352 résultats
113p. + Plus frontis. 8vo. 210mm. Clean original publisher's full cloth pictorial binding in green. Cover stamped in gilt, cream, dark green and a color illustration. Cream and dark green on spine and gilt on top edge. A clean and tight example. Hardbound. Very Good. NW66
pp. 36 +Plus 6 pages of color plates and other beautiful marginal decorations. 8vo. 160mm. Original publisher's cream vellum boards lettered in gilt and decorated with a color illustration with gilt detail. Color illustration on cover depicts a serene floral and grassy scene of a cottage. Spine blank. Cover and spine rubbed and slightly soiled. Corners frayed. Title Page printed in red and gilt. Contents clean. Hardbound. Good. NW61
pp. viii, 127 +Plus 4 plates of B/W illustrations and text framed in green floral and arboreal motifs. Pages with other devices as well. 12mo. 210mm. Publisher's green cloth binding with cover stamped with white and gilt. Cover illustration depicts a torch with wings and a ring of flowers. Spine lettered and decorated similarly with gilt. Gilt bright and boards clean. Spine faded gently. Corners sharp. Hardbound. Very Good. NW60
pp. 68. 12mo. 150mm. Original publisher's pictorial paper covered boards lettered in red and decorated with a holly design. Cover designed by Edward Stratton Holloway with his monogram. Spine blank. Cover gilt. Spine worn. Some wear to bottom edge of cover board. Original glassine dust jacket present but torn with some loss. Title page printed in green and red. Corners worn. Contents clean but coming away from the binding. Hardbound. Very Good. Hamilton Wright Mabie (1846-1916) was an American essayist, editor, critic, and lecturer. NW63
paperback, 260 p., 219 b/w ill. 41 colour ill., 210 x 280 mm English. ISBN 9781872501239. Otto Pacht, one of the most significant art-historians of the ?Vienna School?, and well known for his analyses of Early Netherlandish art, turns his attention in this publication to the humanist circle of Early Renaissance painters in Venice, dominated by Jacopo Bellini, his sons Gentile and Giovanni, and also his son-in-law Andrea Mantegna. It was a period of newly awakened interest in the Antique, of studies made directly from nature, and of trial and error in the technique of perspective. And in addition, a new awareness of the role of light and colour in the devotional and often monumental images of the Madonna, of altarpieces and of allegories contributed to the founding of what we now recognise as the hall-mark of Venetian painting, that culminated with Titian. Of the Bellini family, it has been Giovanni who was generally regarded as the major figure of the dynasty. Pacht, however, devotes particular attention to Jacopo?s work, interpreting it as the basis for his sons? later development. He analyses Jacopo?s London and Paris Sketchbook drawings, demonstrating where Late Gothic elements can be seen to be overtaken by the need to give perspective depth to the image, and how subsequent painting took account of these changes. This is also the essence of Pacht?s examination of Mantegna?s work, where the construction of space and depth is the key to our understanding of Mantegna?s creative process. Turning to the next generation of the Bellini family, Pachts guides our eyes to appreciate the refinement and perception of Gentile?s portraits, and finally takes us step by step through the works of Giovanni, where fantasy combines with the play of colour and light in creating compositions, devotional images, and landscape settings of perfect harmony and beauty. !Winner of the Apollo Magazine Book of the Year 2003 Award! "Pacht's lessons are as timely now as thitrty-five years ago." (P. Hills in The Burlington Magazine, cxlvii, January 2005, p. 47-48)
pp. 208. 16mo. 180mm. Original publisher's full red cloth binding decorated in blind and gilt. Spine decorated and lettered similarly in gilt. Boards mildly soiled near edges. Spine dirtied and rubbed with wear near the head and base. Corners bumped. Font gutter cracking slightly. Contents lightly foxed. Hardbound. Very Good. Edward George Earle Lytton Bulwer-Lytton, 1st Baron Lytton, (1803-1873) was an English novelist, poet, playwright, and politician. He was immensely popular with the reading public and wrote a stream of bestselling novels which earned him a considerable fortune. He coined the phrases 'the great unwashed', 'pursuit of the almighty dollar', 'the pen is mightier than the sword', 'dweller on the threshold', and the well-known and much-parodied opening line 'It was a dark and stormy night'. After his death, Bulwer-Lytton suffered a tremendous decline in reputation and today is best known for the 'dark and stormy night' line and the Bulwer-Lytton Fiction Contest, to determine the opening sentence of the worst of all possible novels.**PRICE JUST REDUCED! NW51
pp. (8), 362, (20) [Publisher's catalog]. 8vo. 200 mm. Original publisher's full cloth pictorial binding in green white and black and tan with gilt title on spine. Bookplate of Florence Loeb Fleisher. Hardbound. Very good. NW65
pp. viii, 408 +Plus 1 leaves of plates. 12mo. 200mm. Original publisher's pictorial full blue-green cloth binding lettered in black and decorated in black and red. Cover has a ribbon and heart decoration designed by Rome K. Richardson with his monogram. Spine lettered and decorated similarly. Cover bright. Spine lightly rubbed. Some Wear to base and head of spine. Corners bumped. Manuscript ownership of 'G.N. Byerly From Nelle' on inside flyleaf. Contents clean. Hardbound. Very Good. Francis Lynde (1856-1930) wrote a number of books in the early 1900s, some of which were made into Hollywood films. His novels include: Branded Empire Builders, A Fool for Love, The Grafters, The Honorable Senator, The King of Arcadia, The Master of Appleby, The Price and The Quickening. Arthur Ignatius Keller (1867-1924) was a U.S. painter and illustrator from New York City. Rome K. Richardson was on the staff of the Decorative Designers from 1896 through 1901. In 1902, he left the firm to design book covers under his own name. NW62
pp. 16 +Plus 7 color lithographs. thin 16mo. 180mm. Original publisher's vellum covered color lithograph boards lettered in gilt. Cover depicts Longfellow set in a locket surrounded by a blue ribbon and pink flowers. Blank spine cracked and fragile. Cover mildly soiled. Binding fragile. Corners slightly bumped. tearing. Contents clean. Hardbound. Good. NW61
pp. 64 with 42 illustrations in and around the text. 12mo. 180mm. Original publisher's full maroon cloth binding lettered and decorated in gilt. Spine lettered in gilt. All edges of text gilt. Cover gilt is bright and covers are clean. Spine gilt rubbed. Corners sharp. Contents clean. Hardbound. Very Good. A lovely edition of this sweet pathetic poem of the old fireside. NW60
pp. 16 +Plus 6 color lithographs. 8vo. 170mm. Original publisher's vellum covered color lithograph boards lettered in gilt. Cover depicts a blacksmith set in a circular frame surrounded by pink flowers. Spine blank. Gilt rubbed and cover mildly soiled. Binding fragile. Corners tearing. Contents clean. Hardbound. Good. NW61
pp. viii, 339 +Plus 4 pages of plates. 12mo. 200mm. Original publisher's full light brown pictorial cloth binding lettered in pink and decorated with a gray, green and pink mountain-scape designed by Edward Stratton Holloway with his monogram. Spine lettered and decorated in similarly. Cover color is bright and boards are clean. Spine bright. Corners sharp. Contents clean. Hardbound. Very Good. The illustrator Gayle Porter Hoskins (1887-1962) was an American artist who began his training at the Chicago Art Institute and later studied under Howard Pyle in Wilmington, DE. NW61
pp. 225. +Plus color frontis. 12mo. 180mm. Original publisher's full gray cloth binding decorated in blue, light blue and gilt. Spine lettered and decorated similarly. Covers clean. Spine slighty soiled. Contents clean and binding tight. Hardbound. Very Good. Frances Little was the pseudonym of American author Fannie Caldwell (1863-1941). Caldwell and her husband, businessman J.D. Macaulay, made their home in Louisville, Kentucky. She had great success with 'The Lady of the Decoration' (Listed as our no. 117BIND2). NW59
333p. 8vo. 200mm. Original publisher's full cloth pictorial binding in green. Cover stamped in tan, black and red. Spine in black. Clean and tight example. Hardbound. Very Good. NW66
Privat 1948, In-8 broché, 37 pages. Illustrations. Bon état.
100 pages. Features: Possibilities for planting wall gardens - rock walls; Showing civic pride with trees; The proper way to remove branches - photo-illustrated article on pruning trees; The third season in my garden; How shingles help in remodeling; Homes of famous Americans - part XLVI - Lockerbie Street, the home of James Whitcomb Riley; Let's have a fireplace; Nice one-page Johnson's Polishing Was ad features illustration of mother and child waxing floor; Preparing for your garden next year; Nice one-page color ad for Johns-Manville asbestos shingles features illustration of castle under attack; Nice one-page color Congoleum ad; Reader's letters; How proper insulation will help improve the home; Nice one-page ad for the Louisiana Red Cypress Bureau features the birth of New Orleans; A garden for a playmate; Nice one-page ad for 'Say it With Flowers' features George Washington and his mother; Poet Lew Sarrett's prescription for a tired world - with photo of Sarrett; Nice 2/3-page ad for True Temper yard tools; Nice vintage 2/3-page ad for Stanley Tools shows man installing bookrack; Nice 2/3-page ad for Yale door lock hardware; Poultry - a profitable hobby; Nice one-page Montgomery Ward & Co ad for their catalog; Nice 2/3-page ad for Sargent locks and hardware; Budgets for couples; Charming 2/3-page ad for the Wurlitzer Studio Grand piano; Beware of fake music publishers; Building healthy bodies - trees in the yard allow kids to exercise; One-page illustrated ad for the Kalamazoo Stove company; Attractive color ad for Sun-Maid raisins inside back cover; Soiled color ad for Mohawk Rugs on back cover. Above-average wear and soiling. Nibbling to upper corners. Covers detached but present. A worthy copy of this nice vintage issue. Magazine
240p. 8vo. Original full cloth binding. Hardbound. Nice copy. An important history of printing and printers in Lehigh county, Pennsylvania. It includes: the background of German printing in Lehigh county 1807-1900; a check list of imprints 1807-1900 (including German newspapers, periodicals, taufscheine, and broadsides); and biographies of the publishers. **PRICE JUST REDUCED! PAG Box 017
240p. 8vo. Original full cloth binding. Hardbound. Very Good. **PRICE JUST REDUCED! Box 017
pp. 309. 12mo. 210mm. Publisher's full green cloth binding. Cover decorated in blind with an hourglass. Spine lettered in gilt. Corners sharp and covers are clean. Gilt on spine lightly rubbed. Dust jacket slightly faded on spine. DJ brittle but in good shape. Hardbound. Very Good. NW70
pp. (iv), 192. 12mo. 200mm. +Plus 11illustrations including frontis. Publisher's full cloth binding in beige with illustration in orange depicting Charles Lindbergh. Spine lettered in black. Color is bright and illustration is rubbed. Hardbound. Very Good. NW70
pp. 117 +Plus portrait, vignette title page, and 3 leaves of plates. 12mo. 200mm. Original publisher's full blue cloth binding decorated in blind and gilt with a floral and bird design surrounding the title. Spine ruled in blind and lettered and decorated similarly in gilt. All edges gold gilt. Boards clean but rubbed around the edges. Spine slightly faded and brittle with some wear to head and base. Corners bumped. Contents clean. Hardbound. Very Good. Charles Lamb (1775-1834) was an English essayist, poet, and antiquarian, best known for his 'Essays of Elia' and for the children's book 'Tales from Shakespeare' co-authored with his sister, Mary Lamb (1764-1847). Friends with such literary luminaries as Samuel Taylor Coleridge, William Wordsworth, and William Hazlitt, Lamb was at the center of a major literary circle in England. He has been referred to by E. V. Lucas, his principal biographer, as 'the most lovable figure in English literature'. NW51
Paris, Les Editeurs Français Réunis, 1950. In-12, broché, 249 pp. Couverture illustré d'un dessin de Boris Taslitzky d'après une photo d'Ina Konstantinova. Signature autographe d'Elsa Triolet.
156 p. including color frontispiece. 8vo. 210mm. Clean and tight original publisher's full cloth pictorial binding in green. Cover stamped in gilt, white black, and peach with title on spine in gilt. Manuscript ownership, 'This book belongs to R. H. Stilds Only.' Slight crinkling on cover. Hardbound. Very good NW66
pp. (iv), 354. 12mo. 200mm. +Plus 4 illustrations including frontis. Publisher's full cloth binding in yellow stamped in red and black. Spine lettered in same. Color is bright and illustration is rubbed. Back cover soiled slightly. Ownership label of Emilie Hill. Hardbound. Very Good. NW70
pp. 59. +Plus 3 leaves of plates including frontis. 8vo. 200mm. Gray full cloth binding with cover design stamped in green, gilt and mother of pearl in-lay. Spine very lightly faded. Printed with illuminations and marginal illustrations throughout. Hardbound. Very Good. NW68