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((S I )), Simone BagnatiBiblio.com

Lezioni Sacre Sopra I Fatti Illustri Della Diuina Scrittura. Italian Edition

[Major Gerald Wynne-Rushton; Societe marocaine de Production cinematographique; Moroccan film industry; Simone Berriau, French aBiblio.com

Société marocaine de Production cinématographique. Four items: typed synopsis and press release for Vicky Ivernel's film 'Kenzi' 'Mon Tresor' with two ALsS from producer J. M. Brandel in Paris to English distributor Wynne-Rushton.

15213Both of Brandel's letters on his letterhead 23 Rue Raynouard Paris. One dated 19 October 1947 and the other earlier undated. Typed synopsis and press release both undated but on release of film in 1948. The collection is in fair condition on aged and worn paper. The six items are from the Wynne-Rushton papers. The first four relate to the 1948 Moroccan film 'Kenzi' for which Wynne-Rushton was working as English distributor produced by the Société marocaine de Production cinématographique produced by Brandel's company Eden Film Productions with French actress Simone Berriau 1896-1984 as art director and featuring a young Habib Reda 1932-1974. ONE: ALS from Brandel 'Joe' to 'Dear Gerald'. 2pp. 8vo. Slight staining to second page. He apologises for the 'telegram-style letter' explaining that 'We are in the middle of rehearsing at Antoine i.e. Theatre Antoine where Berriau was director'. Regarding the film he writes: 'the music in Kenzi is modern arabic suitable for all ears . Kenzi comes out <> before the P<> and numerous Arab personalities - next week before French with sub-titles. We had a small showing - but it is a 1A picture - bound to be a success - and easy to sell on showing.' Brandel continues with suggestions and instructions before concluding on the subject of 'Plays' asking Wynne-Rushton whether he is 'Still interested in other propositions' TWO: Unsigned ALS from Brandel to 'Dear Gerald'. 2pp. 8vo and 1p. landscape 12mo. After a brief discussion of Wynne-Rushton's disagreements with 'Nebbi' Brandel continues: 'You have thrown yourself with a lot of energy and enthousiasm sic on the very difficult job of theatre and film representation and I would hate to see you give it up - the more so as results in this business are long and doubtful. Unless you desire otherwise - please continue - I think the only exceptions are the Ustinov contacts and maybe <> at the Academy people - but if you can handle the latter please continue'. He next turns to 'Kenzi' which was 'shown to a very select gathering of Arab speaking personalities including Hosmi Nagub of <> who received a note from Fiad Sabib. Everyone was very enthousiastic sic - it was a terrific success.' He discusses future plans with reference to 'Uncle Harry' a film. He asks him to send money to the Dutch sports journalist Albert Milhado 1910-2001 and refers to '<> Brahms' before concluding: 'Re Plays - as I said before - I do not think French's Catalogue is the solution to my problem. We saw duet for two hands - quite good - but very macabre in these difficult days - but the rights were sold - So be on the look out for London's best plays. Thats's what we want.' THREE: Duplicated typed press release in French headed 'SALAM SOCIETE MAROCAINE DE PRODUCTION CINEMATOGRAPHIQUE QUELQUES INDICATIONS SUR LA SOCIETE'. 1p. 8vo. Creased and worn at extremities. Explains that the Society is backed by the 'Pacha' represented by his son Caid Brahim el Glaoui and that the following French individuals are involved: 'President du Conseil: General BOUSCAT Adminustrateur sic Delegue: J. M. BRANDEL. Direction Artistique: Madame Simone BERRIAU.' The Society's first film is 'Mon Tresor' or 'Kenzi' with the scenario taken from Yves Mirande's 'Un Trou dans le Mur'. 'Ce film est tourne dans les magnifiques Palais et les nombreux jardins du PACHA DE MARRAKECH ainsi qu'au pied de l'Atlas . Madame Simone Berriau Directrice du Theatre Antoine productrice et interprete de nombreux films en assure la supervision artistique .'. Details of the others involved are given including 'HABIB REDA qui a compose pour ce film plusieurs chansons qui ne manqueront pas de plaire au publique arabe ainsi qu'au public Europeen.' The release ends: 'Le dialogue comme on peut s'y attendre est de Mr Yves MIRANDE toujours spirituel et plein d'humour parisien.' FOUR: Duplicated typed 'EXTRAIT DU SCENARIO'. 2pp. 8vo. With creasing and wear to extremities. Headed in pencil: '"KEMZI" AN ARAB FILM with Arab Caste sic FILMED BY EDEN PRODUCTIONS LTD PARIS and MARAKESH MOROCCO'. Gives a full synopsis of the film beginning: 'Un jeune garcon arabe HABIB REDA vient de finir avec succes a Paris ses etudes de medecin. Il habite avec son ami MAURICE BAQUET egalement d'origine arabe. Ce dernier n'a jamais vu son pays natal et n'en parle presque pas la langue. Il est artiste de music hall et ses cachets aident les deux amis a couvrir leurs frais.' Both of Brandel's letters on his letterhead, 23 Rue Raynouard, Paris. One dated 19 October 1947 and the other (earlier) undated. unknown

Richard M. Ford Ltd · Royaume-Uni180,00 £GB≈ 205,52 €

[WILSON, Angus]; [CROSLAND, Margaret]; [de BEAUVOIR, Simone]Biblio.com

Colour postcard handwritten and signed from Angus Wilson British novelist to Margaret Crosland apparently sharing memories in a difficult hand of Simone de Beauvoir

198633091986. Very Good. A picture postcard featuring a colour photograph of a Roman carving from Glanum 21.8.'86 postal stamp date: scrawled in Angus Wilson's difficult hand in black biro signed "Angus Wilson": edgewear creased at corners gently soiled. Very good A tantalising and highly illegible hand-written picture postcard from St. Remy de Provence sent by the prize-winning novelist and elderly man of letters Angus Wilson to the literary biographer and translator Margaret Crosland seemingly sharing his "strongest memory of SdeB" including mention of "Khrushchev's house" a repeated phrase said "anytime she spoke" and the suggestive "But what was strange & affecting".! In 1963 Wilson 1913–1991 had been "one of a select number of Western delegates including Simone de Beauvoir and Jean-Paul Sartre picked to meet with Khrushchev" during a writer's conference in the Soviet Union. Presumably this memory was elicited from Wilson during the research and collection phase for Crosland's biography of the French philosopher which was published six years later by Heinemann in 1992. From Margaret Crosland's archive. Crosland 1920-2017 was an important and prolific British literary biographer and translator of French and Italian authors "who pioneered Cocteau" in Britain Owen 2009. She was the French literature consultant for the British publisher Peter Owen who issued many of her biographies and translations and thus she played a crucial role in introducing French authors such as Jean Cocteau and Colette as well as the Marquis de Sade Apollinaire and Anaïs Nin to mid-century British audiences. Owen observed that Crosland was "very important in advising us on books to publish. It was Margaret who pioneered Cocteau . and led us to Dalí as she knew his novel Hidden Faces" ibid. Her biographical subjects included both Colette and Jean Cocteau titles much under discussion in her archive Simone de Beauvoir Raymond Radiguet and Edith Piaf and she translated works by writers including Sade Emile Zola Edmond de Goncourt and Cesare Pavese as well as Colette and Cocteau. She was also a voluminous correspondent literary broker and networker as her letters evidence in rich and fascinating detail. Peter Owen 2009 Interview with Steven Fowler Vice Magazine. unknown

Quair Books · Royaume-Uni45,00 £GB≈ 51,38 €