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188518848Calmann-Levy Paris 1885. Roy. 8vo. First Edition thus with pictorial and printed titles 15 fine full-page coloured illustrations and very numerous illustrations in monochrome in the text; handsomely bound in contemporary brown half morocco BY H WOOD marbled boards back with five raised bands second compartment lettered and ruled in gilt gilt top marbled endpapers heightened with gilt original wrappers printed in red and black preserved corners very lightly frayed else a most attractive crisp clean copy ideal as a gift or for presentation. The binding is signed on front free endpaper verso. This splendid copy was presented as a prize in the Grand Concours Annual of the Societe Nationale des Professeurs de Francais. It was awarded in December 1890 to J W Blagden of Dulwich College.The society's fine presentation bookplate completed in MS and with blind-embossed stamp is tipped to front paste-down. Calmann-Levy, Paris, hardcover
19001865s.l., ca 1900. 35 X 26 cm (planches), 8 x 11 ou 5 x 6 cm (photos). 9 planches. Ensemble de 57 photographies originales sur papier, réparties sur 9 planches, titrées et illustrées à la main, à l'encre et à la gouache.Les photographies représentent des portraits (individuels ou collectifs), les loisirs et jeux (cerceau, croquet, bicyclette, balançoire, promenades, chasse, farniente...), des travaux des champs et sont accompagnées de légendes, souvent humoristiques. De nombreuses illustrations ornent également les planches : personnages, titres et motifs décoratifs, fleurs, frises, paysages ... Au verso des planches, 8 portraits de personnalités réalisés à l'encre : Etienne Marcel, Bailly, Ledru-Rollin, Turgot, Talleyrand, Eugène Cavaignac, Daguerre et Niepce, ainsi que des symboles (fleur de lys) ou armoiries et blasons éxécutés à l'encre et à la gouache. Très intéressant ensemble, qui reflète une certaine diffusion sociale de la pratique photographique - au sein de l'élite bourgeoise - à la fin du XIXe siècle, en lien avec l'évolution des techniques, à la fois en ce qui concerne la prise de vue et les procédés de tirage. Equipés d'appareils d'utilisation de plus en plus aisée, de nombreux amateurs immortalisent alors, comme ici, les petits et grands moments de la vie de tous les jours, constituant albums de souvenirs et collections privées qui consacrent le rôle désormais essentiel de l'image dans la culture de la Belle Epoque. L'auteur de ces clichés, qui ne manquait ni d'humour ni de talent, a par ailleurs enrichi son travail artisanal d'autres éléments esthétiques : décors et ornements graphiques issus de l'univers du livre (imitant fleurons,bandeaux, culs-de-lampe, séparations de chapitres...), dessins "classiques" (paysages, portraits), inspirés du mouvement Art Nouveau (fleurs, vignette "japonisante") ou influencés par la presse et l'affiche (typographie fantaisiste, caricatures,...).
113310Helsinki 1974 - 2008. 35 vols. Wrs. 21 cm Some backs worn Heavy book may require extra shipping costs unknown
11074Chez L'Auteur Imprimerie Aullard, Paris, 1971. In 4°, en feuilles sous étui plein skyvertex caramel orné dun pot contrecollé sous étui et emboîtage de même facture, 126 pages , 250 illustrations sous serpentes réalisées par lauteur, aquarellées à la main par l'auteur, découpées et réimposées dans le texte avec un soin remarquable on compte également une trentaine de planches ht en couleurs dont deux photographies dofficine à pleine page toutes sous serpentes , 2 quadrichromies, une photogravure, 18 illustrations gravées sur bois en noir et cartes. Il sagit bien sur dun tirage confidentiel limité à 500 exemplaires, celui-ci en parfaite condition est lun des 475 (N 123 ) sur Velin de Rives. Rare exemplaire dans une grande qualité coloristique.
1909302846Deutsche Werkstätten für Handwerkskunst Dresden und München 1909. Softcover Zustand: Keine Beschädigungen mit einer Namenseintragung. Rücken Ecken Kanten gut. Deutsche Werkstätten für Handwerkskunst Dresden und München, paperback
[2] Bll., 80 S. (mit Notenbeispielen), 248 S. Noten. Quer-4°. Flachdruck. HLdr. d. Zt. Ecken gering bestossen. Gelenke schwach/etwas eingerissen. Gering randfleckig. Stellenw. leichte Rot- / Bleistift-Eintragungen.
1938313361n.g. 1938. Hardcover kartoniert mit Leinenrücken und Lesebändchen Farbrundumschnitt ohne Schutzumschlag Zustand: zum Teil mit Eintragungen eine Seite ist lose. Zwei Risse am Rücken. Ecken und Kanten sind berieben/bestoßen. n.g., hardcover
20119563New York, 2011, 6 volumes in-4 brochés
293 pages. Index of photos. Biography of Bob Scriver. Oblong 9.5" x 12.5". Printed on glossy stock. Profusely illustrated with colour photography. "Includes all items in the collection... My desire is that this work will be valuable to laymen, artists, historians, and ethnologists. Most importantly, I hope this volume will enable the young Blackfeet of today to further their knowledge of and pride in their ancestry. Their culture was rich and deep, and as such it provided a basis for the creation of the magnificent works found on these pages." - from Preface. Average wear to dust jacket which is now preserved in archival-grade Brodart. Moderate wear to unmarked book. Hinges intact but binding quite loose. Pages 71-74 loose but present. Ink drop to fore-edge. A worthy reference/reading copy. Book
2002x-9048159296Springer 2002. Paperback. New. 698 pages. 9.20x6.20x1.59 inches. Springer paperback
1839R200128697CH. Gavard. 1839. In-Folio. Relié demi-cuir. Etat d'usage, Coins frottés, Dos abîmé, Quelques rousseurs. 444 + 388 + 391+160 (Tome 3 à deux paginations), titres, tomaisons et filets dorés sur le dos, plats jaspés, une gravure en noir et blanc en page de titre du tome 1 - papier jauni, mouillures sur le Tome 1 ne génant pas la lecture, dos partiellement manquant sur le tome 1, coiffes en pied manquantes sur les tomes 2 et 3, dos partiellement décollé sur le tome 2, déchirure su rle dos du tome 3, plats et tranches frottés, pliures sur quelques pages.. . . . Classification Dewey : 708-Galeries, musées, collections d'art
1994RO80214210Centre George pompidou. 1994. In-4. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 384 pages. Nombreuses photographies et quelques gravures en noir et blanc dans et hors texte. Texte sur 3 colonnes.. . . . Classification Dewey : 708-Galeries, musées, collections d'art
2002RO80249311Christie's. 2002. In-4. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 236 pages. Nombreuses photos en couleurs dans et hors texte. Trois photos disponibles.. . . . Classification Dewey : 708-Galeries, musées, collections d'art
RO20224479Presses d'A.R.C.. Non daté. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 140 pages augmentées de nombreuses photos en noir et blanc dans le texte.. . . . Classification Dewey : 708-Galeries, musées, collections d'art
197924493Tokyo, Gakken / Gakushu Kenkyusha, 1978-1979. 3 volumes complete: Vol. 1: Nihon. [Japanese folk arts.]. - Vol. 2: Toyo. [Asian folk arts: mainly from China and Korea.]. - Vol. 3: Obei sonota / O-Bei, sono-ta. [Folk arts of Europe, the Americas and other places.]. - Text in Japanese; captions and essays by Bernard Leach and Hiroshi Mizuo also in English. 230; 228; 229 pages with numerous illustrations (some color). Fol. (38 x 27 cm), Original gray cloth bindings with illustrated original dust jackets in original cloth slipcases with two-tone title lettering in red and silver. [9 Warenabbildungen]
2012x-9401040818Springer 2012. Paperback. New. reprint edition. 484 pages. 9.45x6.30x1.09 inches. Springer paperback
19275591<p><strong>First Russian edition.</strong></p><p><strong>Sherwood Anderson</strong> 1876-1941 was dubbed the '<em>American Dostoevsky</em>' in one contemporary Russian review. His novels were popular in Soviet Russia and the first book the short story cycle '<em>Winesburg Ohio</em>' which was published in 1924 marked the beginning of his significant popularity in the 1920s.<br />The translator of the novel <strong>Mark Volosov </strong>1895-1941 had an extraordinary life. He fought on the front lines during World War I was taken prisoner escaped to Norway and eventually made his way to the USA. After spending several years at sea he returned to his homeland where he became a translator from English rendering the works of American writers such as T.S. Stribling Eugene O'Neill Upton Sinclair Herbert Kemp and Erskine Caldwell into Russian. At the onset of World War II he joined the front lines and served in the '<em>the writers' company</em>' alongside the futurist Alexander Chachikov and the Jewish poet Aron Kushnirov. Unfortunately he disappeared without a trace soon after.</p><p>Libman # 1011.</p><p>OCLC locates only one copy of this edition: in the Newberry Library in Chicago.</p> Mysl’ paperback
201630814New York: Gregory R. Miller & Co 2016. First edition. Cloth. Fine/near fine. Thick wide clothbound quarto in dustwrapper. 383 pp. Foreword by Mary Schmidt Campbell. Spectacular volume showcasing a decades-long collection of abstract art of modern and contemporary art by artists of the African diaspora and from the continent of Africa. Lavishly illustrated. With texts by Joost Bosland Mark Godfrey Norman Lewis and many others. A fine copy in just lightly worn illustrated paper dustwrapper. A marvelous book and terrific reference. Very heavy volume additional shipping charges may apply. Gregory R. Miller & Co unknown books
19715590<p>The book contains the <strong>first Russian publications </strong>of Saul Bellow '<em>Looking for Mr. Green</em>' Philip Roth '<em>You Can't Tell a Man by the Song He Sings</em>' published the same year as his first Russian book and Joyce Carol Oates '<em>Stigmata</em>'. It also includes the first book publication of '<em>Cutting Edge</em>' by James Purdy.<br />Additionally it features '<em>The Doctor's Wife</em>' from the collected stories '<em>Pigeon Feathers</em>' by John Updike '<em>The Sucker</em>' by Carson McCullers '<em>Franny</em>' by J.D. Salinger the essay '<em>Grand</em>' 1964 by Tennessee Williams '<em>Mr. Acarius</em>' by William Faulkner '<em>The Golden Age</em>' by John Cheever excerpts from '<em>Flood</em>' by Robert Penn Warren 'T<em>he Madeline Wherry Case</em>' by John O'Hara '<em>The Dead Gook</em>' by Norman Mailer '<em>Take Pity</em>' by Bernard Malamud '<em>Sunday Allergy</em>' by James Jones and '<em>Tell Me How Long the Train's Been Gone</em>' by James Baldwin.</p><p>Libman # 937.</p><p>OCLC locates three copies of this edition: in the Ohio State University Library the University of North Carolina Library and the Saxon State and University Library Dresden.</p> Progress hardcover
1929158516<p>March 16 1929. Small folio 2 pages carbon. An agreement between A.C. McClurg and Grosset & Dunlap for the reprinting of Edgar Rice Burroughs' book "The Eternal Lover" along with two other authors. Signed by Joseph E. Bray for McClurg and F.H. Bucklin for Grosset & Dunlap. Not signed by ERB.</p> unknown books
1929158516<p>March 16 1929. Small folio 2 pages carbon. An agreement between A.C. McClurg and Grosset & Dunlap for the reprinting of Edgar Rice Burroughs' book "The Eternal Lover" along with two other authors. Signed by Joseph E. Bray for McClurg and F.H. Bucklin for Grosset & Dunlap. Not signed by ERB.</p> unknown
192240038New York: Alfred A. Knopf Publisher 1922. First US edition first printing . Hardcover. Near Fine/Near Fine. Published January 1922" printed on the copyright page. Near fine in near fine dust jacket showing just a hint of toning. A handsome copy. <br/> <br/> Alfred A. Knopf, Publisher hardcover
16-6333Late 19th-early 20th Century . Color etching and aquatint. Signed inthe plate. 22 x 30.5cm. sheet size. .Provenance:Né en 1906 à Lezay Deux-Sèvres Jacques Cathy a exercé d’abord la profession de caricaturiste à l’hebdomadaire « Le Rire ». Il a rejoint vers 1927 l’équipe du Cabaret « La Vache Enragée » conduite par Roger Toziny. Jacques Cathy poursuit sa carrière de chansonnier après le décès de Toziny en 1939 et après la guerre il conduit parallèlement une carrière d’acteur dans le cinéma. Jacques Cathy était le 3ème Maire de La Commune Libre de Montmartre à partir de l’élection en 1949.Final provenance: Les Collections Aristophil - 164 bis avenue Charles-de-Gaulle 92200 Neuilly-sur-Seine. Late 19th-early 20th Century, unknown
19315593<p><strong>First Russian book edition of the novel the first part of Dos Passos' U.S.A. trilogy.</strong></p><p>Before this edition only extracts had been published in periodicals.<br />The translation was prepared by <strong>Valentin Stenich</strong> 1897-1938 a poet who also translated James Joyce's 'Ulysses' into Russian. Stenich was arrested in November 1937 and executed. All editions of Dos Passos's books were banned in Russia until 1958.<br />The cover design was created by graphic artist and book illustrator <strong>Alexey Ushin </strong>1904-1942. Ushin tragically lost his life during the Siege of Leningrad.</p><p>Libman # 2286.</p><p>OCLC locates three copies of this edition: in the Yale University Library the University of Virginia Library and the Duke University Library.</p> GIKhL hardcover
200031965San Francisco: McSweeney's 2000. Consists of 14 chapbooks. Pictoral stapled wraps. Contributors are: Rachel Cohen Paul Collins Lydia Davis Dave Eggers Sheila Heti Jonathan Lethem Ben Miller Denis Johnson Paul Maliszewski Rick Moody Haruki Murakami George Saunders Lawrence Weschler & "various artists" in "Shorter Stories." Signed at their contributions by Bradford Collins Eggers & dated by him "5/19/01" Fusselman Lethem Moody Saunders and dated by him "2001" & Wilsey. Bradford Fusselman & Wilsey appear in the chapbook "Shorter Stories." Includes publisher's mailing card titled "Subscriber Agreement" for subscription sign-up as issued. In pictoral cardboard case. All in unread Fine condition. . Signed by Contributors. First Edition. Soft Cover. Fine. 8vo - over 7¾" - 9¾" tall. McSweeney's Paperback books
