HARDY ThomasBiblio.com
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192731845Faber 1927. 8vo. First Edition with wrapper vignette and full-page coloured illustration; original pictorial green wrappers sewed as issued a near fine copy. Ariel Poem 1. Faber, unknown
192851565Macmillan 1928. 8vo. First Edition on laid paper free endpapers faintly browned; original green cloth upper board blocked with decorative 'TH' monogram in gilt gilt back uncut fore-edge mildly spotted else a near fine copy in unclipped dustwrapper the latter with neat repair on inner surface. Bright copy of Hardy's final collection of verse published postumously on 2 October 1928. Purdy p.252 Macmillan, hardcover
192824137New York: Macmillan 1928. First edition. 8vo publisher’s original forest-green cloth the spine lettered in gilt. xi 202 pp. A very good very bright copy. FIRST EDITION. Hardy considered that this would probably be his last appearance on the literary stage. He has written that the poems included have been written with reasonable care though considering his age not quite with the zest of a young man new to print. It had become obvious that a lifetime of excellence allowed for what might have once been considered extraordinary to be taken as expected and normative. A collection then of fine poems by a master at his height and greatest reputation. Macmillan hardcover
192815398Macmillan 1928. 8vo. First Edition on laid paper free endpapers lightly browned; original green cloth upper board blocked with decorative 'TH' monogram in gilt gilt back uncut backstrip very lightly age-soiled joints very lightly rubbed else a very good bright clean copy. Hardy's final collection of verse published postumously on 2 October 1928. Purdy p.252 Macmillan, hardcover
188947337Macmillan 1889. 8vo. Second Edition; red pebble-grain cloth upper board ruled in blind and blocked in gilt gilt back uncut joints mildly rubbed backstrip dulled but all gilt wholly legible backstrip chafed at head else a good bright clean copy. With 4pp publisher's catalogue at end. Collects five of Hardy's finest short stories: An Imaginative Woman The Three Strangers The Withered Arm Fellow-Townsmen Interlopers at the Knap and The Distracted Preacher. The work was never reprinted in its original two-volume form 1888. Macmillan reissued the collection in one volume in an edition of 1500 copies in late February 1889. See Purdy p.60. Macmillan, hardcover
188829205London: Macmillan and Co. 1888. 2 volumes. First edition. A publisher's presentation copy with their purple "Compliments" stamp to Vol. I. 8vo in the scarce original dark blue/green cloth the boards with ruled lines in light green the spines also ruled in light green and with letting in gilt. Now housed in a fine custom clamshell box. 247; 212 pp. A fine set and scarce in the publisher's cloth this a very rare "Publishers' Compliments" copy. The text clean and fresh the binding bright with only a tiny bit of age or wear. A SCARCE HARDY TITLE IN ORIGINAL CLOTH THERE WERE ONLY 750 COPIES PRINTED AND OF THOSE ONLY 634 WERE BOUND the rest of the sheets were remaindered. This copy is not only very unusual for its exceptional and bright condition but also for being a publisher's presentation copy.<br> The work consists of five stories The Three Strangers The Withered Arm Fellow-Townsmen Interlopers at the Knap and The Distracted Preacherpreviously published only in serials. In the various short stories Hardy writes of the true nature of nineteenth-century marriage and its inherent restrictions the use of grammar as a diluted form of thought the disparities created by the role of class status in determining societal rank the stance of women in society and the severity of even minor diseases causing the rapid onset of fatal symptoms prior to the introduction of sufficient medicinal practices. A focal point of all the short stories is that of social constraints acting to diminish one's contentment in life necessitating unwanted marriages repression of true emotion and succumbing to melancholia due to constriction within the confines of 19th-century perceived normalcy. Macmillan and Co. hardcover
189823362New York and London: Harper and Brothers 1898. First Edition. With 30 illustrations by the author. 8vo publisher’s original blue ribbed cloth the spine lettered in gilt upper cover with Hardy’s floral monogram device in gilt. xi 228 pp. A very handsome and pleasing copy internally very fine and essentially pristine the cloth very well preserved spine just a tad mellowed. FIRST EDITION IN THE ORIGINAL CLOTH. A lovely copy of Hardy’s first significant publishing venture as a poet. Though better known now as a novelist Hardy rated poetry above fiction. Like many of his novels the landscapes of Dorset echoes throughout his writing. The poetry is scarce unadorned and surprisingly modern. Though first published in 1898 it contains poems he’d been working on since the 1860s. Harper and Brothers hardcover
197349Folio Society 1992. 7th printing. 6 vols boxed set. 8vo. Original gilt lettered cloth Fine slipcase near Fine. Pp. various illus with endpaper maps and woodcuts no inscriptions. Folio Society, 1992 unknown
187229198London: Tinsley Brothers 1872. 2 volumes. Rare First edition. A Copy with Interesting Provenance in the circles of American commerce and finance. 8vo handsomely bound in antique full maroon morocco for Sawyer of Grafton Street London the boards with a triple gilt ruled frame the spines with gilt stippled raised bands and gilt framed compartments two of which are lettered in gilt additional gilt lettering at the foot of the spine panels gilt ruled board edges gilt tooled turn-ins marbled endpapers and t.e.g. 215; 216 pp. A very handsome set the bindings with only a little light aging all very solid and firm and very attractive the text also fine with just a hint of age mellowing. THE FIRST OF THE GREAT SERIES OF WESSEX NOVELS THE AUTHOR'S SECOND PUBLISHED NOVEL AND THE LAST TO BE PUBLISHED WITHOUT HIS NAME. QUITE RARE Purdy presumed the print run to be only about 500 copies. It is an important precursor to Hardy's major works. The Wessex rustics who play critical roles in Hardy's later novels such as The Return of the Native and The Mayor of Casterbridge claim the centre stage as they debut here.<br> This copy with the bookplates of noted book collector and "the most colorful and attractive figure in the commercial banking world" Albert Henry Wiggin of Greenwich who in 1941 donated several thousand pieces of his collection to the Boston Public Library. Also with the bookplates of Connecticut banker Lynde Selden vice-chairman of the board of American Express from 1941 to 1956. Tinsley Brothers hardcover
GOR005262339Paperback. Very Good. paperback
193825192Macmillan 1938. 8vo. with folding map; blue cloth gilt back backstrip very lightly sunned else a near fine copy in unclipped lightly browned dustwrapper. With the contemporary trade ticket of The Book Shop Welwyn Garden City on front paste-down and 2pp publisher's catalogue at end. VERY SCARCE IN THE DUSTWRAPPER Macmillan, hardcover
18738293Henry Holt New York 1873. 8vo. First US Edition Later Issue; original pictorial mustard cloth blocked and lettered in black backstrip lettered in gilt and black very neatly rebacked with old backstrip laid down original printed endpapers wholly preserved covers very lightly age-soiled but every detail of the blocking bright and clear corners very lightly bruised without material damage a remarkably bright clean copy. HARDY'S FIRST BOOK PUBLISHED IN THE US AND THE SECOND EDITION OF THE WORK OVERALL. Hardy's second novel 'Under the Greenwood Tree' was first published by Tinsley in 1872 one of the 'best press-noticed' books sold by that publisher. Under the terms of Tinsley's new agreement with Holt of New York it was then issued by the latter in their popular 'Leisure House' series in June 1873 the first of Hardy's works to be so issued in the US. His first novel 'Desperate Remedies' 1871 did not appear in the series until March 1874. From the series catalogue present on the front endpapers it is clear that this is a later issue at least 1881 since the list includes 'A Laodician'. Most volumes in the 'Leisure Hour' series were severally reissued with updated endpapers. This copy has been expertly rebacked. The original elaborately blocked backstrip is virtually complete with just a few millimetres missing at extreme head and tail. The original endpapers which carry a detailed catalogue of the 'Leisure Hour' series catalogue printed in red are all complete and virtually unmarked. The top edge is mildly dust-soiled but this does not extend to the text which also shows practically no trace of the usual foxing and spotting. A NOTABLE COPY AND A RARE SURVIVAL. See Purdy p.8 et seq. NCBEL III 981. Henry Holt, New York, hardcover
40494LONDON FOLIO SOCIETY 1992. THREE VOLUMES IN FINE CONDITION BUT LETTERING ON THE SPINES IS SLIGHTLY WORN. CONTAINED IN A FINE SLIPCASE. LONDON, FOLIO SOCIETY, 1992 unknown
38262LONDON FOLIO SOCIETY 1993. 2ND PRINTING. THREE VOLUMES IN FINE CONDITION BUT LETTERING ON THE SPINES IS SLIGHTLY WORN. CONTAINED IN A FINE SLIPCASE. LONDON, FOLIO SOCIETY, 1993 unknown
38352LONDON FOLIO SOCIETY 1992. FIRST PRINTING. THREE VOLUMES IN FINE CONDITION. CONTAINED IN A FINE SLIPCASE. WOOD ENGRAVINGS BY PETER REDDICK. SCARCE. LONDON, FOLIO SOCIETY, 1992 unknown
188229199London: Sampson Low Marston Searle & Rivington 1882. 3 volumes. Scarce First Edition. 8vo in handsome near contemporary three-quarter tan morocco over wove cloth boards the spines with gilt stippled raised bands between gilt framed compartments four compartments with central gilt tools two gilt lettered additional gilt rules at the tips and lettering at the tail softly marbled end-leaves t.e.g. 246; 240; 223 pp. A very appealing and handsome set quite fine internally with far less then typically mellowing to the paper and that only at the edges the original half-titles retained the antique bindings with only trivial evidence of age sturdy and sound with fine and firm hinges. first Edition one of Hardy's Wessex novels set in a parallel version of late Victorian Dorset. It is a tale of star-crossed love in which the unhappily married Lady Constantine breaks all the rules of social decorum when she falls in love with Swithin St. Cleeve an astronomer who is ten years her junior. Her husband's death leaves the lovers free to marry but the discovery of a legacy forces them apart. This is Hardy's most complete treatment of the theme of love across the class and age divide and the fullest expression of his fascination with science and astronomy.<br> Because the book defied the social norms of the day upon release it was called shocking and even repulsive by some critics. Hardy wrote in a letter to Edmund Gosse on 10 Dec 1882 “I get most extraordinary criticisms of T. on a T. Eminent critics write & tell me in private that it is the most original thing I have done.while other eminent critics I wonder if they are the same print the most cutting rebukes you can conceive—show me to my amazement that I am quite an immoral person.†Sampson, Low, Marston, Searle & Rivington hardcover
188225721London: Sampson Low Marston Searle & Rivington 1882. 3 volumes. Scarce first edition. 8vo bound by Zaehnsdorf in near contemporary three-quarter blue morocco over blue marbled boards the spines are gilt lettered in two compartments and have wide gilt decorated raised bands t.e.g. the original blue cloth to the upper cover and spine of Volume I has been retained and bound in. Now housed in a fine morocco backed foldover protective case. 246; 240; 223 pp. A very pleasing and handsome set quite fine internally with just a bit of normal age mellowing to the text the original half-titles retained the antique bindings with some light evidence of age or use at the joints and extremities. first Edition one of Hardy's Wessex novels set in a parallel version of late Victorian Dorset. It is a tale of star-crossed love in which the unhappily married Lady Constantine breaks all the rules of social decorum when she falls in love with Swithin St. Cleeve an astronomer who is ten years her junior. Her husband's death leaves the lovers free to marry but the discovery of a legacy forces them apart. This is Hardy's most complete treatment of the theme of love across the class and age divide and the fullest expression of his fascination with science and astronomy.<br> Because the book defied the social norms of the day upon release it was called shocking and even repulsive by some critics. Hardy wrote in a letter to Edmund Gosse on 10 Dec 1882 “I get most extraordinary criticisms of T. on a T. Eminent critics write & tell me in private that it is the most original thing I have done.while other eminent critics I wonder if they are the same print the most cutting rebukes you can conceive—show me to my amazement that I am quite an immoral person.†Sampson, Low, Marston, Searle & Rivington hardcover
191947714Macmillan 1919. Sm. 8vo. First Edition thus title in red and black; original series binding of plum calf upper board blocked and lettered in gilt yaped edges back gilt extra gilt top ribbon marker a near fine copy. Bright copy of this most attractive edition. VERY SCARCE IN THIS CONDITION. Macmillan, unknown
192431731Macmillan 1924. Sm. 8vo. with title in red and black small neat signature on front free endpaper; original series binding of burgundy full limp calf upper board framed in blind and blocked and lettered in gilt gilt back gilt top small scuff on front boards else a near fine copy. Bright copy of the calf issue of thismost attractive edition. THE VOLUMES OF VERSE ARE BY FAR THE SCARCEST IN THIS SERIES. Macmillan, hardcover
189025541London: Spencer Blackett 1890. First edition and being the first of Hardy's short story "The Melancholy Hussar of The German Legion". 8vo bound in contemporary three-quarter blue morocco and marbled boards gilt lettered in two compartments of spine wide gilt decorated raised bands t.e.g. Now housed in a fine custom clamshell box backed in blue morocco and gilt lettered. 211pp. The textblock in fine state being clean and uncommonly fresh solid and free of spotting or toning completely the antique binding a bit rubbed at the joints but still firm and sound at the lower spine tip there is a roughly three-quarter in chip to the leather. THE FIRST EDITION IN BOOK FORM OF THOMAS HARDY'S SHORT STORY WHICH WOULD LATER APPEAR IN "LIFE'S LITTLE IRONIES." It is also the first edition of the works by John Campbell and Annie Hector Alexander. <br> 'The Melancholy Hussar' first appeared in the Bristol Times but this is the first appearance in book form. It is an uncommon item for the Hardy collector to acquire. Spencer Blackett hardcover
196728392Macmillan 1967. 8vo. First Edition some light offsetting from fold-ins to free endpapers; blue cloth gilt back a bright clean copy in dustwrapper. Macmillan, hardcover
98172London Macmillan & Co. 1887 1st thus edition. Hardback approx 7.5 x 5 inches. Dark green cloth with gilt and black decorative banding to front and spine blind embossed on rear. Gilt lettering to spine. Dark brown endpapers. In good condition. Fair. Cover rubbed corners bumped splits to cloth on corners and ends of spine. Inner hinges cracked between endpapers. Old label mark to front endpaper removed. Some occasional spots and handling marks to pages some occasional neat pencil notes. Small inscription to top of title page “W. de Kilpeck.” Else a good copy. 352 pp. Published in the same year as the 3 vol. 1st. ed. in London. London, Macmillan & Co., 1887 1st thus edition hardcover
189651404Osgood McIlvaine & Co. 1896. 8vo. First Edition thus on laid paper with etched frontispiece original tissue guard presentand full-page map of Wessex in the text tiny contemporary signature on blank preliminary; original decorative green ribbed cloth gilt 'TH' monogram blocked in gilt on upper cover gilt back gilt top uncut case with slight lean else a very good bright clean crisp copy. With the small contemporary trade ticket of Mullan of Belfast on front paste-down. 'Wessex Novels' 1895-6 published by Osgood McIlvaine is the the first uniform and complete edition of Hardy's works. Each of the sixteen volumes has an etched frontispiece by Macbeth-Raeburn depicting a scene from the novel drawn on the spot in this case 'The Country of the Woodlanders' and a map of Wessex drawn by Hardy himself. In terms of book production these are undoubtedly the finest trade editions of Hardy's works. Sheets of the Osgood edition with an altered title-page were published in the USA by Harpers Osgood's successors. See Purdy pp.279-282. ALL VOLUMES OF THIS SERIES ARE SCARCE ESPECIALLY IN THIS CONDITION. Osgood, McIlvaine & Co., hardcover
188729220London: Macmillan 1887. 3 volumes. First edition. First issue in first binding state with the called for advertisement leaf at the end of Vol. I. 8vo original dark green very-fine bead-grain cloth blocked in black and lettered in gold; with dark chocolate end papers. In green slipcase. iv 302 ads; iv 328; iv 316. Half-titles in each. A nice copy with less than the usual normal wear or rubbing to the cloth and end papers. FIRST EDITION IN THE ORIGINAL CLOTH. First published in MACMILLAN’S MAGAZINE this is a novel of unrequited love set in the country near the Blackmoor Vale of Dorset. It is a tragic tale of the consequences resulting from the quest for status among the country people. <br> In THE WOODLANDERS as in all his work Thomas Hardy is concerned with one thing seen under two aspects; not civilization nor manners but the principle of life itself invisibly realized in humanity as sex seen visibly in the world as what we call nature. He is.a determinist and he studies the workings of fate or law ruling through inexorable moods or humours in the chief vivifying and disturbing influence in life women. His view of women is more french than English; it is subtle a little cruel.thoroughly a man's point of view and not man's and woman's at once.No one has created more attractive women of a certain class women whom a man would have been more likely to love or to regret loving. In The Woodlanders women are allowed more liberty with a franker treatment of instinct and its consequences. Macmillan hardcover
18876350Macmillan 1887. 3 vols. 8vo. First Edition some very light spotting on half-titles on advertisement leaf and rear free endpaper of first volume and on final page of text and rear free endpaper of third volume; original dark-green buckram-grain cloth blocked in black with double frame border enclosing an inner frame border with radial corners gilt backs chocolate-brown endpapers uncut very neatly rebacked to style with original backstrips lightly chipped at heads and tails laid down a very good bright clean copy housed in a custom-made mid-green cloth slip-case lettered in gilt and with inner ribbon-pull. ONE OF MACMILLAN'S FEW PRESENTATION COPIES with neat 'With the Publisher's Compliments' stamp in ink on upper margins of titles. With the advertisement leaf in vol. I as called for. 'The Woodlanders' was published in an edition of 1000 copies on 15 March 1887. Only 860 copies were bound up in this primary binding; the remaining copies were bound in the similar but less detailed secondary binding and remaindered by the publisher by the end of June of the same year. It was never reprinted in three-volume form. A pencilled note on rear free endpaper indicates that the sympathetic rebacking was effected by George Bayntun of Bath. Written at Max Gate 'The Woodlanders' was referred to by Hardy as 'his best and his own favourite among his novels'. See Purdy p.54-57. Macmillan, hardcover
