Dryden JohnABAA
143 résultats
0282Dryden John. Don Sebastian King of Portugal: A Tragedy. London: For Jo. Hindmarsh 1690. 4to. 16 132 i.e. 124 4 p. Later quarter morocco. Marginal tears at bottom of L1-3 a few other marginal tears some foxing mostly light. First edition. References: Pforzheimer 322; Wing D2262.<br />A tragicomedy by Dryden produced 1689. The play is based on the legend that King Sebastian of Portugal survived the battle of Alcazar. He and the princess Almeyda with whom he is in love are captured by Muley Moloch Don Sebastian is highly regarded as the return to Dryden's pre eminence on the stage after four year's absence<br /><br /><br /> books
0283Dryden John. Love Triumphant; or Nature will Prevail. A Tragi-Comedy. London: For Jacob Tonson 1694. First edition. References: Wing D 2302; MacDonald Dryden 93a.<br /><br />4to. 10 82 2 p. Later half morocco. Wanting front blank A1 scattered foxing. A very good copy. Dryden's last play. The song on L1r is by rising young playwright William Congreve to whom Dryden "bequeathed his dramatic mantle." One of Dryden's final dramatic works. The first and only lifetime edition. <br /><br />Henry Purcell also wrote music to be included in the play's performance. The plot of the play is essentially that of Marriage a la Mode which may be stated using Dryden's verse as follows: "Why should a foolish marriage vow / Which long ago was made / Oblige us to each other now / When passion is decayed"Congreve to whom Dryden "bequeathed his dramatic mantle." <br /><br /> books
2114LONDON BELL & DALDY 1866. FULL AUBERGINE MOROCCO; 5 VOLS "ALDINE EDITION" VERY GOOD-FINE. LONDON, BELL & DALDY, 1866 unknown books
1711866801711. Lucian. THE WORKS OF LUCIAN TRANSLATED FROM GREEK BY SEVERAL EMINENT HANDS. with The Life of Lucian A Discourse on his Writings and A Character of fome of the present Translators. Written by John Dryden Esq. London Printed for Sam. Briscoe 1711. 4 vols. Nineteen century reback with new labels. Brown calf with red spine lables. Some light wear mostly to edges and at hinges. Binding is tight and pages are nearly all free from foxing. Volume 1 bears a previous owner's extensive notes to second and third leaves. A solid set. unknown books
1928106988Frederick Etchells & Hugh Macdonald London 1928. Limited Edition. Hardcover. Very Good/No Jacket. Frederick Etchells & Hugh Macdonald London 1928. Hard Cover. Book Condition: very good. First Edition. Limited Edition 1 of 55 signed and numbered copies this being number 43; quarter leather with white linen marbled boards gilt-lettered xxvi 84pp. printed on Millbourn hand-made paper no dustwrapper issued for this signed issue Gallup B7a. Signed by T. S. Eliot.A very rare signed limited one of only 55 copies signed and numbered by T. S. Eliot. Some light wear and discoloration on covers but internally very nice and clean. Main text by Dryden and includes a "Dialogue on Poetic Drama" by T. S. Eliot a creative introduction that aims to clarify Dryden's ideas. Comes in a supplied collector's slipcase. Frederick Etchells & Hugh Macdonald, London hardcover books
1693272384London: Tonson 1693. hardcover. very good. Contemporary full mottled calf folio spine and corners rubbed 13 1/2 x 9 inches. iv xxxix iii 315 1; iv 87 1 p. Dryden's long and important essay on satire is in the form of a dedication to the Earl of Dorset. Dryden himself translated Satires I III VI X and XVI of Juvenal; the others were by William Congreve Nahum Tate George Stepney Stephen Hervey William Bowles Thomas Power Thomas Creech and John Dryden Jr. The satires of Persius all translated by Dryden have a separate title-page pagination. iv xxxix iii 315 1; iv 87 1 p. London: Printed for Jacob Tonson London 1693. First edition. A beautiful clean copy.<br/><br/> Wing J1288<br/><br/> Tonson unknown books
1701237330London: Tonson Thomas Bennet and Richard Wellington 1701. First Folio edition. Engraved portrait frontispiece by Edelinck after Keller and extra-illustrated with later full-page frontispiece for the second volume. 6 618; 558 pp. 2 vols. Folio 336 x 196 mm. Bound in modern half brown morocco over brown cloth boards spines lettered in gilt t.e.g. Brief marginal repairs to both title-pages folding portrait backed first few leaves in first volume partially disbound pp 119/120 with tear from corner some stray marks and minor toning throughout upper cover to first volume mostly detached upper joint to second volume with flaking corners rubbed head and tail of spine of both volumes rubbed bookplates of Julius Joleson and Paul Buchet. First Folio edition. Engraved portrait frontispiece by Edelinck after Keller and extra-illustrated with later full-page frontispiece for the second volume. 6 618; 558 pp. 2 vols. Folio 336 x 196 mm. With extra engraved frontispiece. Dryden's plays were first collected as early as 1682 and many times subsequent though these early editions were simply 4to editions of his plays bound together with a new general title and erratic in terms of quality and completeness. This noble 1701 Tonson folio is not only the the first in this format but the first to aim at comprehensiveness and accuracy. MacDonald 107 a i Tonson, Thomas Bennet and Richard Wellington unknown books
17011255506London: Jacob Tonson 1701. First edition. Thick tall quarto rebound in light brown leather; VG; six-bands embossed spine with heavy gilt and gold letters; high quality rebound; minimal soiling; slight fraying on bottom spine; blue moire end pages; gilt edges; previous owner's name on first title page; original paper in good condition; each book has a dedication page; rare and in good condition; shelved in Case #7; please contact us for shipping costs. 1255506. Shelved Dupont Bookstore. Jacob Tonson unknown books
170121957London: Jacob Tonson 1701. First Collected edition. leather_bound. Modern Cambridge style binding in full brown morocco. 646 232 pages. 33 x 20 cm. ESTC R31983 bound with T124515 the two works are generally found bound together. Of the second work as ESTC notes "Absalom and Achitopher``The Medal`Religio laici` and `The hind and the panther` each have separate title pages of the tenth fourth fourth and third editions respectively but the register and pagination are continuous." Second title page printed in red and black. Generally a clean copy with minor toning a few small tears one or two cryptic if not amusing margin notes in the second title. Raised bands gilt leather spine label. Jacob Tonson unknown books
1797000410London: T. Bensley for J. Edwards 1797. First Edition. Full Leather. Very Good. Beauclerc Lady Diana; Bartolozzi Engraver. Folio. With bookplate of Princess Sophie who was a daughter of King George III and second plate of hers in slightly different style in back. Contemporary calf boards more modern calf spine rebacking with original red title label attached thereto. xviii 241 pp. 9 full page plates some engraved by Bartolozzi and also head and tail vignettes. Text pages very clean except for offsetting which is considerable in pages facing full page plates. Some plates are foxed in margins. A few tissue guards survive. All edges gilt. Some shelfwear to edges and corners of leather with leather chipped or rubbed in corners. Overall attractive volume and VG. <br/><br/> T. Bensley, for J. Edwards hardcover books
1693018127London: Printed for Jacob Tonson 1693. Book. Very good condition. Hardcover. First Edition. Quarto 4to. iv xxxix i blank 315 pages i blank 87 pages of text. New hardcover binding with a brown leather spine green leather spine lable and marbled paper-covered boards. New endpapers. Minor soiling and minor foxing to the first and final few pages with minor soiling scattered lightly here and there. Complete with the half-title page. The text is unmarked. Wing J1288. "Eminent" translators include Nahum Tate William Congreve and Dryden's sons Charles and John. First edition. Printed for Jacob Tonson Hardcover books
1693268145London: Printed for Jacob Tonson 1693. First edition. iv xxxix iii 315 1; iv 87 1 p. Folio. Contemporary full acid-stained calf spine with raised bands in 6 compartments lettered in gilt in one the rest richly gilt. Neatly rebacked preserving original spine internally a clean well-margined copy. First edition. iv xxxix iii 315 1; iv 87 1 p. Folio. Dryden's translation of the 1st 3rd 6th 10th and 16th Satires of Juvenal and all of Persius with help from fellow translators Nahum Tate William Congreve and Dryden's sons Charles and John. Congreve also contributed the poem that prefaces the translations of Persius. ESTC R12345; Macdonald 30a. Provenance: Reginald Pole bookplate; John Drinkwater his signature dated 1923; Lytton Strachey his booklabel; Roger Stenhouse his booklabel Printed for Jacob Tonson unknown books
170043630London: Jacob Tonson 1700. First Collected Edition. Folio pp. 648. A nice clean tall copy with the half-title; with some minor foxing. Bound in contemporary calf chipped front cover separate Bookplate. Macdonald 37a. NCBEL II 447. Pforzheimer 326. Wing D2278. A collection of some twelve thousand verses which "again show Dryden's energy of thought and language undiminished by age" DNB including paraphrases or translations of the first book of the 'Iliad' some of Ovid's 'Metamorphoses' and tales from Chaucer and Boccaccio. There is also a poem 'To my Honoured Kinsman John Driden' verses addressed to the Duchess of Ormond and lines on 'A Fair Maiden lady who died at Bath' the wife of Lord Abingdon. The preface written in fine prose contains an excellent appreciation of Chaucer as well as attacks on Milbourne and Sir Richard Blackmore and a reply to Jeremy Collier's attack on the stage. Jacob Tonson unknown books
1700104852London: Jacob Tonson 1700. First edition of this collection of fables with nearly 12000 verses translated or paraphrased from various including Homer Chaucer and Ovid. Quarto bound in contemporary calf Cambridge binding tooled and lettered in gilt on spine raised bands. In very good condition. One of the most prolific and versatile writers in literary history John Dryden excelled as a poet a playwright a critic and a translator. According to Dr. Johnson "Dryden may be properly considered as the father of English criticism" and Pope saw in Dryden's work "better specimens of every mode of poetry than any other English writer" Allibone 524. Jacob Tonson hardcover books
169336454London: printed for Jacob Tonson 1693. First edition. 1 vols. Folio. Bound in full contemporary blind-panelled calf covers gilt-stamped with central coat of arms red leather spine label. Binding generally worn and rubbed joints cracked but cords still sturdy; half-title creased and starting to detach; otherwise a tall clean copy. With the armorial bookplate of A. Russell Pollock on the front pastedown. First edition. 1 vols. Folio. Dryden's Juvenal. Wing J1288; Macdonald 30a printed for Jacob Tonson unknown books
169118967London: Printed for Jacob Tonson 1691. First edition. Hardcover. Fine. 4to. 14511pp. The half-title is present with its advertisement on the reverse. Also present are the Prologue and the Epilogue. The earliest copies lack these leaves but an unsigned leaf was inserted after A4 headed "Prologue to the OPERA Spoken by Mr. Betterton." H2 was cancelled and a new leaf headed H2v: The EPILOGUE. Spoken by Mrs. Bracegirdle the word FINIS being transferred from H2 to H2v. The text block shows some aging and light staining; it is finely bound in full crushed crimson morocco unsigned but reminiscent of Sangorski: Spine in six compartments with raised bands intricately tooled in gilt; gilt rules on the boards; gilt inner dentelles; endpapers of crimson Victorian cloth in a linen effect. Top edge gilt. The text has been bulked out with several pages of blank paper in the rear. A nice copy of the scarce first edition in a fine binding. Dryden's 'King Arthur' owes little to the Arthur of history of romance. The play centers around a battle with Oswald a Saxon leader which Arthur wins. He also wing the faire but blind Emmeline whose sight is restored by Merlin. The play was first performed at the Queen's Theatre with music by Purcell and marks the likely beginning of a rekindling of interest in King Arthur and other things monarchial after their suppression by Cromwell and the Commonwealth. Macdonald 91 a ii. Arthurian Encyclopedia 121. Wing D2299. ESTC R18755. Printed for Jacob Tonson hardcover books
1916143509N.p.: N.p. 1916. Vintage Swiss one sheet lithograph poster made to promote the 1916 opening of Speck's Orient-Cinema in Zurich during the heart of the silent film era. Designed and illustrated by costume and commercial designer Ernst Deutsch-Dryden. <br/><br/>The poster's illustration portrays well-dressed clientele watching a Western movie likely meant to represent a US import. During this period there was a push in Zurich as in all large European and American cities to build lavish new cinemas to accommodate the constantly growing public demand for films and elegant movie houses in which to view them. <br/><br/>27 x 39 inches. Linen backed with no extra linen borders with some slight restoration at the folds and edges. N.p. unknown books
16973017London:: Printed for Jacob Tonson 1697. FIRST EDITION. Folio:. 44.6 x 28.7 cm. 2 A2 4 4 2 2 2 †2 ††2 x1 B-G4 ¶4 ¶¶2 H-T4 U2; a-f4 Aa-Zz4 Aaa-Zzz4 Aaaa-Ffff4 Gggg2 Hhhh-Iiii4 Kkkk2. An exceptional and exceptionally large "large paper" copy. This copy is complete with the engraved frontispiece the extra plate depicting Vergil reading the Aeneid to Augustus and all 101 of the magnificent engraved plates by W. Hollar called for in this edition: ten in the Bucolics twenty in the Georgics and seventy-one in the Aeneid. Bound in 17th-century paneled calf very nicely rebacked in the 18th-century. The spine is separated into eight compartments ruled and tooled in gold by raised bands. There are two spine labels one in red and one in green morocco tooled in gold. The boards are framed by a single gold fillet.Internally this copy is in superb condition with very little of the browning associated with this edition. The great majority of leaves are crisp lily-white and wide margined. In fact this is the largest and cleanest copy that we have had the pleasure to handle. There are a few incidental marginal tears only one of which –now mended- enters an engraving opposite p. 261. The final leaf is ink-stained. "Dryden's 'translation of Vergil'" says Pope whose own translation of Homer was inspired by Dryden's work "is the most noble and spirited translation I know in any language." Thomas "The book was published by subscription a system of joint-stock patronage now coming into vogue. . Dryden's correspondence with his publisher Tonson showed a good many bickerings during the publication. One cause of quarrel was Tonson's desire that the book should be dedicated to William III. Dryden honourably refused; but Tonson had the engravings adapted for the purpose by giving to Aeneas the hooked nose of William Dryden Letter to his son 3 Sept. 1697." DNB"Shakespeare probably knew at least the earlier books of the 'Aeneid' in Latin while Milton's 'Paradise Lost' attempts to provide an English equivalent not only for Vergil's epic themes but even for his syntax diction and as far as possible meter. But in Britain he was also particularly well-served by translations. In the seventeenth-century the epic was translated by Dryden." Gian Biagio Conte's "Latin Literature A History" Wing V-616; Macdonald 33A; Wither to Prior #325; Malone I.1.313; See John Barnard "The Large- and Small-Paper Copies of Dryden's The Works of Virgil 1697" in "Papers of the Bibliographical Society of America" Columbia SC 92 no. 3 1998 Sept: p. 259-71. Printed for Jacob Tonson books
