SEDAINE Jean-MichelBiblio.com
86 résultats
M12967Chez Claude Herissant Paris 1770. First edition. In-8 viii & 84 pages. Modern half-leather. A single line of worm damage on most pages near the binding not reaching the text a fair copy. From the library of Egyptologist Charles Cornell Van Siclen III VSX. Language: French/Français. This book ships from the USA shipping costs will be updated accordingly TXR. Relevant subjects: Other. unknown
176610931Genève 1766. Comédie en prose . Représentée par les Comédiens François ordinaires du Roi le 2 Novembre 1765.Zusammengeb. Mit D'Arnaud; Euphemie ou le triomphe de la Religion Drame u. Fardeau M; Le Mariage a la mode Drame 8°. Hldr. d. Zt. Literatur unknown
286503190X.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
188092181Paris : Librairie des Bibliophiles Jouaust 1880. 185x115mm. XXIII - broch. Edition originlae sur papier de Chine numrote n.¡ 17 / 30 premier tirage avant 30 exemplaires sur papier Whatman. Bel exemplaire. 74 Librairie des Bibliophiles, Jouaust unknown
187752028Paris: Librairie générale 1877. Fine. Librairie générale Paris 1877 9.50 x 16.50 cm relié New edition published with a notice and notes by Georges d'Heilly one of 500 copies on laid paper. Half blue morocco binding with corners spine very slightly faded with five raised bands gilt date at foot marbled paper boards marbled endpapers and pastedowns fragile parchment wrappers preserved top edge gilt contemporary binding signed by Rousselle. Work illustrated with a portrait of Sedaine as frontispiece engraved by A. Lalauze as well as head- and tailpieces. Handsome copy in a charming signed contemporary binding. Librairie générale hardcover
80419Couverture rigide. Bon/1862. in-folio. Paris 1862 in-folio 69pp reliure demi-chagrin Très bel exemplaire de ce rare ouvrage qui fut condamné pour immoralité en 1862! unknown
17658Amsterdam: Pierre Erialed 1760. Book. Very Good. Full-Leather. 12mo - over 6¾" - 7¾" tall. A collection of pre-Revolutionary French theatre plays bound together each with separate title pages and pagination with titles continuing from above: "Le roi et le fermier comedie en trois actes Melee de morceaux de Musique" 1765; "Isabelle et Gertrude ou Les sylphes suposes comedie en une acte" 1766; "La clochette comedie en une acte et en vers" 1766. Various publishers. The Diderot Le fils naturel was his first play originally published in 1757 appears here in an early printing and is the second play in this volume published as noted above. Contemporary gilt full calf binding with raised bands. Speckled edges and marbled endpapers. Gilt red label. Some wear to covers at hinges -- still tight -- and to extremities. Some loss to leather at head of spine and upper corner of rear board. Sewn endbands with silk page marker intact. Quite a neat copy -- solid clean and tight. Contemporary handwritten table of contents and date/place verso front endpaper. Internally bright very good and unmarked. Some scattered foxing. 4715274543432pp. Pierre Erialed Hardcover
1776241100Paris: Duchesne 1776. Boards. Good-. four volumes in two ex library with perforation marks on title pages of volume and three some slight stains to some pages leather spines torn and worn boards worn Includes Le Philosophe sans le savoir seconde edition of 1766 Duchesne hardcover
176476321Toulouse - Amsterdam - Paris - Vienne : Broulhiet - Claude Herissant - Veuve Duchesne - Jean-Thomas de Trattnern 1782 -1764 - 1768 - 1775 - 1770 . 190x115mm. reliure veau-marbrÂŽ de lՎpoque. PiÂce de titre au dos. Ornementations et filets dorÂŽs au dos ˆ nerfs. Dos usÂŽ. ReliÂŽ avec LÕanti-financier ou relevÂŽ de quelques-une des malversations dont se rendent journellement coupables les Fermiers-GÂŽnÂŽraux & des vexations quÕils commettent dans les Provinces: servant de rÂŽfutation dÕun ÂŽcrit intitulÂŽ: Lettre servant de RÂŽponse aux Remontrances du Parlement de Bordeaux; prÂŽcÂŽdÂŽe dÕune ÂŽpitre au parlement de France AccompagnÂŽe de Notes historique 57 58 pages et un frontispice. ReliÂŽ avec Les sabots opera comique en un acte mÂlÂŽ dÕariettes. ReprÂŽsentÂŽ pour la premiere fois par les Comediens Italiens ordinaires du Roi le Mercredi 26 Octobre 1768 30 pages. ReliÂŽ avec La Belle Arsene comÂŽdie-fÂŽerie en quatre actes mÂlÂŽ dÕariettes. Les Paroles de M. Favart; la Musique de M. de Monsigny. ReprÂŽsentÂŽe devant Sa MajestÂŽ ˆ Fontainebleau le 6 Novembre 1773; & ˆ Paris le 14 Aožt 1775 IX - 61 pages. ReliÂŽ avec La famille comedie en un acte 53 pages. 283 Broulhiet - Claude Herissant - Veuve Duchesne - Jean-Thomas de Trattnern unknown
178469563s. l.: S. n. 1784. Fine. S. n. s. l. 1784 S.d. 15 x 23.10 cm relié New edition of these 2 ""vaudevilles"" which first appeared in London in 1781 then published by Cazin in the characteristic reduced 18mo format. 18 figures including 2 frontispieces by Borel but unsigned. Text entirely engraved within borders with tailpieces. 20 pages of music 8 for the temptation 12 for Loth. Late 19th-century binding in full glazed blonde calf applied directly over the original wrappers. Spine with raised bands richly decorated. 2 black calf title-labels date at foot on black calf. Triple fillet border on boards. Wide decorative interior border. Paper untrimmed with full margins. The engravings illustrate the song texts on the facing pages. 5 libertine figures accompanied by equally libertine text: ""The old fisherman in his fury to satisfy his desire kissed her pressed her caressed her then threw her down on an old bed."" S. n. hardcover
1781142344London: 1781. A beautifully illustrated collection of erotic songs First editions of two licentious songbooks bound together as usual here featuring a red and green streaked design on the covers. Lalleman and Sedaine's lyrics combine devilries fantasy and eroticism and are brought to life by detailed and animated engravings. Lalleman and Sedaine's text was published during a "moment in French literary history when erotic freedom paired with intellectual liberty" Ganofsky p. 231. As libertine writers their contemporaries included the Marquis de Sade and Choderlos de Laclos. Like many erotic texts of the time Le Pot Pourri de Loth and Le Tentations de Saint Antoine are subversions of Christian tales. This appropriation of sacred stories may appear merely to be intended to shock and titillate. However in a typically libertine manner the authors had a secondary aim to demonstrate "a certain audacity and independence with respect to what is traditionally and institutionally held as sacred" and thereby to "highlight that libertinism stems from intellectual emancipation" Ganofsky p. 231. 2 works bound in 1 187 x 124 mm. With 18 engraved plates by Elluin after Borel not signed 20 pp. of music. Contemporary French calf mottled then streaked in red and green smooth spine divided by gilt rolls with floral motifs red morocco label gilt triple-fillet border to sides gilt rolls to board edges and turn-ins marbled endpapers edges gilt green silk bookmarker. Small red ink stamp to front free endpaper verso. Head of spine repaired short splits to head and foot of rear joint front board gently bowed couple of red marks to half-title. A very good copy. Barbier Dictionnaire des ouvrages anonymes 2nd edition vol. III p. 60; Cohen 462-463; Gay Bibliographie des ouvrages relatifs à l'amour 2nd edition vol. VI p. 317. Marine Ganofsky "Sacred or profane pleasures Erotic ceremonies in eighteenth-century French libertine fiction" Religion in the Age of Enlightenment vol. 5 2015. unknown
