719 résultats
1827281901827, 1828, 1830. (1827: No. 1 - 105, 1828: No. 1 - 102 (af 104) + extrablad (til No. 84), 1830: No. 1 - 157) (364 af 366 numre, som er alt, der udkom før 1834, dog uden de to supplementblade fra 1831, som ikke nævnes i Erslew) 2 x 4to + 1 folio. Indb. i tre uensartede samt. hldrbd. To pæne hldrbd. m. rygforgyldn., indvendig usædvanligt rene og pæne m. kun få plettede og reparerede blade. Et slidt hldrbd., indvendig brunplettet (1830).
184761232London, Richard Bentley, 1847. 8vo. Uncut in the original somewhat worn printed paper binding. Boards rubbed. Rebacked in white cloth, with the remnant of the original spine pasted on. Title page printed in red. Year of publication removed from title page. Internally clean. Housed in a recent clamshell box. IV,(2),100 pp.
185258058London, Addey & Co., 1852. Original full cloth. Uncut. Gilt spine. Gilt lettering to upper board. Small neath repairs at spine ends. Corners a bit bumped. Complete with htitle and advertisement leaf. XL,535 pp. Clean and fine.
184861135Leipzig, Carl B. Lorck, [1848?]. 12mo. Bound in the original richly gilt and blindstamped full cloth binding. All edges gilt. Minor wear to outer hinges, neatly restored. Inscribed by Andersen to front free endpaper: ""Kunstnerinden / den elskværdige Madam / Rosenkilde / bringer jeg denne Bouquet / fra min Digterhave / Nytaarsmorgen / 1852. / H. C. Andersen."" ('To the artist, the amiable Madam Rosenkilde, I bring this bouquet from my garden of poetry / New Year's Morning / 1852. / H. C. Andersen'). (8), 448 pp.
186661192Kjøbenhavn, C. A. Reitzel, 1866. 8vo. Bound with the original front wrapper in a recent burgundy full cloth binding. Gilt spine and gilt title to front board. With a handwritten inscription from Andersen to front wrapper: ""Ildfluens Forfatterinde / en hjertelig Hilsen fra / Forfatteren."" A few scattered brownspots, otherwise internally clean. (4),144""(4),191,(1) pp.
186434793London, Richard Bentley, 1864. Orig. red full cloth w. blindstamped borders to boards and gilt back. Upper capital somewhat worn, corners bumped, otherwise fine. Uncut. Internally nice and clean.
187458590Odense, Hempelske Boghandel, 1874. 8vo. Bound in the beautiful original green full cloth binding with gilt spine and gilt angel to front board. Blindstamped frames to boards. All edges gilt. Minor insignificant wear to extremeties. Inner hinges weak. Exlibris to pasted down front endpaper. Internally clean with a fully legible presentation-inscription to front free endpaper: ""Dr. Professor E. Hornemann / en hjertelig Hilsen ved Udgangen / af Aaret 1874 fra hans / taknemlige Ven / H. C. Andersen. (""Dr. Professor E. Hornemann a heartfelt greeting by the end of the year 1874 from his grateful friend H. C. Andersen."").
187234789London, Routledge & Sons, 1872. Cont. (orig. ?) blue full cloth w. gilt title to back (Hayes & Son, Oxford). First few leaves brownspotted.
186259791Kjøbenhavn, P. G. Philipsens Forlag, (1862). 8vo. Bound in the original cardboard binding. With minor wear to capitals, otherwise almost completely fresh. Neatly restored tear to title page. Small ink stain to outer right margin of the last leaves. With a long gift inscription by H. C. Andersen to front free endpaper. Internally clean.
182443373Edinburgh, Baldwin, Cradock and Joy, 1824. Royal8vo. Fine later hcalf, raised bands, orig. titlelabel on spine. All edges gilt. In protective slipcase. (Bound by Thomsen, Edinburgh). Htitle, engraved title (and printed). VI,IV,36,104,116,64,74 pp. and 23 engraved plates, views and portraits. Textleaves fine and clean, printed on vellum-paper. A few plates a bit brownspotted.
184958929Kjöbenhavn, Bianco Luno, (1849). 8vo. Indbundet med det originale bogtrykte foromslag i et nydeligt mønstret papirbind med forgyldt titeletiket på forpermen (singeret Wilh. Gethers Eft.). Spredte brunpletter. Med Max Lesters exlibris på indersiden af forpermen og Mogens Kochs på forreste friblad. 36 pp. + 2 plancher.
183128858H-L. takker H.C.A. for et tilsendt eksemplar af ""Phantasier og Skizzer"", som er den første bog, han har modtaget i år, og som han vil nyde sammen med sine omgivelser.
186657709Kjøbenhavn, Gyldendalske Boghandels Forlag (F. Hegel), 1866. Indbundet i det originale komponerede helshirtbind med rig rygforgyldning. Rig forgyldning på forpermen. Kapitæler og false en smule slidte. Indre false svage. Helt guldsnit. Samtidigt ejernavn på forsatsbladet. Indvendig ren og pæn.
184960277(København), Bianco Luno, (1849). 8vo. Sort halvshirtbind med marmoreret papir over permer. Stregforgyldning på ryg. Forgyldt titeletiket på forpermen. Noget brunplettet, særligt de første og sidste blade. Gammelt ejernavn på titelblad.
180723694Philadelphia 1807. Samt. blankt omslag ryg repareret. VII131 pp. Lettere brunplettet. unknown
180723694Philadelphia, 1807. Samt. blankt omslag, ryg repareret. VII,131 pp. Lettere brunplettet.
188297315Boston: Emerson Piano Co. 595 Washington Street 1882. 1882. Very good. - Oblong octavo 6-3/4 inches high by 7 inches wide. Softcover bound in pictorial creamy white wraps titled with an illustration in green white and olive on the front cover. There are short slits along the head and tail of the spine. Once apparently mounted into an album with remnants of paper glued to the rear cover obscuring any text or illustration. 8 pages with illustrations and decorations by Ludvig Sandoe Ipsen on each page. Very good. <p>RARE.<p>The Danish-American artist & illustrator Ludvig Sandoe Ipsen 1840-1920 served in the Danish Army engineer corps after training as an architect. Ipsen immigrated to Boston in 1867 where he designed and illustrated book covers book plates and posters as well as book illustrations. He illustrated works by Longfellow Sir Walter Scott Hawthorne and Twain. Ipsen is perhaps best known for his illustrations of the 1886 edition of Elizabeth Barrett Browning's "Sonnets from the Portuguese". Boston: Emerson Piano Co., 595 Washington Street, [1882]. paperback
18503357Leipzig: Verlag von Carl Lorck 1850. Third edition. Original half leather over marbled boards. Very Good has marbled free end papers but rear one is lacking. 12mo 4" x 6.5" pp. 469. Wegehaupt 40. Contemporary edition of Andersen's 1805-75 best known work. here in a handsome half-leather copy. Verlag von Carl Lorck hardcover
18646200London: Richard Bentley 1864. First U.K. edition. Fine. Three octavo volumes 7 7/8 x 4 15/16 inches; 200 x 125 mm. 2 publisher's advertisements 6 312; 4 303 1 blank; 4 303 1 blank pp. Original terra cotta pebble-grain cloth with covers decoratively stamped in blind and spines ruled decoratively stamped and lettered in gilt. Original cream-colored endpapers. Some very faint marks on the front covers where there must once have been library labels the absolute minimum of rubbing to corners some minor foxing to top edge. A truly spectacular copy.<br /> <br /> First English edition of this collection of Danish tales and verse selected and translated by Anne Bushby d.1875 who had known Anderson since 1847. Busby believed that Anderson's work surpassed the category of children's literature. In this translation she offered a new take on the source material by adapting the language for a Victorian British audience Viggo Hjørnager Pedersen. Many of the stories were first published in New Monthly Magazine but were compiled for this volume as a celebration of Danish literature. The text includes stories and poems by Hans Christian Andersen "Morten Langè. A Christmas Story" - volume I pp. 199-208 and "The Man from Paradise. A Comic Tale" - volume I pp. 305-312; Carl Bernhard "Cousin Carl" "Aunt Francisca" "Damon and Pythas" and "The Bankrupt"; Bernard Severin Ingemann "The Doomed House" "The Secret Witness" "All Souls' Day" "The Aged Rabbi. A Jewish Tale" and "The Death Ship"; Carit Etlar "Too Old" "The Shipwrecked Mariner's Treasure" and "Twice Sacrificed"; H.P. Holst "Lisette's Castles in the Air" Adam Oehlenschlager "Death and His Victims" and others.<br /> <br /> Not in Sadleir or Wolff. Fine. Richard Bentley unknown
189962859Berlin, A. Hildebrandt, Kunstverlag, o. J. (1899). 4°. Mit zahlr. tlw. ganzs. bzw. farb. Illustrationen von Jenny Müller-Spielter. 1 Bl., 64 S., Illustr.-OLwd.
1805R5BLKBLU3004London: C. And R. Baldwin 1805. Hardback. New spine and front free end-paper original boards. xvi 63pp. Folding map. 2nd edition 1805. Boards grubby and worn. Previous owner's bookplate to front pastedown. Some neat tape repairs to folding map one edge of map scuffed. Rear inner hinge re-inforced. Private ownership. r5. Second Edition. Hard Cover. Good/No Jacket. C. And R. Baldwin Hardcover
190053076Berlin, Fischer & Franke, o. J. (um 1900). 8°. Mit zahlr. Illustrationen von Maximilian Dasio. 17 nn. Bll., Illustr.-OKart.
190053075Berlin, Fischer und Franke, o. J. (um 1900). 8°. Mit zahlr. Illustrationen von Maximilian Dasio. 22 nn. Bll., Illustr.-OKart.
19005525Berlin: Fischer und Franke 1900. First edition. 8vo 20x17 cm unpaginated. Publisher's blue illustrated cloth beveled edges silver and orange decorated endpapers by Franz Hein. Full page and vignette black and white illustrations throughout by Franz Hein Hugo L. Braune Arpad Schmidhammer and Max Bernuth. Five full color illustrations representing each story in the collection are found at the rear along with publisher's advertisements for the series. Some rubbing and staining to fore edges of boards marginal moisture stain to rear endpaper and last advertisement leaf else clean internally and very good. <br /> <br /> From the publisher's Fountain of Youth series being the second volume of fairy tales and fourth volume overall. Stories include Der Reisekamerad by Andersen Die Gänsemagd by the Brothers Grimm Rübezahl and Stumme Liebe by Musäus and Zwei Märchen in Bildern by Max Bernuth. A beautiful and uncommon publication from the first years of the Jugendstil movement. . Fischer und Franke unknown
1805013098Copenhagen: G. Bonnier 1805. First edition. Presumed first printing published by the author. . Hardcover. Very Good/No dust jacket. Text in English. With hand colored fold out map in very good condition one long tear expertly closed. Leather spine with marble-paper covered boards the marble paper being rubbed and at one corner chipped. Compression to points along board edges else about very good. <br/> <br/> G. Bonnier hardcover