352 résultats
pp. (viii), 307. 12mo. 200mm. Original publisher's full brown cloth binding decorated in gilt. Spine decorated in gilt. Cover gilt bright. Spine slightly dirtied. Hardbound. Very Good. NW58
123 pages. Undated. Circa 1940? 10 stories for young girls. Colour frontis features girl upon a rearing horse. Attractively illustrated laminated boards feature a smiling girl holding her two dogs, and show moderate to average wear. Contents clean and yellowed. Unmarked but for tiny bit of ink writing atop front endpaper. Binding intact. Nice copy of this collectible volume. Book
paperback, 344 p., 130 x 190 mm. ISBN 9782503503066. Que peut faire un clerc de l'administration royale, a la fin du XIIe siecle, s'il est dote d'un humour feroce, d'une langue agile, d'une culture vaste et eclectique, d'un gout irrepressible pour les bonnes histoires colorees et corsees, face a la montee en force des nouvelles modes litteraires de la litterature en francais et des romans courtois? Il prend une plume et redige de "bonnes histoires pour les gens de cour", pour montrer qu'on peut s'amuser en latin, de facon moins ridicule a ses yeux que ceux qui palissent d'amour aux pieds des dames. Gautier Map, clerc anglais richement prebende, grand conteur et amuseur des milieux de la cour de Henri II Plantagenet, est a la fois attire et agace par les themes fantastiques, merveilleux et amoureux qui font les delices de la cour anglaise lorsque la reine Alienor y sejourne. Il veut faire encore mieux: plus varie, plus subtil, plus savant, plus drole et moins naif. S'il meprise l'amour courtois, ce n'est pas par pudibonderie; s'il ecrit dans la langue savante de son temps, ce n'est pas par timidite. Son oeuvre, que par nonchalance sans doute il garda dans ses papiers personnels, est fantaisiste, insolente, ironique; c'est pour les ethnologues un reservoir de renseignements sur des coutumes et des traditions que personne avant lui n'avait notees, pour les historiens de la litterature un temoignage d'une epoque ou rien n'etait encore joue entre la langue vulgaire et le latin (qui pouvaient encore se donner la replique), pour tous un moment privilegie de l'emergence dans la litterature europeenne d'un art du recit qui aboutit de temps en temps, dans ce recueil jamais ennuyeux ni banal, a d'eblouissantes reussites.
hard cover, 660 p., 230 x 290 mm, Languages: English. ISBN 9782930054117. In the late Middle Ages luxurious textiles were among the most highly prized indicators of status and wealth and an essential requirement of prestigious secular and ecclesiastical life. The depiction of these sumptuous silks and gold brocades was a crucial element in the visual arts, and their realistic and recognizable representation was a challenge to every artist. Painters and polychromers strove to imitate the fashionable fabrics by using applied brocade, a highly sophisticated form of relief decoration that adhered to panel paintings, murals and sculpture and through the play of light and shadow evoked the dazzling illusion of gold-brocaded cloths. Imitation and Illusion is the result of a detailed study of applied brocade in the art of the Low Countries. Eleven fascinating and innovative chapters offer an in-depth examination of the historical, geographical, morphological and technical aspects of this cast tin relief technique. New light is also shed on artistic collaboration and workshop practice in the fifteenth and early sixteenth century. The catalogue includes 86 well known and lesser known panel and wall paintings, sculptures, altarpieces, and architectural elements produced between 1420 and 1540, decorated with applied brocade and providing stunning testimony to the visual variety and material magnificence of late-medieval art. Abundantly illustrated, Imitation and Illusion investigates the artistic production of the fifteenth- and sixteenth-century Low Countries from an intriguing and original perspective. It represents a significant contribution to our understanding of medieval polychromy and will appeal to everyone whose curiosity is aroused by the illusionistic ingenuity of the medieval artist.
pp. 86. 8vo. 190mm. Original publisher's textured cream colored vellum covered color illustrated boards lettered in gilt. Gilt title set in a blue floral frame. Spine blank. Dust jacket present and intact but slightly torn. Gilt bright. Cover mildly soiled. Binding separating at base of spine. Corners bumped. Contents clean. Hardbound. Good. NW61
411p. 23 cm. Hardcover Very good condition good
pp. (ix), 292. +Plus full color Dust jacket with colorful art-deco design in black, silver, and gray. 12mo. 200mm. Publisher's black cloth binding with cover stamped and decorated in silver gilt and red. Spine lettered in silver gilt. Dust Jacket is crisp and clean with slight wear at top of spine and small tear at bottom of front. Binding tight and contents clean. Literary Guild of America was a mail order book club that sold lower cost, but well produced editions, of popular and current books to its members. Books were selected by an editorial board, whose chairman was Carl Van Doren (1885-1950) a famed and respected American critic, historian, and biographer. The special editions were published on the same date as the first trade editions. This was the May 1931 selection. Stated First Edition. Hardbound. Very Good. NW69
pp. xxxiv, 305. +Plus Frontis and numerous illustrations throughout the text. 12mo. 190mm. Publisher's padded binding in coarse silk. Binding airbrushed with leaf decoration and stamped with gilt lettering. Spine also lettered in gilt. Edges gilt. Light fading to the front cover and spine and bottom edge of boards moderately soiled. Binding tight and contents clean. Hardbound. Very Good. NW70
8vo., First Edition, with 2 coloured plates, 33 plates in monochrome and 2 illustrations by Du Maurier in the text; cloth, gilt back, a very good, clean copy in unclipped dustwrapper.
xii, 296, 8 [Advertisement for other works by the same author], +Plus 1 color frontis. 8vo. 210mm. Publisher's blue full cloth binding with cover design stamped in gilt and color illustration depicting two saintly women figures. Spine lettered in gilt. Front cover with slight wear. Hardbound. Very Good. NW68
pp. 275. 12mo. 200mm. Original publisher's pictorial full yellow cloth binding lettered and decorated in dark green. Cover decorated with a child surrounded by floral motifs with a halo around his head. Spine lettered and decorated similarly. Cover colors are bright but board is faded around the edges. Spine darkened with small abrasion. Some wear to base and head of spine. Corners bumped. Contents clean. Hardbound. Very Good. Kenneth Grahame (1859-1932) was a Scottish writer, most famous for The Wind in the Willows (1908), one of the classics of children's literature. He also wrote The Reluctant Dragon. Both books were later adapted for stage and film, of which A.A. Milne's Toad of Toad Hall was the first. The Disney films, The Adventures of Ichabod and Mr. Toad and The Reluctant Dragon, have become the best known adaptations. A true first edition from 1898. NW63
pp. xii, 32 +Plus Portrait Frontispiece (Lacking), vignette title page, and 32 plates of wood engravings. 16mo. 250mm. Original publisher's full blue calendar cloth binding decorated and lettered in gilt. Spine decorated and lettered in gilt. Rear board in gilt also. All edges gilt. Boards dirtied and worn around the edges. Spine heavily rubbed and gilt faded. Wear at head and base of spine. Corners fraying. Contents lightly foxed. Binding coming loose. Hardbound. Good. This edition dedicated to the Daniel Webster, This was 'His favorite poem.' Thomas Gray (1716-1771) was an English poet, letter-writer, classical scholar, and professor at Pembroke College, Cambridge. He is widely known for his Elegy Written in a Country Churchyard, published in 1751. Gray was an extremely self-critical writer who published only 13 poems in his lifetime, despite being extremely popular. He was even offered the position of Poet Laureate in 1757, though he declined. Daniel Webster (1782-1852) was an American politician who represented New Hampshire (1813-1817) and Massachusetts (1823-1827) in the United States House of Representatives; served as a Senator from Massachusetts (1827-1841, 1845-1850); and was the United States Secretary of State under Presidents William Henry Harrison (1841), John Tyler (1841-1843), and Millard Fillmore (1850-1852).[2] He and James G. Blaine are the only people to serve as Secretary of State under three presidents. Webster also sought the Whig Party nomination for President in 1836, 1840, and 1852. NW51
[vii], 239, +Plus frontis. 8vo. 190mm. Publisher's light blue full cloth binding with cover stamped in white. Spine lettered in white. Spine slightly soiled. Hardbound. Good. NW69
hardcover, XIV 717 p., 43 b/w ill., 178 x 254 mm, English Hanno Wijsman is Researcher in Medieval History at Leiden University, focusing on the cultural history of the fourteenth to the sixteenth century, with special attention to books and libraries in the Low Countries and France. ISBN 9782503525587. This interdisciplinary study presents a two-part survey of the production and ownership of luxury manuscripts in the late-medieval Netherlands. Part I analyses a corpus of 3,700 illustrated manuscripts produced between 1400 and 1550 in the Low Countries. The result is a cornucopia of information about many aspects of manuscript production: chronological, geographical and gender distribution, the genres of texts, the languages used, the dimensions of books, the number of illustrations, and the relationship between the making of hand-written and printed books. Part II examines the libraries of the pre-eminent owners of illustrated manuscripts in the Netherlands: the ducal family and the noble elite. The great bibliophile Philip the Good set an example of book collecting that was emulated by the nobles of the court, creating a typical ?Burgundian? fashion in book ownership by which a small elite demonstrated a well defined group identity. Luxury Bound charts this new vogue in books and reading, an important aspect of cultural change in the late-medieval Low Countries.
softcover, VI 319 p., 74 b/w ill., 156 x 234 mm,Languages: English, French. ISBN 9782503529844. In 2006, 500 years after his death, the Royal Library of Belgium organised an exhibition revealing treasures from the era of Philip the Fair (1478-1506), last duke of Burgundy. This volume reunites most of the papers delivered at a conference held during the exhibition, increased with four new chapters. Ten specialists from Belgium, the Netherlands and the United States discuss the book market and its place in society in this transitional period when manuscripts and printed books were produced and used next to one another. The contributions are organised in pairs around five topics, whereby in each case one author treats manuscripts and the other printed books: Philip the Fair and his books, art in books, music in books, politics in books, the book market. Contributions by: Renaud Adam, Jean-Marie Cauchies, Marieke van Delft, Lieve De Kesel, Samuel Mareel, Zoe Saunders, Susie Speakman Sutch, Herman Pleij, Rob Wegman, and Hanno Wijsman.
A clean, unmarked copy with a tight binding. Inscribed by Haig. Light wear to dust jacket. 8 1/4"w x 8 1/4"h. 32 pages.
pp. (iv), 198 +Plus 2 plates + frontis portrait. 12mo. 200mm. Original publisher's green cloth binding decorated with humorous design in black, red, and gilt. Spine lettered in red. Cover color is good but slightly soiled with loss of cloth at the bottom of the boards. Loss of cloth at head and base of spine also. Damp-staining to some pages. Corners bumped. Hardbound. Good. Annie Riley Hale (1859-1944) wrote numerous magazine and newspaper articles, lectured on the 'negro problem' and economics, and was a popular speaker on the 'Bull Moose Circuit.' NW59
pp. 283 +Plus 1 frontis and head/tailpiece decorations. 12mo. 200mm. Original publisher's pictorial full green cloth binding lettered in cream and decorated in brown, black, and peach. Cover has floral decorations framing an older woman sitting working on a piece of fabric. Spine lettered and decorated similarly. Cover colors are bright but board lightly faded. Spine faded. Some wear to base and head of spine. Corners bumped. Slight Fading to rear board near top edge. Manuscript ownership of 'W.T. Llehuff, Glen Rock PA' on inside pastedown. Contents clean. Hardbound. Very Good. Eliza Caroline 'Lida' Obenchain, (1856-1935) was an American author, women's rights advocate, and suffragist from Bowling Green, Kentucky. Lida Obenchain, writing under the pen name Eliza Calvert Hall, was widely known early in the twentieth century for her short stories featuring an elderly widowed woman, 'Aunt Jane', who plainly spoke her mind about the people she knew and her experiences in the rural south. Beulah Strong (1866-1951) was an artist and illustrator. She Studied at the Academie Julien France from 1887-1892 where she was the classmate of Cincinnati artist Elizabeth Nourseand. She taught art at Potter College in Bowling Green Ky, from 1892-1901 and Smith College as an associate professor of art from 1907-1923. She lived in Italy after she retired, until WWII broke out. She is known for her work on Hall's novels, 'Aunt Jane of Kentucky' and 'Land of Long Ago.' NW62
pp. [xiii], 191, [1]. 8vo. 200mm. Publisher's dark red full cloth binding with cover stamped in black. Spine lettered in black. Dust jacket intact and present but slightly torn without loss. DJ decorated with color illustration depicting women looking sad as a man leaves. Ex-bookstore stamp from Lindmark's Bookshop Poughkeepsie, New York that offers a 10 Cent discount if you were to return the book. Hardbound. Very Good. NW69
Paris, Les Editeurs Français réunis, 1956. In-8, broché, 634 pp. Première traduction française. Bel exemplaire.
pp. Xvi, 329. 8vo. 200mm. Original publisher's blue cloth binding with cover stamped and decorated in green and red. Spine lettered in green and red. Cover detail crisp and corners are slightly bumped. Manuscript ownership of 'Carol.' Some rubbing and faded to the spine. Hardbound. Very Good. NW69
331 p. + 23 Illustrations and pen drawings. 8vo. 210mm. Clean original publisher's full cloth pictorial binding in green. Cover stamped in red and black with title on spine in red and black. Edges marbled. Clean and tight. Hardbound. Very good. NW66
344 p. 19 Illustrations. 8vo. 220mm. Clean original publisher's full blue cloth pictorial binding. Cover stamped in blue and gilt with title on spine in gilt. Bookstore label on pastedown - 'Kent Bookshop in Carlisle, PA.' Some Soiling to cover and p. 18. Hardbound. Very good. NW66
388,+Plus 20 photographs. 8vo. 210mm. Publisher's maroon full cloth binding with cover design brightly stamped in white. Spine lettered in white. Front cover clean and bright. Manuscript ownership of A.H. McGonagil on inside flyleaf. Hardbound. Very Good. NW68
pp. 18 unnumbered leaves of vivid illuminated chromo-lithographs with colors and gilt. 12mo. 150mm. Original publisher's pictorial paper covered boards lettered in gilt and decorated in gilt and color illustration. Cover depicts a man with a gourd on a stick, seemingly nomadic, looking upward toward the heavens. Spine blank. Cover colors are bright. Spine worn. Some wear to head of spine. Contents clean. Hardbound. Very Good. Corners sharp. Frances Ridley Havergal (1836-1879) was an English religious poet and hymn writer. 'Take My Life and Let it Be' and 'Thy Life for Me' (also known as I Gave My Life for Thee) are two of her best known hymns. She also wrote hymn melodies, religious tracts, and works for children. NW63