Alfred FrankensteinBiblio.com
162 résultats
1980ART 18-3Harry N. Abrams Inc. 1980. Book. FIRST. A FINE FIRST EDITION IN DJ WITH MYLAR COVER. WE SHIP IN A BOX WITH BUBBLE WRAP. Harry N. Abrams, Inc. unknown
1985056911Paris: Ankrum Gallery /Coe Kerr Gallery Ny / Palm Springs Desert Museum/ Didier Imbert Fine Art /Hammer Gallery Ny/ San Jose Museum Of Art 1985. 1st Edition . Hardcover. Near Fine/Very Good. 37 Color Plates Text. Catalogue Of The Exhibition Also With Folding Card Announcement Of The Exhibition With Same Cover As This Much Larger Catalogue .Near Fine In Very Good Dust Jacket And Inscribed By Goedike To A Collector Also With 10 Exhibition Catalogues For Goedike At Various Galleries In California Ny And Paris. <br/> <br/> Ankrum Gallery /Coe Kerr Gallery Ny / Palm Springs Desert Museum/ Didier Imbert Fine Art /Hammer Gallery Ny/ San Jose Museum Of hardcover
1970Q-0821203576University Art Museum Berkeley / New York Graphic 1970-02-14. Paperback. New. New. In shrink wrap. Looks like an interesting title! University Art Museum, Berkeley / New York Graphic paperback
71-4526Gilroy CA.: Gavilan College 1980. 4to. 8 pp. Soft Cover. Spiral bound. Black and white plates throughout. Included is the gallery invitation at Gavilan College Library a color postcard and a San Jose Mercury newspaper review of the exhibition dated 16 April 1980. Dedication to Pasquele Iannetti by Oronzo Abbatecola on inside cover. Very Good. Provenance: From the collection of Gallery Pasquale Iannetti San Francisco. Gilroy, CA.: Gavilan College, 1980. paperback
19802110502151000754Harry N. Abrams 1980. Soft Cover. Fine. Volume: 1 Harry N. Abrams paperback
187360908Vienna Austrian-Hungary: Photographie und Verlag der concessionirten Wiener Photographen-Association 1873. Four stereoview albumen photographs sized 6 x 3 in. mounted on printed card stock sized 7 x 3.2 in. w/ photographer’s imprints & text w/in fore-edge borders printed captions for 3 of four on versos minor shelfwear dustsoiling 1 w/ minor staining to left fore-edge still a nice set. Four very scarce albumen stereoview photographs visually capturing the Gallery of Fine Arts at the historic 1873 Universal Exhibition of Vienna which was intended to mark the silver anniversary of Emperor Franz-Joseph I and far surpassed any of the others in area with 233 hectares featuring 53000 exhibitors from 35 countries in 194 pavilions. Featuring the first appearance of the emerging Meiji-era Japan along with many pavilions promoting the world’s progress in industry art education and agriculture. The massive rotunda featured 70000 square feet and a huge number of exhibits including the clocks seen here in the photos. Also featured are the Belgian Moroccan Jury Pavilion and the Swedish. Unfortunately the Exhibition lost massively due to a cholera outbreak in Vienna and the stock market crash of 1873 9 days after the Fair opened. Still although losing the modern equivalent of $ 200 million and severely depressing the local finances vendors were pleased and 7 million did attend the Fair. Klosz 1844-1913 was an exceptionally successful Viennese photographer whose postcards CDV’s and albums documented Austro-Hungarian events. Kramer 1835-1892 was an early and longtime noted photographer in Vienna from 1858 until his death and was the co-founder and director of the Vienna Photographers Association the organization which shot over 2200 different images for the 1873 Vienna Fair; Frankenstein 1843-1918 photographed landscapes and architecture in and around Vienna and across the Austro-Hungarian Empire. See: Erin Hyde Nolan You Are What You Wear: Ottoman Costume Portraits in the Elbise-i Osmaniyye Ars Orientalis Freer Sackler 2021; Vienna Austria 1873 Exposition Universelle JDP Econ Publications 2017. Photographie und Verlag der concessionirten Wiener Photographen-Association, unknown
0520014510.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1964170747N.p.: N.p. 1964. Vintage borderless reference photograph from the 1964 film showing Frank A. Coe as Frankenstein's monster holding a nude woman. Layout annotations in manuscript pencil on the verso. <br /> <br /> An alien lands on Earth in order to kidnap the perfect human woman to use to create a race of servants for his home world. He finds the answer in the laboratory of mad scientist Dr. Breedlove. Originally titled "Dr. Breedlove or How I Learned to Stop Worrying and Love" then retitled "Kiss Me Quick" in order to exploit Billy Wilder's "Kiss Me Stupid."<br /> <br /> 8 x 10 inches. Very Good plus. N.p. unknown
193874999Los Angeles 1938. stapled at top edge as issued. Fine original condition. 11 x 8-1/2 inches . Cover art by Syd Roye in green. From the text: "The campaign suggested in this booklet has been used by both the REGINA Theater in Los Angeles and the BLUE MOUSE Theater in Seattle. Noth theaters broke all existing records and ran the double bill for weeks." unknown
94930New York 1980. Tverr-4to. 191 s. Rikt illustr. i farger og s/h. Orig. helsjirtingb. med vareomslag. . unknown
1997Q-0791433528State University of New York Press 1997-04-17. Paperback. New. New. In shrink wrap. Looks like an interesting title! State University of New York Press paperback
192531010Chicago: Robert Ballou 1925. First Edition. Hardcover. Very Good Condition. From the library of Ronald Harwood. Boards printed spine mild age-toning to spine otherwise very good. First edition one of only 600 copies inscribed by the author in 1929. Frankenstein noted art historian Chicago music critic and musician discusses modern classical music and the major influence that jazz has had upon it even at this early date. Features caricatures of Stravinsky Paul Whiteman Antoine Sax and Carl Van Vechten by Picasso Herb Roth Wesley Brown and Miguel Covarrubias respectively. Designed by esteemed Czech typographer Vojtech Preissig. Comes from a smoking household. Size: Octavo. Quantity Available: 1. Shipped Weight: Under 1 kilo. Category: Music; Inventory No: 31010. . Robert Ballou hardcover
