometheus Unbound and Other Poems 1820 here it has been reproduced with a delicate binding to match its subject. <br /> <br /> "For the Sensitive Plant has no bright flower;<br /> Radiance and odour are not its dower;<br /> It loves even like Love its deep heart is full<br /> It desires what it has not the Beautiful!"<br /> <br /> "The Riviere Bindery was one of the most notable and prolific shops in London's West End from about 1840 through 1939" Princeton. Bath-based Bayntun Bindery acquired the firm in 1939 transforming into the "Bayntun-Riviere bindery" which is still in existence and family owned. Robt. Riviere & Son unknown
181965557London:: Printed for C. and J. Ollier 1819 i.e. 1876. Facsimile edition. original blue boards with hand-lettered paper label on spine. Bookplates; endsheets and boards tanned; light use at extremities. 8vo. Edited with notes by H. Buxton Forman and printed for private distribution. Printed for C. and J. Ollier, hardcover
198011849JNew York: Morrow 1980. Later printing. From the library of the great New Orleans jazz clarinetist Pete Fountain signed by him in black ink and with his personal library circular gold bookplate. Fine in a near fine dust jacket. Morrow unknown
1944130700London: The Golden Cockerel Press 1944. First Edition. Hardcover. Very Good. London The Golden Cockerel Press 1944. Quarto 79 pages printed on Arnold's mould-made paper with 4 collotype illustrations. Quarter morocco and buckram lettered in gilt on the spine; top edge gilt others uncut; covers very slightly marked and lightly sunned on the spine; bottom edges slightly cockled but presumably as issued; an excellent copy. Number 338 of 500 copies the first 50 being a deluxe issue in full morocco. <p>Cockalorum 163. The Golden Cockerel Press hardcover
15484Bernard Quartich 11 Grafton Street New Bond Street London. Printed by Taylor and Francis Red Lion Court London 1911. 3pp. 8vo. Bifolium. On aged card with wear to extremities. The text attributed to Wallis by the British Library catalogue is on the verso of the first leaf; and facing this behind a tissue guard is the print. Wallis discusses the 'feeble' nature of the 'various engaged portraits of Shelley' and explains Peacock's reservations in endorsing Lasinio's engraving of Leisman's painting. Uncommon: five copies on COPAC the British Library entry attributing the publication to Henry Wallis. Image on application. Bernard Quartich, 11 Grafton Street, New Bond Street, London. Printed by Taylor and Francis, Red Lion Court, London, 1911. unknown
140949220Hoboken NJ: Sonic Youth Fanclub 1995. Fine. A scarce complete run of postpunk/indie band Sonic Youth's fanzine edited and distributed by the band members themselves as a means of keeping their growing fan base up to date on record/merch releases upcoming tour dates drawings by the band members as well as non-music related pursuits.<p>Seven issues staple bound and printed on newsprint. Fine. Excellent shape overall. Issue #1 has a Sonic Death Membership green slip laid in numbered 0086. <p>Includes write-ups on Pavement Bikini Kill John Zorn Royal Trux Sebadoh. Blowfly and more; record reviews by frontman Thurston Moore a two page spread devoted to hate mail received by the band tour info about the Raincoats and a lengthy contribution about Yoshimi Yokota of Free Kitten and Boredoms. OCLC locates just two incomplete institutional holdings. Sonic Youth Fanclub unknown
365535New York: Dodd Mead & Company 1983. First Edition. Hardcover. Fine/Fine. A wonderful limited edition illustrated edition of Frankenstein illustrated by Berni Wrightson with an introduction by Stephen King. This is one of 500 numbered copies signed by King and Wrightson. This edition has 44 dramatic full-page illustrations including two double-page spreads. <br /> <br /> Wrightson to the uninitiated was probably the great horror comic illustrator of the 1970s.<br /> <br /> 8-1/2 by 11-1/4 inches. 3–194 pages plus an inserted limitation page. A fine copy in a near fine slipcase. The book has the original publisher's glassine jacket in fine condition. This copy is no. 393 of 500 signed by King and Wrightson. <br /> <br /> Provenance: James Strand; stolen in 2023; recovered by the FBI from a storage unit in Oregon City. With the original evidence tag laid in. Dodd, Mead & Company hardcover
1830880P38London: Alfred Miller 1830. Paperback. Good Only. 6" by 4". Robert Cruikshank. The first illustrated edition of this anonymously penned poem thought to be written by a young Mary Shelley. The scarce first illustrated edition.Illustrated with an engraved title and six plates by Robert Cruikshank. Four pages of adverts to the rear.Collated complete.'Monsieur Nongtongpaw' is thought to be a juvenile poem by Mary Shelley written when she was a child. It was first publishing by her father William Godwin's publishing firm in 1807. Some modern scholars believe it to have been penned by John Taylor.A charming poem based on Charles Dibdin's 1796 song of the same name mocking English and French stereotypes. In the original publisher's paper wraps. Externally worn front wrap is held by two cords only rear wrap is working loose. Lacking most of the back strip. Wraps are a little discoloured with some light marks. Edge wear to the wraps with a few small chips. Prior owner's ink inscription to the recto of the front endpaper. Internally generally firmly bound. Pages are lightly age-toned with scattered spots and handling marks. Prior owner's ink inscription to the title page. Good Only Alfred Miller paperback
8931Cornwall CT 1975. 10 original watercolors ranging from 5x3.5" to 11.5x8" nine of which are signed by Parker. Printer's notes and tape to versos and margins. Few smudges and wrinkles but generally near fine. Included is a copy of the book published by Clarkson N. Potter 1976. <br /> <br /> Tremendous set of illustrations by Robert Andrew Parker painter and watercolorist known for his work in magazines book and album covers and children's books in a career that spanned over 70 years. In 1962 Parker illustrated Marianne Moore's Eight Poems published by MoMA NY. Moore described Parker's work as "combining the mystical and actual working both in an abstract and a realistic way" which is certainly on display in these brilliant pieces for Shelley's classic text. unknown
182832206London: Published for the Proprietor by Hurst Chance and Co. / R. Jennings 1828. Very Good. London: Published for the Proprietor by Hurst Chance and Co. 65 St. Paul's Churchyard and R. Jennings 2 Poultry 1828. First Edition. Octavo 19cm.; publisher's magenta moire silk gilt-lettered spine all edges gilt binder's ticket of F. Westley to rear pastedown; vii1360pp.; engraved presentation plate with initials "S.W." frontispiece and added title page sixteen 16 leaves of plates throughout collated complete. Some scuffing at corners and spine ends with brief exposure front hinge just starting else a Very Good internally clean and sound copy housed in modern linen clamshell box. Rather pretty orange contemporary bookseller ticket to front pastedown of George Gregory "Bookseller to H.M. Queen Alexandra."<br /> <br /> Magnificent example of this scarce keepsake volume with contributions by Sir Walter Scott Wordsworth Coleridge Percy Bysshe Shelley and Mary Shelley listed here simply as "the author of Frankenstein." The short story appears on p. 80 under the title "The Sisters of Albano" adorned with an accompanying engraving. As with her masterpiece "Frankenstein" Shelley returns to the nesting story within a story which opens with a pleasure party on the banks of Lake Albano observing a young couple a young worker with a rifle and his female companion. Thus sets off this tragic examination of "the mingling of love with crime" the story of sisters Maria and Anina the elder a devout nun the younger an adolescent who commits a crime for love that lands her before the executioner. In an act of desperation the sisters exchange garbs when Maria comes to visit Anina in order to save her but tragedy comes for all the characters in the end.<br /> <br /> Lyles D1c. Published for the Proprietor by Hurst, Chance, and Co. / R. Jennings unknown
26009Three of the five from 1900 28 and 31 August and 4 September; and two from 1901 5 and 13 December. All on letterheads of the Shakespeare Memorial Stratford-upon-Avon. These five items are part of a collection of correspondence the rest is offered separately relating to a supposed portrait of a young Percy Bysshe Shelley by George Romney which was in a group of paintings donated to the Shakespeare Memorial Association by the appropriately-named anatomist Evan Marlett Boddy. The Shelley portrait is reproduced in ‘The Magazine of Art’ 1901 with the caption ‘Reputed portrait of Shelley as a boy by Romney. In the Shakespeare memorial Stratford-on-Avon.’ in an article on ‘Portraits of Shelley at the National Portrait Gallery’ p. 494. The Shakespeare Memorial Theatre was founded through the efforts of local brewer Charles Edward Flower 1830-1892 after whose death its management was taken over by his brother Edgar Flower 1833-1903 also Chairman of the Shakespeare Birthplace Trust. On Edgar’s death these duties fell to his son Archibald Flower 1865-1950 several times mayor of Stratford-upon-Avon. Between 1899 and 1901 Boddy donated at least twelve portraits to be hung in the Shakespeare Memorial reading room from the correspondence wood carvings also appear to have been donated. Details of the first seven portraits including the supposed Romney one of Shelley are contained in a letter in the separate collection of correspondence of 11 December 1899 from Boddy to the Shakespeare Memorial librarian the archaeologist William Salt Brassington 1859-1939. The paintings included supposed works by Henry Fuseli ‘The Fuseli Macbeth’ and Sir Peter Lely Nell Gwynne Henry Wyatt Coleridge one of Alexander Pope ‘attributed to Hogarth’ as well as a ‘Garrick portrait’ one of Nell Gwynne and a ‘Spanish Lady’. In 1916 Boddy demanded their return on discovering that the Archibald Flower had broken the condition that Boddy had arranged in 1900 with the then librarian W. S. Brassington: ‘The Portraits were to be hung together and remain so.’ The present five items comprise four in 12mo totaling 8pp; and one the first in 4to 1p the first part of which is typed and the latter part in autograph. All signed ‘W. S. Brassington’. All in good condition lightly aged. In the first letter 28 August 1900 he writes: ‘Dear Dr. Boddy / Following the investigations respecting the portrait of Shelley I find that the description on the frame of the picture is not quite correct. / “Percy Bysshe Shelley aged 13 by G. Romney.†Shelley was born in 1792 and in 1805 he was 13 years old. Romney died in 1802 and did not paint much for some years before his death. From a careful examination of the portrait it appears to me that the subject is a boy of about 8 or 9 years of age and consequently the portrait may have been painted by Romney in or about the year 1800. Next month I hope to meet Dr. Garnett Richard Garnett 1835-1906 at the meeting of the Library Association at Bristol and hear what he has to say on the subject; He is the greatest living authority on Shelley. I am also writing to the author of a new life of Romney and hope to find a record of the sittings in Romney’s notes.’ In the second letter 31 August 1900 he recaps the position adding: ‘The more I see of the picture the more I like it: it is beautiful and to me more interesting than any of the others: it would be a treasure for any gallery.’ In the third letter 4 September 1900 he comments on a photograph of the Shelley portrait presumably for the ‘Magazine of Art’ article which he considers excellent. On 5 December 1901 Brassington writes: ‘Since last I had the pleasure of seeing you Miss Florence May has been hunting up the bust of Shelley which Mrs Leigh Hunt made & gave to Thomas Carlyle. It has now been found in Scotland and the owner has kindly sent me for the Memorial an etching made from the bust by W. Bell-Scott. It appears that the present representatives of the Shelley family do not like the bust though it undoubtedly is a likeness and it has a resemblance to the Romney portrait which renders it all the more interesting to me.’ In the last of the five letters 13 December 1901 he write: ‘It is quite time as you say that misfortunes attend some poor souls even after death but I fancy the poor departed generally score in the end if they deserve to do so. In Shelley’s case this must be so & it is a score that his portrait should be here. I shall do my best to get the Leigh Hunt Bust placed beside the Romney Portrait before next April.’ There is a final reference to his ‘young friend Nupean’. Three of the five from 1900 (28 and 31 August, and 4 September); and two from 1901 (5 and 13 December). All on letterheads of th unknown
181320<p>In-8. 2 leaves. title dedication to Harriet 240 pp. Copy with full margins.</p><p>Original publisher's cardboard brown paper small rubbing on the spine and hinges.</p><p>Contemporary bottle green silk undershirt with silk ribbon. Case spine titled in long-grain red morocco.</p><p><strong>Extremely scarce original and private edition with an estimated print run of 250 copies.</strong></p><p><strong>Complete copy with the dedication page and printing notices.</strong></p><p>In the copies that he distributed around him Shelley deleted the page dedicating to Harriet name of a young cousin for whom he felt a romantic feeling but also of his first wife married in 1811 from whom he had separated and who committed suicide in 1816. He also cut out from these copies the printing instructions bearing his name on the title page and on the last leaf. In 1816 he revised and reprinted some extracts from his poem under the title <em>The Daemon of the World</em>.</p><p>The few remaining complete copies of the 1813 edition were recovered by the London bookseller William Clark who ensured its distribution despite prosecution by the Society for the Suppression of Vice. In 1821 another publisher Richard Carlile produced a pirate edition in London which Shelley tried in vain to ban.</p><p>Composed between June 1812 and February 1813 the poem <em>Queen Mab</em> named after a well-known figure in Irish legends and popularized by Shakespeare reflects all the utopian passion of a young eighteen-year-old poet having faith in a world full of love and castigating religion and all tyrannical institutions.</p><p>Extremely rare first printing edition in strictly period cardboard of one of the very first works of the great English poet who died at the age of 31.</p> Printed by P. B. Shelley hardcover
1868997Y10Not Stated : Not Stated 1868-9. Paperback. Very Good. 8.5" by 6". None. A curious very scarce private printing of Shelley's 'Declaration of Rights' supported with letters by Francis Freeling and Chichester Parkinson-Fortescue. Accompanying this copy of Shelley's manifesto are letters obtained through the sale of Sir Francis Freeling's effects communicated by Mr. Fortescue and intended to give illustrate the fear and vigilance of the government of the day. In the original blue wraps. Several leaves uncut. Undated dated from a copy held at the British Library. Declaration of Rights first printed in 1812 serves as Percy Bysshe Shelley's 31-point radical pamphlet advocating for political reform and promoting liberty and free expression. His 15-year-old Irish servant was arrested for distributing copies of the work after which Shelley and his companions fled and settled in Tremadog Wales. In the original blue wraps. Externally with handling marks to the wraps and mild edge wear. Internally firmly bound. Pages are generally bright and clean with a few scattered spots heaviest to the endpapers. Very Good Not Stated paperback