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654500895Cambridge University Press CUP pp. 374 . Papeback. New. Cambridge University Press CUP unknown
AA/HC/7454<p>Book 1. Beige boards with red lettering. Includes glossary and notes. Some soiling to cover and spine. Book tight and no tears. Slight edgewear. VG. 237 Pgs.</p> hardcover
1897186438London: J. M. Dent & Co. 1897. First Fairfax-Muckley edition one of 1250 copies printed on ordinary paper. This edition was intended as a stylistic companion to Dent's Le Morte d'Arthur 1894-95 illustrated by Aubrey Beardsley and as a competitor to the George Allen edition of The Faerie Queene illustrated by Walter Crane and published the same year. Fairfax-Muckley 1862-1926 was an influential leader of the arts and crafts Birmingham School having studied painting and drawing at the Birmingham School of Art in the early 1880s. A 1901 profile by the Society of Designers declares that he "has always had a strong bent towards the straightforward methods of the early painters. as witness the beautiful designs for his well-known edition of the 'Faerie Queene' which fully express his natural admiration of the early Italian work" p. 171. Dent commissioned Beardsley and Fairfax-Muckley to illustrate his deluxe arts and crafts publications in an effort to emulate the success of the Kelmscott Press. An additional limitation of 100 copies on handmade paper was also issued. 2 vols quarto. Woodcut frontispieces and title pages 25 woodcut illustrations 11 bifolia woodcut initials head-and tailpieces ornaments and borders throughout. Original cloth spine elaborately decorated in gilt sides decorated in gilt top edge gilt others untrimmed silk bookmarkers. Ownership stamp of one George Hallet on the half-titles and p. xi. Lightly rubbed foxing to cloth endpapers and edges bookmarkers detached: a very good copy. Society of Designers 'A Designer of the Birmingham School' The Artist: An Illustrated Monthly Record of Arts Crafts and Industries 1901. hardcover
A9781164048442New. unknown
B9781164048442New. unknown
195329261New York: Limited Editions Club 1953. Limited edition. Hardcover. Very good. Parker Agnes Miller. #464 of 1500 copies signed by Agnes Miller Parker on the colophon. Printed at University of Oxford Press two 4to volumes full green buckram gold-stamped. Illustrated with wood engravings by Agnes Miller Parker and pen decorations by John Austen introduced by John Hayward. Bookplate to front pastedown fo each volume else fine in near fine slipcase covered in pictorial paper with printed spine label. Signed by the artist. Limited Editions Club hardcover
1909015620Cambridge: Cambridge Uiversity Press 1909. Limited to 350 copies. Complete in 2 volumes. Books measure 33x23.cm. 54314931pp. Bound in original publishers linen backed boards with paper title labels. Bindings rubbed dust dirt marked some abrasion wear wear to labels. Generally bindings in good condition. Internally pages in very good clean condition. A very good clean set in bindings showing signs of wear.F. Hardcover. Near Very Good. Small Folio. Cambridge Uiversity Press Hardcover
1617047088London: Humphrey. Lownes. for Mathew Lownes 1617. Early Edition. Hardcover Full Leather. Good Condition. Contemporary calf rebacked and recornered marbled endpapers added hinges reinforced with cloth tape but binding quite sound overall. Lacking the general title and Faerie Queen part two title but with separate title pages for most of the individual parts and an old manuscript Faerie Queen title tipped in at the beginning. Light tide mark occasionally in bottom right corner heavier in last dozen or so pages. Scattered minor browning small marginal repair to C3 right edge of Foure Hymnes Title replaced - generally very good or better internally. Faerie Queen colophon dated 16012. ESTC S122304 with points B3r stanza 1 begins "Young Knight"; R3r catchword "And". Lacking blank at end of Faeirie Queen; a confusing book to collate but collates as follows: 363pp 10 56pp blank 4 5-16 14 blank 26 22 14 10 14 12 10 6 10 8pp.<br/><br/>Faeries Queen The Shepheards Calender Mother Hubberds Tale A Letter of the Authors etc no separate title or pagination Colin Clouts Come Home Againe Prothalamion Foure Hymnes Dapnaida Complaints Containing Sundry Small Poemes of the Worlds Vanitie The Teares of the Muses Virgils Gnat no separate title but half title with dedication The Ruines of Rome no separate title The Fate of the Butterfly Visions of the Worlds Vanitie etc no separate title. A few of the last poems Visions Petrarch Virgil are translations from du Bellay.<br/><br/>Old inscription describing provenance on front endpaper. <br/> Size: Folio. Quantity Available: 1. Shipped Weight: Under 1 kilo. Category: Literature & Literary; Poetry. Inventory No: 047088. H[umphrey]. L[ownes]. for Mathew Lownes hardcover
1611006138London: Mathew Lownes 1611. 3rd Printing. Hardcover. Very Good. 4to - over 9¾ - 12" tall. One of the great long poems in the English language. The First Collected Edition. VG dated 1611 but 1615 third re-issue of the first 1609 edition. In modern Riviere brown full morocco to style some blind tooling gilt arabesque centerpieces worn along edges. Spine raised bands gilt tooling & titles worn along edges. Internally Faerie Queen 1611 4 185 1 The Second Part 1612 2 189-363 1 16012. 2 The Shepheards Calender 1611 10 56. 2 Mother Hubberds Tale 1613 4 5-16. Colin Clouts ND 26. Prothalamion 1611 4. Amoretti 1611 16. Epithalamion 1611 6. Foure Hymnes 1611 16. Daphnaida 1611 10. Complaints 1611 11 1. The Teares 1611 11 1. Virgils Gnat ND 9 1. Ruines of Rome ND 6. The Fate of The Butterfly 1611 9 1. Visions ND 8. A letter ND 4 1589. A Vision ND 10. Each part with a large woodcut header & tail cuts to each canto header & calendar month. A.E.G. Welsh armorial bookplate to fpd new 'old' endpapers crease to ffep couple of tiny edge nicks. A lovely copy. ESTC S123122. STC 23084. Pforzheimer 973. Signatures: 2ff A2-Q4 1ff R2-Hh5 1ff blank 1ff A2-F3 1ff blank 1ff A2-A8 1ff A2-M2 q-q7. 4 363 pp 1. 2 10 56 2. 4 5-16. 26. 4. 16. 6 16. 10. 12. 28. 32. A third "reissue" of the 1609 edition though both parts are now actually in later settings. Part 1 still has the 1611 cancel title page and conjugate dedication of the first reissue STC 23083.3. The text of part 1 has now been reset the 1615 date conjectured by STC; B3r stanza 1 begins "Young Knight". Part 2 still has separate title page dated 1612 or 1613 stop-press variants and R3r catchword reads "And". Pagination and register are continuous. The poem was to have been a religious-moral-political allegory in 12 books each consisting of the adventures of a knight representing a particular moral virtue. And was presented to Queen Elizabeth 1 in 1589 probably sponsored by Walter Raleigh. Foundational edition for the study of Spenserian poetry combining his major allegorical and pastoral works. Essential for literary historians scholars of Elizabethan literature. ND <br/> <br/> Mathew Lownes hardcover
18978274<p>Archibald Constable & Co. Westminster. London. 1897-1900. SIX VOLUMES. FIRST KATE WARREN EDITION. 8vo.6.8 x 4.4 inches. Illustrated frontis to each volume - 3 portraits and 3 sepia photographic views River Blackwater County Cork ; Ruins of Kilcolman Spenser's home in Ireland ; Glengarriff County Cork. each with a tissue guard. Each volume with an extra decorative title page. A fine and clean set with a few of the gatherings still unopened. Finely bound by Riviere in early twentieth century quarter vellum with single raised bands. Green title labels ruled and lettered in gilt. Arts and Crafts style tall flower design with stems leaves and flower in gilt to each spine. Blue cloth on boards. Top edges gilt others untrimmed. Some minor marks to the cloth on a few of the boards but the spines all clean and the gilt bright so the set looks great on the shelf. A very attractive set of vellum bindings.</p> Archibald Constable & Co. Westminster. London. 1897-1900 hardcover
1021875848.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1596165717London: Printed for William Ponsonbie 1596. For there is nothing lost that may be found if sought First complete edition comprising the first edition of the second part and the second edition of the first part. Written in praise of Elizabeth I and dedicated to her Spenser's allegorical masterpiece follows the adventures of six medieval knights drawing on Arthurian legend Italian romance classical epic and Chaucer. John Dryden notes that "Spencer more than once insinuates that the Soul of Chaucer was transfus'd into his Body; and that he was begotten by him Two hundred years after his Decease" Dryden f. A1. In its mingling of genres the poem represented a new departure in English poetry for which Spenser invented a new stanza "a hybrid form adopted from the Scots poetry of James I 'rhyme royal' and Italian 'ottava rima'" ODNB. Spenser began composing the work in the 1570s sharing "parcels" of it among friends. Though no rough drafts autograph copies or foul papers for the poem have survived the poet alludes to a manuscript copy as early as 1580 when in a letter to Gabriel Harvey he asks for one to be returned to him: "I wil in hande forthwith with my Faery Queene whyche I praye you hartily send me with al expedition: and your frendly Letters and long expected Iudgement wythal" Three Proper and wittie familiar Letters. The poem or some part of it was almost certainly circulating in manuscript in London in 1588 when Abraham Fraunce quotes a stanza in his Arcadian Rhetorick correctly citing its book and canto "Spencer in his Faerie queene.2.book.cant.4". The first part was finally printed in 1590 - possibly intended to coincide with the publication of Philip Sidney's Arcadia - and the second part followed with a new edition of the first in 1596. Spenser likely composed some of the second part around 1593 as the conversion of Henry IV of France to Catholicism that year provides the historical basis for the Burbon episode in Book V. The poem now six books was entered into the Stationers' Register on 20 January 1596 suggesting publication had been planned to fall during Elizabeth I's Grand Climacteric - her 63rd year thought by astrologers to be critical - which had begun on 7 September 1595. In 1599 with only six of his twelve planned books completed Spenser died - his two fragmentary Cantos of Mutabilitie thought to be intended for Book VII are the only additional material published with the first folio edition of 1609. Provenance: from the library of Henry White 1822-1900 of Queen's Gate London with his armorial bookplate on the front pastedowns and sold in his 1902 Sotheby's sale lot 2028. The book was bound likely for White himself by Roger de Coverly 1831-1914 the London binder under whom T. J. Cobden-Sanderson trained. An old description mounted on the front pastedown of the first volume likely from a turn-of-the-century exhibition notes that the books were "lent by H. White Esq.". 2 vols small quarto 195 x 145 mm. Woodcut device of printer Richard Field to title pages full-page woodcut to M5 verso. Bound by Roger de Coverly in late 19th-century red crushed morocco spines with five raised bands lettered in gilt direct to second and third compartments remaining compartments richly gilt triple gilt fillet border to covers edges and turn-ins gilt marbled endpapers gilt edges. Spines slightly darkened upper margins closely trimmed touching a couple of headings outer leaves of vol. I faintly soiled a few spots to vol. II else clean and fresh within. An excellent copy handsomely bound. Pforzheimer 970; ESTC S117748. John Dryden "Preface" in Fables Ancient and Modern 1700; Edmund Spenser Three Proper and wittie familiar Letters 1580. hardcover
143410513X.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1019713313.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1019716711.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1019537124.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
189745367London: J. M. Dent. Very Good with no dust jacket. 1897. Hardcover. Oversized two volume set. Half vellum with marbled boards morocco/gilt spine labels marbled endpages TEG ribbon marker. Limited to 100 copies on handmade paper and 1250 copies on ordinary paper. Fairfax-Muckley edition. Pp. Lii 1156 continuous pagination Inner hinges have been reinforced. Minimal foxing/soil/rubbing. ; quarto . J. M. Dent hardcover
1019966114.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1909199448Cambridge England: University Press 1909. Copies 173 of 350. Hardcover. Good Boards are edgeworn/scuffed/smudged; inner hinges are cracked; textblock edges are toned/scuffed/smudged; interior is clean with the occasional smudging and foxing; inner hinges of volume one has been reinforced with tape that is coming loose; textblocks appear solid. Half-bound beige boards; 2 volumes; 544 494 pp. unopened. "Of this edition printed in the Cambridge type upon hand-made paper three hundred & fifty coies have been printed of which three hundred numbered -- are for sale in England and America and the type has been distributed." The text of Books I to VI is that of the edition of 1596; the fragment of Book VII is from the folio edition of 1609. The letter to Sir Walter Raleigh and the prefatory verses are from the edition of 1590. -- inside book. University Press hardcover
1332995160.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1332916341.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
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