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18974803London: George Allen 1897. Six volumes. Limited first book-form edition. Edited by Thomas J. Wise and with the fabulous arts and crafts illustrations of Walter Crane. One of 1000 unnumbered copies on handmade paper printed by Charles Whittingham & Co. at the Chiswick Press. The original soft covers of the parts have been retained and bound in to the rear. Recently repaired / re-spined in red leather with the original red leather boards. Some of the boards have some darkening / staining but overall in very attractive condition. Internally the books are sound but slightly darkened to the edges. A decent copy. lxxxvii 1-248 i covers. viii 251-528 covers. viii 529-806 covers. viii 807-1044 covers. viii 1045-1276 covers. viii 1277-1546 8 covers. . Très bel exemplaire de la première édition. Six volumes. Édité par Thomas J. Wise et avec les fabuleuses illustrations art nouveau de Walter Crane. Un des 1000 exemplaires non numérotés sur papier fait main imprimés par Charles Whittingham & Co. à la presse de Chiswick. Les couvertures souples originales des parties ont été conservées et reliées à l'arrière. Récemment réparé / ré-épinglé en cuir rouge avec les planches d'origine en cuir rouge. Certaines planches présentent quelques taches mais dans l'ensemble elles sont en très bon état. A l'intérieur les livres sont sains mais les bords sont légèrement assombris. Un bon exemplaire. lxxxvii 1-248 i couvertures viii 251-528 couvertures viii 529-806 couvertures viii 807-1044 couvertures viii 1045-1276 couvertures viii 1277-1546 8 couvertures. George Allen paperback
1953216776Oxford printed for Limited Editions Club 1953. vg/vg. Limited Boxed Set vg books in vg dw some spotting on spine but complete 1953 Limited signed 537/1500 Boxed Set Oxford printed for Limited Editions Club In stock shipped from our UK warehouse Oxford printed for Limited Editions Club unknown
52314201-75Hackett Publishing Company Incorporated. Used - Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. Hackett Publishing Company, Incorporated unknown
117112London printed by William Faden 1758. . New edition; 4 volumes 8vo 22 x 14 cm; contemporary manuscript bookplates to pastedowns touch of spotting; contemporary full tree calf gilt motifs to spines in six compartments with contrasting gilt red and black morocco labels upper joint of vol. I starting to split a very good set; lxix 248 48; 2 300 1; 2 502 1; 2 462 19pp.<br /> A lovely tree calf bound set of Edmund Spenser's Faerie Queene one of the longest poems in the English language. It follows Arthurian knights in the examination of 12 moral virtues and was a huge success in its time owing to Elizabeth I's political approval of its noble and virtuous teachings and its celebration of the Tudor dynasty.<br /> London, printed by William Faden, 1758. unknown
18972945London: J.M. Dent 1897. Chivers bindings. Fine. STUNNING CHIVERS VELLUCENT BINDINGS. One of 100 large-paper copies illustrated by Louis Fairfax Muckley. The three thick quarto volumes are elegantly printed on handmade paper and illustrated throughout with images and designs by the British artist and illustrator Louis Fairfax Muckley. The illustrations are magnificent and feature the plates in two states red and black.<br /> <br /> The bindings by Chivers however are the star of the show and perfectly complement the text. For the front boards Muckley has created an intricate design featuring a knight and lady on galloping horses surrounded by decorative borders and gilt titling. Each spine depicts a lady emerging from a colorful background while each rear board has a stylized dragon seemingly jumping out from the binding. While the outlines of the designs are the same on each volume they are each painted with different colors creating a unique look and mood for each.<br /> <br /> On Cedric Chivers’s “vellucent†bindings:<br /> <br /> Chivers created a masterful binding technique in the late 19th century he called “vellucent†– a portmanteau combining “vellum†and “translucentâ€. The process was arduous but the results were stunning with artwork seeming to glow under a layer of thin protective vellum.<br /> <br /> His process began with a decorative design—in the case of these volumes artwork by Louis Fairfax Murray – created on paper or thin parchment. The artwork was then placed underneath a sheet of vellum that was extremely thin and specially treated to be translucent allowing the colors to almost shine like a stained glass window. The final step was particularly tricky – since vellum is not particularly flexible it required expert craftsmanship to lay it smoothly over the book's boards and spine without wrinkles or bubbles. The result is a binding that doubles as a work of fine art.<br /> <br /> The bindings are stamped “Bound by Cedric Chivers†in gilt on the rear dentelles and decoratively written on the rear endpaper of volume 1 likely by Chivers is the note: “THIS BOOK IS BOUND BY / CEDRIC CHIVERS BATH / 2 COPIES ONLY WITH THIS DESIGN / THIS IS NO 1â€. Anecdotally however we are aware of three copies that have been bound with this design although without the written limitation.<br /> <br /> Provenance: There is a note in pencil in the first volume that these are from the Robert Hoe collection but we have not been able to confirm this.<br /> <br /> London: J.M. Dent 1897. Thick octavos 258 x 197 mm vellucent bindings by Chivers. Text nearly pristine. A touch of bowing to bindings.<br /> <br /> AN OUTSTANDING EXAMPLE OF CHIVERS BINDINGS IN UNUSUALLY FINE CONDITION. J.M. Dent unknown
1024116921.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1024115305.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
18971401574London: J.M. Dent 1897. Limited Edition 1/1250 Copies. Hardcover. Quartos Two Volumes 1153 2 pages continuous pagination. In Very Good minus condition. <br /> <br /> Bound in tan cloth with gilt lettering and decoration to spines and boards gilt tops deckled fore-edges and bottoms. Mild shelf wear to boards including bumping with fraying to head tail and corners; sun-fading to spines and tops gilt affected lettering remains legible; rubbing with material loss to front board of Vol. I and spine of Vol. II; evidence of water damage to boards and paste-downs; adhesive residue from removed bookplates on front paste-downs; age-toning to text blocks; light age-toning to interior pages illustrations and text remains clear and legible. <br /> <br /> Shelved Above U.S. Political Bio. 1401574. Shelved Dupont Bookstore. J.M. Dent hardcover
16118706Printed by Humphrey. Lownes. for Mathew Lownes Anno. Dom. 1611 i.e. 1615 . 1611 Folio. 4 363 3 p. Recent speckled calf binding. The spine with raised bands and a contrasting label. The general title within a woodcut border laid down with portion of loss in the gutter Faerie Queene with woodcut cartouches to head of each canto Shepheards Calender with woodcut illustrations divisional titles woodcut initials and head- and tail-pieces with blanks 2H6 & F4 Sig.par Letter to Raleigh & commendatory sonnets bound at end and lacking final blank par9 Faerie Queen : M6 small loss to inner-margin O6 with few ink marks mostly to margins Z6 portion of loss affecting 2 stanzas with text supplied in later ink manuscript affecting also cartouche to verso par6 small loss to head affecting woodcut head-piece Faerie Queen has occasional marginal annotations slightly trimmed. There is some light damp staining to final few Sig. and ink splashes to final few leaves. The title page to The Second Part of Faerie Queen is date 1612 with the colophon dated 16012. It includes Mother Hubberd's Tale for the first time with the title dated 1613. Lownes was permitted to print this as Cecil had died in 1612. Inscribed by two members of the Frere family 1789 and later. Printed by H[umphrey]. L[ownes]. for Mathew Lownes, hardcover
119175London J.M. Dent 1897. . Limited edition of 100 copies printed on handmade paper each one signed by the illustrator underneath the printed colophon at the rear; ' This book is bound and decorated and colour by Cedric Chivers designed by' followed by ink manuscript asterisk since not a large enough space for signature hence below; 3 vols 4to 265 x 210 mm; halftitles titles printed in red and black with woodcut borders 26 woodcut illustrations several doublepage decorative headpieces initials and tailpieces by FairfaxMuckley a few text leaves still uncut age-toning to text blocks more evident to edges some tissue-guards a bit foxed with resultant offsetting generally the odd random mark or spotting but mostly to the blank margins except for a stain to lower edge of illustrated leaves facing pp 576 & 682 in vol. III otherwise very good; original full vellucant vellum by Cedric Chivers of Bath printed colophon to each vol. the upper cover with a hand-painted scene of an Arthurian Knight and a lady possibly the Red Cross Knight and his lady Una both on horse-back galloping within a heart-shaper frond gilt title-panel all within and armourial boarder the spines painted with an Authurian lady holding a lamp aloft. the rear boards painted with a large roundel of a stylised dragon each vol. in a variant colourway top edge gilt others trimmed as published age-toned with minor soiling mostly to rear boards otherwise very good-plus a stunning set.<br /> One of 100 copies on handmade paper of this English epic poem first published in 1590 signed by the illustrator. <br /><br />Following a lecture by Cyril Davenport of the British Museum on the 18th century painted vellum bindings of Edwards of Halifax Cedric Chivers created his own 'Vellucent' bindings using established artists such as Jessie M. King Alice Shepherd and H. Granville Fell. In its prime the company experimented and specialised in highly skilled and beautiful bindings; this example being one of them.<br /><br />Chivers was born in Bath to a bookbinding family. After working for his father and various other binders he opened his own business in 1878 in the premises formerly occupied by Robert Rivière in Union Street Bath. He subsequently moved to a double fronted shop at 39 Gay Street and then as the business expanded to a large house at Portway in Combe Park where the company operated until 1990.<br /> London, J.M. Dent, 1897. hardcover
190951143Cambridge: At the University Press 1909. Limited edition no. 97 of 350 copies two volumes 4to. Upper hinge in volume I slightly cracked but sound. Original quarter buckram paper spine labels some mild browning and creasing very good. The text is taken from the 1596 edition. Cambridge: At the University Press unknown
1517994D. Appleton. Collectible - Very Good. Condition: Very Good; Hardcover. Full brown leather binding with embossed front and back covers. 5 raised bands on spine. Gilt titles and page edges. Marbled endpapers. Frontis with tissue guard. 820 pages with some illustrations. Very Good condition with clean covers and pages with a tight square binding. Leather rubbed at edges and worn at corners. Photos upon request. D. Appleton hardcover
1856176846London: G. Routledge & Co. 1856. Fourth Corbould edition presented here in an attractive morocco binding. Edward Corbould 1815-1905 was a watercolourist and prolific book and magazine illustrator who produced illustrated editions of Chaucer Spenser and Walter Scott. First published in 1595 Epithalamion was written by Spenser as an ode for his bride on their wedding day. Octavo 162 x 102 mm. Engraved frontispiece and 7 full-page plates with tissue guards all wood engraving by Dalziel after Edward Corbould. Contemporary green morocco spine lettered and decorated in gilt covers with gilt rules and frame floral gilt roll to board edges and turn-ins edges gilt blue silk bookmarker. Early gift inscriptions to front free endpaper and first blank. Spine a little darkened gilt bright foxing to outer leaves. A near-fine copy. unknown
2023BIBSD0094316622023. Full Leather Bound. NEW. Size: 19.68 x 24.13 cms A Unique Premium Leather-Bound book for elite readers/collectors of old rare books. An Original Leather is being used for binding this book with Golden Leaf Printing and designing on Spine front and Back of the book with edge gilding. WE HAVE MULTIPLE OPTIONS IN COLOR OF LEATHER RED GREEN BLUE MAGENTA TAN PURPLE DEEP BROWN BLACK AND WITH DIFFERENT COLOR LABELS. YOU MAY CHOOSE ANY COLOR OF YOUR CHOICE AND MAIL US. This service is chargeable. Original edition was published in 1859 and this unique edition is Reprinted in 2023 with the help of original edition. Black & white printing on high quality natural shade paper with sewing binding for longer life professionally processed without changing its contents. As these are old books we processed each page manually on computer and make them readable. We give our best to give you the best book but in some cases we have to adjust few pages which are blur or missing or black spots. If it is multi volume set then it is only single volume. We hope that you understand these issues in these old treasure. This is an important book for the readers who want to know more about our old treasure. Our dedicated team is trying to bring these rare books back to the shelves. We are also giving service of printing the hard-to-find books which are not listed in our store. Hope you will like it and give your comments and suggestions. Lang: - english Pages 852. Product Disclaimer: Please be aware that because leather is a natural material slight discoloration or change in texture may be visible. FOLIO EDITION Size 12x19 Inches IS ALSO AVAILABLE ON REQUEST. hardcover
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1420950436.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
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