84 résultats
40627LONDON FOLIO SOCIETY1994. SECOND PRINTING. THREE VOLUMES IN NEAR FINE CONDITION IN A VERY GOOD SLIPCASE. ONE VOLUME HAS VERY SMALL STAIN TO HEAD OF SPINE SLIPCASE HAS SOME MARKS. INTRODUCTION BY TREVOR JOHNSTON. SCARCE. LONDON, FOLIO SOCIETY,1994 unknown
188149577Sampson Low Marston Searle & Rivington 1881-1882 1881. 3 vols. 8vo. First Edition thus with illustrations all save one full-page; original brown cloth upper boards and backstrips framed blocked and lettered in gilt and black black endpapers expertly rebacked with old backstrips laid down a remarkably bright clean copy. FIRST PUBLICATION OF HARDY'S EIGHTH NOVEL preceding the US edition of Harper's and the later three-decker. Harpers Monthly Magazine. European Edition. Vol. I: December 1880 - May 1881; Vol. II: June November 1991; Vol. III: December 1881 May 1882. One illustration was omitted from the US serial version. All illustrations were omitted and the sub-title added when the novel was published in book form 3 vols. 1881. COMPLETE SETS ARE SCARCE IN THIS CONDITION. See Purdy pp.37-38. Please note that additional postage will be required for shipping outside the UK. Sampson Low Marston Searle & Rivington, 1881-1882 hardcover
36669LONDON FOLIO SOCIETY1993. FIRST PRINTING. THREE VOLUMES IN FINE CONDITION IN A FINE SLIPCASE. INTRODUCTION BY TREVOR JOHNSTON. SCARCE. LONDON, FOLIO SOCIETY,1993 unknown
188129225London: Sampson Low Marston Searle and Rivington 1881. 3 volumes. First English edition. 8vo bound in the publisher's original slate gray cloth the covers blocked in blind the spine panels lettered and decorated in gilt. Now housed in a fine morocco backed foldover case. 312; 275; 269 pp. A handsome and especially well preserved set the cloth retaining its original handsome quality. internally fine with just a bit of normal age mellowing to the text the original half-titles retained. FIRST EDITION OF HARDY'S MOST CONTEMPORARY NOVEL. Unlike his Wessex novels this is work is set in the more technologically advanced contemporaneous age so the plot exhibits devices uncommon among Hardy's novels such as falsified telegrams and faked photographs. It was originally published in monthly installments in the European edition of Harper's New Monthly Magazine from December 1880 to December 1881. Due to this arrangement Harper was able to publish the work in book form first but this English edition was only issued a few weeks later and contains revisions made by Hardy not included in Harper's issue. It is the only three-decker issue published and the print run is presumed to be only around 1000 copies. Sampson, Low, Marston, Searle and Rivington hardcover
188125542London: Sampson Low Marston Searle and Rivington 1881. 3 volumes. First English edition. 8vo bound in antique three-quarter blue morocco over blue marbled boards the spines are gilt lettered in two compartments and have wide gilt decorated raised bands t.e.g. the original slate gray cloth to the upper cover and spine of Volume I has been retained and bound in. Now housed in a fine morocco backed foldover case. 312; 275; 269 pp. A handsome and well preserved set internally fine with just a bit of normal age mellowing to the text the original half-titles retained the antique bindings with some evidence of age or use at the joints and extremities. FIRST EDITION OF HARDY'S MOST CONTEMPORARY NOVEL. Unlike his Wessex novels this is work is set in the more technologically advanced contemporaneous age so the plot exhibits devices uncommon among Hardy's novels such as falsified telegrams and faked photographs. It was originally published in monthly installments in the European edition of Harper's New Monthly Magazine from December 1880 to December 1881. Due to this arrangement Harper was able to publish the work in book form first but this English edition was only issued a few weeks later and contains revisions made by Hardy not included in Harper's issue. It is the only three-decker issue published and the print run is presumed to be only around 1000 copies. Sampson, Low, Marston, Searle and Rivington hardcover
189625920Osgood McIlvaine 1896. 8vo. First Edition thus on laid paper with an etched frontispiece and full-page map in the text small neat signatures on front free endpaper; original decorative ribbed cloth gilt 'TH' monogram blocked in gilt on upper cover gilt back gilt top uncut case a little shaken but binding entirely sound cloth rubbed from short length of upper board fore-edge backstrip lightly chafed without material loss at head and tail a very good bright copy of a scarce edition. Osgood's 'Wessex Novels' was the first uniform and complete edition of Hardy's works. 'The edition is an important one. The text of every novel was thoroughly and carefully revised the topography names and distances corrected where necessary chapters frequently retitled and much rewriting done. In addition Hardy prepared a special preface for each volume' Purdy p.281. Each of the sixteen volumes has an etched frontispiece by Macbeth-Raeburn depicting a scene from the novel drawn on the spot in this case 'A View near the Scene of the 'Stancy Castle' of the story' and a map of Wessex drawn by Hardy himself. In terms of book production these are undoubtedly the finest trade editions of Hardy's works. All volumes of this series are scarce this title more than most. See Purdy pp 279-282. [Osgood McIlvaine, hardcover
190149775Harpers 1901. 8vo. First Edition thus on laid paper with etched frontispiece and full-page map of Wessex in the text endpapers lightly spotted; original decorative green ribbed cloth gilt 'TH' monogram blocked in gilt on upper cover gilt back gilt top uncut a near fine copy. Osgood's 'Wessex Novels' 1895-6 is the the first uniform and complete edition of Hardy's works. Each of the sixteen volumes has an etched frontispiece by Macbeth-Raeburn depicting a scene from the novel drawn on the spot; in this case 'Kings-Hintock Court in The First Countess of Wessex' and a map of Wessex drawn by Hardy himself. In terms of book production these are undoubtedly the finest trade editions of Hardy's works. Sheets of the Osgood edition with an altered title-page were published in the USA by Harpers Osgood's successors. See Purdy pp.279-282. ALL VOLUMES OF THIS SERIES ARE SCARCE ESPECIALLY IN THIS CONDITION. Harpers, hardcover
189643778Osgood McIlvaine 1896. 8vo. First Edition thus on laid paper with etched frontispiece and full-page map of Wessex in the text some very light and scattered spotting on endpapers only small neat contemporary signature on front free endpaper; original decorative green ribbed cloth gilt 'TH' monogram blocked in gilt on upper cover gilt back gilt top uncut small crease and indentation in backstrip else a very good bright clean copy. Osgood's 'Wessex Novels' is the the first uniform and complete edition of Hardy's works. Each of the sixteen volumes has an etched frontispiece by Macbeth-Raeburn depicting a scene from the novel drawn on the spot; in this case 'Kings-Hintock Court in The First Countess of Wessex' and a map of Wessex drawn by Hardy himself. In terms of book production these are undoubtedly the finest trade editions of Hardy's works; in the case of 'The Group of Noble Dames' plates of the original edition were used. See Purdy pp.279-282. ALL VOLUMES OF THIS SERIES ARE SCARCE ESPECIALLY IN THIS CONDITION. Osgood McIlvaine, hardcover
191322837Macmillan 1913. 8vo. First Edition on laid paper with etched frontispiece original tissue guard present and double-page map in the text neat signature onj front free endpaper; original series binding of decorative ribbed dark-green cloth gilt 'TH' monogram blocked in gilt on upper cover gilt back gilt top uncut covers fractionally age-scuffed else a very good bright clean crisp copy. With 2pp publisher's advertisement at end. Osgood's 'Wessex Novels' is the first uniform and complete edition of Hardy's works. 'The edition is an important one. The text of every novel was thoroughly and carefully revised the topography names and distances corrected where necessary chapters frequently retitled and much rewriting done. In addition Hardy prepared a special preface for each volume' Purdy p.281. Each of the sixteen original volumes has an etched frontispiece by Macbeth-Raeburn depicting a scene from the novel drawn on the spot; in this case 'The Castle of Mai-Dun' and a map of Wessex drawn by Hardy himself. In terms of book production these are undoubtedly the finest trade editions of Hardy's works. Although published by Hardy's subsequent publisher Macmillan the present volume was produced in matching format as 'Volume XVIII' to retain uniformity the last volume of Hardy's work to be so issued. 'A Changed Man' collects for the first time twelve short stories that had been published previously in serial form together with a new short Prefatory Note by the author. In addition to the three tales mentioned in the title the others are 'Alicia's Diary' 'The Grave by the Handpost' 'Enter a Dragoon' 'A Tryst at an Ancient Earthwork' 'What the Shepherd saw' 'A Committee-Man of the Terror' 'Master John Horseleigh Knight' 'The Duke's Reappearance' and 'A Mere Interlude'. The stories date from 1881 'What the Shepherd saw'; the last two 'A Changed Man' and 'Enter a Dragoon' both 1899 mark the close of Hardy's work in prose fiction. ALL VOLUMES IN THIS SERIES ARE SCARCE IN THIS CONDITION. See Purdy pp.151-157 281. Macmillan, hardcover