8 472 résultats
1409776441.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
18855741London: Reeves and Turner. Very Good- with no dust jacket; No marks clean tight binding owners . script name on fep; brn cloth with spine label and blk lettering; edges . rubbed mostly at spine and corners; spine label rubbed and hard to read; . endsheets toned with inscription uncut pages;. 1885. Hardcover. Limited edition of 50 reprints on Whatman's Handmade paper; script inscription on fep from Bertram Dobell a 19th century bookseller and literary scholar; originally published 1816 with facsimile of the original title page; ; 101 pages . Reeves and Turner hardcover
188526269London: Reeves and Turner 1885. Hardcover. Very Good. Hardcover. 1 of 404 copies this being one of 350 copies on toned paper. The book is a facsimile of the original edition of Alastor first published in 1816. It was done for the Shelley Society. In green paper boards with title author and publisher in black on front cover. Covers and spine are chipped bumped and worn but still nice. Interior pages are very good except for occasional small tear along fore-edge. 8 page prefatory note plus six page preface plus 101 pages. POE/101812. Reeves and Turner hardcover
0428852300.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1333491220.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1940268870United Kingdom: Linden Press 1940. Book. Good. hardback. hardback slim octavo green cloth backstrip with orange cloth covered boards paper title to the upper board damp staining to the edges of the boards not penetrating beyond. scattered foxing. the dust jacket is on particularly thin paper and is chipped and frayed separated into two at the spine and held together by means of gummed paper to the verso 12pp. Printed in an edition limited to 120 copies of which 100 were for sale. Linden Press Hardcover
1957155650Univ of NC Press 1957. Hardcover. Both volumes: small name stamp & yellowing edges minor shelfwear else very good condition with text clean and binding tight / without dust jackets. Two volumes: 303 312. Univ of NC Press hardcover
2020x-1476679258McFarland Publishing 2020. Paperback. New. 185 pages. 9.00x6.00x0.37 inches. McFarland Publishing paperback
28870600like new. unknown
1476662428.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
2017x-1476662428McFarland Publishing 2017. Paperback. New. 187 pages. 10.00x7.00x0.50 inches. McFarland Publishing paperback
3386334210.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
3386336507.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
3368242946.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
15814045like new. unknown
2012x-0786461675McFarland Publishing 2012. Paperback. New. 320 pages. 10.25x7.50x0.75 inches. McFarland Publishing paperback
0786461675.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1926003646Iowa City Iowa: Walter Edwin Peck 1926. Paperback. Fair. 7 1 p.; 23 cm. Grey wrappers printed in black; stapled. This is no. 48 of a limited edition of 100 copies. "Text from the first publication in the Philological Quarterly April 1926." Walter Edwin Peck was the author of Shelley His Life and Work published the year after this poem was published. In Fair Condition: 5-cm. tear from spine through wrapper and all 4 leaves without loss; chipping along edges; wrapper and p. 4 lightly soiled; corners creased. Walter Edwin Peck paperback
192611414Iowa City Iowa: n.p. 1926. FIRST SEPARATE EDITION. Original printed wrappers. Wrappers soiled otherwise near fine. Number 72/100 copies. [n.p.] unknown
1895140318Chicago: Way and Williams 1895. publisher's cloth binding. Rogers Bruce. 8vo. publisher's cloth binding. 185 pages. First edition of which this is one of 75 numbered copies printed on French handmade paper with the title page two initial letters and tailpiece designed by Bruce Rogers Kraus 9; Warde 5. Heavy foxing to preliminary pages and moderate foxing throughout. Minor rubbing to the extremities spine age darkened. Printed by R.R. Donnelley & Sons Co. Chicago at the Lakeside Press. A very scarce book.<BR> <br /> <BR> <br /> "Way & Williams' most notable book of 1895 was an edition of Shelley's translation of Plato's Banquet designed by Bruce Rogers in an obvious imitation of the Kelmscott Press style. The intent of the firm to establish themselves as publishers of fine books in limited editions was clear" Kraus. The typography is by the notable American book designer Bruce Rogers 1870-1957 who "was appreciated in his lifetime. In addition to several honorary degrees in 1948 he was awarded a gold medal from the American Academy of Arts and Letters for distinction in the graphic arts. Over decades of accomplishment in which he designed approximately 500 books. Rogers literally defined the profession of book designing in the United States" ANB. Francis Meynell stated that Rogers was "the greatest artificer of the book who ever lived Way and Williams unknown
3386334776.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
3386337066.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
3752550473.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
3752550465.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
19053905London: Henry Frowde Oxford University Press 1905. Thick octavo. Bound in dark green morocco by the W.H. Smith bindery under Douglas Cockerell featuring a subtle but signature Cockerell design in blind and gilt consisting of triple leaf motifs connected to bands across spine and multiple solid gilt dots on both covers. Spine very slightly faded boards a bit bowed. Green marbled endpapers. All edges gilt. Henry Frowde, Oxford University Press unknown