119 résultats
1888R320083310LA CONTROVERSE ET LE CONTEMPORAIN. 1888. In-8. En feuillets. Bon état, Livré sans Couverture, Dos satisfaisant, Intérieur frais. de 481 à 520 (Paginé) - Bandeau en noir et blanc et blanc en page de titre.. . . . Classification Dewey : 70.49-Presse illustrée, magazines, revues
1844109091844 Paris, Challamel, 1844.In 4,reliure demi chagrin tabac,dos a caissons, - 59 pages de texte. Avec 32 planches originales; lithographies,eaux fortes,des differentes artistes.Bel exemplaire. Plats marbré.Edition ORIGINALE.
18115520Montpellier Chez Jean Martel Ainé 1811 Première édition. Exemplaire rare de la thèse présentée par St Laurens devant le jury académique de la faculté de médecine de l'université de Montpellier en vue d'obtenir le titre de docteur en médecine. Sans couverture, largement déreliée, avec les cahiers cousus de manière lâche. Complet. Un exemplaire propre et soigné malgré l'absence de couverture ! « N° 13 » écrit à l'encre sur la couverture avant. Probablement issu d'archives à un moment donné. 20 pages. 28 cm x 22,5 cm. Conforme à WorldCat / OCLC : 758628900. Disponible uniquement dans quelques bibliothèques françaises.
18115520Montpellier: Chez Jean Martel Ainé 1811. First edition. A scarce copy of St Laurens's thesis before the academic tribunal at the medical department of the University of Montpelier to obtain the title of doctor of medicine. No covers largely disbound with the gathers loosely sewn. complete. A clean and tidy copy despite the lack of covers! In ink "No 13" to the front cover. Presumably from an archive at some point. 20 pages. 28cm x 22.5cm. Conforms to WorldCat / OCLC: 758628900. Holdings in a few French libraries only. . Première édition. Exemplaire rare de la thèse présentée par St Laurens devant le jury académique de la faculté de médecine de l'université de Montpellier en vue d'obtenir le titre de docteur en médecine. Sans couverture largement déreliée avec les cahiers cousus de manière lâche. Complet. Un exemplaire propre et soigné malgré l'absence de couverture ! « N° 13 » écrit à l'encre sur la couverture avant. Probablement issu d'archives à un moment donné. 20 pages. 28 cm x 225 cm. Conforme à WorldCat / OCLC : 758628900. Disponible uniquement dans quelques bibliothèques françaises. Chez Jean Martel Ainé unknown
1891190116Nantes Société des bibliophiles bretons 1891 XXXVIp+194p 1 volume IN4. Reliure d'époque en demi chagrin vert.Dos à nerfs titré. Exemplaire numéroté N°190/510 sur papier vélin. Exemplaire de M.Henri Le Lièvre De La Touche. Ouvrage orné d'un frontispice de Paul Chardin et de dessins in-texto de Th. Busnel.Introd
18521291584Groningen Djakarta: J.B. Wolters 1852. First Edition. Softcover. 8vo. 88 pages illustrations graphs tables; VG-; buff cover with brown print some foxing on edges "Printed in Holland" stamped on lower edge some rubbing bumped lower right corner slight spotting on back cover; slight spot on title page otherwise clean interior; text in Dutch; "Proefschrift ter Verkrijging van de Graad van Doctor in de Wis- en Natuurkunde aan de Rijks-Universiteit te Groningen . 5 Juni 1952" 1291584. Rockville Non-Retail Listings. J.B. Wolters unknown books
189637571896 reliure demi maroquin rouge in-quarto à coins, dos 5 nerfs à filet - entre-nerfs à fleurons au centre et des feuillages exécutés aux filets courbes en entourage, mors et coins à filet or, tête lisse dorée, illustrations : frontispice + fronts-de-chapitre et hors-texte grévées sur Bois par F. Méaulle et réalisées par Andriolli - Joseph Blanc - Barrias - de Curson - Edouard - Frémiet Hanoteau - Gaston Jourdain - J.-P. Laurens - Le Blant - Luminais - Albert Maignan - Maillart - L.-O. Merson - Rochegrosse - Edouard Zier, une page comportant une déchirure - 580 pages, 1896 à Tours Alfred Mame et Fils,
188075032Partitions sur les Autres conflits Le Bailly 1880 approx.
188512290Meuriot 1885 approx.
189765680Pierre Duffau | Paris 1897 | 23 x 32 cm | en feuilles
189874285Imprimerie Champenois pour CH. Masson H. Piazza | Paris (Janvier 1898) | 32 x 22 cm | une feuille et une serpente
189874287Imprimerie Champenois pour CH. Masson H. Piazza | Paris (Janvier 1898) | 27 x 35 cm | une feuille
189874285Paris: Imprimerie Champenoispour CH. MassonH. Piazza 1898. Fine. Imprimerie Champenois pour CH. Masson H. Piazza Paris Janvier 1898 32 x 22 cm une feuille et une serpente Rare original lithograph executed by Paul Albert Laurens for L'Estampe Moderne series number 9 published in January 1898. One of 50 deluxe proofs printed on Japan paper with wide margins wove paper mounted on Japan paper artist's signature in the plate publisher's dry stamp depicting a child's profile in the lower margin numbered stamp of the deluxe printing on verso; engraving preceded by a tissue guard inscribed with the artist's name title and a poem; blank tissue guard. Lithograph inspired by the poem Les trophées by José-Maria de Heredia reproduced on the print's tissue guard. Magnificent French monthly publication edited between May 1897 and April 1899 L'Estampe moderne consists of original chromolithographs which unlike other magazines such as Les Maîtres de l'Affiche and as stipulated on the tissue guards were created specifically by each artist for the magazine. Thus 100 prints appeared in total covering the major artistic movements of the late 19th century: Symbolism Art Nouveau Pre-Raphaelites Orientalists and Belle Époque. Each delivery of four prints was printed in 2000 copies sold for 3.50F and 100 on Japan paper offered at 10F. Henri Piazza also planned a confidential deluxe printing: 50 copies on Japan paper with wide margins and 50 in black on China paper at the considerable price of 30F. This print of handsome format is superbly printed on the most prestigious of papers: Japan. Thick silky satiny and pearlescent it contributes to making each page a work of art in its own right. Its ink absorption quality and affinity with colors also make it the ideal support for these very beautiful lithographs. French collectors' interest in artistic posters intensified in the early 1890s. Octave Uzanne to describe this fever invented the term ""affichomanie"". The poster originally popular and posted in the streets of the capital then became an art object and its ephemeral medium became precious and destined for preservation. Piazza decided to remove the poster from its advertising vocation and elevate it to the rank of a work of art in its own right on par with the deluxe illustrated book. He thus composed a prestigious collection of entirely original works by the most prominent European artists of the moment: Georges de Feure Eugène Grasset Henri Detouche Emile Berchmans Louis Rhead Gaston de Latenay Lucien Lévy-Dhurmer Gustave-Max Stevens Charles Doudelet Hans Christiansen Henri Fantin-Latour Steinlen Ibels Engels Willette Henri Meunier Evenepoël Bellery-Desfontaines Charles Léandre etc. Handsome copy in the Art Nouveau style. Imprimerie Champenoispour CH. MassonH. Piazza unknown
189874287Paris: Imprimerie Champenoispour CH. MassonH. Piazza 1898. Fine. Imprimerie Champenois pour CH. Masson H. Piazza Paris Janvier 1898 27 x 35 cm une feuille Rare original lithograph executed by Paul Albert Laurens for L'Estampe Moderne series number 9 published in January 1898. One of 50 deluxe proofs printed on China paper with wide margins artist's signature in the plate publisher's embossed stamp showing a child's profile in the lower margin mounted on a sheet of laid paper with the numbered stamp of the deluxe edition on verso pale marginal foxing. Lithograph inspired by the poem Les trophées by José-Maria de Heredia. Magnificent French monthly publication issued between May 1897 and April 1899 L'Estampe moderne consists of unpublished chromolithographs which unlike other magazines such as Les Maîtres de l'Affiche and as stipulated on the tissue guards were created specially by each artist for the magazine. Thus 100 prints appeared in total covering the major artistic movements of the late 19th century: Symbolism Art Nouveau Pre-Raphaelites Orientalists and Belle Époque. Each issue of four prints was printed in 2000 copies sold at 3.50F and 100 on Japan paper offered at 10F. Henri Piazza also planned a confidential deluxe edition: 50 copies on Japan paper with wide margins and 50 in black on China paper at the considerable price of 30F. This print of handsome format is superbly printed on one of the most prestigious papers: China. ""Despite all its qualities China paper too insubstantial owes its reputation not to its own beauty but to its particular affinities with printing ink. Its texture smooth and soft together is more apt than any other to receive a beautiful impression. This property makes China paper sought after for printing engravings."" Anatole France. French collectors' interest in artistic posters increased at the beginning of the 1890s. Octave Uzanne to describe this fever invented the term ""poster mania"". The poster originally popular and pasted on the streets of the capital then became an art object and its ephemeral medium became precious and destined for preservation. Piazza decided to remove the poster from its advertising purpose and elevate it to the rank of a complete work of art on the same level as the deluxe illustrated book. He thus composed a prestigious collection of entirely original works by the most prominent European artists of the moment: Georges de Feure Eugène Grasset Henri Detouche Emile Berchmans Louis Rhead Gaston de Latenay Lucien Lévy-Dhurmer Gustave-Max Stevens Charles Doudelet Hans Christiansen Henri Fantin-Latour Steinlen Ibels Engels Willette Henri Meunier Evenepoël Bellery-Desfontaines Charles Léandre etc. Handsome copy in the Art Nouveau style. Imprimerie Champenoispour CH. MassonH. Piazza unknown
189765680Paris: Pierre Duffau 1897. Fine. Pierre Duffau Paris 1897 23 x 32 cm en feuilles First edition one of 40 copies on China ours one of the 10 copies out of business literati with remark and signature of Paul Albert Laurens . Nice copy despite tiny marginal freckles not serious at the head of some leaflets. Pierre Duffau unknown
18438901843 CARPENTRAS DEVILLARIO L. 1843
187849181878 reliure cuir vert (full leather) grand in-octavo, dos long (spine without raised band) - titre frappé or (gilt title) et filets, plats muets, tête dorée (top edge gilt) - gouttière long papier (fore-edge great paper), marque-page en tissu (bookmark in tissue), illustrations : compositions par J.-P. Laurens gravées à l'eau-forte (etching by) par Léopold Flameng, 409 pages, 1878 à Paris A. Quantin Imprimeur-Editeur - Ancienne Maison Claye,
187818867Partitions sur la Terre et paysan Bathlot 1878 approx.
189723442Paris Pierre Duffau 1897 Paris, Pierre Duffau, 1897, in-4 (23 x 32 cm.), en feuilles, sous couverture titrée en violine.
1869RO80150486MAISON GEDALGE JEUNE. 3ème édition. 1869. In-12. Cartonnage d'éditeurs. Bon état, Couv. convenable, Dos satisfaisant, Quelques rousseurs. VI + 356 pages. Tranches rouges.. . . . Classification Dewey : 840.08-XIX ème siècle
1863RO40248269Maison Gedalge Jeune - Librairie et Papeterie Classiques A. Alexandre, Paris. 1863. In-8. Broché. Etat d'usage, 1er plat abîmé, Dos abîmé, Non coupé. 300 pages. Etiquette de code sur la couverture. Quelques tampons de bibliothèque. Envoi manuscrit de l'auteur en page de faux-titre. Manque important sur le 1er plat. Quelques rousseurs.. . . . Classification Dewey : 97.2-Dédicace, envoi
1838910092CGBerlin:, L.W. Wittich, 1838. Aquatinta, Bildgröße 12,5 x 17 cm, Blattgröße 16,5 x 18,5 cm.
1880107941880 Besançon, Jacquin, 1880; in-8° broché, couverture verte imprimée en noir ; 528pp. 1 planche hors texte à double page (Clocher roman de Boussières, plan et coupe de l'Eglise de Lieu-Dieu). Exemplaire débroché, manque de papier au dos , dos cassé.
184320513Besançon Imp Et Lith De Sainte Agathe 1843 In-8 Débroché 411 pp, dos absent, couvertures en mauvais état, papier du texte relativement correct sans traces d'humidité, exemplaire à relier ou rebrocher
1857066529New York: Ivison & Phinney 1857. Second Edition. Hardcover. Fair. Dark brown publisher's cloth blind debossed. Endpapers printed with a list of works from the American Educational Series published by Ivison and Phinney. 400 pp. About half of cloth has eroded revealing inner-binding. Page edges browned. Foxing throughout. Spots of staining on a few pages. Front and back joints weakening but binding still attached. Contains pencil inscriptions. Condition is fair. Full refund if not satisfied. Ivison & Phinney hardcover