SACKVILLE-WEST VitaBiblio.com
3 607 résultats
198443871Hutchinson 1984. 8vo. First Edition with plates free endpapers and top mildly spotted; black cloth backstrip lettered in silver a very good bright crisp copy in unclipped dustwrapper. EXTREMELY SCARCE IN THIS CONDITION. Cross & Ravenscroft-Hulme C.7. Hutchinson, hardcover
1927021770London: Leonard & Virginia Woolf at The Hogarth Press 1927 First printing of the first edition. Pictorial paper covered boards 76pp. The seventh title in the Second Series of The Hogarth Essays. Head of spine chipped toning to spine and panel margins and some toning to endpapers else book in fine condition. Leonard & Virginia Woolf at The Hogarth Press hardcover
2008359691New York : Miriam and Ira D. Wallach Art Gallery Columbia University 2008. First Edition. Hardcover. Fine cloth copy in a near-fine very slightly edge and dust-dulled dust-wrapper. Remains particularly well-preserved overall; tight bright clean and strong. Physical description: x 115 pages : illustrations some color map ; 37 cm. Subjects: Stone carving China ; Exhibitions. Sculpture Chinese ; Exhibitions. Genre: Art. Language: English. New York : Miriam and Ira D. Wallach Art Gallery, Columbia University hardcover
20009602Athenaeum--Polak & Van Gennep. 2000. Hardcover. Near Fine in Very Good dust jacket. Very light shelfwear to book. DJ has 2 closed tears to upper part of front panel. DJ has light rubbing.; Dutch translation of: Bios kai praxeis Alexandrou tou Makedonou.; 207 pages . 9025346766 . Athenaeum--Polak & Van Gennep hardcover
63-4921Stanford CA: Michael T. Ryan 1985. Signed Typed Letter 11" x 8.5" Single Page on Stanford University Libraries letterhead Good with staining. Provenance: Peter Howard Serendipity Books Berkeley Thomas Parkinson archive. Stanford, CA: Michael T. Ryan, 1985. unknown
201241403Cambridge University Press. 2012. Hardcover. Fine in Near Fine dust jacket. 6.2 X 1.1 X 9 inches; 492 pages . 0521848903 . Cambridge University Press hardcover
200136769Oxford Clarendon Press. 2001. Hardcover. Near Fine in Near Fine dust jacket. Scholar's name to ffep D. Gerber. Very faint shelfwear to book and DJ.; 5.6 X 1.5 X 8.4 inches; 568 pages . 0198143818 . Oxford Clarendon Press hardcover
1995301927Routledge 1995-12-07. hardcover. Good/No Jacket. 19 to 25 cm tall Octavo 8vo. . Posted within 1 working day. 1st class tracked post to the UK Airmail tracked worldwide. Robust recyclable packaging. Routledge hardcover
1854292813Smith 1854. hardcover. Good/No Jacket. 19 to 25 cm tall Octavo 8vo. Previous owner's personal bookplate. With marbled edpapers and gilt page edges. Posted within 1 working day. 1st class tracked post to the UK Airmail tracked worldwide. Robust recyclable packaging. Smith hardcover
188733534Reeves c.1887. 8vo. original printed wrappers wire-stitched as issued a near fine copy. A remarkably crisp clean copy. VERY SCARCE. Reeves, unknown
2012026679New York: Random House 2012. No marks or inscriptions to contents. Very clean very tight pages with slightly finger marked boards and bumping to lower corners. Dust jacket not price clipped or marked or torn or creased with slight bumping to lower corners. Fore and lower page edges untrimmed. 636pp. Salman Rushdie's own account of the nine years he spent undercover using the name Joseph Anton in order to shield himself from the threat of the Fatwa issued by Ayatolla Khomeini following Rushdie's having written 'The Satanic Verses'. Scarce edition in the UK. First Edition. Hard Cover. Very Good/Near Fine. 9.5 x 6.25 inches. Random House Hardcover
88062Freiburg Herder 1999. 2 vols: 773 p. Cl. 20 cm Fontes Christiani 331/2Rupert von Deutz 1070-1130 unknown
159847Assen Van Gorcum 1957. VIII178 p. Stiff wrappers. 24 cm Dissertation trade edition Name and short bibliographic note on the front flyleaf unknown
158278Assen Van Gorcum 1957. VIII178 p. Stiff wrappers. 24 cm Dissertation University of Amsterdam unknown
199516553<p>Tacoma / Seattle: Tacoma Art Museum / University of Washington Press 1995. <i><b>Signed by Ginny Ruffner on the front free end-paper. Additionally signed by Bonnie Miller on the half-title page.</b></i> First edition / First printing. Illustrated wrappers. Near fine with rubbing to covers and slight scuffing to back cover.</p> Tacoma Art Museum / University of Washington Press, paperback
86689Turnhout Brepols 1982. XXVII485 p. Cl. 25 cm CCCM 55Beginning 14th cent.New 120 Euro unknown
190130808Schwerin - Fr. Bahn 1901. Hardcover Gut Seiten 324 / kleberand gelockert / Schwerin - Fr. Bahn, hardcover
1980biblio169New York: THE MUSEUM OF MODERN ART 1980. Very Good. <p>4to ill softcover 463p ill color and b&w</p> THE MUSEUM OF MODERN ART paperback
1960242600Claasen Verlag Hamburg 1960. Hardcover Leinen 2 Bände Zustand: keine Beschädigungen keine Eintragungen. Rücken Ecken Kanten sehr gut. Die Druckbögen sind teilweise ungeöffnet. Der Preis ist für beide Bände. Claasen Verlag, Hamburg, hardcover
171428278Printed for Jacob Tonson at Shakespear's-Head over-against Catherine-Street in the Strand 1714. Sm. 8vo. Third Edition with engraved frontispiece and title-vignette some light age-staining as usual; handomely bound in full blue morocco sides with gilt frame border gilt back gilt top hand-made endpapers ribbon marker an elegant copy of a scarce edition. With the final leaf of epilogue spoken by Mrs. Bracegirdle. First published in 1702. SCARCE. Printed for Jacob Tonson, at Shakespear's-Head over-against Catherine-Street in the Strand, unknown
190418510Privately Printed 1904. 2 vols. 8vo. First Edition thus on laid paper with fine etched portrait frontispieces original tissue guards present titles in red and black and 13 fine etched plates all original tissue guards present; attractively bound in publisher's original terracotta buckram backs with paper labels printed in red and black all edges uncut backstrips very lightly sunned one label with small loss not affecting lettering at corner a remarkably well-preserved bright clean set. FIRST COMPLETE EDITION OF THE 'CONFESSIONS' IN ENGLISH WITH TWO FINE ETCHED PORTRAITS AND FINE ETCHED PLATES BY HEDOUIN. 'This edition has been translated from the original and every effort has been made to give even more faithfully both the letter and the spirit of that original. In the present edition not the slightest abridgement has been permitted and the attempt is everywhere made to render the thought and the expression of the author as closely as the genius of our language will allow' Prefatory Notice. It is unfortunate that the translator of this notable edition apparently remains anonymous for the translation was still in use several decades later. Privately Printed, hardcover
201018665Oxford University Press. 2010. Hardcover. Fine in Near Fine dust jacket. The Idea of Iambos is a long overdue study of the genre of Greek iambic poetry from the perspective provided by ancient testimonies. Andrea Rotstein places research on iambos in the framework of a new methodological approach to ancient genres based on the cognitive sciences offering an unprecedented study of ancient theories of genres and the way they affected ancient scholarship. Rotstein also examines the possibility of musical performance of iambic poetry as well as the various occasions of public performance particularly at musical contests and rhapsodic recitals. Finally she argues that from the Archaic to the Classical period there was a shift from the notion of literary class depending primarily on rhythm and on its archetypical representative Archilochus towards iambos as a genre defined mainly by invective as its dominant feature.; 400 pages . 0199286272 . Oxford University Press hardcover
200638047Cambridge University Press. 2006. Hardcover. Very Good in Near Fine dust jacket. Book is bound upside down else Fine.; 6.5 X 0.5 X 9.25 inches; 340 pages . 0521860660 . Cambridge University Press hardcover
2016008286NY: Princeton Architectural Press. First edition. Hard cover. Published NY: Princeton Architectural Press 2016 first printing. 4to. 8 3/4" x 12" 210pp. illustrated with color photographs. The photographs in this revelatory book suggest a deeper truth: that blindness is itself a kind of seeing and that those who can see are often blind to the strangeness and beauty of the world around them. As the blind photographer Evgen Bavcar writes "Photography must belong to the blind who in their daily existence have learned to become the masters of camera obscura." Through the photographs of more than fifty blind or partially sighted people from around the world this exhilarating book-the first to explore this phenomenon in all its vibrancy and diversity-will make you see differently. Minor tenderness at corners else fine. . Near Fine. Hard. 1st. 2016. Princeton Architectural Press unknown
150919Torino Unione Tipografico-Editrice Torinese 1964. 3 volumes: IX662;VIII595;VIII641 p. illustrations. Cloth 26.5 cm Heavy book may require extra shipping costs hardcover
