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1898009767J.M. Dent & Co. 29 & 30 Bedford Street W.C. London Richard Clay & Sons London and Bungay1898 1898. Hardcover. Very Good. viii 2 322 pages frontispiece illustrations plates 22 cm OCLC 3053789 ; red worn cloth with gold lettering and designs; top edge gilt ; untrimmed ; slight knock ; Contents: From Darkness To Dawn - The Gods And Their Makers - The Earliest Greek Temples -- Archaic Reliefs -- Sculpture Of The Transition Period -- The Parthenon -- The Successors Of Pheidiasattic Reliefs -- The Apotheosis Of Beauty -- Praxiteles -- Contemporaries Of Scopas -- Lysippus -- The Twilight Of The Gods -- Schools Of Pergamum And Rhodes -- Last Years Before The Christian Era -- Table Of Sculptures ; Title within ornamental border List of sculptures: p. 307-312 List of sculptors: p. 313-314 ; Albinia Lucy Wherry was a British nurse and author known for her works on biography art and folklore. She was the oldest daughter of Robert Needham Cust and his wife Maria Hobart and was born at Langdown House Hampshire the Hobart family home from 1849. Two months later her barrister father set off for British India then torn by rebellion where he would make a reputation as a colonial administrator and linguist. She had two sisters and two brothers; her mother died in 1864 a week after giving birth to a daughter. Her father returned from India; when back there in a senior administrative position he took another wife Emma Carlyon who died in childbirth in 1867. He left India and married again in 1868. Wherry's relationship with her father was intense difficult and marred by grudges held. There was a serious break after her marriage. In 1881 Wherry married the surgeon George Edward Wherry. Wherry also trained as a nurse at Leicester Infirmary. During World War I Wherry was stationed in Paris in the Women's Emergency Canteen at the Gare du Nord where she supported Allied forces from 1915 to 1918. Wherry is buried in St John the Baptist Churchyard. Her collected correspondence is archived by the University of Florida. --Wikipedia ; poem excerpt from "prince Lucifer" by Alfred Austin then Poet Laureate; includes the poems "In the Golden Age" and "The Apotheosis of Beauty" by Percy Bysshe Shelley and a selection from the poem "Medea in Athens" by Augusta Davies Webster; excerpt from the poem "The Earthly Paradise" by William Morris ; "The Twilight of the Gods - The Dead Pan" by Elizabeth Barrett Browning selections of poems by Matthew Arnold Christina Rossetti Peake Shirley Fletcher Keats Milton Robert Browning William Shakespeare Thomas Haywood Rowley Longfellow R. N. Cust Byron Lyly ; black and white photos by Strand Co. ; numerous line illustrations by Meisenbach Riffart. "Riffarth & Cie. Meisenbach was a German photographic printing company operating in the late 19th and early 20th centuries. They specialized in printing high-quality illustrations for newspapers magazines and books using advanced techniques like photogravure and halftone. Their work is characterized by sharp detail and a focus on capturing the beauty of the built environment as seen in their images of factories cityscapes and landscapes. The company's work is considered a significant example of the development of photographic reproduction in the late 19th and early 20th centuries." ; sculptors discussed include Agasias Ageladas Agesander Agoracritus Alcamenes Alxenor Amphicrates Androsthenes Antenor Angelion Antigonus Apelles Arcesilius Archelaus Archermus Aristander Aristocles of Sicyon Athenodorus Bathycles of Magnesia Boedas Boethus Bryaxis Butades Calamis Callimachus Callon Canachus Cephisodotus elder and younger Chaerestratus Chares of Lindus Cherisphron Clearchus Colotes Cresilas Critius Daedalus Daedalus of Bythynia Daedalus son of Patrocles Daippus Damophon of Messene Demetrius of Alopece Dipoenus Dorycleidas Endoeus Epigones Euphranor Eupolemus Eutychides Hagias Ictinus Isogones Leochares Libon Lycius Lysippus Lysistratus Menaichmus Menelaus Metagenes Micciades Myron Naucydes etc; VG <br/> <br/> J.M. Dent & Co., 29 & 30 Bedford Street, W.C. London, [Richard Clay & Sons, London and Bungay],1898 hardcover
1888NG236471888 87 p., 3 figs, 3 lithographed pls (two of mammals by J. Smit, and one of the bird Indicator emini by J.G. Keulemans), disbound (partly loose, covers of journal issue added loose). Last page (page 87) of the last paper is missing. Published in: Proceedings of the Zoological Society of London.
18884719London: Reeves and Turner. Good with no dust jacket. 1888 1891. Softcover. The Shelley Society's Publications. First Series No. 1. Original green wraps 8vo untrimmed at right and bottom edges. Part I includes an Appendix containing The Society's Annual Reports. ; 5-3/4" x 8-3/4"; 179 30 177-396 pp; Covers edgeworn and lacking small pieces creased etc. Paper lightly toned. Part I a bit cocked with small cover stain three pages with brief annotations in light pencil. Part II with binding splitting still well-held by cords between pp 272-3. . Reeves and Turner paperback
187748147Edinburgh: David Douglas 1877. 1st Edition. Original publisher's green cloth binding with gilt stamped spine lettering. TEG. Square & tight. Modest extremity wear. Period pos to half-title page. A VG copy. x 2 249 7 pp. Adverts last 6 pages. Crown 8vo. <br/><br/> David Douglas hardcover books
182984109London: J Brooks. A Rare copy certainly in original boards uncut with spine rubbed and repaired at some stage.This issue of the six weeks tour is very rare title with a new title page onlythe original issue was anonymous but this one has Shelley's name on the Title Page.The original label to spine is present but very worn.Outer boards are marked in places with ink stain to the top edge of the upper cover.There is one former owner's bookplate showing to the front pastedown.Contents remain clean for the most parta fragile binding but still holding.Deckled page edges or rough cut.The work is a ravel narrative by the English Romantic Authors Mary Shelley and Percy Bysshe Shelley and describes a couple of trips taken by Mary Percy and Mary's stepsister Claire Clairmont one of which was across Europe in 1814 and one to Lake Geneva in 1816.The work is divided into 3 sections and the text consists of a journal four letters and Percy Shelley's famous poem 'Mont Blanc'.The text was mostly organised by Mary Shelley and in 1840 she revised the journal and the letters publishing them in a collection of Percy Shelley's writings.A wonderful collector's item12mo 183pp 1929 . Good. Hardcover. 1829. J Brooks hardcover
189231666London: Bernard Quaritch. Very Good with no dust jacket. 1892. First Edition. Hardcover. University library withdrawl with hinges bolstered by tape; front hinge loosening; text block tight and square in steel blue boards with gilt spine titles; contents bright and unmarked. ; 818 pages . Bernard Quaritch hardcover
1887157787London: published for the Shelley Society 1887. Together with an extract from 'Some early writings by Shelley' by Prof. E. Dowden. Edited by Thomas J. Wise. Pp. 641printer's imprint on recto of lower free endpaper; demy 8vo; green papered boards lettered in black slightly soiled edges and spine extremities lightly worn with a few small surface chips; uncut and largely unopened; endpapers offset a couple of spots of foxing; published for the Shelley Society by Reeves and Turner London 1887. Third edition revised; one of 250 copies on Van Gelder paper. The Shelley Society's Publications. Second series No. 2. Smith Shelley p. 322. Smith also cites 3 copies on vellum and 16 on Whatman's paper in pink papered boards both in quarto format with a frontispiece. An index was added to the third edition and a New Preface was substituted for the earlier Introductory note. The first and second editions were published in 1886 and Wise notes with satisfaction in the Editor's Preface: 'It is perhaps worthy of notice that already within twelve months of publication the first edition is being sold at a premium in the second-hand market' p. 16. published for the Shelley Society unknown
1880251032N.p. 1880. Pp. ii half-title 3-16 lacking title-page interleaved. 1 vols. 8vo. Grey mottled cloth. Bookplate of Henry Francis Redhead Yorke on front pastedown. Pp. ii half-title 3-16 lacking title-page interleaved. 1 vols. 8vo. Signed "C.E. Thompson" on the first blank and extensively annotated throughout with allusions to Vergil and Milton citations in Greek and a transcription of part of Tennyson's In Memoriam. Provenance: Anderson Sale 1504. Purchases in London and Paris of the Late George D. Smith Part I 1920 lot 863; A Catalogue of Original Works By and of Books Relating to Percy Bysshe Shelley. By Brick Row Book Shop New York N.Y. $3.00 unknown
1886mon0000058030Reeves and Turner 1886-01-01. Hardcover. Good. in x in x in. Pisa with types of didot MDCCCXXI on faded and browned cloth missing spine cover Reeves and Turner hardcover
1887500048505The Shelley Society 1887. 2nd Edition . Hardcover. Very Good. <br/> <br/> The Shelley Society hardcover
1887500048476The Shelley Society / Reeves and Turner 1887. 2nd Edition . Hardcover. Good. Second Edition Thus. One of only 150 copies <br/> <br/> The Shelley Society / Reeves and Turner hardcover
1886AQ32402London: Published for The Shelley Society by Reeves and Turner 1886. One of 300 copies printed. xlvi101pp 2. Unopened in original publisher's printed blue paper boards. Rubbed loss to head of dulled spine. Endpapers browned else internally clean and crisp. One of 300 copies of an 1886 facsimile of Alastor and other poems published by the Shelley Society and edited by Bertram Dobell 1842-1914. Originally published in 1816 Shelley's long poem tells the story of a poet who travels and eventually transcends the living realm. . 12mo. Published for The Shelley Society by Reeves and Turner hardcover
1886527587London: Reeves and Turner and B. Dobel. Published For the Shelley Society 1886. Hardcover. Very Good. First edition by this publisher. Edited by Bertram Dobell. 12mo. Blue-green paper-covered boards printed in black. Copyright page is dated 1885 the spine and front cover is dated 1886 as issued. Prints a six-page prefatory note by Bertram Dobell. Spine and front cover a bit tanned with small chips at the extremities a pleasing very good copy. Limited to 350 copies issued as 'The Shelley Society's Publications Second Series No. 3 from a total printing of 404 copies. Colophon states: "Reprinted at the Chiswick Press by Charles Whittingham Reeves and Turner, and B. Dobel. (Published For the Shelley Society) hardcover
1886KK4236Published for the Shelley Society by Reeves and Turner 1886. ~Original blue printed boards slight scuffing to spine minor wear to corners and ends of spine. Page edges deckled. Light browning to endpages but not title page. Last 3pp. are Shelley Society publication list. Limited to 300 copies. Signed by editor: 'Dr. Tebb. From Bertram Dobell. June 21 / 95'. Printed on laid paper. Bertram Dobell 1842-1914 bookseller and literary scholar. Dobell a largely self-taught bibliophile and scholar whose first job was as a baker's errand boy became the proprietor of two bookshops on Charing Cross Road ' held in high esteem by the leading bibliophiles of his day' ODNB. Dobell was an accomplished and prolific critic and editor chiefly remembered for correctly identifying the rediscovered manuscripts of Poetical Works and Centuries of Meditation as the work of Thomas Traherne. The 'Dr. Tebb' of Dobell's dedicatory inscription in this volume is almost certainly Dr. Albert Edward Tebb c.1864-1943 a medical doctor who attended many leading literary and artistic figures in late 19th- and early 20th-century London including Joseph Conrad and Ford Maddox Ford. Tebb was 'a knowledgeable collector of avant-garde prints and first editions a serious violinist of apparently modest skill and an early advocate and practitioner of socialized medicine' Bock Martin. '"What Has Happened To Poor Tebb": A Biographical Sketch of Conrad's Physician.' The Conradian vol. 23 no. 1 1998 p. 2. Tebb like Dobell an established if peripheral figure on the London literary scene would most likely have frequented Dobell's bookshops and is a believable purchaser of this lovingly produced facsimile edition of Shelley's first major poem a 'enigmatic and haunting study of longing desire and what in the 'Preface' Shelley calls 'self-centred seclusion'' ODNB. ~Robust packaging. All UK orders trackable others on request. Used books are exempt from USA tariffs. 1st edn. Hardback. Hardback. Very Good. xlvi vi 2 101 2 3pp. Published for the Shelley Society by Reeves and Turner Hardcover
1885L061569Reeves and Turner . And B. Dobell 1885. First Edition. Hardcover. Very Good/No Jacket. 12mo - over 6¾" - 7¾" tall. Slight wear to head and foot of spine chipping; slight soiling rubbing and browning to covers boards; chiefly to extremities; slight bumping to corners; ex-library rubberstamp on rear free endpaper; slight internal browning to edges and endpapers. viii vi 2 101 2 pages. Date on spine and upper cover: 1886. 'A facsimile reprint of the original edition first published in 1816' title page; includes the editor's prefatory note. One of 350 copies on 'toned Paper' of a total edition of 404 copies; see limitation statement on title page verso; 'Published for the Shelley Society by Reeves and Turner' upper cover. Reeves and Turner ... And B. Dobell hardcover
18855741London: Reeves and Turner. Very Good- with no dust jacket; No marks clean tight binding owners . script name on fep; brn cloth with spine label and blk lettering; edges . rubbed mostly at spine and corners; spine label rubbed and hard to read; . endsheets toned with inscription uncut pages;. 1885. Hardcover. Limited edition of 50 reprints on Whatman's Handmade paper; script inscription on fep from Bertram Dobell a 19th century bookseller and literary scholar; originally published 1816 with facsimile of the original title page; ; 101 pages . Reeves and Turner hardcover
188526269London: Reeves and Turner 1885. Hardcover. Very Good. Hardcover. 1 of 404 copies this being one of 350 copies on toned paper. The book is a facsimile of the original edition of Alastor first published in 1816. It was done for the Shelley Society. In green paper boards with title author and publisher in black on front cover. Covers and spine are chipped bumped and worn but still nice. Interior pages are very good except for occasional small tear along fore-edge. 8 page prefatory note plus six page preface plus 101 pages. POE/101812. Reeves and Turner hardcover
1895140318Chicago: Way and Williams 1895. publisher's cloth binding. Rogers Bruce. 8vo. publisher's cloth binding. 185 pages. First edition of which this is one of 75 numbered copies printed on French handmade paper with the title page two initial letters and tailpiece designed by Bruce Rogers Kraus 9; Warde 5. Heavy foxing to preliminary pages and moderate foxing throughout. Minor rubbing to the extremities spine age darkened. Printed by R.R. Donnelley & Sons Co. Chicago at the Lakeside Press. A very scarce book.<BR> <br /> <BR> <br /> "Way & Williams' most notable book of 1895 was an edition of Shelley's translation of Plato's Banquet designed by Bruce Rogers in an obvious imitation of the Kelmscott Press style. The intent of the firm to establish themselves as publishers of fine books in limited editions was clear" Kraus. The typography is by the notable American book designer Bruce Rogers 1870-1957 who "was appreciated in his lifetime. In addition to several honorary degrees in 1948 he was awarded a gold medal from the American Academy of Arts and Letters for distinction in the graphic arts. Over decades of accomplishment in which he designed approximately 500 books. Rogers literally defined the profession of book designing in the United States" ANB. Francis Meynell stated that Rogers was "the greatest artificer of the book who ever lived Way and Williams unknown
1880519549Boston: Chas. Pollock 2 Hamilton Place 1880. Unbound. Fine. Cabinet card photographic portrait. Albumen print of Percy Bysshe Shelley after a painting by Amelia Curran. Image measures 5 3/8 by 3 3/4 inches on photographer's printed cardstock mount measuring 6 1/2 by 4 1/4 inches. Photographer's imprint on recto. Owner's contemporary ink name on verso else the photograph and mount are in fine condition. The photograph depicts the young Shelley in partial profile wearing a dark jacket and broad-collared white shirt. Chas. Pollock, 2 Hamilton Place unknown
1893296027Città di Castello: tipografia deloo stabilimento S. Lapi 1893. Second Edition. Hardcover. Good copy in original gilt-blocked cloth with some wear and tear as with age. Remains well-preserved overall; bright and clean. Library marks remain. Some tape repair to the spine. Physical description; 36 pages ; 19 cm. Notes; Transl. Subject; Poetry Miscellaneous. Città di Castello: tipografia deloo stabilimento S. Lapi hardcover
1887AQ33829London: Published for the Shelley Society by Reeves and Turner 1887. lxvi 31pp 2. With half-title. Partially unopened in original blue printed paper boards. Rubbed and marked with loss to head of spine and bumping to foot. Endpapers heavily browned as often. One of 500 copies printed of the Shelley Society's edition of Epipsychidion the poet's address to Countess Teresa Viviani who Shelley met and corresponded with during her 'imprisonment' in a convent. The poem serves as an advocation of free love and a treatise on Shelley's distaste for conventional marriage and familial structures embodied through his address to the Countess or 'Emilia' an idealised victim of society's tyranny. The Shelley Society reprint includes notes from Swinburne and Irish critic and churchman Stopford Brooke 1832-1916 a President of the Shelley Society himself. . First edition. 8vo. Published for the Shelley Society by Reeves and Turner hardcover
1887143591London: Published for the Shelley Society by Reeves and Turner October 1887. True love in this differs from gold or clay / that to divide is not to take away First facsimile edition this one of only three copies printed on vellum and signed by the printers Richard Clay & Sons this from the library of the edition's publisher and editor H. Buxton-Forman President of the Shelley Society with his illustrated bookplate. Epipsychidion the title means "to/for a little soul/Psyche" was Shelley's intense lyrical love poem addressed to the "poor captive bird" Teresa "Emilia" Viviani a beautiful Italian countess of 19 years who was "imprisoned" in St Anna convent while her father sought her a suitable husband. The poem includes his notorious couplet in defence of free love: "True love in this differs from gold or clay / that to divide is not to take away". Octavo. Original blue boards printed paper label to spine. Very light wear at head of spine. A near-fine copy. Granniss 62; Wise p. 59. hardcover
1887322889London: For the Shelley Society 1887. One of 500. lxvi 31 3 pp. 1 vols. 8vo. Bound in full blue morocco t.e.g. rest uncut with autumn leaf polished calf doublures by Pfister Co. NY. Fine. One of 500. lxvi 31 3 pp. 1 vols. 8vo. Graniss pp. 66-67 For the Shelley Society unknown
1887157789London: published for the Shelley Society 1887. A type fac-simile reprint of the original edition first published in 1821. With an Introduction by The Rev. Stopford A. Brooke M.A. And a Note by Algernon Charles Swinburne. Edited by Robert Alfred Potts. Pp. lxvi322colophon verso blank; tall demy 8vo; green papered boards slightly soiled and rubbed fore-corners lightly bruised or worn the spine slightly chipped and split at extremities; uncut; endpapers offset a couple of spots of foxing; published for the Shelley Society/Reeves and Turner London 1887. One of 500 copies thus Van Gelder paper green papered boards printed by Richard Clay & Sons. The Shelley Society's Publications. Second series No. 7. Smith Shelley p. 320. According to Smith there were also 3 copies printed on vellum and 15 copies on large Van Gelder paper in pink papered boards. Wise had acquired his own copy of Epipsychidion a year earlier when he first became an active member of the Shelley Society:blang2057 'In 1886 when he was twenty-six he found out Mrs. Cheltnam and bought from her Shelley's Epipsychidion which the poet had given to her father Leigh Hunt.' lang2057 Partington p. 36. published for the Shelley Society unknown
1852588099London: Edward Moxon 1852. Hardcover. Near Fine. New edition. 12mo. 259pp. 8pp. publisher’s catalogue dated August 1854 bound in at the front. Publisher's green cloth stamped in blind and gilt. Small bump on spine which appears to be a binder's flaw corners a little bumped else a fresh and near fine copy. Edward Moxon hardcover