352 résultats
pp. 648 +Plus numerous leaves of plates and illustrations throughout. 8vo. 220mm. Original publisher's full dark green pictorial cloth binding lettered and decorated black and gilt. Spine decorated and lettered similarly. Gilt rubbed on cover and binding rubbed. Spine slightly dented and soiled with wear at the head and tail. Marbled edges and marbled end papers. Contents clean. Hardbound. Very good. A sensational book that had both moral and political motivations. Published by subscription it was a Best-Seller. NW61
pp. (xiv), 275. +Plus full color Dust jacket with colorful art-deco design in purple, pink, yellow, and fuschia. 12mo. 200mm. Publisher's purple cloth binding with cover brilliant gilt banderole with coat of arms laid on diagonally across front cover. Spine lettered in gilt. Dust Jacket is slightly soiled on the spine with small hole on front cover. Binding tight and contents clean. Literary Guild of America was a mail order book club that sold lower cost, but well produced editions, of popular and current books to its members. Books were selected by an editorial board, whose chairman was Carl Van Doren (1885-1950) a famed and respected American critic, historian, and biographer. The special editions were published on the same date as the first trade editions. This was the July, 1933 selection. Stated first edition. Hardbound. Very Good. Less one. NW69
Hardcover, XIV 631 p., 300 b/w ill. 900 colour ill., 230 x 315 mm, English. ISBN 9781905375318. This checklist is the second in a series of volumes describing the silver-stained glass roundels and unipartite panels from the Middle Ages to the 18th century found in public buildings, museums and private collections in the present five provinces of Flanders (Belgium). It also includes documented roundels and unipartite panels whose whereabouts are presently unknown and those which have been removed to other locations or collections in the past. The checklist also mentions all known related material. Where possible, photographs of this material have been added. As far as the related material is concerned, the relevant publications are also mentioned. This material includes models, drawings, engravings, and roundels which belong either to the same series or to those which are copies of these series. The present volume covers the Provinces of East and West Flanders (more or less the former County of Flanders). The first checklist, concerning the Province of Antwerp, was published in 2007. Additional volumes for the Provinces of Flemish Brabant and Limburg (Vol. 3), and the one with Addenda (Vol. 4) are in the planning stage. The former County of Flanders, with the cities of Bruges and Ghent, must once have displayed huge quantities of stained glass, which for the most part have been lost or relocated. The causes and reasons for this loss include natural calamities, fires, deliberate destruction and neglect. Most of the surviving roundels are now in foreign collections: on the continent; in Great Britain; or in the United States of America. It is worthy of note that great efforts have been made in the USA and Great Britain to compile and publish checklists of silver-stained roundels and other small panels, originating from the Low Countries, whilst here, where they were produced, this series is the first genuine overview that has ever been published. During the 15th and 16th centuries roundels and small panels played an important role as 'public relations' gifts among the upper classes, the church and its associated religious orders. As these gifts played a very significant role in social life, demand for these items was very high. It is clear that the manufacture of roundels and small panels was a substantial part of the earnings of these glass workshops, which also produced monumental windows. The most popular themes were predominantly religious, but also included heraldic, secular, mythological and allegorical subjects. The seasons and months and labours of the year were also commonly found. In the late 16th and the 17th centuries the range of iconographical subjects became more secular with, among other themes, representations of professions. Heraldry also remained very important, and in the second half of the 17th and the beginning of the 18th centuries nearly all roundels and panels depicted armorials and included the name of their donors.
pp. 302. 12mo. 190mm. Publisher's full cloth binding in black and lettered in purple. Spine lettered in purple. Spine slightly faded. Manuscript Ownership of 'Grace L. McMichael from Erma Kelly 1924.' Hardbound. Very Good. NW70
2 Vol. Vol. I. pp. xxii, 341, +Plus 46 Photogravure illustrations, with captioned protective tissues + 14 leaves of additional plates, a portrait, and color map; Vol. II. pp. ix, 361, +Plus 30 Photogravure illustrations, with captioned protective tissues and 15 leaves of plates. 12mo. 210mm. A beautiful set of a famed historical fiction romance novel. Bound in the original publiaher's full cream cloth with dark green and silver gilt decoration. Top edge of both volumes gilt. Spine also lettered and decorated in green and silver gilt. Corners sharp. All plates are present. Contents clean. Hardbound. Very Good. Richard Doddridge Blackmore (1825-1900), known as R.D. Blackmore, was one of the most famous English novelists of the second half of the nineteenth century. He won acclaim for vivid descriptions and personification of the countryside, sharing with Thomas Hardy a Western England background and a strong sense of regional setting in his works. Blackmore, often referred to as the 'Last Victorian', was a pioneer of the movement in fiction that continued with Robert Louis Stevenson and others. He has been described as 'proud, shy, reticent, strong-willed, sweet-tempered, and self-centred.' Apart from his novel Lorna Doone, which has enjoyed continuing popularity, his work has gone out of print. NW63
pp. 99. 12mo. 200mm. Original publisher's full red cloth binding decorated with gilt. Spine lettered in gilt. Cover rubbed in places. Spine slightly faded. Corners slightly frayed and spine warn on the top and bottom. This Copy inscribed by the author: To Mrs. Winthrop Cowdin with the author's best Wishes, Robert Bridges'. Robert Seymour Bridges (1844-1930) was Britain's poet laureate from 1913 to 1930. A doctor by training, he achieved literary fame only late in life. His poems reflect a deep Christian faith, and he is the author of many well-known hymns. Bookplate of Bernard Conwell Carlitz, with intricate initial letter illustration on the front pastedown. Carlitz was an interesting mid-Century antiquarian bookseller in Philadelphia. Contents clean. Hardbound. Very Good. NW58
pp. x, 252 +Plus 16 leaves of B/W plates. 12mo. 200mm. Original publisher's pictorial full gray cloth binding lettered in gilt and decorated in brown and silver gilt. Cover depicts a boy holding a rifle staining above a dead bison. Spine lettered and decorated similarly. Cover gilt bright but board is soiled. Spine faded and soiled. Some wear to base and head of spine. Corners frayed. Slight soiling to rear board. Contents clean. Hardbound. Very Good. Noah Brooks (1830-1903) was a journalist and editor who worked for newspapers in Sacramento, San Francisco, Newark, and New York, and authored a major biography of Abraham Lincoln based on close personal observation. Born in Castine, Maine, he moved to Dixon, Illinois in 1856, where he became involved in the first Republican campaign for President (John Fremont). During the campaign, he became friends with Lincoln. Brooks moved to Kansas in 1857 as a "free state" settler, but returned to Illinois about a year later, then moved to California in 1859. After the death of his wife in 1862, Brooks moved to Washington, D.C. to cover the Lincoln administration for the Sacramento Daily Union. He was accepted into the Lincoln household as an old friend. Unlike most people, Brooks was able to maintain a close friendship with both the President and Mrs. Lincoln. When Brooks was detailed to cover the 1864 Democratic Convention in Chicago, President Lincoln asked Brooks to also report back in detail by private letter. In 1901, Brooks published The Story of the Lewis and Clark Expedition based largely on the Nicholas Biddle history of the Expedition. Brooks was assisted by the notes written in the margins of his manuscript by Dr. Elliott Coues, who had edited the 1894 edition of Biddle, and who had wide experience as an explorer of the American West. William Allen Rogers (1854-1931) was an American political cartoonist born in Springfield, Ohio. He studied at the Worcester Polytechnic Institute and Wittenberg College, but never graduated. Rogers taught himself to draw and began submitting political cartoons to Midwestern newspapers in his teens. At the age of fourteen, his first cartoons appeared in a Dayton, Ohio-based newspaper, to which Rogers' mother had earlier submitted a selection of his sketches. NW63
pp. xv, 333 +Plus frontis. 12mo. 200mm. Original publisher's pictorial full magenta cloth binding lettered in cream and decorated in dark gray and cream. Cover has floral decoration designed by Frank Hazenplug with his monogram. Spine lettered and decorated similarly. Cover colors are bright but board faded around edges. Spine faded and rubbed. Some Wear to base and head of spine. Corners bumped. Slight Fading to rear board near spine. Contents clean. Hardbound. Very Good. James Montgomery Flagg (1877-1960) was an American artist and illustrator. He worked in media ranging from fine art painting to cartooning, but is best remembered for his political posters. Frank Hazenplug (1874-1931) designed books for the Chicago firm of Stone & Kimball, and remained with its successor, Herbert S. Stone, until 1906. Other publishers for whom Hazenplug created covers including hundreds for Fleming Revell (1900-1911), as well as many for George Doran, A.C. McClurg, Reilly and Britton, Rand McNally, and John Lane (1913-1920). NW62
pp. vii, 262. +Plus 4 plates of prints and marginal illustrations throughout. 12mo. 200mm. Original publisher's full blue colored cloth boards ornately decorated in red, gilt, and white. Cover designed by the Decorative Designers with their monogram. Spine lettered and decorated similarly. Spine and boards moderately soiled. Rear hinge cracked. Contents clean and bindings tight. Hardbound. Good. NW58
Hardcover with dusjacket. 360 p., 149 b/w ill. + 46 colour ill., 180 x 265 mm, Languages: English. ISBN 9781909400863. The works discussed span the entirety of Rubens?s career and attest to the complexity of the iconographic division in which the depictions of Jesus Christ?s public life were thought and created. The present volume V - 2 of the Corpus Rubenianum catalogues Rubens?s exploration and representation of the theme of the public life of Christ. The period in Christ?s life during which he spread his message by wandering and preaching with the apostles in the Holy Land, offered a particularly poignant and important part of religious discourse within the context of the Counter-Reformation period in the Netherlands. In order to rebut the Calvinists and their call for the stripping of imagery and lavish decoration from churches, and the destruction of furniture and altarpieces that followed, the Roman Catholic Church sought to establish an innovative and powerful visual rhetoric with renewed urgency. The scenes from the ministry of Christ could serve as potent reminders of the core values of Roman Catholic spirituality. Rubens, as a devout Catholic, created a number of impressive paintings to express this, although most of the works he produced seem to have been intended for the open market. The works discussed span the entirety of Rubens?s career and attest to the complexity of the iconographic division in which the depictions of Jesus Christ?s public life were thought and created.
pp. ii, 108. +Plus 4 leaves of 4 tone illustrations including illustrations. 12mo. 160mm. Original publisher's binding backed in green cloth with pictorial paper covered boards in black cream and rust. Paper boards moderately browned. Corners slightly torn. Text in orange illustrated typographic frame. Hardbound. Very Good. NW58
pp.[iii] 518. +Plus 8 leaves of plates including frontis. 8vo. 200mm. Rusty brown full cloth binding with cover design stamped in gilt. Designed by Bertha Stuart with her Monogram. Spine in gilt and very lightly faded. Printed with some marginal illustrations throughout. Corners bumped. Small tear at bottom corner of spine. Hardbound. Very Good. NW68
pp. 337, (4) [Publisher's catalogue] + Frontis and text drawings by J. Allen St. John. Endpapers and fore edges foxed. 12mo. Original full green cloth binding, lettered in white. Extremities worn. Hardbound. Good. LIT BOX 3
pp. 279 + Plus 7 Full page glossy illustrations, including the frontis. 8vo. 190mm. A clean and tight original publisher's full cloth pictorial binding in red. Cover in cream and blind with title on spine in blind. Bookplate on inside paste down marking ownership by one S.S. McClure, 'PLEASE DO NOT TAKE THIS BOOK FROM MR. S.S. MCCLURE'S ROOM. OCT 26, 1907.' Presumably this is Samuel Sidney McClure (b.1857 d.1949), an Irish-American publisher known widley as a preeminent parctitioner of muckraking journalism and co-founder of McClure's Magazine. This example is complete with all illustrations and frontis. Binding designed by Williams James Jordan with his monogram. Slight scuffing and edge wear. Pages unopened. Hardbound. Very good. NW66
Cartoline postali non viaggiate, senza data. Codice AT.1320 R + AT1853- Vedi foto fronte e retro. 2 Unused and undated colour post cards in good condition, 139 x 90 mm - Worldwide delivery.
2 Cartoline postali non viaggiate, senza data. Codice AT.987 + AT 1520 R - Vedi foto fronte e retro. 2 Unused and undated colour post cards in good condition, 139 x 90 mm - Worldwide delivery.
Hardcover, 351 pages, 89 illustrations de couleur, Texte en Francais, 275 x 220 mm, tres bon etat, . ISBN 9782503586069. Une interprétation novatrice de l?atlas de Jacques de Deventer et de sa place au sein de l?histoire de la cartographie. Dans la seconde moitié du XVIe siècle, Jacques de Deventer a réalisé, à la demande de Philippe II, les plans de plus de 250 villes des Pays-Bas espagnols. Cette collection est exceptionnelle par son ampleur, son homogénéité et sa précision. De plus, pour la plupart des localités, il s?agit de la plus ancienne représentation cartographique conservée. Enfin, ces plans de «?villes?» figurent également une partie des terres alentour. Depuis leur redécouverte au XIXe siècle, ces documents ont suscité de nombreuses recherches. Cependant, la plupart les considéraient comme des instruments militaires ou comme le pur produit d?une «?cartographie?scientifique?». Mais, est-ce réellement la seule manière de les comprendre?? Grâce à une déconstruction approfondie d?une série de plans, la présente étude cherche à comprendre ce caractère exceptionnel. Vision de la ville, perception de l?espace, rôle de l?hinterland, procédés de représentation ou profil du cartographe sont autant d?aspects analysés. Ils permettent de comprendre que, malgré un résultat troublant de modernité, cette collection est largement tributaire des codes de son époque et relève plus du document politique que militaire. Plus largement, il s?agit de voir ce que cette réévaluation apporte à l?histoire du développement de la cartographie au XVIe siècle.
hardcover, 392 p., 223 b/w ill. 140 colour ill., ills., 210 x 297 mm, English. ISBN 9782503512297. The third volume comprises investigations on seventeen paintings by a final group of preeminent, identified artists from the period of transition at the end of the fifteenth and the beginning of the sixteenth century, to which the authors adjust various attributions and interpretations. The third volume includes a final group of preeminent, identified artists from the period of transition at the end of the 15th and the beginning of the 16th century. Artistic production at this time was still rooted in late medieval thought, yet more and more seized with new renaissance developments, and at a permanent state of ferment with constantly changing needs of society. The catalogue deals with correspondingly complex issues of interpretation through the works of Hieronymus Bosch, Albrecht Bouts, Gerard David, Colijn de Coter and Goossen van der Weyden. It comprises a technical, stylistic and iconographical investigation of seventeen paintings on the basis of a scientific research method, which has been fully established over the years. The authors have been able to adjust various attributions and interpretations. At the same time most valuable discoveries have been made with regard to the provenance of some work belonging to the Albrecht Bouts and Colijn de Coter Groups. "Fur die weitere Forschung zu den betreffenden Kunstlern oder den fraglichen Werken wird der Band eine unverzichtbare Basis darstellen." (S. Kemperdick in Sehepunkte, 3 (2003), nr. 1, 15.01.2003)
hardback 308 p., incl. 67 colour ill. and 174 halftones, 210 x 297 mm, English Catalogue of Early Netherlandish Painting: Royal Museums of Fine Arts of Belgium (CENP 1) . ISBN 9782503505015. This catalogue includes paintings by the Master of Flemalle and Rogier van der Weyden Groups, now in the Royal Museums of Fine Arts of Belgium in Brussels, as well as thourough analyses and colour reproductions. The publication of the first in a five-volume scholarly catalogue of the 15th-century southern Netherlandish paintings in the Royal Museums of Fine Arts of Belgium in Brussels is a long awaited event. The museums' rich collection of Flemish Primitives boasts paintings by Rogier van der Weyden, Gerard David, Petrus Christus, Dirk Bouts, Hans Memling and Hieronymus Bosch. It also includes several important works by artists with provisional names from the schools of Tournai, Bruges and Brussels, such as the Master of Flemalle, the Master of the St Lucy Legend and the Master of the Life of Joseph. This multi-volume English-language catalogue will include approximately 100 paintings. Each work is the subject of a thourough analysis covering technical, historical, iconographical and stylistic aspects. The catalogue contains colour reproductions of each painting as well as other visual documentation from laboratory investigations (infrared reflectograms, ultra-violet fluorescence photographs; X-radiographs, macro photographs), photographs of related works and diagrams of the original frames. The wealth of documentation presented in this volumes makes it an indispensable reference for both scholars and amateurs interested in 15th-century painting.
Hardcover very good; jacket in good condition. Jacket is shelfworn and nicked; 1-2cm tears on upper leading corners and spine head. Hardcover spine ends lightly marked and bumped. Used
267 pages. Index. Black and white illustrations. "...Gray has described (his family's) wildly differing enterprises with never-failing enthusiasm, good humour and high spirits." - from back cover. Prior owner's name atop title page. Lean to spine. Average wear. Worthy reading copy. Book
pages clean, bright and tight.
pp. x, 384+ Plus 21 pages of plates (including frontispiece) included in the text. 8vo. 200mm. Publisher's tan full cloth binding with cover stamped in white, blind and decorated with the head of a woman. Spine lettered in white and decorated in blind. Cover detail crisp and corners sharp. Hardbound. Very Good. NW69
pp. ii, 104. +Plus astounding woodblock prints throughout. 12mo. 250mm. Publisher's full cloth binding in green decorated with striking black ink woodcut set on orange. Spine lettered in gilt. The first published work of John Gincano, a virtually unknown master of foreboding expressionistic woodcuts. Executed at the advent of the Great Depression (the zenith of the Expressionist era), these grim woodcuts compare with the best work of Ernst Ludwig Kirchner, Vasily Kandinsky, and Emile Nolde. As Willy Pogany states in his preface, 'Gincano's delightful woodcuts not only illustrate Schlemihl's peregrinations, but describe a life partly his own. They illuminate this charming satirical romance and are fully imbued with the whimsical spirit of the book, rendered as they are with masterful simplicity and telling originality. The idea of illustrating 'Peter Schlemihl' with woodcuts is a very fortunate one, as it not only suggests the period when Chamisso wrote this immortal fantasy, but somehow by its very nature of strong contrasts in Black and White constantly brings to mind the lost 'shadow'. Binding tight and contents clean. Hardbound. Very Good. NW70
535p., illus. An Anthology of selections from 125 years of Appleton's publishing. Hardcover Very good condition in slipcase