5 467 résultats
196510301371965. 418 S. OLwd.
First edition, 2 vols., 491; 586pp., orig. cloth.
4to, 32pp., followed by 50 collotype plates, presentation inscription from Henry Yates Thompson to Ellen Murray Smith, endpapers spotted, orig. buckram, fore-edges of boards lightly water stained, uncut, t.e.g. A very rare work, private printed in a small number for Henry Yates Thompson and given away by him to friends. Copac locates the a single copy at Manchester; No locations on OCLC.
First edition, 2 vols., xxii,,[2],464; xii,120pp., main work in cont. red morocco, marbled boards, lightly rubbed, uncut, supplement in orig. cloth. Provenance: A. N. L. Munby, bookplate; Phil Shirley, bookplate; Professor Birrell.
Third Edition, corrected, xix,117,[3]pp., 2 fold-out lithographed plates, the first containing twelve figures of tools and implements, the second nine figures of printing presses and parts, both plates are lightly water-marked affecting the image, & with 1" marginal tear to vertical fold of each, final leaf includes publisher's advertisements for two additional titles by Hullmandel; front & back endpapers soiled, with early owner's signature (L. Stilson) & date on front pastedown, final two blank leaves bit stained, half calf with early marbled paper over boards, red leather label (3x2") with gilt border & title, "A Manual of Lithography", & the name "L. Stilson" added to front board; spine worn & rubbed with 1-1/4" piece missing at head & small label with black "C" at foot; 3" split in front joint; corners, edges & joints worn, paper boards chipped, edges of cover label chipped. Hullmandel's best know work and most influential publication is his book 'The art of drawing on stone' which was first published in 1824. But in terms of establishing lithography in Britain, his translation from the French of this treatise by Raucourt de Charleville was probably just as important. This third and final edition contains some important new additions. Colonel Antoine Raucourt was chief engineer at the Ecole des Ponts et Chauss?es in Paris and ran its in-plant lithographic press. His book was originally published in Toulon in 1819. Hullmandel thought highly of Raucourt's treatise and wrote in the preface: "The books which have hitherto been published on lithography are very imperfect, and are much more adapted to persons who already understand the art than those who wish to learn it... I have repeatedly wished for a guide to explain the new accidents which occur every instant, and which... appear each time so new and intricate, that the beginner is consequently tempted to give up all hopes of ever succeeding. I am consequently better enabled to appreciate the value of this excellent treatise on lithography, and hesitate not an instant to pronounce it the best work which has ever been published on the art." Bigmore & Wyman II, p.240; Twyman, pp.110-14.
000397New York Macmillan 1926. Lilac cloth with some soiling and faded spine else very good. Hand-colored frontispiece and other illustrations. First edition. New York Macmillan 1926. hardcover books
133396157X.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
116454120X.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1436742315.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
Would be graded higher but for a two inch tear on the front pastedown. Bright clean glossy boards. Unmarked. Children will love this charming story from the Hundred Acre Wood about Winnie-the-Pooh, and will enjoy learning the names of all his friends. The brightly coloured pictures and simple text make the book suitable for pre-readers as well as for young bookworms. Book
First edition, 4to, 383pp., orig. printed boards, head of spine torn.
Folio (380 x 245mm), 35pp., followed by 75 fine collotype plates, including 3 in gold and colours, with the bookplate of the Printer's Library, Oxford University, title printed in red and black, orig. half Roxburghe morocco, lightly rubbed, corners bumped, spine lettered in gilt, uncut, t.e.g. This illuminated manuscript is held in Corpus Christi College, Cambridge (MS. 53). Barker, 178.
First edition, 4to, vi, [2], 144pp., from the reference library of Professor T. A. Birrell, some light unobtrusive waterstaining, orig. cloth, small nick to spine.
Large oblong 4to, 36pp., double-column text, 25 plates, each with a reproduction of 2 MS pages, title printed in red and black, free endpapers browned, occasional foxing, orig. green roan-backed printed boards lightly stained. The text considers the MS in relation to the companion psalter of St. Louis in the Biblioth?que Nationale in Paris. Cockerell (1867-1962), secretary to the Kelmsott Press 1891-6, director of the Fitzwilliam Museum, 1908-37, partner with Sir Emery Walker in process engraving business.
19693622044New York, Greenwood Press, 1969. Zusammen über 1700 S. OLwd. Gering berieben u. etwas angestaubt, minimal gebrauchsspurig.
Folio, 230,8pp., 104 plates, illustrs., in the text, orig. stiff printed wrappers, spine a little torn, 273 items. Special folio catalogue.
Folio, 230,8pp., 104 plates, illustrs., in the text, orig. stiff printed wrappers, 273 items. Special folio catalogue.
19621320260Vaduz, Rare Books Ltd. (1962). 4to. 4 Bl.,124 S. m. zahlreichen Textabbildungen u. montierten, teilw. ganzseitigen Tafeln, 1 Bl. (Catalogue 98). OHpgtbd m. geprägtem Rückentitel u. montiertem Supralibros in Goldprägung.
First Edition, 102pp., orig. buckram, t.e.g. d.w.
4to, 29, [1]pp., limited edition of 29 hand-numbered copies, this being number 14, 11 illustrs., signs of labels having been removed, orig. cloth.
1527660060.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
2 Vols., in one, small 4to (260 x 160 mm), 103 leaves including title and two advertisement leaves; 22 leaves including title and advert leaf (ornaments numbered 1-103), all printed on rectos only, printed on thick paper stock, 'Lepard' watermark, orig. boards with marbled covers, printed paper title label to spine (rubbed), inner hinges expertly repaired, a very good uncut copy with wide margins. The Fry's were a Bristol family, and Joseph Fry (1728-87) established the foundry at Bristol in 1764, in partnership with William Pine and Isaac Moore as manager and type-designer. By 1766 the foundry had moved to London, with Moore retiring in 1776 and Pine shortly after. In 1782 Fry took his sons Edmund (especially interested in exotic founts) and Henry into partnership, and made considerable purchases of Greeks and Orientals at the sale of James' foundry. Joseph retired in 1787 and in 1794 Isaac Steele joined as partner until 1808, when Edmund Fry was left in sole control until he admitted his son to partnership. In 1829 the foundry was acquired by William Thorowgood. A very good copy of this extremely rare and substantial specimen book. Berry & Johnson, p. 45; Mosley, 118 & 119.
Small 4to (250 x 155 mm), title with vignette, 2 ff. adverts, 126 ff. (i.e., 100ff. type specimens, 26 ff. ornaments, numbered 1-130) all printed on rectos only, printed on thick paper stock, 'Lepard' watermark, occasional spotting and turned corners, cont. calf, rubbed, joints cracked, black morocco spine label. The Fry's were a Bristol family, and Joseph Fry (1728-87) established the foundry at Bristol in 1764, in partnership with William Pine and Isaac Moore as manager and type-designer. By 1766 the foundry had moved to London, with Moore retiring in 1776 and Pine shortly after. In 1782 Fry took his sons Edmund (especially interested in exotic founts) and Henry into partnership, and made considerable purchases of Greeks and Orientals at the sale of James' foundry. Joseph retired in 1787 and in 1794 Isaac Steele joined as partner until 1808, when Edmund Fry was left in sloe control until he admitted his son to partnership. In 1829 the foundry was acquired by William Thorowgood. A very good copy of this extremely rare and substantial specimen book. Following an introduction, the specimens proceed from Ten line Pica to Diamond: 'the smallest Letter in the World. It gets in considerably more than the famous Dutch Diamond.' There are type in Hebrew and Greek, ornamental, Blacks, Exotics, Ships, Bands, frames, & decorative pieces composed of flowers continuing to a priced section of cast ornaments. This edition not listed by ESTC, Berry & Johnson and Mosley both cite the St. Bride copy only. Berry & Johnson, p. 46; Mosley, 122.
8vo., First Edition, with a frontispiece, 5 plates on 3 and a double-page plate, some light offsetting from fold-ins to free endpapers; cloth, gilt back, a very good, clean copy in unclipped dustwrapper, the latter with one tape repair on front panel and medium-size piece (not affecting text) missing from rear panel. A PRESENTATION COPY FROM THE AUTHOR WITH HIS SIGNED HOLOGRAPH INSCRIPTION ON FRONT FREE ENDPAPER.
1333957769.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback