Hippolyte BazinBiblio.com
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0259230014.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
0666280800.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1391680308.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1390854264.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
0428321763.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
011198Hippolyte Bazin (1855-1907), professeurs à Nîmes puis Reims, archéologue. L.A.S., Nîmes, 12 octobre 1889, 3p in-8. Longue lettre à Auguste Allmer (1815-1899). Il est question d'une inscription ancienne pour laquelle M. Goudard souhaiterait savoir la signification, il demande des nouvelles et mentionne aussi avoir décidé la ville de Nîmes pour acheter l'ouvrage Les gestes du Dieu Auguste. Cachet de la collection Etienne Déville (1873-1944), historien, conservateur à Lisieux. Intéressant document. [159]
190387701Librairie Polytechnique Ch. Béranger éditeur, successeur de Baudry Malicorne sur Sarthe, 72, Pays de la Loire, France 1903 Book condition, Etat : Bon relié, cartonnage éditeur, pleine toile bordeaux imprimée In-8 1 vol. - 215 pages
195084016Villenauxe-la-Grande Aube: S. n. 1950. Fine. S. n. Villenauxe-la-Grande Aube 1950 13.50 x 20.50 cm une feuille Autograph letter dated and signed by Hervé Bazin 49 lines in blue ink from his home in Aube La belle Angerie in Villenauxe-la-Grande in which he apologizes for his late reply: "". vous devez me trouver bien silencieux et m'en vouloir quelque peu."" ""you must find me very silent and hold it against me somewhat."" Hervé Bazin confides his apprehensions and psychological torments related to the political climate tinted with anti-communism : "" Depuis des semaines je traverse une sorte de crise assez pénible. je suis inquiet de voir se transformer peu à peu l'anti stalinisme et anti marxisme."" ""For weeks I have been going through a kind of crisis quite painful. I am worried to see the gradual transformation of anti-Stalinism and anti-Marxism."" and remains lucid about the minimal impact of his journalistic interventions : ""ma voix est mince mal assurée inefficiente."" ""my voice is thin unsteady ineffective."" preferring what his talent is recognized for : ""mieux vaut pour elle cet autre genre d'éloquence où je suis plus à l'aise : le roman."" ""better for it this other kind of eloquence where I am more at ease: the novel."" This is why he prefers to devote himself solely to writing his novels and suspends his collaboration with Georges Altmann to whom he had been providing some articles on current political events which he judges insufficient and too concise to express all that he would like to develop further: ""Pour tout vous dire je me lance dans un grand travail. qui m'oblige à quitter le forum. Il s'agit maintetant de passer à l'essentiel. C'est pourquoi j'arrête toute chronique fixe. Mais je suis avec vous plus que jamais."" ""To tell you everything I am embarking on a great work. which obliges me to leave the forum. It is now a matter of moving on to the essential. This is why I am stopping all regular chronicles. But I am with you more than ever."" Fold marks inherent to mailing. Georges Altmann began his great career as a journalist in 1922 at L'Humanité then directed by Henri Barbusse who entrusted him in 1927 with the La vie littéraire section. He was dismissed the following year from the communist daily while continuing to collaborate with Henri Barbusse on the review Monde. In 1932 he joined the Parisian editorial staff of Le Progrès de Lyon through which he made contact with the Resistance group Franc-Tireur. In March 1942 he went underground and became one of the principal editors of the review Franc-Tireur. He was arrested by the Germans in July 1944 then freed on August 18 the day before the Parisian insurrection. After the war he was involved in various journalistic and editorial activities. He then managed the press service of culture minister André Malraux. S. n. unknown
196379702Paris: Seuil 1963. Fine. Seuil Paris 1963 14 x 21.50 cm broché First edition one of 225 numbered copies on snow-white vellum. Two small patches of sunning at head and foot of spine otherwise a handsome copy. Seuil hardcover
1971140015Paris: ROMBALDI 1971. Relié. Etat Satisfaisant. in-12. 250 pp. ROMBALDI unknown
197233906Paris: Grasset 1972. Fine. Grasset Paris 1972 13 x 20.50 cm broché First edition printed on ordinary paper. Fine autograph inscription by the author. Handsome copy. Grasset unknown
1950C215853London: Secker & Warburg 1950. Hardcover Hardcover. Very Good. Octavo. 204pp. Original cloth slightly faded and marked with slight rubbing at top edge light foxing to prelims otherwise near very good indeed. No jacket. Secker & Warburg, hardcover
195365183Paris: Grasset 1953. Fine. Grasset Paris 1953 14.50 x 19.50 cm broché First edition one of 162 numbered copies on alfa paper our copy unnumbered the only deluxe copies along with 19 on Holland paper and 46 on Rives paper. Handsome copy. Grasset unknown
195473303Paris: Grasset 1954. Fine. Grasset Paris 1954 12 x 19 cm broché First edition one of 1840 numbered copies on alfa paper. Handsome copy. Grasset unknown
195085879Paris: Grasset 1950. Fine. Grasset Paris 1950 12 x 19 cm broché First edition one of 132 numbered copies on pure laid paper. Handsome copy despite some shadowing on the justification page and its facing page. Grasset unknown
195071057Paris: Grasset 1950. Fine. Grasset Paris 1950 12 x 19 cm broché Edition of the same year as the first edition. Handsome copy. Autograph inscription signed by Hervé Bazin to Gaston J. Viala. Grasset unknown
195078969Paris: Grasset 1950. Fine. Grasset Paris 1950 12 x 18.50 cm relié sous chemise et étui First edition one of 75 numbered copies on Montval deluxe copies with 20 on vélin de Rives reserved for Jean Loize bookshop. Full tawny morocco binding smooth spine gilt date at foot boards decorated with curved black morocco plaques representing horseshoes within which pieces of skin evoking the coat of a pinto bay tobiano horse mixture of brown and cream white have been applied brown paper endpapers and pastedowns all edges gilt covers and spine preserved half chocolate brown morocco chemise with bands brown-grey paper boards tawny morocco title label slipcase edged with chocolate brown morocco brown-grey paper boards elegant and spectacular binding signed D. H. Mercher. Very rare and handsome copy perfectly executed. Grasset hardcover
195014021Paris: Grasset 1950. Broché. Très bon état. in-12. 316 pp. Exemplaire sur alfa n°133 non coupé. Grasset unknown
500369184La Guilde du Livre Lausanne. Sans date. Bon état La Guilde du Livre Lausanne unknown
198833939Paris: Grasset 1988. Fine. Grasset Paris 1988 14 x 23 cm broché First edition on ordinary paper. Autograph inscription from the author. Handsome copy complete with its dust jacket. Grasset unknown
196779701Paris: Seuil 1967. Fine. Seuil Paris 1967 14 x 21.50 cm broché First edition one of 205 numbered copies on vélin neige the only deluxe copies after 155 on vélin d'Arches. Two small instances of sunning at head and foot of spine otherwise a handsome copy. Seuil unknown
feb69241Used. For more details please contact me unknown
195284798Paris: Grasset 1952. Fine. Grasset Paris 1952 14 x 21 cm broché First edition one of 80 numbered copies on Montval paper ours unnumbered but properly justified with Montval at the foot of the spine and below the print run justification deluxe copy. Handsome full-margined copy. Grasset unknown
195288926Paris: Grasset 1952. Fine. Grasset Paris 1952 12 x 19 cm Broché First edition one of 137 numbered copies on pure vellum paper a deluxe issue following 80 copies on Montval paper.A handsome copy. Grasset hardcover
195276665Paris: Grasset 1952. Fine. Grasset Paris 1952 12.50 x 19 cm broché First edition one of 137 numbered copies on pure linen paper the commercial deluxe issue after 80 on Montval. Handsome copy. Grasset unknown
