Jules LaurensBiblio.com
119 résultats
1854P2902Paris: Pierre-Bertrand c.1854. Very Good. Notes: In 1846 the French government decided to send a mission to Persia an expedition led by the geographer Xavier Hommaire de Hell to carry out further investigations. Laurens a young artist who had studied in the studio of the painter Paul Delaroche was employed to record the course of their journey in a series of images that after his return in 1849 were used to illustrate Hommaire de Hell's Voyage en Turquie et en Perse 4 vols and atlas 1854-60. Despite the rigours of the journey and an attack of fever Laurens filled several sketch-books with his drawings of the people and landscapes they encountered. Image Size : 304x437 mm 11.97x17.20 Inches Platemark Size : Paper Size : 400x570 mm 15.75x22.44 Inches Coloring: Original Hand Coloring Medium: Lithograph Categories: Views Asia Middle East Iran; Pierre-Bertrand unknown
1854P2903Paris: Pierre-Bertrand c.1854. Very Good. Notes: In 1846 the French government decided to send a mission to Persia an expedition led by the geographer Xavier Hommaire de Hell to carry out further investigations. Laurens a young artist who had studied in the studio of the painter Paul Delaroche was employed to record the course of their journey in a series of images that after his return in 1849 were used to illustrate Hommaire de Hell's Voyage en Turquie et en Perse 4 vols and atlas 1854-60. Despite the rigours of the journey and an attack of fever Laurens filled several sketch-books with his drawings of the people and landscapes they encountered. Image Size : 310x440 mm 12.20x17.32 Inches Platemark Size : Paper Size : 400x570 mm 15.75x22.44 Inches Coloring: Original Hand Coloring Medium: Lithograph Categories: Views Asia Middle East Iran; Pierre-Bertrand unknown
1854P2901Paris: Pierre-Bertrand c.1854. Very Good. Notes: In 1846 the French government decided to send a mission to Persia an expedition led by the geographer Xavier Hommaire de Hell to carry out further investigations. Laurens a young artist who had studied in the studio of the painter Paul Delaroche was employed to record the course of their journey in a series of images that after his return in 1849 were used to illustrate Hommaire de Hell's Voyage en Turquie et en Perse 4 vols and atlas 1854-60. Despite the rigours of the journey and an attack of fever Laurens filled several sketch-books with his drawings of the people and landscapes they encountered. Image Size : 312x440 mm 12.28x17.32 Inches Platemark Size : Paper Size : 395x570 mm 15.55x22.44 Inches Coloring: Original Hand Coloring Medium: Lithograph Categories: Views Asia Middle East Iran; Pierre-Bertrand unknown
1848250501848. Fine. 1848 43.50 x 29.50 cm Dessin et lavis titre et date manuscrits au crayon noir en haut à droite par l'artiste. Original drawing and wash by Jules Laurens. Date and place inscribed in black pencil by the artist at the top right of the work November 1848. Presented in an antique varnished and gilt wooden frame under glass. Minor black mark at the upper left corner and a very small imperfection at the lower right corner; overall a well-preserved piece. Jules Joseph Auguste Laurens was a painter and lithographer born in Carpentras on 27 July 1825 died in Saint-Didier on 5 May 1901. From a family of five children Jules joined at the age of twelve his elder brother Jean-Joseph Bonaventure Laurens who had settled in Montpellier. He enrolled at the École des Beaux-Arts in Montpellier alongside Alexandre Cabanel and mingled with the artistic circles of his brother. From 1842 to 1846 he stayed in Paris to complete his training admitted fifth out of 600 at the École des Beaux-Arts and worked in the studio of the painter Paul Delaroche. From 1846 to 1849 he traveled as a draftsman through Turkey and Persia as part of a scientific mission led by the geographer Hommaire de Hell. Despite the missions failure Hommaire de Hells death unpaid work Jules returned with several hundred sketches drawings and watercolors that nourished his artistic activity. These portfolios are now preserved at the École des Beaux-Arts in Paris in Avignon and in Carpentras Bibliothèque Inguimbertine and museums. From this journey he also brought back works of Qajar art later donated to the Musée Calvet in Avignon and the museum in Carpentras. Upon his return to the Comtat he contributed to the development of the Carpentras library-museum. A collector he donated numerous notable works by recognized contemporary artists Victor Hugo Ingres Auguste Bonheur Eugène Cicéri Gustave Doré etc. Known for his Orientalist paintings and portraits of peasants from Auvergne and Comtat it is in landscape art that he distinguished himself a follower of Corot and the Barbizon school. unknown
1848250501848 | 43.50 x 29.50 cm | Dessin et lavis, titre et date manuscrits au crayon noir en haut à droite par l'artiste.
190012018Paris, Collection des Dix, A. Romagnol, 1900. 1 vol. petit in-4. Plein maroquin bleu, dos à nerfs, filets à froid étirant ces derniers sur les plats, titre, auteur et date dorés, fleuron au centre du dos, double filet doré sur les coupes, doublure de maroquin rouge avec décor d'entrelacs dorés, jeu de filetsdorés en encadrement, gardes de tissu rouge, doubles gardes de papier marbré, tête dorée, tranches dorées sur témoins, couvertures et dos conservés, sous étui. [AFFOLTER].
1854P2946Paris: Pierre-Bertrand c.1854. Very Good. Notes: In 1846 the French government decided to send a mission to Persia an expedition led by the geographer Xavier Hommaire de Hell to carry out further investigations. Laurens a young artist who had studied in the studio of the painter Paul Delaroche was employed to record the course of their journey in a series of images that after his return in 1849 were used to illustrate Hommaire de Hell's Voyage en Turquie et en Perse 4 vols and atlas 1854-60. Despite the rigours of the journey and an attack of fever Laurens filled several sketch-books with his drawings of the people and landscapes they encountered. Image Size : 308x435 mm 12.13x17.13 Inches Platemark Size : Paper Size : 400x555 mm 15.75x21.85 Inches Coloring: Original Hand Coloring Medium: Lithograph Categories: Views Asia Middle East Iran; Pierre-Bertrand unknown
189874285Paris: Imprimerie Champenoispour CH. MassonH. Piazza 1898. Fine. Imprimerie Champenois pour CH. Masson H. Piazza Paris Janvier 1898 32 x 22 cm une feuille et une serpente Rare original lithograph executed by Paul Albert Laurens for L'Estampe Moderne series number 9 published in January 1898. One of 50 deluxe proofs printed on Japan paper with wide margins wove paper mounted on Japan paper artist's signature in the plate publisher's dry stamp depicting a child's profile in the lower margin numbered stamp of the deluxe printing on verso; engraving preceded by a tissue guard inscribed with the artist's name title and a poem; blank tissue guard. Lithograph inspired by the poem Les trophées by José-Maria de Heredia reproduced on the print's tissue guard. Magnificent French monthly publication edited between May 1897 and April 1899 L'Estampe moderne consists of original chromolithographs which unlike other magazines such as Les Maîtres de l'Affiche and as stipulated on the tissue guards were created specifically by each artist for the magazine. Thus 100 prints appeared in total covering the major artistic movements of the late 19th century: Symbolism Art Nouveau Pre-Raphaelites Orientalists and Belle Époque. Each delivery of four prints was printed in 2000 copies sold for 3.50F and 100 on Japan paper offered at 10F. Henri Piazza also planned a confidential deluxe printing: 50 copies on Japan paper with wide margins and 50 in black on China paper at the considerable price of 30F. This print of handsome format is superbly printed on the most prestigious of papers: Japan. Thick silky satiny and pearlescent it contributes to making each page a work of art in its own right. Its ink absorption quality and affinity with colors also make it the ideal support for these very beautiful lithographs. French collectors' interest in artistic posters intensified in the early 1890s. Octave Uzanne to describe this fever invented the term ""affichomanie"". The poster originally popular and posted in the streets of the capital then became an art object and its ephemeral medium became precious and destined for preservation. Piazza decided to remove the poster from its advertising vocation and elevate it to the rank of a work of art in its own right on par with the deluxe illustrated book. He thus composed a prestigious collection of entirely original works by the most prominent European artists of the moment: Georges de Feure Eugène Grasset Henri Detouche Emile Berchmans Louis Rhead Gaston de Latenay Lucien Lévy-Dhurmer Gustave-Max Stevens Charles Doudelet Hans Christiansen Henri Fantin-Latour Steinlen Ibels Engels Willette Henri Meunier Evenepoël Bellery-Desfontaines Charles Léandre etc. Handsome copy in the Art Nouveau style. Imprimerie Champenoispour CH. MassonH. Piazza unknown
189874287Paris: Imprimerie Champenoispour CH. MassonH. Piazza 1898. Fine. Imprimerie Champenois pour CH. Masson H. Piazza Paris Janvier 1898 27 x 35 cm une feuille Rare original lithograph executed by Paul Albert Laurens for L'Estampe Moderne series number 9 published in January 1898. One of 50 deluxe proofs printed on China paper with wide margins artist's signature in the plate publisher's embossed stamp showing a child's profile in the lower margin mounted on a sheet of laid paper with the numbered stamp of the deluxe edition on verso pale marginal foxing. Lithograph inspired by the poem Les trophées by José-Maria de Heredia. Magnificent French monthly publication issued between May 1897 and April 1899 L'Estampe moderne consists of unpublished chromolithographs which unlike other magazines such as Les Maîtres de l'Affiche and as stipulated on the tissue guards were created specially by each artist for the magazine. Thus 100 prints appeared in total covering the major artistic movements of the late 19th century: Symbolism Art Nouveau Pre-Raphaelites Orientalists and Belle Époque. Each issue of four prints was printed in 2000 copies sold at 3.50F and 100 on Japan paper offered at 10F. Henri Piazza also planned a confidential deluxe edition: 50 copies on Japan paper with wide margins and 50 in black on China paper at the considerable price of 30F. This print of handsome format is superbly printed on one of the most prestigious papers: China. ""Despite all its qualities China paper too insubstantial owes its reputation not to its own beauty but to its particular affinities with printing ink. Its texture smooth and soft together is more apt than any other to receive a beautiful impression. This property makes China paper sought after for printing engravings."" Anatole France. French collectors' interest in artistic posters increased at the beginning of the 1890s. Octave Uzanne to describe this fever invented the term ""poster mania"". The poster originally popular and pasted on the streets of the capital then became an art object and its ephemeral medium became precious and destined for preservation. Piazza decided to remove the poster from its advertising purpose and elevate it to the rank of a complete work of art on the same level as the deluxe illustrated book. He thus composed a prestigious collection of entirely original works by the most prominent European artists of the moment: Georges de Feure Eugène Grasset Henri Detouche Emile Berchmans Louis Rhead Gaston de Latenay Lucien Lévy-Dhurmer Gustave-Max Stevens Charles Doudelet Hans Christiansen Henri Fantin-Latour Steinlen Ibels Engels Willette Henri Meunier Evenepoël Bellery-Desfontaines Charles Léandre etc. Handsome copy in the Art Nouveau style. Imprimerie Champenoispour CH. MassonH. Piazza unknown
189874285Imprimerie Champenois pour CH. Masson H. Piazza | Paris (Janvier 1898) | 32 x 22 cm | une feuille et une serpente
189874287Imprimerie Champenois pour CH. Masson H. Piazza | Paris (Janvier 1898) | 27 x 35 cm | une feuille
1900118687A. romagnol, dix 1900 art déco, aussourd Paris, Librairie de la Collection des dix, A. Romagnol, 1900, 1 volume in-4 de 170x275 mm environ, frontispice, (2) ff. (faux-titres), page de titre, 240 pages, (1) f. Exemplaire sur papier Japon, complet du frontispice et des 7 hors-texte. Il manque la page de justification du tirage et notre exemplaire ne contient pas les trois états des illustrations normalement présent dans les 20 exemplaires sur papier Japon. Élégante reliure au dos mosaïqué, d'inspiration Art déco, signée par René Aussourd. Demi-maroquin à coins orangé dans son étui bordé assorti, dos à quatre nerfs portant titres dorés, caissons de tête et de queue ornés d'un scarabée noir et vert, papyrus stylisés dans les tons crème et vert dans une composition au centre du dos, fers floraux dorés, tranche de tête dorée, gardes marbrées. Un petit frottement sur une aile de scarabée, sinon très bel exemplaire, bon état.
185939202Paris: MM. Paulin & Le Chevallier 1859. Very Good. A wonderful suite of 30 LITHOGRAPHS BY LAURENS ON CHINE APPLIQUÉ complete depicting scenery monuments and traditional costumes encountered during a train journey from Lyon to Sète or "Cette" as it is spelled here. Oblong folio 28 x 36 cm. Loose as issued in the original printed wrapper. A bit of marginal foxing on most of the lithographs else FINE AND BRIGHT. Housed in a board portfolio with ties back with cloth. A pristine set and extremely rare. <br/><br/> MM. Paulin & Le Chevallier hardcover
180721973Paris Chaumerot 1807 In-12, plein maroquin citron, plats orns d'un encadrement de trois filets dors, pice de titre en maroquin rouge sur le dos sans nerfs orn petits fers dors, roulette or sur les coupes; encadrements intrieurs orns d'une roulette dore, doublures et gardes de papier peigne, tranches marbres, couverture imprime.Premire dition, illustre d'un frontispice et de 18 figures hors texte graves par Tassaert d'aprs Desrais.
189765680Paris: Pierre Duffau 1897. Fine. Pierre Duffau Paris 1897 23 x 32 cm en feuilles First edition one of 40 copies on China ours one of the 10 copies out of business literati with remark and signature of Paul Albert Laurens . Nice copy despite tiny marginal freckles not serious at the head of some leaflets. Pierre Duffau unknown
189765680Pierre Duffau | Paris 1897 | 23 x 32 cm | en feuilles
189723442Paris Pierre Duffau 1897 Paris, Pierre Duffau, 1897, in-4 (23 x 32 cm.), en feuilles, sous couverture titrée en violine.
1866411866 A.MOREL 1866- 20 dessins lithographiés par J.LAURENS- gd. IN FOLIO 1/2 chagrin-15p.+ 20 lithographies en noir à fond teinté- sous serpentes légendées .A savoir, Epinal, vue prise de la route de Plombières. Cascade du Tendon. Promenade des Dames à Plombières. Parc Impérial à Plombières. Promenade de Tivoli à Plombières. Route de la vallée des Roches au Val d'Ajol. Cascade du Géhart dans la vallée des Roches. Hérival. Remiremont, vue prise de la route de Plombières. Saut de la cuve à Saint Amé. Vallée de Saint Amé. Route de Rochesson à Gérardmer. Lac de Gérardmer. Saut des cuves à Gérardmer. Route de Remiremont à Epinal par Saint Nabord. Lac de Longemer. Lac de Retournemer. Le col de la Schlucht près de Retournemer. Saint-Dié, vue prise des hauteurs du Gratin. Vallée de la Bolle près de Saint-Dié.
18438901843 CARPENTRAS DEVILLARIO L. 1843
187861826Compositions par J.-P. Laurens, gravés à l'eau-forte par Léopold Flameng, tirage à petit nombre sur papier Turkey Mill, 1 vol. in-8 reliure de l'époque plein maroquin bordeaux sous étui bordé, dos à 5 nerfs, plats estampés à froid, double filet doré en coupes, chasses richement ornées, gardes doublées de vélin, toutes tranches dorées, reliure signée de Raparlier, A. Quantin, Ancienne Maison Claye, Paris, 1878, 4 ff., XIX pp., 4 ff., 406 pp. et 1 f. n. ch., avec 10 gravures hors texte en deux états (avant la lettre et avec la lettre)
1890215981890 Paris, Conquet, 1890. In-8, reliure plein maroquin prune signée de RITTER, dos à nerfs, titre or, double filet doré sur les coupes, large roulette dorée intérieure, gardes en papier peigné, tranches dorées, couvertures conservées, 348 pages. Ouvrage illustré d'un portrait en frontispice gravé par Rudaux d'après J.-P. LAURENS et de 20 eaux-fortes originales de E. RUDAUX, le tout en double état (avant toute lettre et avec la lettre). Ouvrage tiré à 500 exemplaires, l'un des 150 exemplaires sur japon impérial (ex N° 143). Très bel exemplaire parfaitement relié par l'un des maîtres relieurs français de la fin du XIX° siècle .Bon etat,trés pur.
1838910092CGBerlin:, L.W. Wittich, 1838. Aquatinta, Bildgröße 12,5 x 17 cm, Blattgröße 16,5 x 18,5 cm.
180654553P., Chomel 1806 In-8 broché, couverture muette de l’époque, pièce de titre imp. au dos, VIII- 266- 3 pp. Couverture usée, petits manques. Quelques pâles rousseurs.
1876WRCAM54221Amsterdam 1876. 4iii196pp. plus folding map. Original printed wrappers. Minor edge wear light dust-soiling and foxing. Internally clean. Very good. Koolemans Beynen was a Dutch explorer on the Pandora. This is the scarce first Dutch edition of this Arctic voyage on the Pandora in 1875 a last-ditch effort to locate missing written records of the lost Franklin expedition. The expedition was partially funded by Lady Franklin who died shortly after Young and his team sailed from Southampton. The expedition was also an attempt to reach the magnetic pole in Baffin Bay and Lancaster Sound and also to navigate the Northwest Passage. unknown books
1860135361860 A.MOREL 1860 - 20 dessins lithographiés HT par J.LAURENS- gd. IN FOLIO en feuilles sous chemise cartonnée imprimée, -15p.+19/20 lithographies en noir à fond teinté- sous serpentes légendées ,manque la planche VII; Cascade de GEGHARDT,sont presentes Epinal, vue prise de la route de Plombières. Cascade du Tendon. Promenade des Dames à Plombières. Parc Impérial à Plombières. Promenade de Tivoli à Plombières. Route de la vallée des Roches au Val d'Ajol. Hérival. Remiremont, vue prise de la route de Plombières. Saut de la cuve à Saint Amé. Vallée de Saint Amé. Route de Rochesson à Gérardmer. Lac de Gérardmer. Saut des cuves à Gérardmer. Route de Remiremont à Epinal par Saint Nabord. Lac de Longemer. Lac de Retournemer. Le col de la Schlucht près de Retournemer. Saint-Dié, vue prise des hauteurs du Gratin. Vallée de la Bolle près de Saint-Dié.
